Categories
Arts

ARTS Pick: Vodka Variations

UVA Drama presents an evening of “bite-size” dramas entitled Vodka Variations, adapted from short stories by Anton Chekhov. The production examines the colorful world of 1890s Russia with hilarious and heartwarming glimpses into the lives of everyday people in search of love, happiness and a strong vodka buzz as they navigate their way through their absurd daily lives. As Chekhov himself once observed: “Any idiot can face a crisis; it’s this day-to-day living that wears you out.”

Through 2/28. $12-14, times vary. Ruth Caplin Theatre, 108 Culbreth Rd. www.artsboxoffice.virginia.edu or 924-3376.

Categories
Living

‘Back on the map’: New chef gears up to reinvent Keswick cuisine

It’s been a big year for Keswick Hall, and it’s only February. Within weeks, the inn announced its five-star rating from Forbes Travel Guide, and also welcomed a new executive chef to Fossett’s Restaurant.

“The hard work really starts now, in keeping it,” marketing director Janet Kurtz said of the five-star rating. “Now we have a world-class chef, and it’s time to reintroduce Fossett’s and put it back on the map.”

Chef Dwayne Edwards has been in kitchens all over the country, and was most recently at the Ritz-Carlton in Sarasota, Florida. In January of this year he resettled in Central Virginia, and he’s already making his way around town to find his place in the food scene.

Last week C-VILLE was invited to a private six-course dinner with wine pairings at Fossett’s, where Edwards said one of his first priorities has been reaching out to local farmers, “asking them questions they don’t usually get,” not only to learn what they have to offer but to let them in on his own plans.

Edwards grew up in Portland, Oregon, and said he wanted to go back to a place that reminded him of home. Not only is Charlottesville practically bursting at the seams with restaurants, from the white linen classics to the hole-in-the-wall favorites, but the abundance of all things homegrown has made Edwards want to dive right in.

“As a chef, that’s really all you can ask for,” he said.

In true Charlottesville form, Edwards gave a nod to Thomas Jefferson for growing crops on his own soil while incorporating flavors from all over the globe. Jefferson wasn’t just an agriculturalist, Edwards said, but also a world traveler and 18th century foodie. Edwards showcased his own ability to cross culinary borders while still keeping it close to home at last week’s dinner. (It’s worth noting that seven hours prior to the meal I was chowing down on a burger while casually interviewing the owner of the new downtown bar, so a place setting with 14 pieces of freshly-polished silverware had me a bit out of my element.) The first two courses featured rockfish caught from the Chesapeake Bay and salad greens plucked from the Keswick garden earlier that day.

Following the salad course, servers poured steaming hot kelp-and-soy-sauce broth over bowls of raw seafood and lion’s mane and velvet pioppini mushrooms. The briny soup gave a surprising balance to the earthiness of the mushrooms, which maintained their texture after only a few minutes soaking in the hot coastal broth.

“It’s Japanese in preparation, but the flavors are close to home,” Edwards said as the bowls were filled.

Next up was a ricotta cavatelli with Virginia-raised pork. Edwards warned the table that pasta dishes, when served as part of a multi-course meal, can be on the heavy side. Most people don’t finish the entire serving in order to save room for the remaining courses, he assured us, so don’t worry about cleaning your plate.

A medley of winter flavors including butternut squash, kale and pine nuts tied the dish together, all in a brown butter demi. Had I not been at a table in a luxury hotel, surrounded by servers who pulled out my chair for me and refilled my glass of sparkling water after every sip, I very well may have licked the bowl clean.

The intermission and mixology course (who knew that was even a thing?) featured a refreshingly floral and mildly sweet cocktail with confit of plum, ras el hanout, Plymouth gin, elderflower and marigold. Turns out Edwards was a bartender in a past life, and he hasn’t lost his mixology chops.

The star of the show (well, aside from that pasta that I could have shamelessly eaten half my weight in) was the filet served over potato puree with a shaved Brussels sprouts salad. Overall, it was a simple dish. The potatoes included just cream, butter and salt, and the filet was prepared exactly the way meat should be: directly over the fire. Ember-cooked beef, made on the coals in a fireplace, is making a comeback, and after slicing into the lightly seasoned, perfectly crisp exterior that locked in the rare juices, I can see why.

Dessert came in the form of hazelnut mousse-filled donut holes with salted caramel sauce and cocoa nibs, plus a glass of Sauternes. I think that speaks for itself.

Edwards addressed the group after the dessert plates had been cleared away, and shared his thoughts on Keswick’s culinary future.

“You’ve got to crawl before you can walk, walk before you can run and run before you can sprint,” he said. “We’re crawling right now, but we’re about to stand up. Just imagine when we’re sprinting.”

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News

Redistricting reform bills die in House subcommittee

A handful of bills to reform gerrymandering died February 12 in a seven-person House of Delegates subcommittee by voice vote. Delegate Steve Landes (R-25th) was one of those voting to kill the bills. “Our districts are not gerrymandered,” he said. “They’re approved by the Department of Justice.”

The state constitution makes legislators responsible for drawing legislative and congressional lines,  said Landes. “My concern with the proposals we’ve seen is that they cede that responsibility to an unelected group.”

Another concern for Landes is that the bills call for nonpartisan or bipartisan commissions to draw the lines, and he just doesn’t think that’s possible. “It’s a laudable goal, but not realistic,” he said.

Brian Wheelock with OneVirginia21, a bipartisan group of prominent Virginians calling for fair redistricting, said a commission “would be less partisan than the General Assembly. It removes the conflict of interest from legislators drawing their own voter maps.” And while legislators “pat themselves on the back for ethics reform,” said Wheelock, gerrymandering is the most glaring ethics issue.

Two bills that passed the Senate survive in the House subcommittee. SJ284, carried by Republican Senator Jill Vogel and Democratic Senator Louise Lucas, is a constitutional amendment to establish a seven-member Virginia Redistricting Commission. Another Republican bill, SB840 doesn’t call for a commission, but provides guidelines for redistricting, such as compactness, contiguity and communities of interest, while prohibiting the use of political data to draw the lines. That, said Wheelock, would address Landes’ concern about an unelected group drawing the districts.

Of the surviving bills, Wheelock is not optimistic. “I have no illusions about their fate,” he said.

Meanwhile, a bill carried by Senator Bryce Reeves (R-17th) that moves nearly 11,000 Albemarle voters into new districts, which critics say will be more partisan, sails out of the same House Privileges and Elections committee and is poised to pass this week.

Categories
Arts

Note-worthy: Charlottesville’s classical music scene is going strong

Charlottesville is a music town, no doubt. What other small city can boast that it’s seen the likes of The Rolling Stones, U2 and Lady Gaga come through, not to mention hosts a healthy local scene that’s launched a couple of groups into straight-up rock stardom and keeps a slew of smaller venues booked almost nightly. But that’s rock.

The classical scene, while it may not generate the same press (unfairly, many would say), is equally rockin’. Virtuosos including violinist Itzhak Perlman, cellist Yo-Yo Ma and pianist Lang Lang have thrilled local audiences in recent years, and national caliber opera, chamber music and choral performances run year-round. And while it’s certainly true that classical music organizations are struggling around the country due to a so-called “graying of the audience,” Charlottesville seems to be an anomaly, according to the heads of various organizations who are dedicated to making sure classical music sticks around.

“We have a constant influx of new patrons and individual ticket buyers. So far it’s still working,” said Karen Pellón, executive director of the legendary Tuesday Evening Concert Series, which has brought some of the world’s finest musicians to UVA’s Old Cabell Hall since 1948. Those musicians may not have household name recognition when they play Charlottesville, but that often changes, said Pellón.

“People will say, ‘We don’t know this artist.’ We say, ‘You will after you come,’” she said, citing past series performers including violinist Joshua Bell, the Canadian chamber ensemble Les Violons du Roy and famed Russian violinist and violist Yuri Bashmet. And bringing them in before they’re famous generates loyalty from the artists, Pellón said, which has helped the series bring them back after stardom has struck, such as when Les Violons du Roy returned in 2013 with acclaimed mezzo-soprano Stephanie Blythe.

Pellón acknowledged there’s been a slight slip in demand for the historically sold-out series—in recent years it’s been selling about 90 percent of season tickets for the 850 seat venue, but that means there’s room for new audience members, many of whom don’t (yet) have gray hair.

“I am noticing more young people than before, and particularly for specific concerts of interest,” said Pellón, who coordinates with UVA and area schools to bring students to the shows.

The Tuesday Evening Concert Series isn’t the only classical event that sells well at Old Cabell Hall. It’s often a full house for the Charlottesville Symphony at the University of Virginia, which is currently celebrating its 40th anniversary season. Last weekend’s Shakespeare-themed concerts were nearly sold out, said Janet Kaltenbach, executive director of the Charlottesville Symphony Society, the nonprofit that supports the symphony.

Kaltenbach describes Charlottesville as a “robust community for classical music,” and notes that the symphony does extensive outreach in schools in five surrounding counties, hoping to help build the next generation of classical music performers and audiences.

Outreach and education also play a big role for another Charlottesville classical music tradition, Ash Lawn Opera, which for many years performed outdoors in the summer at Ash Lawn-Highland but now calls the Paramount home.

“It is true that kids are not being exposed to classical music in the same way they were a couple of generations ago, and a big part is cuts to arts programs in schools,” said Kevin O’Halloran, Ash Lawn Opera’s executive director. “Organizations like ours have stepped into the breach. We have a strong education program run by volunteers from our guild who do programs in schools that reach 1,100 kids in Charlottesville and Albemarle.

Some evidence for opera’s survival can be seen locally through the Met Live performances at the Paramount, where ticket sales are healthy, according to Matthew Simon, the theater’s booking and programming manager.

But there is also evidence that the showings primarily appeal to an older crowd: Of the approximately 216 season passes sold for Met Live performances, 190 were sold to senior citizens. And at any given screening, the theater expects 500-700 people to turn out; not a sell-out for the 1,040-seat venue, but still enough to make Charlottesville one of the Met’s top sellers in the state.

Will there be an audience for opera in 10 or 20 years?

“I hope so,” said Simon, who sees the Met as leading the way forward. “The fact that they have these high def broadcasts makes it accessible to anyone who wants to see it.”

O’Halloran said ticket sales for the Ash Lawn Opera’s summer season—this year will be Madame Butterfly and My Fair Lady—are still strong, and the Opera has expanded to include a spring show as well as an annual Christmas performance of Amal and the Night Visitor. He cites a statistic from Opera America, the 140-member trade organization of which Ash Lawn is a member, showing that 50 million people experienced opera last year, either in an opera house, a stadium, on radio or TV or in cinemas.

“Opera is not dead, not by a long shot, but it is changing,” said O’Halloran. “That is a good sign, a sign of a healthy art form, one that is trying to reach new audiences.”

Categories
Arts

The people’s diva: Renée Fleming is branching out and looking for ways to keep opera relevant

In January, Charlottesville audiences experienced Renée Fleming’s artistry on the big screen at The Paramount Theater’s HD broadcast of The Metropolitan Opera’s live performance of Lehar’s The Merry Widow. On Friday, February 20, Fleming will grace the stage in person, and while opera houses around the country are facing increasingly tough times prompting cutbacks, strikes and closures, Fleming can still pack a house—if you can book her.

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News

Will a new administration grant Robert Davis clemency, despite his confession?

Twelve years ago this week, firefighters found Nola Charles and her toddler son William dead inside their burning Crozet home. Someone had duct taped Charles to her bed before stabbing her and slitting her throat. Three-year-old William had died of smoke inhalation. Three teens were convicted of the murders. All of them agree that one of them, Robert Davis, is innocent. Now, thanks to an investigation by Governor Terry McAuliffe’s parole board into what some legal experts believe was a flawed interrogation and a false confession, Davis is getting another shot at a pardon—his only hope for an early end to a 23-year sentence.

Davis has sought a pardon before, and failed. Last January, on his final day in office, Governor Robert McDonnell signed his name to a letter denying Davis’ petition for clemency more than a year after it was submitted, said Davis’ attorney Steve Rosenfield. McDonnell appointees never followed up on the petition, Rosenfield said.

But Davis’ second request is getting a different treatment. Governor Terry McAuliffe’s administration has pushed for a probe of Davis’ claims, according to Deputy Secretary of Public Safety and Homeland Security Tonya Vincent. Her department oversees the Virginia State Parole Board, which examines clemency requests.

“I don’t think it was ever investigated under the previous administration,” Vincent said of Davis’ petition. “We have requested that they do a full investigation.”

Under pressure

The details of the early days of the investigation have been extensively reported by various news outlets since 2003, and are backed up by later affidavits: Within two days of the murders, 19-year-old Rocky Fugett and his 15-year-old sister Jessica admitted they played a role in the slaying of their across-the-street neighbor and her son. They also named two other Western Albemarle High School teens. One was released from juvenile detention after police conceded they didn’t have enough evidence against him and dropped charges. The other was Robert Davis. Then 18, he was arrested at gunpoint by Albemarle County police and brought in for questioning at around 1am February 22.

Video released to C-VILLE and posted by the newspaper to YouTube shows what happened next. Police questioned Davis for six hours. Held in leg shackles and given little respite, Davis sounds first bewildered and then desperate on the interrogation tape, pleading repeatedly for a chance to talk to his mother as investigators push him to tell them the truth, so that he can be spared “the ultimate punishment.”

After more than five hours and dozens of claims of innocence, he starts giving police what they want. Bit by bit, he confesses to the crime, including the stabbing of Nola Charles; he stabbed her “one or two times,” he says. Moments before the video feed cuts out, the detective who has faced him off and on all morning asks him a final question.

“Is what you said tonight, this morning, to me—is that a true and accurate statement about your involvement, about who was there?” he asks.

“Yes,” Davis says, almost inaudibly. And then, after a pause, “because it’s too late for me to say no.”

He was right. Davis eventually entered an Alford plea: He pleaded guilty, conceding there was enough evidence to convict him, but maintained his innocence.

In 2006, Rocky Fugett asked for a meeting with Rosenfield, the attorney said, and said Davis wasn’t there the night of the double murder. He later told reporters the same thing. Jessica Fugett initially stuck to her story, Rosenfield said, but she later told him she wanted to clear her conscience, and admitted she lied about Davis’ involvement. Both have signed sworn affidavits saying Davis is innocent, he said.

“You have two killers, neither of them having any reason to lie, having signed under oath saying they framed Robert,” said Rosenfield. But Davis’ guilty plea meant a new trial or a sentence modification were off the table. A pardon was his only chance.

“And then you still have to overcome the confession,” Rosenfield said.

When innocents confess

A confession is a powerful piece of evidence, explained UVA law professor and false confession expert Brandon Garrett, and it’s often the only one police have to work with in a murder case.

“Assuming you don’t have DNA evidence or somebody caught in the act, some of the most important crimes crucially rely on whether this person is going to come clean,” he said. Sometimes investigators can’t resist asking leading questions. “It’s very tempting, if they’re not getting the answer they want, to encourage the answer.”

But there’s a growing understanding in the criminal justice world of the dangers of leading questions during an overzealous interrogation, he said: Certain people are vulnerable to confessing to crimes they didn’t commit.

Robert Davis is just such a person, said Dr. Jeffrey Aaron, a forensic and clinical psychologist at UVA who specializes in evaluating confessions, and the director of the Commonwealth Center for Children & Adolescents.

People have a hard time understanding the why and how of false confessions, Aaron said, but there’s a solid explanation.

“It seems crazy until you understand the process, and then it makes perfect sense. It’s completely consistent with known psychological processes,” he said. “There’s a core element of human psychology that involves choosing the best outcome available, and if it’s a bad but not worse outcome, you choose the bad outcome.”

Aaron testified in an Albemarle County Circuit Court hearing in 2003 that there were a number of errors with Davis’ interrogation by police, and when the Fugetts recanted, he signed a new affidavit reaffirming his takeaways. Davis had mental health problems and was immature, Aaron said, and combined with the way he was questioned—police indicated they had physical evidence against him when they had none, hinted that he could get the death penalty and told him he’d see his mom if he confessed, all of which was perfectly legal—he believes a false confession could have resulted.

Perhaps most importantly, said Aaron, the interrogation shows a clear pattern of Davis first denying allegations, seeking guidance on what to say and then feeding information provided to him back in the form of statements suggesting guilt. That, he said, is exactly how detailed false confessions come about.

The Albemarle County Police Department was unable to make detectives available for an interview about interrogation techniques by press time, but has committed to discussing policy for a follow-up story.

Aaron’s affidavit asserting Davis’ susceptibility to providing a false confession joins the sworn statements from the Fugetts in the clemency plea that is now, for the first time, getting a full investigation by the state. But Garrett pointed out that detailed confessions have staying power, even when there’s overwhelming evidence to contradict them.

“We have governors who fail to understand that a detailed confession could be wrong,” he said. Doug Wilder offered only life in prison to Earl Washington Jr., who confessed to raping and murdering a teenage mother in Culpeper in 1982, and Tim Kaine refused to grant a full pardon to the Norfolk Four, sailors who confessed to a brutal 1997 rape and murder; in both clemency petitions, there was exculpatory DNA evidence.

Davis and Rosenfield hope their case is strong enough to sway another governor.

“I’m deeply impressed with the McAuliffe administration taking the issue of justice surrounding the Davis case so seriously, and I’m happy at their commitment to seek out the truth,” Rosenfield said.

Categories
Arts

In the moment: Illustrator Frank Riccio’s exhibition reflects his intense focus

There’s something about the trees.

As I walk through the exhibit, I pause to study each painting, but the trunk of a pastel pine tree stops me. Every stroke on its limbs is a living gesture, each green leaf and blue shadow a flick. The pastel landscape glows with the artist’s movements, each tree a reservoir of long-spent attention.

“Buddhism is about the moment, about detachment, observation and compassion. Frank [Riccio] lived all of these things,” wrote Joseph Beery, a printmaker and longtime friend of the artist’s, in an essay that accompanies his posthumous exhibit currently on display at McGuffey Art Center.

“He was a compulsive sketcher. Pen or pencil in hand, he engaged the moment, quietly observing the details which others might miss,” Beery added. “As we multi-task away through a maze of sensory overload, he stood to one side and watched. Then, through the dynamic act of drawing he would navigate the tangled connections of the instant.”

Riccio’s intense focus is an unmistakable thread running through his work, which ranges from thickly illustrated en plein air pastels to bright illustrations of fantastical worlds. In many, a figure standing on a barren landscape sees a world rich with color and life.

“Frank was a pretty quiet guy,” Beery told C-VILLE. “He didn’t have a lot to say. He mostly put it down in images.”

Their decades-long friendship began shortly after Beery began what would become the Virginia Arts of the Book Center (VABC). In 1995, UVA was dumping a few letterpresses, so Beery and a few book advocates rescued and donated them to the Virginia Foundation for the Humanities. He enlisted Riccio, a new-to-town illustrator who ran a small publishing company with his wife, to help him hold space at McGuffey, where they could teach letterpress and printmaking and encourage people to use those vehicles as an outlet for their own writing.

“He would sit in the back drawing,” Beery said. “He most often drew us, sitting and talking, and the people who stopped by. Pen and ink and watercolor pencil were the ways Frank engaged the world around him.”

For 20 years, Beery hosted drop-in “block nights,” and Riccio was his most loyal supporter. He illustrated dozens of VABC broadsides and art books in addition to his own oil paintings, pastels and ink illustrations. In the course of his lifetime, he created hundreds of works, each thickly illustrated with brushstrokes and artistic attention.

Riccio began his prolific career in high school, where he excelled through the art department, then studied at the Pratt Institute in Brooklyn and immediately began receiving commissions for commercial illustrations. His work appeared in several columns in Gourmet and Sports Illustrated magazines as well as many children’s books, including Conversations with God, Johnny Appleseed and The Spirited Alphabet. He even illustrated a Barnes & Noble campaign with various authors on a worldwide map.

“He had one project where he worked with the founders of a chain of coffee houses called Café Gratitude in Berkeley,” said Beery. “The concept was that people can be more thankful for the things they have. They put money up to have him illustrate a board game called The Abundant River, which was painted on all the tables of the coffee houses. He also made a set of illustrated game cards and all of the posters and graphics—the entire inside of this coffee shop, basically.”

With the rise of digital stock illustrations, Riccio saw a significant number of projects sold to stock agencies and offshore groups, though commissions swelled again with the rise of fantasy and young adult books. The new focus was a good fit, since he loved fantasy, whimsy and children, but he also made a graphic novel about the experience of seeing his livelihood outsourced.

“He made a lot of graphic novels about personal experiences, including grade school and high school and raising children,” Beery said. “He was always drawing and painting and doing personal work, and he expected his employment to be putting pencil and pen and brush to paper.”

When Riccio died unexpected in 2014, he left hundreds of artworks behind. “He only has one heir, a daughter who is 21 years old, and it’s not her focus to curate his work right now,” Beery said. The illustrator’s current exhibit at McGuffey, where he was an associate member, is just a very few pieces that were hanging in his house.

“First and foremost he was a sketchbook artist,” Beery said. “Those ideas were the springboard for larger personal projects, but he always had a pencil and notebook in hand, observing and sketching and drawing and responding to the page in front of him. To get down what was happening, distill it, make notes about it.”

Those sketchbooks remained private until Riccio’s death. Though they’re still privately owned and have not been reproduced at McGuffey, I was able to look at a handful of sketches from them.

Notes accompany watercolor and ink illustrations on subjects like networking, “recalcitrant” letterpress rollers, Virginia Tech orientation and his daughter’s spring piano recital. His lines are deft, colors vibrant, energy loose but unmistakable. The world has been folded into Riccio’s pages, and it feels like he’s standing right here.

“His journals,” Beery said. “They are what he was about.”

See Frank Riccio’s work on display at McGuffey Art Center through March 1.

Do you have a favorite illustrator? Tell us in the comments.

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News

Mike Signer’s bid: City Council candidate talks platform, public safety

Mike Signer grew up in Arlington, but Charlottesville tugged on him from an early age. The 42-year-old Fifeville resident and father of two spent summers here as an elementary school student in the ’70s, taking enrichment courses at UVA.

“I remember vividly falling in love with the city back then,” he said in an interview with C-VILLE a few days before he formally announced his campaign for City Council February 11 with a launch event at the Downtown Transit Center that was well-attended by local Democrats.

Charlottesville became his home while he attended UVA’s School of Law, and he put down roots not long after, buying his Fifeville home while working as a legal advisor to Senator Mark Warner in 2005. He launched an unsuccessful campaign for Lieutenant Governor in 2009, but since then, his focus has been closer to home. He’s got a law practice and a family here—he and his wife Emily have 4-month-old twin boys—and he’s spent the last few years digging into local politics and civic life. He ran the Democrats’ 2013 City Council campaign, serves as the president of the Fifeville Neighborhood Association, chairs the board of the Charlottesville Emergency Food Bank and sits on the West Main Steering Committee and a police advisory committee that includes City Manager Maurice Jones and former federal prosecutor Timothy Heaphy.

A run for local office felt like a natural next step, he said.

“Charlottesville has this extraordinary diversity of communities,” said Signer. “I’d like to build bridges between as many of those communities as we can. And I want to bring professional, responsible leadership to the Council.”

As a lawyer and the chair of a nonprofit board, he said he thinks about fiduciary responsibility a lot. “It means you have an actual duty to think about the interests and the body as a whole,” he said, and right now, “I think that special or parochial interests take up a lot of the Council’s agenda.”

Signer’s campaign will focus on economic development, improving quality of life—including public education and public spaces—and public safety, and he plans to hold community conversation meetings on all three.

That last plank has absorbed a good deal of his attention recently, he said, thanks to conversations that have grown out of meetings of the advisory committee.

“We should be leading the country in restoring trust between citizens and the police, but we also need to make sure that the city is as safe as we can make it,” he said. He wants to see a greater emphasis on community policing, including a requirement that officers spend a block of time each month or quarter introducing themselves to people on their beats.

Signer also said he learned from the recent controversy over the renewal of the West Main ABC store’s lease. This winter, he championed a petition opposing the store’s continued presence, citing complaints about crime and littering, but the effort saw a backlash after other neighborhood residents claimed the issue was about gentrification.

Despite the flap, Signer said he thinks the issue ended in a win for everybody: The lease was renewed, and the ABC agreed to an increased security presence, among other “compromises,” he said.

“Almost every issue in public life has two sides,” said Signer. “I know that the way I’d want to be on City Council is listening to and hearing all sides.”

For the next few weeks, C-VILLE will sit down with the candidates who have announced their plans to run for Charlottesville City Council in November.

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News

Landes announces he’ll run for 11th term

Republican Delegate Steve Landes has announced his plan to run for an 11th term. Landes represents Virginia’s 25th House district, which includes part of Albemarle County as well as localities in the Shenandoah Valley.

“It has been an honor and privilege to serve the citizens of the 25th District in the House of Delegates for these past 19 years,” Landes said in a press release. “Together we have accomplished a great deal in those years, but we still have more work to be able to continue to strengthen our economy, to build on the foundation of our schools, colleges and universities, and to continue the work of preserving our heritage, traditions and culture for future generations.”

Landes was first elected in 1995, and serves as the chairman of the House Education Committee and vice chairman of the House Appropriations Committee.

He faces a challenge from Democrat Angela Lynn, a former FEMA employee and teacher who has lived in Albemarle County for 13 years. Lynn, whose home is in White Hall, announced her plan to run last week.

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News

Midwestern investment firm buys Wintergreen

A Missouri real estate investment trust, EPR Properties, has picked up Wintergreen Resort for an undisclosed price, it announced last week. Coal and resort baron Jim Justice, who bought Wintergreen for $16.5 million in June 2012, poured millions into infrastructure before putting the Nelson ski resort on the market a year ago.

“Wintergreen is an outstanding property with many of the attributes we look at as a long-term property owner,” said EPR spokesperson Brian Moriarty. Pacific Group Resorts will lease and operate Wintergreen.

Before Justice bought Wintergreen, the resort was in severe financial straits because of warm weather and a dispute with the Virginia Department of Taxation over the appraisal of a conservation easement, and had defaulted on its Bank of America credit line. It hired a turnaround company shortly before Justice, who owns the Greenbrier in White Sulphur Springs, pulled out his checkbook.

EPR, a publicly traded company with a market cap of $3.53 billion, refused to disclose the purchase price, citing the “quiet period” before quarterly earnings are reported February 24, although the company did announce the purchase during the same quiet period. “There was obviously interest in the community,” said Moriarty.

Wintergreen Partners Inc., which owns the services and facilities at the 11,000-acre resort, has real estate holdings assessed at over $56 million, according to Nelson County property records.