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News

FOIA suit fails: Judge rules police don’t have to release stop-and-frisk records

 

After Charlottesville Police Chief Tim Longo’s report to City Council stated that 70 percent of the people police stopped were African-American, the Public Housing Association of Residents and the local NAACP filed a lawsuit seeking police records under the Freedom of Information Act, according to their lawyer, Jeff Fogel.

Judge Rick Moore ruled September 11 that what had been described as “narratives” of temporary detentions, aka stops and frisks, were criminal investigative files and exempt under FOIA. He read a handful of the reports, saying, “I think it’s in the public interest to hear so there’s not a veil of secrecy.”

In 2012, Longo required officers to start reporting narratives of each stop to look at “the decision making of the officer making the stop,” he testified. “I was shocked we weren’t keeping this important constitutional record.”

Fogel initially made a FOIA request for the narratives in June 2014 and was told he could have them, but then he became ill, according to the lawsuit. When he requested them again in February, he was told they were criminal investigative files and exempt under FOIA. In court he asked Longo why he changed his mind.

Longo said he wanted to balance the needs of the community with the department’s interest in exercising the exemption by constructing an independent review process that could include the citizens advisory panel, the Human Rights Commission and the commonwealth’s attorney office.

In one instance, said the chief, an officer was sent to take a constitutional class at Montpelier to make sure he had proper knowledge of the law. “It was determined an officer had made a misapplication of the law,” he said.

After the hearing, Fogel said, “We learned there were some bad searches from the mouth of the police chief.” And he contended that withholding the narratives was “a political decision not to expose the police department to liability from illegal searches.”

Moore acknowledged that Fogel was at a disadvantage in the suit because he had not seen the narratives, and the judge said he read all 237 of the records the city provided. “They are all, in my opinion, criminal investigative files,” he said. Almost all were in response to calls—about fights, someone drunk, property loss or injury, he said.

He read the first four reports:

  • A white male drank half a beer and walked out of a bar without paying. He told the officer the beer was warm and went back in to pay for it.
  • A man was disorderly and drinking in front of a store. The officer found a person matching the description with a 40-ounce malt liquor, and gave him a ticket.
  • Three witnesses said during an argument at closing time, a man spit in the face of a woman and kicked her several times on the mall. The officer talked to the suspect who denied touching anyone.
  • A witness said a black male was sleeping on a bench. The officer spoke to the man, noticed slurred speech and the smell of alcohol, and took him to the Mohr Center, a residential treatment center.

In all of these instances, said Moore, although no arrests were made, they were all criminal investigations.

After the hearing, PHAR staffer Brandon Collins said he was disappointed with the ruling, but felt the judge seemed to encourage the idea that the information could be made public eventually.

“I think I was expecting something different from the narratives,” he said, “and why decisions were made.”

Updated 10:40am September 12 to clarify Longo’s testimony on not releasing the narratives.

Categories
Arts

ARTS Pick: Gaelic Storm

The name evokes a tempestuous clan of freckled redheads taking no prisoners as they blast through a set of fiddle-driven pub rock in the heart of a Celtic village, but, in reality, Gaelic Storm is a group of friends who met in Santa Monica, California, and made it big after appearing as the steerage band in James Cameron’s box office smash Titanic. The seriously talented group currently tours its modern Irish-Scottish tunes around the world, playing more than 100 gigs annually, and reveals its sense of humor on album titles such as Herding Cats, Bring Yer Wellies and Cabbage.

Sunday 9/13. $18-23, 8pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

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Arts

Album reviews: P.O.D., Joe Satriani, Vintage Trouble

P.O.D.

The Awakening/T-Boy/UMe

P.O.D. ended its previous record, Murdered Love, with singer Sonny Sandoval dropping f-bombs and checking off a list of the many forms of baggage that Christians bring to the table. The Awakening takes up the cause by way of a concept record featuring a drug-addicted, alcoholic, home-wrecking, neglected man going through a series of mishaps before righting his life in the end. The record is simultaneously entertaining and thought-provoking, from the pummelling opener “Am I Awake?” to the punk single “Speed Demon,” it’s a trip into the dark void of a soul that has lost all hope. “Criminal Conversations” employs a slightly dreamier aspect to the rock, aided by the haunting vocals of In This Moment’s Maria Brink and “Want it All” surprises us with the appearance of keys and trumpets hinting at acid jazz. For a band that’s been around for a couple of decades, this is a fresh entry to their discography.

Joe Satriani

Shockwave Supernova/Sony

Almost 30 years in and Satch still knows how to bring the rock, the whole rock, and nothing but the rock. The title track is a spacey rocker of the air guitar variety, while If There is No Heaven is the sort of driving rocker that has become his trademark, complete with sky-scraping solos and an indelible melody that burrows into your brain and never leaves. “Crazy Joey” highlights Satriani’s ability to switch from a simple mid-tempo rock number to lightning-quick scale work the next, topping it off with an injection of funky, bluesy riffs, while “In My Pocket,” reminds us he hasn’t forgotten how to make a dirtier, less-produced rock song. Shockwave Supernova is his 15th studio album and it hits all the marks we’ve come to expect: soaring solos, radio-ready, hook-heavy tracks and ambient tunes that feel so otherworldly they have names like “Stars Race Across the Sky.”

Vintage Trouble

1 Hopeful Rd./Blue Note Records

With its sophomore release, this quartet proves two things: the mere idea of a sophomore slump can kiss their grits, and anyone who thinks rock is dead is dead wrong. Led by the dynamic vocals of Ty Taylor and a sound that embraces the ’50s and ’60s, this album is a treat. Whether it’s the gospel-meets-pedal-steel on “Run Like the River” or the blow-the-house-down mover “Strike Your Light,” the album burns with high-energy. Then you have bluesy numbers (“If You Loved Me”), mid-tempo love ballads (“Shows What You Know”) and straight up soul (“Before the Tear Drops”) to give the album some emotional equilibrium. Charisma and swagger flow through every inch of the record’s 42-plus minutes and it leaves us hoping that 1 Hopeful Rd. leads to another.

Categories
Arts

Cracking up: Kurt Braunohler likes big butts (and he cannot lie)

When it comes to making people laugh, comedian Kurt Braunohler goes big. Really big. He once hired a skywriter to scrawl “How do I land?” in the sky over Los Angeles. He has donned a tuxedo wetsuit and rode a Jet Ski down the Mississippi River, doing stand-up gigs along the way.

Most recently, he drove a 1,600-pound foam-and-metal butt sculpture from Los Angeles to New Jersey, intending to insert absurdity into strangers’ lives. That butt—the Love Butt—now permanently resides in Charlottesville’s Ix Art Park. (But) more on that later.

Braunohler cracked the comedy scene nearly two decades ago, performing improv comedy with Upright Citizens Brigade in New York City, and he’s built his comedic reputation around absurd guerrilla performances.

From 1999 to 2004, Braunohler and fellow comedian Matt Murphy dressed up in homemade, mascot-esque costumes as Chunk (half chicken, half skunk, pure evil) and Chengwin (half chicken, half penguin, pure love; half-brother of Chunk). They battled in the streets of New York City, hitting each other until one of them fell over. They drew enormous crowds and shut down traffic for as long as 20 minutes. Over time, an entourage grew around each character, and for their final performance, Braunohler estimates that more than 2,000 people showed up to watch the melee.

Such moments of utter ridiculousness “can snap people out of their normal everyday routine,” says Braunohler. “We tend to get stuck in ruts, in the rote routines of our lives. So when all of a sudden something absurd—like a giant butt—hits, it reframes your perspective on your own life. And when you can see something from multiple points of view, you’re a lot less likely to punch somebody who doesn’t have your exact same perspective.”

Braunohler isn’t always the one creating the absurdity; he looks for it in the most mundane situations. On his debut comedy album, How Do I Land?, he jokes about how people behave in airports, about his skywriting stunt and about his experience sending a text message to a wrong number, then pursuing a conversation with the complete stranger.

When he’s not orchestrating large-scale gags, Braunohler works on a slew of other comedy projects. He co-hosts “Hot Tub,” an alternative and experimental comedy variety show with Kristen Schaal; voices a character on the animated series “Bob’s Burgers”; hosts the “K Ohle with Kurt Braunohler” podcast on the Nerdist network and is a frequent contestant on Comedy Central’s “@midnight” game show.

Braunohler is currently at work on “Better, Dumber, Faster,” a Comedy Central series that aims to make the world a better place through—what else?—absurdity. Each episode focuses on a thing that sucks about the world, and Braunohler will try to make that thing better. He created the Love Butt for the pilot episode, which focuses on how waiting sucks.

The butt was originally scheduled to whiz across the country in late June/early July on a freight train (hence its bizarre dimensions and noticeable flatness), so that when people in small town America were stuck at a railroad crossing, all of a sudden a butt would go by and break up the monotony of the train. “A butt is a very dumb thing, but you’d definitely know what it is if it sped by you,” he says with a laugh.

Just in case, he added the BUTT tattoo. He didn’t want the Love Butt mistaken for two big pink Chiclets.

At the last minute, the train wouldn’t take the butt, so Braunohler and his wife, “Better, Dumber, Faster” co-creator and showrunner Scotty Landes, rented a flatbed truck and drove the butt—at a top speed of 65 mph—across America, stopping in various cities for stand-up shows and visits with friends. They filmed the entire time.

Near the end of the tour, Braunohler stopped in Charlottesville to visit a friend (and former Chunk entourage member), and needed to find a large public space to seat the butt. The Ix Art Park fit the bill.

“Weird things happen at the Ix Art Park,” says park instigator Brian Wimer. “I got a call that a giant butt needed a place to park, so of course I said yes.”

Ix hosted the Love Butt the evening of July 5 and drew a small crowd of people who, to Braunohler’s delight, posed for photos with the sculpture before it hauled ass to its final destination in New Jersey. Braunohler planned to cut up the butt and toss it in a dump at tour’s end, but Ix asked to add it to its permanent collection.

Braunohler is pleased that the Love Butt has a gig surprising and delighting Ix visitors.

“Sometimes we’re presented with unforeseen opportunities that look like 8′ butt cheeks,” says Wimer. “I never anticipated having a huge ass at the park, but there it is and it’s a Love Butt, which is even better. Our motto is ‘dream big,’ and I guess the cosmos were listening.”

Braunohler is a gut-busting comedian in any format—his podcasts, his shows and his album—but he’s at his best in the street and on stage, bringing comedy to the masses. He’ll return to Charlottesville on September 14 with his Very Serious tour to deliver an hour-long comedy set that he says is “roughly based on the idea of trust.”

Nothing is off limits as far as Braunohler is concerned. It’s how he gets his audience to lighten up and consider new perspectives. “Everything goes into the machine. Everything should be joked about. If you’re going to talk about it, you’re going to have to find some humor in it. Humor is just another way of giving a perspective on a situation, so we have to make fun of everything,” he says. That’s how we can get to the bottom of things.

–Erin O’Hare

Categories
Magazines Real Estate

The anatomy of a good offer

At the heart of every real estate transaction is the contract, the agreement between two parties for the purchase of a home.  The contract reflects hours of work on the part of the buyers, sellers and their agents to craft an agreement that works for both parties.  Whether or not it is a “good offer” depends on many factors, including the current market and the respective needs of both parties.

The contract states what the buyer is willing to pay for the house and also spells out any contingencies.  These can include items such as the timing of a home inspection, whether or not the buyers have a house to sell first, how soon they want to close and how they will pay, whether by cash, mortgage or some other arrangement such as seller financing.  The contract may also specify that the buyers want the sellers to leave items with the home such as window coverings or appliances like the refrigerator, washer and dryer.  Finally, it will also name a date and time by which the sellers must reply back to the buyers via their agent.

The sellers may either accept the contract as is or respond back with a counter offer.  This could be anything from a higher price to a refusal to leave the refrigerator.  They may also ask for an earlier or later closing date or any of a number of other items depending on their particular circumstances. The buyers can then accept the changes or suggest alternatives.  The negotiation continues until both parties agree on the terms and conditions of the contract.  If they can’t agree the house stays on the market and the buyers are forced to find another one.

What determines if an offer is a good one?  A big determinant is the current market.   If there are lots of homes on the market to choose from, buyers can take their time and may be able to negotiate lower prices and better terms as sellers are forced to be more negotiable.  If it is a hot market with multiple buyers bidding on the same homes, serious buyers will make higher offers and minimize the number of contingencies. Regardless of the market, a good offer is one that takes into consideration the needs and desires of both parties and results in a final contract that everyone can live with.

The Market is Key

The current market plays a big role in what makes for a good offer, and this can vary somewhat by month, by neighborhood and even home to home within the same community.

The last several years have seen a significant improvement in our residential market. A few years ago during the recession, there were lots of homes for sale and buyers could take their time and demand lots of concessions, while sellers often felt lucky to have an offer.  Today prices are rising as inventories dwindle and days on the market decline. The recent Second Quarter Report from CAAR showed closed sales up 12 percent compared with last year at this time.  In addition, half of the homes sold in an impressive 33 days or less, the lowest median days on the market since 2006.

With 11.2 percent fewer homes on the market than at this time last year good offers looked very different than they did a few years ago.  For example, Inessa Telefus with Loring Woodriff Real Estate Associates described the recent spring market as one in which buyers had to make a decision and write a contract quickly to be in the running for existing homes in popular neighborhoods.  In some hot areas that meant viewing a home and making an offer the day it came on the market.   Even so, the competition was such that many homes received multiple offers, and a good offer was often one in which the price was greater than what the home listed for with a minimal number of contingencies.

Even in a hot market, not every home sells quickly or for over the list price.  CAAR’s recent market report stated that on average during the second quarter, sellers received 95.8 percent of their list price, which was up from a year ago when it was 95.1 percent.

To be taken seriously offers need to reflect an in depth understanding of the current market by neighborhood and by time of year.  For example, in August the market slowed a bit as many people enjoyed vacations or were busy getting their children back to school.  Karen Kehoe, Associate Broker with RE/MAX Regency, called the market “fast,” but added that there are still homes to choose from   However she also said the buyer pool is shrinking since most families will have moved by now in order to be settled when school starts.   This means those still in the market have less competition than during the spring rush and can be more relaxed about finding and making an offer.

Phyllis Novotny with Roy Wheeler Realty Co. described the current market as “spotty,” indicating that a few areas are still hot with sellers receiving multiple offers while some others have slowed down after what she called a “strong spring market.”  In other words, today, whether or not an offer is considered good will vary with the neighborhood in which the house is located.

Telefus recounted a situation in a desirable neighborhood where a home recently came on the market and sold in four days for more than the list price.  On the other hand, Kehoe described a situation where a home had a long stay on the market even though it listed for considerably less than what the seller paid for it a number of years ago.  Sellers in the second situation might well welcome an offer that those in the hot neighborhood would only laugh at.

This market variability means it is critical to work closely with your agent who will be familiar with these kinds of trends and can offer advice on how best to work with the most current conditions when writing an offer.

The Art of Crafting an Offer

Although the two parties don’t communicate directly while negotiating the sale of a home, there are ways for buyers to get information to help them write an appealing offer.

Kehoe said it is important for buyers to “listen and find out what the seller really wants.”  They can do this by directing questions to the seller through their REALTOR®.  Sometimes it is possible to find out why the owners are selling and how quickly they want to move. Sometimes sellers will even indicate if they are highly motivated. This kind of information is very helpful to buyers and their agents when they write an offer.

When buyers don’t ask these questions, a contract may be rejected for unexpected reasons.  For example, Novotny described an all cash contract she received on one of her listings.  Normally sellers like cash contracts since when buyers require a mortgage, their contract is contingent on financing, introducing an element of risk. This is especially the case today given the much tighter standards imposed by mortgage companies that can result in longer approval times and denial of loans in some instances.

However in the case of Novotny’s seller, although the contract specified cash removing this risk, the seller said no because it also required a closing date just three weeks away.  The seller was in a very busy time in her work and was unable to organize a move that quickly so declined the contract.  A good offer in this situation would have allowed the seller enough time to move out comfortably.  However, for a different seller, someone who had already purchased another home, or who needed to move quickly to start a new job somewhere else, this would have been an offer to brag about.

There are a number of steps that buyers can take to increase the chances their offer will be accepted.  A big one is to provide proof they are good for the mortgage.  This means meeting with the lender before they look for a home and getting pre-approved for a loan.  Pre-approval means the lender has looked at the buyer’s financial information including their credit rating.  They then generate a letter stating the amount of loan the buyer would qualify for.  This is not final approval but is a good indication that the buyer is solid.  This letter is presented to the sellers by their agent along with the signed contract from the buyers.

Buyers can also show strength by putting down a larger down payment.  A seller looking at two offers, one with a 5 percent down FHA loan and one with a conventional loan, may choose the latter.  A 20 percent down conventional loan indicates a “stronger buyer,” Novotny said.

While the price may be the determining issue in many contracts, other factors can also come into play.  For example, although home sales are a business transaction, they can also be very personal, especially for someone who has lived a long time in the same house and has many nice memories associated with it.

Kehoe had a seller once who loved her house and wanted to sell it to buyers who would care about it as much as she did.  She received two contracts, one from an investor and one from some individuals who included a letter explaining how much they loved the house and why.  The seller accepted the contract from the individuals even though it was $3000 less than the investor’s offer.  Writing a letter like that is “the only way for the buyer to talk to the seller,” Kehoe said.  On another occasion she encouraged a buyer to write a similar letter and in that instance the seller accepted a contract that was $10,000 under the list price.

Another way for buyers to find favor with sellers is to offer a reasonable turnaround time on the home inspection, Novotny suggested.  With any home inspection there is risk that the inspector will find something the buyer doesn’t like and the seller is unwilling to fix.  In that case if the parties can’t come to some kind of agreement, the contract dies.  Learning about this early on can be a real benefit allowing the sellers to put their home back on the market quickly and the buyers to get on with finding another house.

If you plan to buy a home soon spend time educating yourself so you know what questions to ask, Telefus advises.  She also suggests that when you make an offer, keep some money aside for repairs especially if it is an older home.  If you are a seller, be prepared to “look seriously at offers when they come in,” she said since fall and winter are a slower time of year.

For the best information on your situation, consult your agent for advice.

By Celeste M. Smucker, PhD

Celeste Smucker is a writer, blogger and author who lives near Charlottesville.

Categories
Magazines Real Estate

Staging a house to sell

“It can be hard for homeowners to really see their own dwelling,” declares Liz Blankenship, co-owner of Charlottesville’s Stage to Sell. “They are emotionally and financially invested in their home, so it’s hard to view it as a ‘product’ competing with other houses for sale.”

While staging may not increase the ultimate selling price of a property, it can make a home stand out among the competition and may well reduce its time on the market.

“It’s critically important to have a house show well when it’s time to sell,” agrees REALTOR® Byrd Abbott, an associate broker with Roy Wheeler Realty. “Some tweaking and paring down often needs to be done because it’s so much easier to present a staged home.”

Abbott says sellers are usually receptive to staging ideas. “Honestly,” she explains, “I’m pretty good with suggestions. I just say, ‘Look, this would be a simple thing to do. We could do it right now.’ And we do it.”

Staging may be most important in an empty house, she adds. “Having some minimal furniture helps people envision how they could fit in, because empty rooms are perceived as being smaller than they really are.”

What exactly is staging?

Interior design reflects the homeowner’s taste, lifestyle, and color palette. Staging, on the other hand, invites potential buyers to visualize their furniture in the spacious living room, their china cupboard in the cheerful dining room, their family’s portrait over the mantel. There are several aspects to staging.

“First, people like a place that’s ready,” Stage to Sell’s Blankenship says. “They don’t want a place that needs lots of work. The biggest problem in showing many homes is Too Much Stuff. It makes any house feel small. Be ruthless in disposing of items, or at least storing them off the property. Get rid of clutter.”

Since first impressions are crucial, start that clutter reduction at the street. Maximize curb appeal with bushes neatly trimmed, a nice green lawn, and fresh mulch on the gardens. Have bicycles, garden equipment, toys, and trash cans out of sight. Power wash the house if necessary and have a bright, clean front door. Professional window cleaning does wonders to freshen a property.

Once inside, lookers should get a favorable impression from a house that’s friendly, tidy, and clean smelling without overpowering air freshener scents. Be super aware of any pet odors, since animals can be a big turn-off for some people. Stash pet items (especially cat trees and litter boxes) and when potential buyers are expected, remove pets from the house and yard.

Next, Blankenship advises, “You want to ‘de-personalize.’ Remember, you want potential buyers to see themselves in the house, not your family. Store away the wedding photo, get the snapshots off the fridge, and the kids’ sports trophies off the mantel.”

“You don’t have to take down every single personal thing,” REALTOR® Abbott allows. “You want buyers to see that a real family has enjoyed this home, but they don’t need to see every last horse ribbon.”

Room by room

The lighter a room, the more spacious it will appear, so it’s smart to open the blinds. Keep it from looking crowded by reducing the amount or size of furniture. Painting is an economical investment in optimizing the interior of any house. The best strategy is to use a neutral color throughout, but this doesn’t mean just plain white. There are hundreds of shades of white, and these days pale greys and greens are also deemed neutral.

Since the kitchen is often a key selling point, Blankenship says, make it bright. Too Much Stuff on the counters implies there isn’t ample storage. Still, it’s a good idea to display a few items such as a set of up-to-date canisters, a bowl of fresh fruit, and some colorful dishtowels to show the kitchen is usable. Floors, counters, sinks, and cabinets (including interiors) should be spotless.

Blankenship also suggests presenting rooms as “single purpose.”  For instance, make the guest room strictly a guest room rather than a combination bedroom/office.

Bathrooms are very personal spaces so take particular care. Get that old bathrobe off the back of the door and make the entire room sparkle. Keeping toiletries (especially toothbrushes) in baskets makes it easy to stash them out of sight when lookers are expected.

Most potential buyers don’t hesitate to inspect closets, so be sure they are orderly and clean with nary a trace of musty odors. Demonstrate adequate storage by minimizing items so there is empty space on shelves and clothes aren’t jammed together on the rods.

If possible, make children’s rooms gender neutral and keep them tidy with covered storage tubs. At the same time, it’s good to have a “kid zone” showing there is plenty of space to play.

Although staging isn’t so important in garages or cellars, they contribute to the overall impressions of a property. Keep things tidy. Minimize musty odors. If garage walls are scarred, consider a quick coat of paint. People understand that when you move you’ll have packing boxes around, but keep them orderly or stow in a short-term storage unit. Remember, you always want to present a picture of generous storage capacity.

Whether you stage your own house or hire a professional, remember the key points to attract would-be buyers: de-clutter, de-personalize, and stay neutral. They can really make a difference in helping a property sell.

By Marilyn Pribus

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When Marilyn Pribus and her husband moved from Sacramento to Albemarle County eight years ago, they spent time and money to stage their California house. They put nearly half their furniture in storage, kept fresh flowers everywhere (even in the bathrooms), and walked the dog around (and around and around) the block whenever REALTORS ® showed the property.

Categories
Living

Eat like a pig: Babes in the Wood brings forest-fed pork to new restaurant

“Happy pig, good bacon.”

That’s one of Bill Jones’ mantras when it comes to Babes in the Wood, his decade-old pig farm in Buckingham County, also the name of his recently opened farm-to-table restaurant in Charlottesville. You may recognize the names and faces from the City Market—Jones and his wife, Kimberly, figured they’d had so much success with their market booth that they might as well give a brick-and-mortar restaurant a try. The concept of the restaurant, located at 909 W. Main St. in the old Ariana Grill Kabob House space, is pretty simple: Jones and his family raise healthy, happy pigs on 75 acres of forestland and serve up the meat in the form of bacon, bacon jam, sausage and pulled pork.

There’s a scene in the TV show “Gilmore Girls” in which the ever-honest Richard Gilmore comments on the pork served to him at dinner.

“Pork is bred leaner these days. It has a different taste. Less fat equals less flavor,” he says. “Yet another example of the great advances man has made: flavorless pork. Hurrah for the opposable thumbs.”

Jones, who worked an office job in England before moving to Virginia with his wife and starting the farm, says he had long been disappointed by the pork products available in grocery stores.

“The supermarket stuff is so bland,” Jones says. “I figured if I was looking for good pork, other people probably were too.”

Thus, the family founded Babes in the Wood and began raising Tamworth pigs, a rare breed that is “slow-growing but perfectly suited to life in the woods.” The 120-some pigs on the property roam free in their herds 12 months out of the year, regardless of the weather, and Jones says it’s not uncommon for him to step outside and see no sign of them. He feeds the pigs locally grown corn mixed with minerals, plus the occasional table scraps from home and the restaurant, but they also fend for themselves. The restaurant walls are lined with photos from the farm, and one features a pig with its snout buried in the ground, rooting around for bugs and other delicacies.

“On my farm, the pigs run the place,” Jones says. “Until the last day.”

Jones is the first to admit that he gets attached to the animals and has a lot of affection and respect for them. But it’s exactly this respect, and the fact that the pigs live healthy and natural lives, that Jones says makes it easier to say goodbye when the time comes.

“I do admire the pigs greatly. I think they’re fantastic animals the way they’re able to survive all year-round,” he says. “However, they’ve had a good life. I think if you’ve treated an animal well, then it’s okay to take the meat. If you treat them like a machine and treat them terribly, then you get what you deserve.”

There’s something special about digging into a local meal while sitting next to the farmer who raised the meat, and it’s hard to argue with the resulting taste. The barbecue sandwich, which Jones recommends for a first-time customer, is simple and flavorful and not drenched with sauce or overwhelmingly spiced like pulled pork often is. The hickory- and apple-smoked meat is served with a choice of classic or red cabbage coleslaw plus two types of sauce. There’s the thick, sticky, sweet classic barbecue sauce and, for something that packs a bit more of a spicy punch, the thinner, tangier North Carolina variety. Sandwiches on the menu also include a classic BLT, bacon and arugula with herb garlic spread, Italian roast with broccoli rabe and provolone cheese and the Veal and Squeal, a burger made with pork and veal, which Jones also raises on the farm.

Side items include homemade baked beans and crispy, not-too-greasy potato chips that are clearly homemade—you get that perfect crunch with a few softer, puffy pieces mixed in that are reminiscent of home fries. If you have any slaw left over after slathering it on your sandwich, be sure to scoop it up with the chips. In the drink cooler is a selection of beverages that includes freshly squeezed lemonade, Carter Mountain peach cider and Monticello root beer.

In an effort to keep as many menu items as possible connected to the farm, Jones keeps a flock of about 60 chickens that regularly provide fresh eggs, which are available for breakfast at the restaurant all day. Indulge in a biscuit loaded with homemade sausage gravy and a side of cheesy grits or create an omelet with local produce, cheese and, of course, pork (in the form of bacon, sausage and ham). The build-your-own eggs Benedict option allows for some creativity, but don’t mistake the avocado hollandaise for a typical hollandaise sauce with added avocado—Jones says his wife created a sauce of sorts out of avocado and lime juice as an alternative to the classic creamy concoction of egg yolk and butter.

With Babes in the Wood restaurant up and running, Jones is already thinking ahead to ham and pea soup for the fall and, potentially, a food truck. Pork futures worth betting on.

Categories
News

Supes not swayed: Board poised to expand southern growth area boundary

Story updated September 16

More than 30 citizens voiced their opposition to a change to the county’s comprehensive plan that would expand its southern growth area at the Interstate 64/U.S. 29 interchange, with a couple quoting the lyrics of Simon and Garfunkel (“People hearing without listening”)  and Grandmaster Flash (“Don’t push me ’cause I’m close to the edge”) to inspire their elected officials to reject the amendment.

The Albemarle Board of Supervisors listened to 44 speakers for two hours at its September 9 meeting—and then signaled they were ready to approve the amendment after a few details are worked out, a seismic shift in how the county, which is widely viewed as not particularly business friendly, handles development.

The change would open the possibility for Deschutes Brewery in Bend, Oregon, to build a facility here—if the company doesn’t choose one of the two other states it’s considering. For those in favor of expanding the growth area by 223 acres, the issue was jobs and the lack of land zoned light industrial in the county.

Those opposed expressed alarm with the unprecedented and speedy effort to amend the county’s comprehensive plan to lure a company the county has refused to identify—Deschutes has confirmed to C-VILLE it’s looking at Albemarle—at the behest of the Board of Supervisors, rather than the landowner or developer.

In August, the planning commission unanimously rejected the amendment, citing traffic at the interchange, lack of water and sewer, critical slopes, habitat protection and the expedited process “not keeping with good planning practice,” planner Elaine Echols told the board.

But the supes had other considerations. They had just learned earlier in the day that the county faces a nearly $9 million shortfall in next year’s budget, and could come up short $30 million in the next five years.

Supervisor Ken Boyd disagreed that the amendment was a rush job. “In 2010 we made economic development a priority,” he said. “We’ve been talking about this for five years.” And he reminded his fellow supes of what one of the 11 pro-amendment speakers said earlier in the evening: A company unable to find land here had located in Roanoke and hired 600 people, according to commercial realtor Carolyn Betts, who said she’d been unable to find suitable sites for four other businesses.

Champion Brewing founder Hunter Smith mentioned his company’s seven-figure revenues and said he supports the change as a member of the brewing community. He said he’s seen a number of breweries come through looking for space and end up locating elsewhere.

Albemarle County School Board member Jason Buyaki voiced his support of the amendment, noting the “revenue cliff we face.”

And Frank Stoner, who lives in the Sherwood Farm neighborhood close to the site and who is attempting to redevelop the Barnes Lumber site in downtown Crozet, urged a yes vote, because otherwise it would send the message, “Albemarle is still closed for business,” and because the property could be developed as residential, which is more expensive for the county in services that must be provided.

Opponent John Martin criticized the county for not inventorying its light industrial land before claiming it needed more, and said approving the amendment would be “a danger to the rural area.”

The League of Women Voters’ Susan Roberts said she was concerned about the precedent and the conflict of interest: “You cannot ask county staff to represent the applicants and evaluate, too.”

Morgan Butler with the Southern Environmental Law Center echoed that. “We’re very uncomfortable that the county rather than the business is spearheading this,” he said. “Please press pause and ask the landowner or its agent to come forward.”

The parcel Deschutes desires is owned by Sweetspot of Albemarle LLC, which county records list with an Atlanta address that Atlanta property records show belongs to Douglas S. Holladay Jr., a UVA and Darden School of Business grad who’s chair of the Jefferson Scholars Foundation.

When the supervisors began discussing the amendment, Liz Palmer, who represents the Samuel Miller District where the Sweetspot property is located, was the first to voice her position and said she was not in favor of going forward.

With Boyd and Chairperson Jane Dittmar clearly in the approval camp and Palmer opposed, it was left to the three other supervisors to determine whether the amendment would be approved.

Supervisor Diantha McKeel said she was concerned about the precedent, but the former school board member was also concerned about the projected five-year $30 million funding gap to schools.

Although White Hall District Supervisor Ann Mallek said people stop her in the grocery and ask, “When are you going to do something about businesses leaving?” she said the county can’t provide jobs, but it can provide opportunities for jobs, and it can do so in a way protective of resources.

When it became apparent that Palmer didn’t have the votes to stop the amendment, she said she wanted to tighten up the text about what’s allowed on the site. It was after 10pm, and the supes voted 5-1 to defer the decision and have one more meeting to hammer out the details, including whether to add a smaller parcel to the growth area.

County Executive Tom Foley parsed the delay as the board “working for conditions for approval so the company will be thinking something positive is going on.” The board will meet again September 23.

 

Original September 10 story:

Supes delay comp plan boundary decision

After listening to 44 citizens express their opinions for more than two hours on an amendment to the comprehensive plan that would add acreage to the growth area at the Interstate 64/U.S. 29 interchange, the Albemarle Board of Supervisors decided 5-1 to postpone action at last night’s meeting, while signaling they were prepared to approve the expansion.

The controversial amendment is to accommodate a West Coast brewery interested in locating at the 223-acre site south of I-64—although the company is also checking out two other locations. The county has refused to identify the business, but a spokesperson for Deschutes Brewery in Bend, Oregon, has confirmed that it’s looking at Albemarle.

The overwhelming majority of those speaking at the public hearing portion of the meeting opposed the amendment. The dozen who spoke in favor of it cited the job creation potential and lack of light-industrial-zoned land in Albemarle. Economic development was a theme that resonated with the supervisors, and when it became apparent that the majority—except for Samuel Miller District Supervisor Liz Palmer—favored the amendment, Palmer said she wanted to tighten up text about what’s allowed on the site. It was after 10pm and the supes decided to have one more meeting to hammer out the details. County Executive Tom Foley parsed the delay as the board “working for conditions for approval so the company will be thinking something positive is going on.”

Read more in next week’s C-VILLE.

 

Categories
Arts

ARTS Pick: Xilent

 

Xilent’s rise to prominence has been meteoric, to say the least. At just under two years since his debut release, Choose Me II, marked the arrival of a serious new talent, he’s become one of the most talked about names in dubstep. Maintaining a global DJ schedule alongside his production and remix work, Xilent is part of a new wave of bass culture artists taking sound to new territory by pushing genres out of their clichéd ruts and into bursts of creativity and vision.

Friday 9/11. $12-15, 9pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

https://www.youtube.com/watch?v=rW9wqovjgP0

Categories
News

UPDATED: Lockn’ to open Friday morning

The Lockn’ organizers have officially announced that all Thursday performances at the music festival have been cancelled, due to a severe thunderstorm that caused damage to the festival’s parking and campground area Wednesday evening.

It is now scheduled to open “first thing” Friday morning, according to organizers who are also offering places campers can stay until the festival opens:

They say River Ridge Mall has plenty of parking and restaurants at 3405 Candlers Mountain Road. Attendees are welcome to stay overnight in the parking lot of the James River Conference Center at 400 Court Street and, as well as at the Hillcats Stadium at 3176 Fort Avenue.

“Despite the inconvenience the storm has caused, we count ourselves lucky that everyone is safe and that we have three great days of music ahead of us,” organizers wrote in a press release. “We look forward to seeing you soon.”