Categories
News

Red Onion sued: Coal tower shooter’s guardian seeks $23 million

The man charged with killing two people at Charlottesville’s coal tower in August 2001 was found unresponsive and unconscious in a blood-smeared, solitary confinement cell at Wise County’s Red Onion State Prison in April 2014, bound by a makeshift rope tied around his neck and ankles and with a three-quarters-inch slit on his left wrist. The legal guardian of Craig Nordenson (who changed his name to Craig Verdier-Logarides after being adopted) is now suing the state, the Virginia Department of Corrections, the prison, the warden and correctional officers on five counts for a total of $22.85 million.

The DOC called the death of Verdier-Logarides, 32, a suicide. But Daniele Verdier-Logarides, who adopted him since he’s been in jail, and her attorney, Richard Kennedy, fear they may never know what actually happened to the inmate.

A lawsuit filed in federal court on December 21 states that on the last day of his life, Verdier-Logarides covered his cell window with cardboard, which prevented officers from monitoring him—even though they are required to check on inmates in segregated housing every 30 minutes.

“This is especially troubling as the Department of Corrections and Red Onion State Prison already designated Craig as a possible danger to himself and potentially suicidal with a history of being institutionalized at Southwest Virginia Mental Health Correctional Facility in 2008-2009 for what was described as an attempted suicide,” the suit says. “This certainly indicates a tolerated routine and pattern of officers intentionally permitting inmates to cover the cell without windows to prevent visual inspections in direct violation of prison policy, even where the inmate is housed in segregation and heightened observation and scrutiny are mandated by prison policy.”

According to the suit, correctional officer Warren Smith said he checked on the inmate at 9:23am and Verdier-Logarides peeled back a corner of the cardboard, allegedly saying he was washing up and didn’t want the officers to see him naked. This conversation has been reported only by Smith, and no other witnesses have confirmed it.

At 9:52am, officer Aaron Duke Deel stopped by Verdier-Logarides’ cell for approximately five seconds, and signed the daily log sheet without making any effort to monitor, inspect or communicate with Verdier-Logarides, according to the suit. Without checking on him, the suit alleges Deel signed the log outside Verdier-Logarides’ cell again at 10:25am, and no other inspections or checks on his cell were made until an hour later.

At 11:15am, an unnamed officer opened the food tray slot on the cell door, peered inside and spotted Verdier-Logarides unconscious on the floor.

“The cell was awash in what appeared to be blood and blood smears,” the suit says. “The bed, mattress and pillow were soaked with an inordinate volume of what appeared to be blood. Craig had a pulse and blood pressure, but was unconscious, bleeding and unresponsive.”

Verdier-Logarides was then taken by ambulance to Dickenson Community Hospital, and though he maintained some vital signs throughout the ambulance ride, he never regained consciousness and remained unresponsive.

Dr. Amy Tharp from the office of the chief medical examiner ruled the suicide as a ligature asphyxiation, or strangulation. In the official investigation, the rope that Verdier-Logarides allegedly strangled himself with was determined to be a 6-foot nylon three-strand cord, with no known origin and not used anywhere at Red Onion. The suit also says no razor or cutting tool was found in his cell.

Kennedy, the Wise County attorney representing the inmate’s estate, calls those occurrences “the two mysteries of the case.” Though he says he can’t discuss much about the case, he says the segregated cells are known for being difficult to access and it would take hard evidence to prove that someone else ever entered his cell. The two correctional officers named in the suit have never given sworn statements.

“The family of Craig obviously has doubts and questions as to what really happened,” says the suit, “be it suicide, assisted suicide, coerced suicide or other foul play.”

It also states that the failure to monitor Verdier-Logarides every 30 minutes and the two-hour lapse of no inspection during which the injuries were inflicted were the reason his death occurred without detection. For this reason, according to Kennedy, the state should be held responsible.

“This creates a strong inference that such monitoring violations were the reason all the facts will never be known,” the suit says.

Daniele Verdier-Logarides, administrator of his estate, and her husband, Jacques, want nearly $23 million for the mental anguish, distress and pain at the loss of their son’s companionship, communications, visitation, comfort, guidance and advice that they will continue to suffer.

Kennedy says no court date has been scheduled, but he expects the state to respond to the suit by February.

Updated January 5 with comments from Attorney Richard Kennedy.

Related links:

The man who killed two at Charlottesville’s coal tower is dead, and his adoptive family wants answers

Categories
Arts

What we want: WarHen Records keeps going for local music

Last October, Warren Parker sat at his dining room table with a set of alphabet rubber stamps, a blue ink pad and a few dozen 7″ vinyl records with blank white labels laid out edge to edge.

Letter by letter, he stamped the labels: Beams, A, WarHen.

Once the ink dried, he flipped the records over and stamped again: Beams, B, WarHen.

After he’d stamped 100 records, he slid them into plastic sleeves with silkscreened cover art, a download code and a sticker. A few days later, copies of the Borrowed Beams of Light Sky of You/Sea of Me single covered the merch table during the band’s Ante Room show.

The record was the 10th release for Parker’s independent fledging label, WarHen Records. Parker (the “War”) and Mike Hennigar (the “Hen”) established the label in 2012 with the aim of putting out vinyl records of great music from some of Charlottesville’s best bands. The label’s motto: “We release whatever we want.”

“This town has a lot of great talent that I think deserves a spotlight,” says Parker, who has worked full-time as production manager at The Jefferson Theater for the past six years. “There wasn’t anyone stepping up to showcase that talent, at least not in the way I’m trying to with WarHen.”

WarHen’s first releases included 7″ records and LPs from Sarah White & the Pearls, Red Rattles, The Fire Tapes, Dwight Howard Johnson and Sons of Bill. Just as the label started to hit a stride, a number of the bands on the WarHen roster broke up and Hennigar left the label.

But local bands kept making good music, so Parker put WarHen on hiatus for 2014 while he strategized for the label’s future. It paid off: WarHen released four records in 2015, more than in any prior year.

When choosing bands to work with, he admits he’s picky, but not about genre. The music has to be honest, real and original, not, says Parker, “plastic or recycled or regurgitated fluff you can hear anywhere.”

Parker acts as a middleman between the band and the record-pressing plant, taking care of the business end and finding the best deal for the band’s needs. He has no interest in trying to morph a band’s sound or assume creative direction to sell more records. When a band has “it,” Parker won’t mess.

He uses Left & Right—Charlottesville ex-pats now based in Philly—as an example. “Five Year Plan is so balls-to-the-wall, so unabashed and raw. The big, fat sound is killer, the sequencing is perfect, the mix is great. There’s no way I was going to let them not let me put it out,” he says. And here’s why: The band puts in the hours making the music, and Parker wants to do whatever it takes—including hand-stamping labels and walking around with ink-blue fingertips for days—to get their music pumping through speakers because he believes as much as the band does.

This unyielding commitment to the art of music is what drew Borrowed Beams of Light front man Adam Brock to the WarHen label. Like many Charlottesville bands, Brock has happily worked with Harrisonburg label Funny/Not Funny Records. “But I love the idea of a Charlottesville label picking up steam and representing what’s going on here,” he says. “So we need WarHen. We need it to grow and show off a town whose acts are making some great music.”

In 2016, WarHen will extend its reach to Tuscaloosa, Alabama, releasing Teenage Hallelujah by rock ‘n’ roll band The Dexateens. Parker is also in talks with Richmond’s Wrinkle Neck Mules, a band already on the WarHen roster, about pressing some of its back catalog to vinyl.

Parker hopes to grow the label, but never forsaking the WarHen ethos of putting out physical copies of good music that’s a bit left of center. “I can’t put out a record for the sake of putting out a record,” he says. “I never want to release something that’s just going to be background music. There are bands that have something to prove, and that’s what I like to capture.”

Warren Parker’s top local band performances of 2015

Nettles

The Southern, February 5

Guion Pratt is my next-door neighbor. Sometimes I hear him playing guitar on his porch, so it was great seeing him play his smart and intricate songs with a full band.

Erin and The Wildfire, Mock Stars Ball

The Southern, October 31

Mock Stars is always one of my favorite annual gigs. Everyone was great, but Erin and The Wildfire owned it as No Doubt.

Michael Coleman

The Jefferson, November 6

Michael and I grew up together. He’s a class act: kind, punctual and, above all, immensely talented. The sky’s the limit for him.

Left & Right

Tea Bazaar, November 7

These Charlottesville ex-pats played their entire new unreleased LP, plus some choice back catalog cuts. It was a little rough around the edges, but the energy was strong. That’s what I love about rock ‘n’ roll: It doesn’t have to be perfect.

Borrowed Beams of Light

Tea Bazaar, November 23

The band sounds inspired; I’ve loved everything they’ve ever done and every lineup they’ve ever had. Dave Gibson is a Charlottesville music scene secret weapon.

–Erin O’Hare

Categories
News

New leases signed at 5th Street Station

A real estate firm out of Virginia Beach has signed five leases at 5th Street Station, a soon-to-be 465,000-square-foot shopping center on Fifth Street.

The 72-acre space has already promised a Wegmans, but thanks to the 66,900 square feet Divaris Real Estate has signed off on, locals can now expect a Havertys Furniture, A.C. Moore, Timberwood Tap House, Hand & Stone and CommServe, a Verizon Wireless licensee.

The development of 5th Street Station began in November 2014, and it’s scheduled to open in November 2016, according to Valerie Long of Williams Mullen law firm.

Other retailers already planned for the space include Field & Stream, PetSmart, Panera Bread, Dick’s Sporting Goods, Mattress Warehouse, Sprint, Great Clips, Hair Cuttery, Lee Nails, Jersey Mike’s Subs and the Virginia ABC.

Categories
Living

Brunch and be merry: A roundup of local, mid-morning eats

Ah, the holiday season. The town is adorned with lights, music fills the air, and 2016 looms on the horizon. Friends and family gather to share the joy of love, laughter, overindulgence and dysfunction. Anticipation builds for what the coming year will bring, and we start to mull over New Year’s resolutions. But, before we get back to the daily grind, let’s have brunch.

Bluegrass Grill & Bakery

Don’t be fooled by the unassuming appearance of this weekend hot spot nestled downtown next to the railroad tracks. The specials have garnered this homey, old school-style eatery local, state and national acclaim.

Signature dish: The Hungry Norman

Although owner Chrissy Benninger had trouble deciding on just one, for a delicate balance of savory and sweet she says you can’t go wrong with The Hungry Norman: two poached eggs atop a halved English muffin with blackberry jam, goat cheese and maple sausage links served with a side of hollandaise sauce and home fries.

Best hangover remedy: The Freight Train

To nurse the worst of hangovers, Benninger recommends this monster assemblage of breakfast staples that includes cheddar cheese, sausage, bacon, ham, gravy and two eggs on a bed of home fries. “I’ve only seen a handful of people finish it,” she says.

Closed New Year’s Day

Commonwealth Skybar

While it may be a dinner-and-dance scene by night, the elevated spot located on the Downtown Mall offers classic morning fare on Sundays. The spacious yet intimate modern interior offers a unique brunch dining experience.

Signature dish: Brioche French toast

Thick-sliced bread is covered with apricot maple syrup and sprinkled with powdered sugar for a sweet start to Sunday.

Best hangover remedy: Chicken and waffles

Indulgent and filling, crispy fried chicken sits atop fluffy waffles smothered in sausage gravy and accompanied by two eggs and fried potatoes.

Open New Year’s Day

Fossett’s at Keswick Hall

Enjoy luxurious morning eats without veering from the wine trail. The estate’s brunch offerings include a number of specially stylized choices and breakfast cocktails mixed to individual taste.

Signature dish: Stuffed French toast

After contemplating the establishment’s popular build-your-own breakfast option, Director of Food Bryan Bousquet nominated this indulgent take on a sweet breakfast classic. Bananas Foster fills the inside of buttery brioche bread served with a side of bacon.

Best hangover remedy: B&B Waffle

As a savory answer to stuffed French toast, a golden-brown waffle is stacked with braised pork belly, drizzled with maple syrup, then topped with a bit of cheese and jalapeno. And the Albemarle Orange is a unique brunch companion that has all the elements of a mimosa, plus Galliano—a sweet herbal liqueur with vanilla and star anise. “It’s a revival of the old style as used in a Harvey Wallbanger,” Bousquet says.

Open New Year’s Day

Oakhurst Inn Café

Attached opposite the inn sits a small but contemporary café and espresso bar, just off Jefferson Park Avenue. Sourcing many ingredients locally, the kitchen offers imaginative takes on Southern classics. (C-VILLE co-owner Bill Chapman owns the Oakhurst Inn Café.)

Signature dish: Eggs meurette

In this French twist on eggs Benedict, two poached eggs cooked in a burgundy wine sauce atop sliced crostini.

Best hangover remedy: The Farm

Combat that morning peakedness with local Double H Farm sausage, sunny side up egg, Irish cheddar, pickled jalapeño, watercress and Pommery mustard on a buttery bun. Front of House Manager Vera Talamaoa dishes that the Café Bloody Mary, which incorporates carrot-ginger juice in place of the traditional mix, is also a favorite.

Open New Year’s Day

Petit Pois

Touted for the authenticity of its modern French-centered cuisine, this bistro gives classic brunch fare le traitement de la France.

Signature dish: Focaccia with poached eggs

Server Chris Coffey named this variation of eggs Benedict as a favorite among brunch-goers. The dish contains primarily local ingredients: focaccia bread covered with tomatoes, maple bacon from Rockbarn, Swiss cheese from Mountain View, eggs from Polyface and hollandaise sauce to finish.

Best hangover remedy: Sausage béchamel and poached eggs

Coffey offers up the restaurant’s modern spin on biscuits and gravy for the morning after. Two eggs come poached and crowned with a velvety béchamel loaded with Rockbarn sausage, caramelized onions and hollandaise served with bread.

Open New Year’s Day

The Pigeon Hole

Venture to the UVA Corner and stop in at the old wooden house painted robin’s egg blue that sits smack dab in the middle of Elliewood Avenue. The Pigeon Hole serves up no-nonsense favorites with simplicity and rustic flair.

Signature dish: Huevos rancheros

Owner Roya Makki picked this crowd favorite that features two corn tortillas topped with two eggs any style, black refried beans, salsa fresca, melted cheese and sour cream.

Best hangover remedy: Home Again

This original dish starts with scattered hashbrowns topped with two eggs, cheese and red-eye gravy (made with ham and coffee) with a side of bacon.

Open New Year’s Day

Categories
Arts

ARTS Pick: New Year’s Eve

First Night Virginia $6-38, 3pm-midnight. Downtown Mall, locations vary.

New Year’s in Ireland 7pm. Tin Whistle Irish Pub, 609 E. Market St. 202-8387.

Rising Appalachia’s New Year’s Eve Gala $37-65, 8pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

New Year’s Eve with Elby Brass and Grits and Gravy $10-15, 9pm. 21-plus. The Southern Café and Music Hall, 103 S. First St. 977-5590.

Robert Jospe Express 9pm. Fellini’s, 200 W. Market St. 979-4279.

Gladstones $10, 9pm. Dürty Nelly’s, 2200 Jefferson Pkwy. 295-1278.

#MidnightMadness434 $5-10, 10pm. The Ante Room, 219 Water St. 284-8561.

Categories
Arts

Album reviews: Looking over our shoulder at the year’s top releases

It’s been an interesting year. Between “Uptown Funk” and “Shake It Off,” the music world has been dancing up a storm, but it’s also seen some head-scratchingly bizarre releases (I’m looking at you, Mutemath) and yawned at familiar material (Muse). So what to make of this year’s so-called best releases? What follows is one man’s opinion: Nod your head or throw tomatoes at your leisure.

The Lone Bellow, Then Came the Morning

On its sophomore release, this Brooklyn trio dazzles yet again with mesmerizing three-part harmonies and an uncanny combination of Americana, folk, rock and blues. A wondrous release.

Thunderbitch, Thunderbitch

Dirty, raw rock and punk with zero filter, Alabama Shakes singer Brittany Howard proves you can still scream about sex, drugs and rock ‘n’ roll and get people’s attention.

Mimi Page, The Ethereal Blues

West Coast singer-songwriter Mimi Page once again demonstrated why she is an up-and-coming purveyor of ambient downtempo music. Bluesy in terms of relational content rather than sonic structure, Page strikes the right chord between heartbreakingly melancholic and exquisitely beautiful, and her lush vocals are like something out of a dream

Silversun Pickups, Better Nature

Bouncing back from the dark misfire that was Neck of the Woods, Silversun Pickups surprised us with one of the year’s crispest rock records. Brian Aubert’s nasally snarl is as hypnotic as ever, and the trademark fuzzy guitars are matched by aggressive synths and a compelling narrative about connection.

JD McPherson, Let the Good Times Roll

There ought to be a law against how much rock, swing, soul and danceable music is on this record, which plays like a time warp of the golden age of rock ‘n’ roll and Motown. Lucky for us, there isn’t.  

Caitlin Canty, Reckless Skyline

This record is another gorgeous feather in the cap of Canty’s discography as she once again creates a spectacular landscape, transporting you everywhere from the exhilarating chill of an early morning to the incomparable warmth of a lover’s arms. This is a glorious Americana record.

Jason Isbell, Something More than Free

These 11 songs deftly plumb the depths of the personal, emotional, spiritual, mental and social repercussions of the notion of freedom. His scratchy, twangy drawl guides you through these Americana tracks with all the patience of a historian and the insight of a world-wise man.

BT, Electronic Opus

Composer, technologist, godfather of trance music and innovative member of the EDM community, BT takes things to the next level with a reimagining of 14 of his best-known tracks by pairing them with a 100-piece orchestra. The results are breathtaking and powerful, and demonstrate BT’s considerable knack for writing music that transcends genres.

Violents, Two Animals EP

This is more of a 1A than a 2, really, because this is a four-song EP and we did not have a chance to hear more of Violents’ brilliance. Kye Kye’s Olga Yagolnikov is spellbinding on these tracks, infusing the already fantastic synth-pop, downtempo songs with a breathy, unreal vocal quality that makes lyrics positively rapturous, like on the opening track, “Five Senses”: “I’d been away three years / None of them worth keeping / All of my five senses were / Either numb or fading.”

Darlingside, Birds Say

May it never be said that an album featuring odes to famous actors and the language of birds can’t strike a chord. This folk-rock quartet mixes dazzling four-part harmonies throughout its sophomore album, while using wry witticisms to examine the frivolity of hero worship one moment (“Harrison Ford”) before switching gears to explore the sometimes unsettling power of remembrance (“She’s All Around”). The title track expresses the album’s primary theme—finding beauty in the unknowable. Exactly what is found in the exquisite musical experience of Birds Say.

Categories
Living

Table talk: An ode to this year’s openings and closings

Here at C-VILLE we do our best to keep up with the times, and at the end of the year we take a look at all our headlines. It’s no secret that the food scene is a bit of a revolving door, and to recap it all, we’ve compiled some couplets for you once more.

Goodbye Blue Light, West Main and L’etoile.

You were C’ville staples, and we’re going to miss you all.

Farewell to the cult-favorite Jinx’s Pit’s Top Barbeque.

Your absence in Woolen Mills makes us a little blue.

You won’t be able to visit TGI Friday’s for any more endless apps.

And the Southern fare at Eppie’s is no longer on the map.

Horse & Hound also served its last meal this year.

And what’s going on in the old PastureQ spot still isn’t clear.

Adios El Tepeyac, we’ll miss your tacos and chips.

And the Vinegar Hill Café is serving no more bites or sips.

Pizza Bella became Brick & Mortar before it closed its doors.

And the bakers at Cappellino’s Crazy Cakes are on the Downtown Mall no more.

We bid adieu to some of our favorites, and maybe a few we didn’t try.

But the good news is that we got to say hello more times than goodbye.

We do apologize if there are any spots that we missed.

But how lucky are we to have such a long restaurant list.

Welcome to the area, Duck Donuts, Nude Fude and Jack Brown’s.

And how delightful to have dinner and a movie at the newly opened Violet Crown.

Crozet’s Pro Re Nata is serving up a new selection of brews.

And Brazos’ return to Ix this summer was most excellent news.

Côte Rôtie made its first appearance on the C’ville streets this fall.

And Miso Sweet started serving ramen and donuts on the mall.

Mezza and Oakhart Social brought new tapas to West Main.

And Donut Connection offers confections, iced and plain.

We said goodbye and then hello again to Burrito Baby.

And Greenies and Vu Noodles’ hearty vegetarian meals are gravy.

The Breakfast House relocated into the old Game Day space.

And though Gearharts moved down the street, its chocolates are still ace.

Red Hub Food Company joined the 10th Street neighborhood.

And for a sandwich that’s hyper-local, there’s Babes in the Wood.

Bojangle’s, Chipotle and Chick-fil-A popped up on Pantops this season.

And The Boneyard became Holly’s Deli & Pub for plenty of reasons.

Poe’s Public House made Eddy’s Tavern its new name.

Got Dumplings, Café Caturra and Roots Natural Kitchen also joined the Corner food game.

Sushi King in Seminole Square offers a buffet and a bar.

And The Pie Chest is brought to us by the team from The Whiskey Jar.

Public West Pub & Oyster Bar is the new place to be in Crozet.

And we could drink the whiskey at Virginia Distillery Company all night and all day.

The old Coke plant is now home to The Juice Laundry and Kardinal Hall.

Grab a sandwich at Timbercreek Market while you’re there, or throw a bocce ball.

On that note we’ll bring the 2015 poem to a close.

And as next year’s food scene develops, we’ll certainly let you know.

Categories
Arts

Hidden connections: Unique student collaboration reveals powerful perspective

few years ago, Nia Kitchin went to an art exhibit at Charlottesville High School. She couldn’t help but notice the quality of work by a few non-CHS students, artists who were under the tutelage of her soccer coach, Marcelle VanYahres.

“The work that I saw for the first time, I think, was a really large graphite portrait. The technical skill was amazing, but there was so much emotion behind it,” says Kitchin, now a high school senior.

Those young artists are students at Blue Ridge Juvenile Detention Center, a facility that provides a residence and a structured program for juveniles ages 10 through 17. Though Charlottesville City Schools runs the BRJDC educational programs, the students come from across Central Virginia.

According to VanYahres, each student enrolled at BRJDC participates in art class. Unlike academic classes, which may be challenging for various reasons, “creating art is hands-on, sometimes mindless and often therapeutic,” she says. “These children teach me so much more about life than I can ever teach them about art. My classroom works through this give-and-take, and it’s a safe place for students to create art, talk and process.”

After observing the work, Kitchin hatched a plan for a massive joint art project, Art in Between, something that would give more exposure to the kids at BRJDC and give CHS students the chance to learn from them.

“I wanted to combine the CHS students’ work with the Blue Ridge students’ work and represent the community of us, even though we can’t actually be together,” says Kitchin. “I wanted to create this dialogue even though we can’t actually talk.”

She approached VanYahres with her concept to recreate “Guernica,” by Pablo Picasso, using individual pieces of the painting by students from both schools.

“This is an exciting first for us,” says Jennifer Mildonian, art teacher at CHS. “Nia is a dynamic and involved artist. Coming from a family of artists, she knows how important art can be as a connector to the community.”

Kitchin says she chose “Guernica” for its size and components as well as the emotion of the piece. “It’s very, very powerful, and you can see how all the different people and animals are reacting to the bombing [of Picasso’s village]. I wanted to see an interpretation of it, of students reacting to different things.”

When divided into a large grid composed of small squares, Picasso’s famous work became a series of indiscernible grayscale prints. Kitchin copied the lines of each piece onto canvases using graphite, at which point they were split among participating students at both schools.

Participants followed loose rules, namely “use paint” and “stay in the lines,” and were free to add patterns or abstract objects to their art.

Collaborative work isn’t new to the students at the center, who have worked together on murals in its hallways. They also recreated Hokusai’s “The Great Wave,” using a grid system, similar to the “Guernica” concept.

“The students didn’t know what they were going to make as a whole,” VanYahres says. “I only told them they were going to recreate a famous piece of art. I think the students had a great time with this project.”

The experience offers community-building combined with a sense of ownership. “It really makes the students at Blue Ridge feel like a part of something larger,” Mildonian says. “For students to be able to work across schools and interact through a visual medium was exciting.”

Kitchin says the final work as a whole blew her away. “It was so colorful and expressed completely different emotions than the original piece,” she says.

Rather than a single artist’s concentrated response to a singular event, Art in Between showcases the collective intelligence and emotional range of teenagers across all walks of life.

“It’s like we’re in between being children and adults, in between these ‘in’ stages of life,” Kitchin says. “I think it’s the feelings of not being quite free—not quite adults yet. How we feel frustrated sometimes. You know, really reveling in this growing-up period.” 

For Kitchin, the project is a continuation of a lifelong interest in art. Since eighth grade, when she attended Reflections Governor’s Art School, she’s created oil paintings and graphite and pencil work. Most recently she knitted “human tubes” that can act like full-sized “emotional cloaks,” she says. “I like thinking about how different humans react to the same things and capturing deep emotion.”

In college, she plans to major in political science and potentially minor in art. “I want to be able to combine those two aspects, the way I feel I’ve sort of done with this mural,” she says.

For Kitchin, and likely her peers, Art in Between carries value because it draws out hidden connections between similar groups.

“We’re all the same age, and we’re all going through the same things, mostly, with different experiences and emotions about it,” Kitchin says. “The value is seeing that represented on a large scale, as a whole. Not as individuals but representing the community. Even if that community can’t be together.”

Categories
News

‘Stinky neighborhood’: Will a $9.3 million project pass the smell test?

Nauseating smells from a wastewater treatment plant have long plagued the neighborhoods of Belmont-Carlton, Woolen Mills and others nearby. After a series of semi-unsuccessful smell-combatting projects, the Rivanna Water and Sewer Authority says these odors may finally meet their match.

RWSA Executive Director Tom Frederick, a member of RWSA since 2004, says the smells from the Moores Creek Wastewater Treatment Plant have lingered since his first day on the job and, he imagines, for decades before, beginning when the city first built a treatment facility there in the 1950s.

So where do the smells come from? Frederick doesn’t mince words.

“We receive and have to treat what gets flushed from the toilets of 120,000 homes,” he says. RWSA’s 80-acre facility treats 10 million gallons of wastewater per day, which comes from city and county homes and businesses.

Jim Duncan, a realtor with Nest Realty, has sold houses in the Belmont area for 13 years and says his clients have told him the odor in Belmont is there intermittently.

“It’s a known issue that’s been discussed for many, many years,” he says, and when it comes to buying and selling houses, the seller isn’t under any obligation to make a disclosure. “It’s something that [buyers] could do their research and know about.”

He does say a good buyer’s agent should inform a client of the potential smell, but he’s never seen a Belmont house stay on the market for a prolonged period of time because of the stink.

Longtime resident Bill Emory, who purchased his Woolen Mills house in 1987, says he was unaware of the sewage plant’s proximity when he moved in.

“It later made itself known,” he says, “just through the smell.”

Emory adds that real estate agents don’t usually say, “Oh, by the way, this is known as the stinky neighborhood.” But, as Duncan says, the smell in Emory’s neighborhood comes and goes. He’s situated about three-tenths of a mile away from the plant.

Admitting that the odor does affect the quality of life in Woolen Mills, Emory still says he’s never considered moving.

Emory says RWSA’s previous odor-control efforts, such as reducing the amounts of released nitrogen and phosphorous and only operating certain machinery during the day to prevent nighttime stink, have had an effect on the strength and frequency of the smell.

As part of a two-phase, long-term master plan created in 2007, RWSA completed a number of projects, including moving a septage receiving tank away from the front gate and enclosing it, covering some channels and providing wet chemical scrubbers that vacuum air space and remove odor compounds, to finish phase one by mid-2012. The authority was allotted $2 million from a capital improvement plan in January 2014, solely for the purpose of managing odors, and the newest investment of $9.3 million (not from the CIP) will initiate the second phase of the project.

Emory is hopeful that the latest advancement will finally get the job done and applauds Frederick for working patiently over the years and investigating the odor issue with sound scientific and engineering methods.

After an odor study and sampling, a team will construct a new grit-removal facility on the property and cover or decommission some older amenities known to cause bad smells. A network of air piping throughout the treatment plant will capture the odors, which will be treated using advanced biological scrubbers, as well as existing chemical scrubbers.

While the group is still accepting construction bids for the project, Frederick says the contract should be set by January, and workers will begin ordering equipment in March or April. Once construction begins, the project will take 18 to 20 months to complete.

Categories
Arts

ARTS Pick: Jane Eyre

National Theatre Live in HD presents an acclaimed retelling of Charlotte Brontë’s 170-year-old classic, Jane Eyre. The production follows the life of a daring and timeless heroine who perseveres through a parentless childhood, crippling poverty and countless injustices by using strength and resilience to make her own happiness.

Sunday 12/27. $10.50-14.50, 7pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.