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Arts

Film review: The Lobster is a unique, bizarre surprise

It’s little surprise that The Lobster, the English-language directorial debut of award-winning Greek filmmaker Yorgos Lanthimos (Dogtooth), has left quite the impression on audiences and critics alike. In its limited release it has garnered rave reviews and generated word-of-mouth notoriety that reaches far beyond its modest marketing campaign. What is surprising is just how comfortable Lanthimos is working in a non-native tongue for an entirely new demographic while remaining as uncompromising as ever in his bizarre, brutal, yet endearing vision.

The Lobster is a supremely weird, strangely cathartic film that explores the uncomfortable balance between the individual’s desire for companionship and the confining societal expectation built around that natural urge. This is taken to a ridiculous degree in what appears to be an otherwise normal city: Single adults are brought to a hotel to find companionship based on entirely arbitrary matching characteristics—shortsightedness, recurring nosebleeds, limps and even more ridiculous things. If they do not find their match within 45 days, they are turned into an animal of their choice. (Says a hotel employee, “That’s why there are so many dogs in the world.”) Outside the hotel, a group of rebellious loners has its own overarching view on romance; no flirting and no sexual interaction save for masturbation or else suffer a particularly brutal punishment.

Interestingly, the strangest thing about The Lobster isn’t its premise. It’s the presentation: Framed and paced like a quirky Sundance comedy, its disarming cuteness makes the intensity of the threat of violence much more effective. Lanthimos never actually shows a bloody act being committed, instead focusing on the most terrifying parts: the lead-up and the consequence. Though there is abundant pitch-black humor as well as actual horror, The Lobster is unconstrained by genre expectations as it forges with its unique vision.

There is real societal critique in its insanity. In this world, no one actually wants to become an animal and they dread the supposedly gruesome transformation process, yet most accept the law as fact and are happy to enter into loveless relationships in order to fulfill it. Even the breakaway militants see no problem dictating a set of rules that is virtually identical to the law, just in the other direction. Our hero, Daniel (Colin Farrell), finds real love with a woman (Rachel Weisz), yet there is nowhere for them to go. As runaways from the hotel, they’ve broken the law and face a terrifying punishment, yet they cannot live openly among the loners.

No one questions the absurdity of these rules on either side, yet nobody—even the law-abiding citizens—appears content with the results, an extremely effective commentary on the pageantry the real world has placed on what should just be two individuals who like each other. Satisfying one’s family is a widely accepted reason to get married, which is in many ways just as preposterous as if the government were to demand the same level of arbitrary criteria.

Not quite horror, not quite romantic comedy, The Lobster builds its own genre out of the remains of overused tropes, using conventionality of form as a weapon to make its attack on our expectations that much stronger.

The Lobster R, 118 minutes
Violet Crown Cinema, Regal Stonefield 14 and IMAX

Playing this week

Regal Stonefield 14 and IMAX

The Shops at Stonefield, 244-3213

Alice Through the Looking Glass

The Angry Birds Movie

Captain America: Civil War

The Jungle Book

Love & Friendship

Me Before You

Money Monster

Neighbors 2: Sorority Rising

The Nice Guys

Popstar: Never Stop, Never Stopping

Teenage Mutant Ninja Turtles: Out of the Shadows

X-Men: Apocalypse

Violet Crown Cinema

200 W. Main St., Downtown Mall, 529-3000

Alice Through the Looking Glass

Captain America: Civil War

The Jungle Book

Love & Friendship

Money Monster

The Nice Guys

Categories
Arts

ARTS Pick: Lake Street Dive

Lake Street Dive wasn’t sure what it wanted to be when the quartet formed in 2004 at the New England Conservatory of Music—and five albums later that hasn’t changed. The name of its new release, Side Pony, was taken from the hairstyle that can’t decide if it wants to be wild or subdued. “We’ve always been this somewhat uncategorizable, weird, outlying, genre-less band,” says bassist Bridget Kearney. Members were inspired by their musician parents to create a modern blend of retro jazz, indie, pop and soul. Folk/pop singer Brett Dennen opens.

Saturday 6/11. $30, 7pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

Related Links:

March 4, 2016: Album reviews

Feb. 20, 2014: Lake Street Dive eyes stardom through a vintage lens

Categories
Living

Locals come together to discuss gender and women’s empowerment

Say you’re a woman walking alone down a street and you hear the all-too-familiar sound of a man’s catcall. What do you do? What should you do? These were some of the questions raised during April’s meeting of The Stoop, a monthly get-together where anybody with an open mind and open ear can come to talk about important issues in a friendly, respectful setting. For that discussion, participants came eager and ready to discuss the topic of gender and women’s bodies.

Inside of IX Art Park’s public event space, a small, intimate gathering of both women and men sat down together in a circle, surrounded by eclectic artwork.

The guest host leading the discussion was Dr. Aidyn Mills, founder of The Rise Campaign Inc., an organization dedicated to encouraging healthy representations of women and girls in the media. Through her current work with the City of Charlottesville Human Rights Commission and Charlottesville’s Sexual Assault Resource Agency, Mills has continually grappled with issues that directly affect women.

Throughout the evening, Mills challenged the room to answer questions such as, “What makes you as a woman (or man) feel empowered?” “If you felt safe, how would you speak out against sexism?” “How might your gender experiences intersect with your ethnicity and background?” Women shared their stories about how they’ve confronted sexist remarks, while men asked how they could play a role in empowering the women in their lives. The parents in the room discussed their concerns about raising confident daughters amid the negative portrayals of women in the media.

As the meeting wound down after two hours, the participants shared what new learnings and actionable ideas they could take away from the conversation. One woman said she planned to teach yoga classes to women who’ve experienced trauma in Charlottesville, so that they could positively reconnect with their bodies in a safe space. Others felt more motivated to speak up next time a friend or co-worker made an offensive remark toward women. “You never know what kind of seed you might be planting in their minds,” added Mills.

In the future, Mills hopes to continue hosting more discussions around gender and women’s issues through The Stoop. She feels that having open-invitation conversations is one way to build a more active and enlightened community. “I really believe that if you give people the opportunity to voice their own opinions, they become more invested and that’s how you can really start change,” she says. “To get more people involved, you have to empower them and make them feel like they have a stake in this too.”—Sherina Ong

Categories
Living

Tuscan chef spends the week cooking at Tavola, and other restaurant news

They say in America that the way to a man’s heart is through his stomach. Turns out that’s pretty universal.

“Her love for food started with a love for her husband, because the restaurant owner was her husband,” says Caterina Martini, translating for seventh-generation Italian chef Roberta Vivetta Cintelli. “She started cooking at the restaurant and then she got married.”

Cintelli was 20 years old when she began working in the kitchen of Ristorante il Falcone, a restaurant in Poggio a Caiano that opened in 1862. Fifty years later she’s still cooking, and she jumped at the opportunity to travel to the United States to get a taste of Charlottesville.

Through the Charlottesville Sister Cities program, the team at Tavola has partnered with il Falcone for a summer culinary exchange, during which each restaurant’s chef will spend a week visiting and working with the other. In July, Tavola chef Caleb Warr will travel to Poggio a Caiano, where he’ll work alongside Cintelli, who’s been cooking longer than he’s been alive. Cintelli is visiting this month for about 10 days, during which she’ll see local sites, eat all over town and, of course, cook at Tavola.

Last weekend, Cintelli and Martini joined Tavola owners Michael and Tami Keaveny for brunch at Hamiltons’ at First & Main. After Martini quietly translated the extensive menu for her, Cintelli ordered an omelet, and a basket of pastries and biscuits arrived for the group to share. Both Italians at the table marveled at the perfect balance of the biscuits (not to be confused with cookies, as Martini’s classic British English training would have them believe) and the side of locally made strawberry jam.

Cintelli’s hosts have a long list of local food for her and Martini to try during their stay, and as of last Sunday morning, one of their favorites was the classic Cajun-creole fare they had at the recently opened Southern Crescent in Belmont.

“The real American food, like gumbo or soul food, it’s really appreciated, because it’s something new and very genuine at the same time,” Martini translates for Cintelli, adding that they acknowledge the difference between classic, original American cuisine and American junk food.

And, as much as she’s enjoying the opportunity to visit area eateries, Cintelli asked an unsurprising question shortly after landing in Charlottesville last week: “When do I get to cook?”

Cintelli will spend most of the rest of her stay working in the kitchen at Tavola, with the week culminating in a Poggio a Caiano-inspired food-and-wine street festival in front of the restaurant on Saturday, June 11.

And while Warr and the rest of the Tavola staff are soaking in as much knowledge from the Italian culinary matriarch as possible, 70-year-old Cintelli remains humble.

“I would like to teach my traditions, but I also want to learn as much as possible,” she says. “The world right now is very different from when I started as a teen, and there are always plenty of possibilities to learn.”

Count your chickens

Welp, the cat’s outta the bag. Central Virginia is on the map as the place to track down fried chicken in what some may consider the most unlikely of places: gas stations. Preston Avenue Shell, Brownsville Shell in Crozet, The Chicken Coop in a Lovingston Exxon—we all know and love these inconspicuous spots for their crispy, flawless fried chicken and sides such as potato wedges and coleslaw.

Last month, Saveur writer Hawk Krall posted a short piece for the gourmet food and travel magazine entitled “One of America’s best fried chickens comes from a Virginia gas station.” The piece highlights Mac’s Country Store, located in an innocuous Exxon station in Roseland, about 40 miles south of Charlottesville.

“It’s the kind of place where, if they’re working on a fresh batch of chicken, they’ll direct you away from the ones sitting in the warming tray [to] make sure you get a taste of their best work,” Krall writes. “And their chicken is out of this world—as crisp and juicy as you could hope for.”

We’re glad you enjoyed it, Krall. Be sure to come back next time you’re writing about beer or donuts.

Tasty tidbits

At the table with Timbercreek…Starting on Saturday, June 11, Timbercreek Market will host monthly farm-to-table dinners through September, with courses created by executive chef Allie Redshaw and a cheese course by Flora Artisanal Cheese. Tickets are $65 per person, plus $15 for wine pairings. Cheers to beerWild Wolf Brewing Company recently announced it received an honorable mention for its imperial stout at the United States Beer Tasting Championship. Open for business…Months ago we told you that a new Korean restaurant was coming to West Main, and, as of last week, Doma is officially up and running. Stay tuned for more details about the owners and menu.

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News

Surprise resolution: City makes move to buy Water Street Garage

City Council unanimously passed a resolution June 6 authorizing City Manager Maurice Jones to make an offer to buy the parking spaces owned by Charlottesville Parking Center in the Water Street Garage. Both the city and CPC owner Mark Brown have said they are in talks to resolve issues that led to the entities suing each other, but Brown says he was unaware of the plan offered up Monday night.

Just when things seemed to be quietening down in the ongoing battle between the city and Brown over the fate of the Water Street Garage, downtown business owners, not reassured by the two sides promising to play nice and work things out, met June 2 for an “open and impartial discussion” that ended with the 60 or so attendees endorsing a petition brought by Violet Crown and its PR firm that opposes privatization of the garage.

The city’s handling of downtown parking also was roundly condemned.

“We have a parking problem,” said downtown property owner Aaron Laufer—several times. He also wondered whether eminent domain for the Water Street Garage was an option.

The latest consternation started a week earlier at a Downtown Business Association of Charlottesville meeting when Violet Crown’s Robert Crane, aided by Payne Ross’ Susan Payne, proposed a petition to the city that it not sell its share of the complicatedly owned Water Street Garage.

“We would not have come into this community without affordable parking,” said Violet Crown owner Bill Banowsky at the June 2 meeting. The theater had an agreement with the Charlottesville Parking Center to pay 35 cents an hour for validated parking, the same rate that Regal Cinema had. Brown bought CPC for $13.8 million in 2014, and the parking rate doubled, said Banowsky. The city agreed to subsidize 20 cents an hour, but that agreement only goes through the end of the year, he said.

“CPC has gone on record saying they want to drive up rates to what the market will bear,” said Banowsky.

IX complex owner Ludwig Kuttner was even blunter: “We have a maniac who decides to blackmail us. He plays crazy, we play crazy.”

ludwigKuttner
Play crazy in dealing with Mark Brown, advises Ix owner Ludwig Kuttner. Staff photo

While Kuttner said building a garage at IX was an option, he also suggested the group find properties suitable for parking. “I know 20 spots we could use that are not used now,” he said.

Brown claims the city is forcing him to keep Water Street Garage rates below market rate and below what the city charges at the Market Street Garage. He filed suit against the city in March, and the city countersued in April, alleging it didn’t get right of first refusal on parking spaces Wells Fargo sold to CPC.

Brown was not at the June 2 meeting, nor was anyone from CPC. Before the meeting, brand new general manager and former mayor Dave Norris pooh-poohed the notion that Brown would jack up rates. “That doesn’t make business sense,” he says, especially when Brown’s share of parking downtown is 19 percent.

Norris pointed out that Violet Crown has a monopoly downtown and it didn’t jack up its rates, nor did Brown with Main Street Arena or Yellow Cab, companies he owns. “He’s a business guy,” says Norris.

Jones sent a letter on behalf of the city to DBAC president George Benford to reassure those at the meeting that work was going to address long-term parking needs. “It is important to emphasize that despite increased recent attention, we do not have a parking crisis in downtown,” said the letter.

Tin Whistle owner Jacie Dunkle wasn’t buying it. “For Maurice to send that, that’s bull,” she said. “Quite frankly, I don’t trust the City Council to make a wise choice,” she said, mentioning the recent increase in the meals tax despite restaurant owners’ objections. “They already know we don’t want meters,” a plan recommended by a city study and by Brown.

City councilors Bob Fenwick and Wes Bellamy were at the meeting. “These things are being discussed in executive session,” said Fenwick.

Councilors pay close attention to e-mails from constituents, said Bellamy, and the voices he’s hearing on the issue are fragmented. “Unity is what’s going to move things through,” he said.

“If another 1,000 spaces were parachuted downtown, I don’t care if Mark Brown owns Water Street,” said Laufer, who added that Brown is a friend. He urged the city to buy out Brown.

The city had multiple opportunities to buy the garage before Brown did, says Norris, and he questions whether it will be able to afford millions to upgrade the garage when it cut $50,000 for the municipal band from the budget. “There are 300 empty spaces on the third floor with a 200-plus person waiting list,” he says. “How does that make sense?”

Charlottesville is facing parking issues on multiple fronts. Albemarle is looking at whether to remove its general district court from Court Square because of parking. New businesses need parking, as do employees and the Landmark Hotel.

“My concern with the petition in general is it’s going to prolong and maintain the litigiousness going on now,” says Norris. “We have an opportunity to resolve it. Let’s resolve the long-term issues with parking.” That was before the City Council resolution. Norris was unavailable at press time, and Brown declined to comment on the city’s latest plan.

Categories
Arts

Festival of the Photograph offers new slate of free events

I began asking local residents if they’d heard of LOOK3. The vast majority said, ‘Oh, you mean the pictures in the trees!,’” says Mary Virginia Swanson, LOOK3 Festival of the Photograph executive director. “I knew then that we needed to reach out with community-based programs that would be free and open to all.” Indeed, as a festival focused on presenting the work of nationally renowned photographers, outreach programs have played second fiddle in the past while names from the pages of National Geographic and the walls of prestigious galleries or museums received the most attention. This year, that’s going to change, as Swanson presents the first festival under her leadership.

“It is crucial to me that our events include the community,” she says. “I set out to learn what types of photography programs community residents were most interested in.” Over the past few months, she and other LOOK3 staffers experimented with free lectures and a print-sharing event to see what excited locals.

“The roots of LOOK3 reach back to this community and we are committed to expanding the rich history of photography that enriches this area,” Swanson says. Influenced by this desire and research, she is ready to launch her new approach.

In addition to the exhibitions and outdoor projections, artist talks by professional photographers and educational offerings for aspiring photographers that LOOK3 consistently hosts, this year’s festival will offer an impressive breadth of free programs. A community print share kicks off the festival on June 13, featuring the work of local photographers who submitted art in advance. Free to participate in or attend, the event sets the tone for the week-long festival by welcoming all.

“We already see how our high school mentoring programs have made an impact on youth,” Swanson says. “Just imagine if even more people were engaging in the power of photography to tell their stories.”

On June 14, LOOK3 presents a panel discussion titled “PDN’s 30 2016: New and Emerging Photographers to Watch,” a program that seeks to invite community members into this very type of engagement. Professional photographers will discuss their work while also exploring the broader topics of creative careers and the business side of art, offering advice for aspiring artists in all categories. It’s a chance to learn from the experts on topics ranging from getting work noticed to building support networks and finding your artistic voice.

The Pop-Up Book Fair is another addition to the festival, providing an outlet for local artists who have reserved a free space to display and sell their books and zines. “There are so many opportunities to self-publish photography books today, but one of the challenges is distribution,” says Swanson. “We wanted to give authors a chance to sell their zines and photobooks and share their work with a broader audience.” It’s free to attend and includes a book signing with participants.

During Family Photo Day on Sunday (which also happens to be Father’s Day, hint hint), LOOK3 offers free family portraits along with a book signing by young artists Abbey Ellerglick and Harper Tidwell, who are featured in the Aperture Foundation book, Go Photo! An Activity Book for Kids by Alice Proujansky. As a teaching artist, Proujansky will also be present to lead a hands-on, kid-friendly photography activity with Ellerglick and Tidwell. “We hope families from all parts of our community will turn out—especially those who are new to Charlottesville or new to this country who may not have had a portrait made in this new phase of their lives,” says Swanson.

Concluding the 2016 festival, LOOK3 hosts a free screening of Ed Kashi and Julie Winokur’s short documentary film, Syria’s Lost Generation. This event will also feature a presentation of photographs and text by Kashi and writer Don Belt, showcasing the pair’s work in Syria during the past two decades while on assignment with National Geographic. With insiders’ perspectives and tales from the ground, the discussion between the three artists will provide a free taste of the high caliber artist talks that populate the festival’s ticketed events.

In addition, exhibitions at more than 10 downtown gallery spaces and the official LOOK3 bookstore will all be free to visit and accessible throughout the week. And, of course, all it takes is a glance upward while walking along the Downtown Mall to take in the best-known free LOOK3 program, the popular TREES exhibition of nature photographs.

Related Links:

June 6, 2014: Photography in Charlottesville

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News

American hero: The Greatest remembered in Charlottesville

After Muhammad Ali moved to a farm in Nelson County in 1982, it wasn’t that unusual to spot him on the Downtown Mall, and his local connections remained even after he moved away. The boxing and civil rights legend died June 3 at age 74.

Ali planned his funeral several years ago with the help of his Charlottesville lawyer and friend of 30 years, Ron Tweel, who is making arrangements for his funeral in Ali’s hometown of Louisville, Kentucky.

Tweel’s daughter, Jennifer Kelly, grew up with Ali and his fourth wife, Lonnie, as regulars in her parents’ house—and as role models.

“When we were little,” says Kelly, “Dad would talk about how powerful [Ali] was, how he gave up years of his career for what he believed and that’s how people should act.”

Shortly after defeating Sonny Liston for the heavyweight title in 1964, Ali, born Cassius Clay, changed what he called his “slave name” and announced he was a Nation of Islam convert.

He was stripped of his heavyweight title in 1967 when he refused to be drafted to fight in the war in Vietnam, and he memorably said, “Man, I ain’t got no quarrel with them Viet Cong.” He explained, “Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights?”

The U.S. Supreme Court overturned his conviction in 1971—after he’d lost four prime fighting years.

ali&kelly-kerner
Ali and Jennifer Kelly at Maya. Photo Will Kerner

Kelly also is an admirer of Lonnie. “They were a powerful couple,” she says. “She is a formidable, smart, generous, strong woman I look up to.”

The last time Kelly saw Ali was in October 2014 at her husband’s restaurant, Maya, and she remembers him watching a clip of his fight with Joe Frazier.

“I knew him as this powerful person who stood up for what he believed,” she says. “I feel so fortunate that Lonnie and Muhammad have been a part of my life. He’s influenced so many people.”

In a statement, Kelly describes Ali as “a boxer and a man fighting for civil rights as well as battling Parkinson’s. He was a fighter. But more importantly he was a lover. What I observed is that he approached everything in a deep foundation of love.”

For Chaps Ice Cream owner Tony LaBua, who grew up on Long Island, where boxing was big, and who did some boxing himself, Ali “was just our boxing idol,” he says.

LaBua bought a book by Ali at a yard sale and knew he was a friend of Tweel’s. One day the attorney was in Chaps buying pints of ice cream and LaBua said, “Next time the Champ’s in town, ask him if he’ll sign my book.”

“‘He’s in my office right now,’” LaBua remembers Tweel saying. He went to Tweel’s MichieHamlett offices, and the attorney said, “‘Champ, I’ve got your biggest fan here,” says LaBua.

Ali signed the book. “He looked at me and said, ‘That’ll be $5,’” says LaBua, who has photos of Ali in his restaurant. LaBua joined in the joke and said, “That ice cream cost $12. Your attorney ran out without paying. You owe me $7.”

 

ali-tweel2
Muhammad Ali and Ron Tweel with a reproduction of the Olympic gold medal he won when he was 22 years old that was given to him when he lit the Olympic torch in Atlanta in 1996. Photo courtesy Jennifer Kelly

Tuel Jewelers’ Mary DeViney says when he lived in the area, “You’d see him all the time.”

She saw a philanthropic side to Ali when she was chair of the multiple sclerosis TV auction sponsored by the Jaycees. “We’d get old boxing gloves and he’d sign them,” she says. “He didn’t have to do that. He would give back to this community. He did it so the money would go to research. That’s being part of the community.”

Adds DeViney, “In Phoenix or wherever he was, I bet you’ll find these same stories.”

 

 

 

 

Categories
News

Trigger warning: Local animal experts weigh in on gorilla shot at zoo

Updated June 7 with additional sources

A rare gorilla was shot and killed May 28 at the Cincinnati Zoo after a 3-year-old boy dropped 15 feet into the animal’s enclosure. In a video that went viral, the world watched in horror as the ape dragged the child through the exhibit. A professor of animal law at UVA says the zookeepers, who have been heavily scrutinized for killing the gorilla, made the right decision.

“Once the child entered the enclosure and was picked up by Harambe, there was no choice,” Margaret Riley says. “I think it’s hard to second-guess the decision here. If you’re wrong, a child may die.”

According to Riley, the field of animal law is rapidly changing, driven by the evolving and competing conceptions of animal ethics. But when one is faced with saving the life of a child versus that of an animal, “even a rare and magnificent animal,” one should protect the person.

She says the law does defend rare breeds of animals more than others, but not in the context of imminent danger to humans.

A potential legal case, according to Riley, is a negligence suit against the parents for failing to keep control of their child. Ohio’s Hamilton County prosecutor announced June 6 that the parents would not face charges.

“It’s probably a long shot, but someone might try to argue that the zoo’s decision to shoot the gorilla was an illegal taking under the Endangered Species Act,” she says. “I don’t personally think such a claim would have merit and it would be hard to find someone who has standing to bring the suit in any case.”

Harambe, the 17-year-old, 450-pound western lowland gorilla—of which there are fewer than 175,000 in the wild—was born in a Texas zoo and moved to Cincinnati two years ago.

While the morality of zoos is often questioned, Riley says they now make animal habitats more natural. But the president of a local animal advocacy group says that, while catering to customers, some entities lose track of an animal’s best interest.

Stacey Norris, president of Voices for Animals, says cases of gorillas attacking humans at zoos are “virtually non-existent,” but Harambe “still possessed an innate instinct—as many animals, including humans, do—of curiosity of the child and protection of his family and belongings when the child fell in.”

Perhaps he would have reacted differently if he were not a captive animal, she says.

“It is difficult to predict behavior of any living thing when it is put in a world unnatural and distant from where it should be,” Norris says. “Moving zoos from a mindset of captivity and display to a more natural sanctuary-like setting seems like the right thing to do.”

 

Original story:

Over the weekend, a rare silverback gorilla was shot and killed at the Cincinnati Zoo after a 3-year-old boy dropped 15 feet into the animal’s enclosure at Gorilla World—under a rail, through wires and over a moat—to make contact with the animal. In a video that went viral, the world watched in horror as the beast dragged the child through the exhibit. A professor of animal law at UVA says the zookeepers, which have been heavily scrutinized for killing the gorilla, made the right decision.

“I think that once the child entered the enclosure and was picked up by Harambe, there was no choice,” Margaret Riley says, because the child was in imminent danger. “I think it’s hard to second guess the decision here. If you’re wrong, a child may die.”

According to Riley, the field of animal law is rapidly changing, driven by the evolving and competing conceptions of animal ethics. But, in her opinion, when one is faced with saving the life of a child versus that of an animal, “even a rare and magnificent animal,” one should protect the human.

She says the law does protect rare breeds of animals more than others, but not in the context of immediate danger to humans.

Harambe, the 17-year-old, 450-pound western lowland gorilla—of which there are fewer than 175,000 in the wild—was shot by a zookeeper with a rifle, rather than a tranquilizing gun that could have spared his life.

“I don’t know enough about the facts of the case to know whether better choices could or should have been made before that life-or-death choice,” Riley says, but she wonders if it was too easy for the child to enter the gorilla’s enclosure. Zoos now attempt to make animals’ habitats more natural to offer more freedom, she says, and to give visitors a way to interact with the animals more realistically. “That can increase the chances of something like this happening. But it may also have been a fluke.”

While some have argued that a gorilla in the wild would not have harmed the child, she says the behavior of an animal that has spent its entire life in captivity may differ.

A potential legal case, according to Riley, could be a negligence suit against the parents for failing to keep control of their child.

“It’s probably a long shot, but someone might try to argue that the zoo’s decision to shoot the gorilla was an illegal taking under the Endangered Species Act,” she says. “I don’t personally think such a claim would have merit, and it would be hard to find someone who has standing to bring the suit in any case.”

Categories
Arts

Album reviews: Dungen, King Gizzard and the Lizard Wizard, Julianna Barwick

Dungen

Allas Sak (Mexican Summer)

Dungen, meaning “grove,” is a suitably organic tag for this Swedish band, though its prog-and-folk-inflected psychedelia invokes the cerulean as readily as the sylvan—think early-’70s Genesis or Caravan. The band is a classic four-piece, with bandleader/singer Gustav Ejstes sometimes laying aside his guitar in favor of piano, flute or violin; his thoughtful arrangements give Dungen a lean yet bounteous sound. So do his bandmates’ chops—especially guitarist Reine Fiske who shimmers throughout. Lyrics lovers who don’t understand Swedish might feel frustrated, but the focus here is on tasty, concise improv. And as with all Dungen albums, some songs on Allas Sak are straight instrumentals, including highlights “Franks Kaktus” and “Flickor Och Pojkar” (as well as “En Dag Pa Sjön,” the album’s lone misstep). Though not a knockout on the order of 2004’s colossal Ta Det Lugnt, Allas Sak is another fine entry in one of rock’s most consistently satisfying catalogs. Lockn’ might be months away, but on June 8, Dungen fills the Southern with bright and heady vibes.

King Gizzard and the Lizard Wizard

Nonagon Infinity (ATO)

In case the band name doesn’t convey it, this fuzzed-out sextet from Melbourne wears its virtuosity lightly. Which isn’t to call them slackers—Nonagon Infinity is the group’s fifth full-length in two years that have also seen steady touring. Similar to Thee Oh Sees, King Giz ably switches fields between krautrock, psychedelia and a punky onslaught. Nonagon Infinity features the latter: It’s tight, cranked and something of a stunt—nine songs that play out in an endless cycle as each flows into the next, and if you’ve adjusted your playback settings, the metallic closer “Road Train” loops seamlessly back into the opening “Robot Stop.” Along the way, there’s a welcome change of pace via the organ-driven mutant boogie of “Mr. Beat,” but the band is relentless throughout, turning even the lopsided 5/4 rhythm of “Wah Wah” into a headbanger. The attack of Nonagon Infinity might not be the best introduction to this fertile band, but it’s a marvel in its own way, and another album is probably right around the corner.

Julianna Barwick

Will (Dead Oceans)

Another sort of headiness comes from Julianna Barwick, the Brooklyn artist who was raised in Louisiana but wafts into the room like a ghost from an English cathedral. She’s drawn comparisons to early Sigur Rós and This Mortal Coil, but those bands sound like ELO next to Barwick. Her mostly wordless vocals float in an amniotic haze of synth strings, muted piano and drony sounds of undetermined origin; listening to Will feels a bit like watching a bedsheet billow and swirl deep beneath the ocean surface. However, the songs have definition within the wash: The retro-futuristic pulse of “Nebula” does indeed invoke the cosmos, while Barwick’s voice suggests a tentative hopefulness on “Heading Home.” “Someway” even flirts with a lyric, though it’s so obscured it feels voyeuristic to try to decipher it. (It’s also one of two songs featuring guest vocalist Thomas Arsenault, whose mawkishness is unwelcome.) Will is another affecting realization of Barwick’s austere but lush aesthetic.—Nick Rubin

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Charlottesville Tom Sox fall on opening day

The purring of food truck generators and the buzz of field lights Wednesday night meant baseball was back at C-VILLE Weekly ballpark, home of the Charlottesville Tom Sox.

Cold bats and a quality Rebel bullpen caused the Tom Sox to fall to the New Market Rebels on opening day, 8-2.

Before the game, the Tom Sox took the field along with their new prairie dog mascot, Prairieweather Lewis. In the offseason, Tom Sox fans voted on the mascot animal and the mascot’s name.

Prairieweather Lewis greets a young Tom Sox fan.
Prairieweather Lewis greets a young Tom Sox fan.

Along with the new mascot, the Tom Sox are changing the way they recruit players.

“We have done a little more due diligence in taking time in recruiting the right athletes to come here,” general manager Mike Paduano said. “We were cognizant of what type of kid we would like to see here: blue collar kid that works hard, very athletic, high intensity, a lot of energy.”

The 7pm opening pitch struck New Market’s Bowen McGuffin, sending him to first base. McGuffin would eventually score after a single and a sacrifice fly, putting the Rebels up 1-0 after the first inning.

The Rebels did not look back as they led throughout the rest of the game.

Joey Johnson started at pitcher for the Rebels, earning five strikeouts in six innings of play. Johnson shut down the Tom Sox offense allowing only one run off three hits.

In the third inning, McGuffin crossed home for the second time of the night off of a wild pitch, making it 2-0 to New Market.

In the bottom of the third the Tom Sox gained some footing offensively behind the bat of Dan Wondrack, a rising sophomore at the College of Charleston. His double in the third inning brought home D.J. Lee, making it 3-1 after three innings.

“[We have] a completely different team. We have a very athletic team this year, guys that play multiple positions,” Paduano said. “The versatility is something that is important because we can move these kids around to different positions.”

Despite the athleticism of the Tom Sox, they gave up runs in six of nine innings and committed two errors.

A.J. Franklin winds up on the mound.
A.J. Franklin winds up on the mound.

“It was good to see all the guys get out there and swing the bat tonight,” head coach Travis Thomas said.  “It’s only game one. Our job is to go forward and approach tomorrow with everything we got.”

Tonight’s game against the Harrisonburg Turks has been postponed. The Tom Sox will be on the road Saturday night for a  matchup with the Covington Lumberjacks.

 

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Read more about the team’s lineup this year as well as utility infielder Justin Novak, part of the 2015 College World Series-winning UVA baseball team.