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News

UPDATED: City Council sides with YMCA

The Brooks Family YMCA has been in the works since 2006 and secured a ground lease from the city to build in McIntire Park in 2008. Seven years later, the still-unbuilt facility faces continued opposition from members of the Charlottesville City Council as amendments to the ground lease were introduced earlier this month.

In a 3-2 vote on September 21, City Council approved the YMCA’s request for a change that would dictate that if the YMCA defaults on its $12 million bank loan from Sonabank, the bank would hold the lease and be responsible for finding a new tenant for the space if necessary.

Although the facility’s use-agreement dictates that a new tenant would have to maintain a nonprofit community recreation facility consistent with the YMCA’s plans, Councilor Dede Smith said at a September 8 meeting that she is dissatisfied with the amendments.

According to the Daily Progress, Smith said, “Once it’s with the bank, it’s not clear what will happen to its ownership and we will have no say about it except for a fairly minimal level of oversight. We’ve [potentially] lost any control we might have had over who operates in our public park.”

Smith also voiced concerns that the Brooks Family YMCA would be unnecessary, citing outdated membership and program revenue projections, and pointing out that several other recreational facilities have been erected since the project was approved for a ground lease in 2008.

Councilor Bob Fenwick said he was concerned when Mayor Satyendra Huja tabled the scheduled discussion of the YMCA’s financial plan hours before City Council met September 8.

At least one council member remained confident in the plans for the YMCA. Councilor Kristin Szakos went so far as to call some of Smith’s apprehensions “fear mongering,” and said she was “embarrassed” by them, suggesting that these concerns should not put a halt to the project’s advancement, the Progress reports.

Updated 12:48pm September 22 with council vote

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News

Red and White Affair dazzles with pre-Columbian gold collection

Howard Swayne, a retired stone mason contractor, was not planning on coming home with a set of pre-Columbian gold pieces when he visited a friend in New Mexico. But the rare objects caught his eye, and Swayne couldn’t help feeling they were not-to-be-missed.

The collection includes a gold frog pendant and a gold collar, both dated circa 800-1,500 AD, and several other pre-Columbian gold pendants.

When Swayne saw the pieces for the first time, the gallery was about to ship them back to their owner. “Wait a minute,” Swayne said, already considering purchasing the pieces.

“And I slept on it and I woke up the next day and I bought them,” he says. Although Swayne has not made a habit of buying pre-Columbian gold artifacts, he says he enjoys buying and selling art.

Swayne says he knew he wanted to do something with the gold but he wasn’t sure what. Once again, shut-eye provided the answer.

“I went to sleep with that question in my mind and I just woke up and it came to me,” Swayne says. “Give it to charity where the money can help someone.”

Because the pieces will be sold at an auction, the price for the collection is not set. However, the whole collection has previously been for sale for upward of $450,000. Swayne believes the pieces would make a great donation to a museum or work well as a private collection, but he points out that the main purpose of the auction is to benefit the Red Cross.

“Bottom line is I feel like if I was ever in a jam, I would want someone to help me,” Swayne says, “so I try to reach out as much as possible to help others.”

These pieces can be viewed at Morven Farm at the Red Cross’ Second Annual Red and White Affair from 4pm to 9pm Saturday, September 26. Freeman’s will auction them off online October 6.

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Arts

ARTS Pick: Strand of Oaks

Sometimes personal crises are the inspiration behind the most expressive art, as showcased on Tim Showalter’s recent album HEAL. Under the moniker Strand of Oaks, Showalter demonstrates through his love of ’70s, ’80s and ’90s rock and pop that the process of healing is often a combination of clarity, confusion and euphoria. Tying together three decades of influences throughout the album brought a new perspective. “I woke up to the music I love,” Showalter told C-VILLE in June before opening for Alabama Shakes at the Pavilion.

Monday 9/21. $8-12, 7pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

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Arts

ARTS Pick: Mitch Wise

Local rapper, emcee and producer Mitch Wise lays down rhymes from his under-ground, independent rap album, Saturn Return. His complex beats laced with folk and electronic influence add an unexpected layer to the wild dichotomy of grounded lyrics and a soaring rhythm. Wise is joined by rap artists Keese, B Cope and Brian Moon for a night of local hip-hop.

Saturday 9/19. $5, 9pm. Twisted Branch Tea Bazaar, 414 E. Main St., Downtown Mall. 293-9947.

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Arts

Connecting the pieces: Haitian handicrafts meet high fashion at Mi Ossa

There’s plenty of artisanal food in Charlottesville, so we were just trying to find out what was missing,” jokes Shannon Worrell. Together with Nora Brookfield, Worrell is co-founder of Mi Ossa, a design lab and fashion line that’s located in Charlottesville’s Tenth Street Warehouse. Their business model focuses on fair trade and environmentally friendly ways to design and create textiles, jewelry and other accessories that are handmade yet high fashion.

Featuring pieces primarily made of recycled metal, leather, horn, bone and papier mâché, Mi Ossa embraces an aesthetic that strikes a balance between haute couture and bohemian craftsmanship. In a way, this signature look reflects the business model. A collaborative effort, Mi Ossa works with local artists as well as suppliers from around the world to create its original designs, some of which are further embellished in the studio on Tenth Street.

“There’s this kind of movement to incorporate handmade elements into fashion objects because it makes them luxurious because they’re not mass-produced,” says Worrell. This, she explains, is slow-fashion, the clothing and accessories version of the slow-food movement. Slow-fashion producers invest more in the well-being of the artisans and craftspeople making the goods, as well as the environmental impact of their products.

The idea for the business came from an unexpected inspiration: time spent on construction sites in Haiti. A few years ago, both Worrell and Brookfield volunteered with a Building Goodness Foundation initiative to construct new housing for Haitians who lost their homes in the 2010 earthquake. (In full disclosure, this writer is an employee of the Building Goodness Foundation.) “We’d gone on separate build trips with BGF, and we just wanted to go down there and find something that we could do to help,” says Worrell. “We’re not doctors or architects, so we thought we could go back and figure out how to link together the creative people in Haiti.” The rich traditional art in Haiti provided the entry point they sought.

Mi Ossa set up shop about three and a half years ago. Since then, the business has evolved and grown—sometimes out of creative inspiration, sometimes out of necessity. “We’ve had to make stuff out of the materials we could get,” says Worrell. “We were never going to have everything made in Haiti. We wanted to bring back stuff and make stuff so that it was a collaboration in a way. You have to be willing to improvise. The materials are so elemental that you can make a shovel or a ring out of [one thing], a letter opener or a necklace.”

Most of the materials come from Haiti, El Salvador, Ethiopia and other countries. Worrell and Brookfield primarily source the materials by working with the Hand/Eye Foundation, which, according to Worrell, focuses on “connecting artisans to the world market.” They also work closely with the Artisan Business Network in Haiti and have close ties with Building Goodness Foundation to strengthen Mi Ossa’s relationships outside of the United States. “It’s such an incredible thing that BGF is doing, building homes for people, but [Haitians] need jobs to sustain those homes,” says Brookfield. “We have an interest in working with women artisans and women-owned cooperatives. They’ve done research that shows when women earn an income, communities thrive and they put [the money] back into the community.”

Mi Ossa’s Charlottesville lab is having a similar effect on local artisans. The studio has evolved into something verging on a maker space. Participants work part-time in the studio, crafting and embellishing many of the pieces in the Mi Ossa line as well as creating their own original work. A recent addition to the space is Jess Lee, who hand-dyes and sews textiles under the name Willow Knows. This Saturday, Lee will share some of her skills during a demonstration in Japanese-style shibori dyeing and other techniques to create one-of-a-kind indigo bandanas. “It’s so neat that you can make something but then you can see how she does it herself,” says Brookfield. “You just have a deeper appreciation for that process that she’s going through when you’ve done it yourself.”

As Mi Ossa brings awareness to a more ethical approach to fashion, the business also seeks to expand its offerings of hands-on experiences like this. “That connection to what you’re eating or wearing or buying is so important,” says Worrell. “In the 20th century we’ve gotten so disconnected from the source of everything we buy. And I think people just really crave being connected.”

Ordinarily open only by appointment, the Mi Ossa lab space is open to the public during the annual summer’s end sale through September 19 at the Tenth Street Warehouse (134 10th St. NW.). The indigo dyeing demonstration with Lee takes place on September 19. To reserve a place in the workshop, please e-mail nora@miossa.com.

What local artists contribute to the slow-fashion movement?

Tell us in the comments below.

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News

Dominion to lessen noise of pipeline’s compressor

The people of Yogaville, who were once worried about noise pollution from the Atlantic Coast Pipeline’s compressor site proposed just six miles away, may now be able to continue living peacefully.

According to Carla Picard, Dominion Energy’s external affairs manager for the Atlantic Coast Pipeline, the company will put full station silencers on the compressor station in Buckingham County, where Yogaville is located.

Picard tells 1070 WINA that although the noise from the compressor will sometimes, but rarely, exceed 55 decibels, the silencers will assure that “even our closest neighbors wouldn’t know that anything was going on.”

A Yogaville spokesperson had not returned a phone call at press time.

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News

Charlottesville celebrates the nation’s best cyclists

On a rainy day in June, city officials, biking representatives and enthusiasts huddled under the dry nTelos Wireless Pavilion while USA Cycling spokesperson Jim Miller announced that Charlottesville would host the U.S. team’s training camp before the Richmond UCI Road World Championships September 20-27.

Kurt Burkhart, the executive director of the Charlottesville Albemarle Convention & Visitors Bureau promised clear skies for the team’s September visit and today he delivered.

Under the name of Cycle Fest, a crowd of guests and about 20 booths and vendors gathered at the pavilion on September 17 to celebrate the team’s current residence in Charlottesville. The bicycle-themed expo included local bike shops, cycling clubs and classes, free bike inspections and free bike decorating supplies for kids.

“You just can’t beat Southern hospitality,” Miller says about his brief stay in Charlottesville.

USA cycler Chloé Dygert agrees, saying, “I’ve really enjoyed being able to ride with the best girls in the nation and I hope to do that in the road race.” The team has practiced for the last week on Charlottesville and Albemarle roads.

Dygert raced Monday, winning the gold for the junior world championship time trial. Skylar Schneider, showing off red, white and blue sneakers, doesn’t race until Friday.

“Once we found out we were selected for worlds,” Schneider says, “our families were quite excited and wanted to make sure we were outfitted the best we could be to represent our country.”

Updated September 22 with Dygert’s win.

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Arts

ARTS Pick: An Evening with Mollie O’Brien, Rich Moore and Todd Burge

The Prism Coffeehouse fall series kicks off with An Evening with Mollie O’Brien, Rich Moore and Todd Burge. O’Brien stands out as an accomplished vocalist who challenges musical boundaries, while Moore’s onstage commentary and seasoned guitar skills string together an intuitive, high-quality set. Burge draws from his rich life experiences, writing songs from a different perspective such as through the view of bugs and animals in styles ranging from alternative rock to contemporary folk.

Friday 9/18. $20-27, 7pm. C’ville Coffee, 1301 Harris St. 817-2633.

Categories
Living

Party on: South Fork food truck reinvents dining at home

I grew up in the dinner party era. Among my favorite childhood memories is falling asleep to the mysterious sounds of my parents’ parties—roars of laughter, clanging glasses and high heels across wooden floors. My parents loved them, too. When preparing for their guests’ arrival, they always floated around the house with a gleam of anticipation.

Today, dinner parties are dead. Though an autopsy shows no clear cause of death, the reason I hear most often is that we have all become just too busy. Among work, family and checking our Twitter feeds, who has time to throw a dinner party?

Enter food trucks. One of the many virtues of food trucks, the latest culinary trend to hit town, is mobility. They can be wherever, whenever.

When acclaimed chef Whitney Matthews wanted to move back to Virginia earlier this year, she drove to Charlottesville with her SpiceSea Gourmet food truck—named best seafood in San Antonio by San Antonio Magazine—and set up shop. Try that with a brick-and-mortar restaurant.

While this mobility allows going where the crowds are—breweries, vineyards and festivals—my favorite place for a food truck is my driveway. A food truck in the driveway makes home entertaining so easy that the concept might help to revive the lost art of dinner parties.

Case in point is a party I threw last month with South Fork. Phillip Gerringer started South Fork in 2013 to fulfill a dream of running his own food business, and, just two years after launching, his truck has already won a Best of C-VILLE award. What accounts for its success? Talent, yes. But, also, a passion for food. Delicious homecooked meals prepared by his mother and grandparents first kindled Gerringer’s love of food as a child.

Years later, while working for Michael Lewis at Mono Loco, Gerringer’s passion really caught fire. “I give a ton of credit to Michael for reigniting my interest in cooking and the industry,” Gerringer says. “His encouragement left a lasting mark.”

True to its name, South Fork focuses on Southern cuisine. “It was the only type of food I ever considered,” says Gerringer, who grew up in Burlington, North Carolina. “It allowed me to pay respect to all of those family meals I took for granted as a kid.” (read the full interview with Phillip Gerringer)

For our party, a spread of Gerringer-created snacks greeted guests on arrival: chips with fresh watermelon salsa alongside platters of Cajun shrimp rolls, bite-sized slices of rolled tortillas filled with shrimp, cheddar, avocado and roasted peppers with chipotle crema.

Over the course of several hours, guests walked outside at their leisure to the truck parked in the driveway and ordered whatever they wanted. Depending on the host’s preference, Gerringer will either keep a running tab for the host to cover at the end or charge each guest along the way. All that’s required to entice him to your home is to guarantee a certain dollar minimum.

While Gerringer loves street vending, what makes private parties so much fun, he says, is the chance to create new menu items with the host. Our party’s menu offered crowd-pleasing and always well-executed Southern fried chicken tenders with chipotle barbecue sauce.

But, at our request, Gerringer also created a catfish po’ boy with spicy remoulade and pickled onions. Of course, South Fork’s menu staples are so good that specials are hardly necessary. “It’s hard to take anything off the menu,” says Gerringer, “because a bunch of people come just for that item.” Our vegetarian guests swooned over Gerringer’s personal favorite, a grilled pimento cheese sandwich on Mission Home wheat bread topped with fried green tomatoes and arugula. Among carnivores the conversation piece was the truck’s signature smoked jalapeño meatloaf sandwich on grilled sourdough, piled high with bacon, garlic mashed potatoes, green tomato salsa and chipotle barbecue sauce. Handcut fries and Southern classic sides like butter beans and sautéed collard greens rounded out the meal.

It’s hard to know whether the cans of Champion Brewing Company’s Shower Beer that we periodically passed back to Gerringer and his crew enhanced the food quality. But, they couldn’t have hurt. South Fork’s famous sweet potato fritters—reminiscent of a sweeter hush puppy—have always struck me as straddling dessert and side dish. For our party, I asked Gerringer to make a full-fledged dessert by topping them with Splendora’s cinnamon gelato. It was a first for him, and we agreed it was a huge success.

As delicious as the fritters and rest of the food were, though, the best part of a South Fork party may be its ease, leaving hosts time to enjoy guests’ company. The truck even brings a trash can to take away any mess. Just throw some beers on ice, pop a few bottles of wine, mix up a couple of pitchers of margaritas and you’re good to go. Maybe there’s hope for dinner parties after all.

Categories
Arts

Film review: Shyamalan and Blumhouse collaborate for The Visit

In some ways, the uniting of M. Night Shyamalan and microbudget horror production company Blumhouse for The Visit couldn’t be more perfect, and not just because audiences groan at the sight of their names during previews. Both camps are fully capable of greatness—Shyamalan’s first two and a half films and Blumhouse’s Insidious, Creep and even the first Paranormal Activity—and both are apparently desirous of some public validation of their contributions.

Enter The Visit to solve everyone’s problems, a movie marketable as a teen-centric, found-footage horror movie with the framing device of being a fully produced documentary by an ostentatious 15-year-old budding filmmaker, thereby allowing Shyamalan his stylistic flourishes and occasional dash of pretension.

It’s a contrivance that occasionally pays off; the movie is mostly breezy, occasionally scary and just focused enough to keep you from remembering that these are the people responsible for The Happening and The Gallows. The story goes that teen intellectual and film theory buff Rebecca and her younger brother, 13-year-old rapping wannabe Casanova Tyler (yes, really), visit their grandparents for a week while documenting their trip. The two generations have never met before, due to the kids’ mother’s estrangement from her parents following an unspecified event. Initially, the grandparents appear sweet, if eccentric, but as their behavior becomes increasingly strange and often frightening, Rebecca and Tyler begin to fear for their safety as they attempt to survive the visit with their sanity intact.

While the best qualities of both Shyamalan and Blumhouse are on full display, so are the worst. Most of the action is better shot than your average shaky-cam flick, but the jump scares operate by exactly the same logic of pause, quiet, boom. There is nothing that carries the already tired genre forward, save for Rebecca’s overexplanation of film theory and narrative structure along the way. Shyamalan puts words in the mouth of his 15-year-old protagonist that no adolescent would ever say, no matter how precocious or pretentious. The effect is that it feels less like dialogue from a character and more like Shyamalan flexing his cinematic intellect in an attempt to show that he’s not just a monger of gimmicks. Tyler openly scorns the idea that movies need structure, while Rebecca never misses an opportunity to show off how much Shyamalan knows about film theory.

I’ll preface this next point with a light spoiler warning, even though this is a review of an M. Night Shyamalan movie: There is a twist that is far creepier than anything I predicted, and for about 15 minutes following its revelation the movie soars. The scary parts are scarier, the funny parts are funnier, the performances are sharper, and the story gallops forward, never dragging for a second. Some people will leave the theater feeling they have had a satisfying cinematic experience, but, honestly, that leaves 80 minutes of a mixed bag of obvious foreshadowing, go-nowhere exposition and redundant scare tactics.

While we’re on the subject, a note on twists: The common belief about Shyamalan is that he writes the ending of his movies first and throws everything else together. While he does lean far too heavily on plot developments that come far too late, that’s not altogether fair to him as a storyteller. The facts of his twists are indeed surprises, but when they work it’s because the main emotional ideas behind them were firmly established along the way. The revelation about Bruce Willis’ character in The Sixth Sense doesn’t alter the emotional journey, and the movie still holds up even when spoiled. The same is true of Unbreakable and partially of Signs, but certainly not of The Village, which put far too much weight on its twist and not on its characters.

If The Visit proves anything positive, it’s that there is still some vitality to both Shyamalan and the found-footage genre. But, even at the top of their game, they appear to be completely out of new ideas as they repackage old ones.

Playing this week

Ant-Man

The Gift

Inside Out

The Man From U.N.C.L.E.

Minions

Mission Impossible: Rogue Nation

Mistress America

No Escape

The Perfect Guy

Shaun the Sheep Movie

Straight Outta Compton

The Transporter: Refueled

A Walk in the Woods

War Room

Regal Stonefield 14 and IMAX
244-3213