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Arts Culture

PICK: Oscar Shorts

Short your investment: Release dates and streaming access make it a challenge to see every movie nominated for a best picture Academy Award this year. But serious Oscar pool competitors know the short film category is a more easily achievable viewing list. Enter Violet Crown’s Oscar Shorts series, part of the theater’s RSVP Cinema program. The shorts will show on the big screen in three categories: animated, live action, and documentary. The films in each group are offered back-to-back, so viewers can gain an edge while enjoying the authentic movie experience we’ve all been missing.

Through 4/15, Prices and times vary. Violet Crown Cinema, 200 W. Main St., Downtown Mall. charlottesville. violetcrown.com.

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Movie review: The Insult imparts the complexities of conflict

A dialogue of national reconciliation takes the form of a courtroom drama in Ziad Doueiri’s The Insult, one of this year’s nominees for Best Foreign Language Film. It all begins as a minor conflict between a Lebanese Christian mechanic, Tony (Adel Karam), and a Palestinian engineer living in Beirut, Yasser (Kamel El Basha). Yasser is working on the apartment complex in which Tony lives when he notices that the drain on Tony’s deck is leaking onto the street. When asked for permission to enter the apartment, Tony angrily refuses. Yasser repairs the drain anyway, which Tony destroys and demands an apology. Yasser’s refusal leads to a slur of racial insults, culminating in “I wish Ariel Sharon had wiped you all out.” Yasser punches Tony in the gut, breaking two ribs, over which Tony presses charges. Press coverage of the case boils over into a nationwide dispute, reopening wounds from the Lebanese Civil War that were never fully healed.

“This is how wars are started,” the president tells the two in a attempt to settle the dispute that threatens the country’s stability. Lebanon knows this better than most, having endured a multi-front civil war that raged for 15 years, from 1975 to 1990. Though there has been nominal peace, polarization and resentment still simmer. Tony is a member of what is referred to as the Christian Party, and frequently listens to speeches by wartime Phalangist (another word for fascist) leader Bachir Gemayel, and dodges questions about why he refuses to return to Damour, where he grew up.

The Insult
R, 114 minutes
Violet Crown Cinema

The attorney he hires, Wajid Wehbe (Camille Salameh) shares the same resentment over the perception that the Palestinian cause gets more attention than that of the Lebanese citizens. Though the film focuses on the Lebanese context, it is not a leap to connect this feeling to the white working class that supposedly helped Trump win the election through a mix of economic uncertainty and racial animosity, scapegoating immigrants and nonwhite residents for their troubles. Many of the coded words and dog whistles that Tony and Wajid use are similar to those we hear in the United States, and though Tony is clearly acting out of prejudice and revenge rather than principle, there is a much straighter line between his lived experience and his xenophobia than that of the alt-right’s.

Perhaps the bravest decision by Doueiri is making The Insult more than a simple “plague on both your houses” parable, as there is no cheaper move than to poke and prod at a hot button issue and remain noncommittal. Tony’s hatred did not appear out of thin air, but it does not apply to Yasser. Yasser, meanwhile, has lived a complicated life, wanting to defend his dignity while accepting that Palestinians will never be welcome no matter which country hosts them. Tony’s trauma is real, but his imagined persecution is not; Yasser is restricted in his rights, where he can live and pray, and what jobs he can perform, and the way he has learned to live with this reality is complex. He stands up for his personal dignity, but he would rather plead guilty in the first hearing than drag things out, and refuses to say what it was that drove him to hit Tony.

There are pacing issues and a few contrivances that would be dealbreakers in most other films, such as the fact that Wajid’s daughter defends Yasser, a fact which is revealed in court much to everyone’s surprise. It’s a solid metaphor concerning how the generation who lived through the war and those born after it differ in their priorities, but the execution is clunky. However, the honesty of The Insult’s emotional core is engaging and daring, and the performances so phenomenal, that it is well worth your time no matter your level of familiarity with the history behind it.


Playing this week

Alamo Drafthouse Cinema
377 Merchant Walk Sq., 326-5056

A Quiet Place, Basket Case, Black Panther, Blockers, The Death of Stalin, Isle of Dogs, Ready Player One, The Sandlot

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

A Quiet Place, A Wrinkle in Time, Black Panther, Blockers, Chappaquiddick, God’s Not Dead: A Light in Darkness, I Can Only Imagine, Isle of Dogs, Love, Simon, The Miracle Season, Paul, Apostle of Christ, Ready Player One, Tomb Raider, Tyler Perry’s Acrimony

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

Black Panther, Blockers, Chappaquiddick, Distant Sky: Nick Cave & The Bad Seeds Live in Copenhagen, The Death of Stalin, Isle of Dogs

Categories
Arts

Movie review: Stephen King’s IT balloons with big-screen scares

The film adaptation of Stephen King’s novel IT, long considered unfilmable, has finally reached the big screen, bringing new life and a modern sensibility to a story that is simultaneously nostalgic and damning of selective memory. The decades are swapped—our heroes are growing up in the late 1980s instead of King’s 1950s—but the coulrophobia has not dulled a bit in the update. IT does frontload most of its big scares and falls into a predictable rhythm, but with an impossibly talented cast, amazing visuals, and the sheer herculean effort to make the damn thing, IT will win most audiences over.

The story follows a group of teens growing up in the fictional town of Derry, Maine. Some are lifelong friends, some are newcomers, but all share the experience of being bullied, outcast or otherwise rejected and put down by their peers and family. Meanwhile, a terrible presence in the form of a demonic clown has been making itself known, first by horrifically devouring Georgie, the younger brother of the group’s leader, Bill (Jaeden Lieberher). A frightening amount of children have recently been killed or gone missing, when one of the Losers discovers a pattern in the town’s history where every few decades, a massive wave of disappearances and deaths hits the young population of Derry. They realize they are in the middle of one such wave, and as they work to combat Pennywise the Dancing Clown, they must also unite to confront their own deepest fears.

It
R, 135 minutes
Alamo Drafthouse Cinema, Regal Stonefield 14 & IMAX, Violet Crown Cinema

Every King story lives or dies by the quality of its characters; after all, we would neither care nor believe a story about a supernatural child-eating clown who lives in the sewer if we were not somehow invested in the survival of those affected. This is where the source material shines, as well as the 1990 miniseries, and in this regard, the 2017 iteration is a complete triumph. The cast is truly remarkable, believably capturing how 13-year-olds might react to such a situation, when they are still in the middle of becoming the people they will be for the rest of their lives—they are funny, endearing, sympathetic, and capture the full spectrum of small-town adolescence in doing so. Not a single performance within the Losers Club is wasted, particularly by Lieberher, Sophia Lillis, Jack Dylan Grazer and “Stranger Things”’ Finn Wolfhard. Bill Skarsgård may be capturing headlines with his take on Pennywise—and it is a fresh one, free from the shadow of Tim Curry’s legendary turn—but we are either in a golden age of child actors or this is the cream of the crop.

Though both the novel and miniseries followed the protagonists both as teenagers and as adults, director Andy Muschietti (Mama) makes the decision to focus solely on the childhood years, with the second half of the story left to a potential sequel. This effectively focuses what has always been a sprawling narrative of interdimensional beings and nigh-Lovecraftian lore, that of best friends learning to trust themselves and one another while questioning the world as it has been presented to them. The flipside of this is that it leaves a frustrating amount of plot holes, such as what the non-“It” creatures are that we see peppered throughout. Supernatural horror films are often best left unexplained, but they ought never be unmotivated. The effect is not mystery, but preemptively dulling what should have been the massive scares that come later.

The special effects are jarring and there are legitimate moments of terror—reminiscent of Muschietti’s too-close-for-comfort stylings that we saw in Mama—but they are not sustained enough for it to be the masterpiece it wants to be. The film cannot shake echoes of the smash hit “Stranger Things,” but as King’s story provided some of the inspiration, it has every right to cover similar ground. IT is not a game-changer, but the mere fact that it exists, and is as good as it is, deserves recognition.


Playing this week

Alamo Drafthouse Cinema
377 Merchant Walk Sq., 326-5056

Akira, Dunkirk, Home Again, The Hitman’s Bodyguard, Ingrid Goes West, Logan Lucky, Selma 

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

 All Saints, Close Encounters of the Third Kind, Despicable Me 3, Dunkirk, The Emoji Movie, Girls Trip, The Hitman’s Bodyguard, Home Again, Leap!, Logan Lucky, Marvel’s Inhumans, The Nut Job: Nutty by Nature, Spider-man: Homecoming, Star Trek: The Wrath of Khan, Wind River 

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

Apollo 13, The Big Sick, Dunkirk, The Glass Castle, Home Again, Logan Lucky, The Midwife, Terms of Endearment, The Trip to Spain, Tulip Fever, Wind River

Categories
News

In brief: Sex trafficking, how to scare politicians and more

Charges filed under new sex trafficking law

Quincy Edwards, 33, was indicted on 10 counts June 6 related to human trafficking for threatening and intimidating a victim into prostitution at the Royal Inn Hotel, the first time those charges have been brought in Albemarle. He also was charged with extortion, abduction and use of a firearm.

Dubious top 10 list

UVA came in at No. 5 in a Washington Post analysis of schools with the highest number of sexual assaults reported in 2014. Brown and U-Conn tie for first place with 43; UVA had 35.

Jackie’s lawyers check Haven Monahan’s e-mail

In the latest round of court filings that almost make us forget former UVA associate dean Nicole Eramo is suing Rolling Stone and not Jackie, on June 1 Judge Glen Conrad gave the former UVA student 14 days to produce e-mails from Haven Monahan’s Yahoo account, which Eramo says Jackie created while catfishing another student. Team Jackie calls Eramo “unhinged” in court filings.

They call him “Oak”

photo Jim Daves
photo Jim Daves

UVA baseball coach Brian O’Connor, who took his team to Omaha to win the College World Series last year, started last weekend’s regional tournament at Davenport Field as the Hoos’ winningest coach with 595 victories. Sadly that number only increased by one, when UVA beat William & Mary June 3, but lost its next two games to end the season.

Grim anniversary

It’s been 20 years since the bodies of hikers Lollie Winans and Julie Williams were discovered June 1, 1996, at their campsite near Skyland Resort in the Shenandoah National Park after their dog, Taj, was found wandering near White Oak Canyon. The FBI says this is an ongoing investigation, and anyone with information should contact the agency’s Richmond office at 804-261-1044.

How’s it hanging?

Mary Virginia Swanson, 2016
Mary Virginia Swanson, 2016

Every June they appear in the trees on the Downtown Mall: giant birds, bugs or mammals, a sure harbinger the Look3 Festival of the Photograph is at hand. Twenty double-sided banners, this year with photos by Frans Lanting, line the mall. Printed on heavy vinyl, the 80″x 120″ photos have aluminum steel poles in pockets on thetop and bottom to keep them stable. Ratchet straps are wrapped around the trees and hooked to the top poles, and then tightened to prevent flapping. Two teams, each with their own ladder climber, installed the approximately 30-pound photos in a record time of 3.5 hours, according to Clare Stimpson with Look3. In April, the White Flags exhibit was removed when one of its 193 flags came down. In the 10 years the photography festival has hung the banners, Stimpson says there have been no casualties of either photos or outdoor diners below them. But they’re fully insured, just in case.

By the numbers

County crime report

1,404

Number of Albemarle crimes in 2015, down 16 percent from 2014

1,324

Property crimes, down 17 percent

80

Crimes against people, up 18 percent

25

Rapes, up 213 percent over 2014

29

Percentage of arrestees who are black

9

SWAT deployments

2

Lawsuits involving the latter two categories

—2015 crime numbers courtesy Albemarle County Police Department

Quote of the week

“Politicians aren’t scared of committees. They’re scared of agitated crowds.”

Rammelkamp Foto
Rammelkamp Foto

City Councilor Bob Fenwick at a June 2 meeting at the Violet Crown Cimema to discuss citizen concerns about the Water Street Parking Garage.

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News

Surprise resolution: City makes move to buy Water Street Garage

City Council unanimously passed a resolution June 6 authorizing City Manager Maurice Jones to make an offer to buy the parking spaces owned by Charlottesville Parking Center in the Water Street Garage. Both the city and CPC owner Mark Brown have said they are in talks to resolve issues that led to the entities suing each other, but Brown says he was unaware of the plan offered up Monday night.

Just when things seemed to be quietening down in the ongoing battle between the city and Brown over the fate of the Water Street Garage, downtown business owners, not reassured by the two sides promising to play nice and work things out, met June 2 for an “open and impartial discussion” that ended with the 60 or so attendees endorsing a petition brought by Violet Crown and its PR firm that opposes privatization of the garage.

The city’s handling of downtown parking also was roundly condemned.

“We have a parking problem,” said downtown property owner Aaron Laufer—several times. He also wondered whether eminent domain for the Water Street Garage was an option.

The latest consternation started a week earlier at a Downtown Business Association of Charlottesville meeting when Violet Crown’s Robert Crane, aided by Payne Ross’ Susan Payne, proposed a petition to the city that it not sell its share of the complicatedly owned Water Street Garage.

“We would not have come into this community without affordable parking,” said Violet Crown owner Bill Banowsky at the June 2 meeting. The theater had an agreement with the Charlottesville Parking Center to pay 35 cents an hour for validated parking, the same rate that Regal Cinema had. Brown bought CPC for $13.8 million in 2014, and the parking rate doubled, said Banowsky. The city agreed to subsidize 20 cents an hour, but that agreement only goes through the end of the year, he said.

“CPC has gone on record saying they want to drive up rates to what the market will bear,” said Banowsky.

IX complex owner Ludwig Kuttner was even blunter: “We have a maniac who decides to blackmail us. He plays crazy, we play crazy.”

ludwigKuttner
Play crazy in dealing with Mark Brown, advises Ix owner Ludwig Kuttner. Staff photo

While Kuttner said building a garage at IX was an option, he also suggested the group find properties suitable for parking. “I know 20 spots we could use that are not used now,” he said.

Brown claims the city is forcing him to keep Water Street Garage rates below market rate and below what the city charges at the Market Street Garage. He filed suit against the city in March, and the city countersued in April, alleging it didn’t get right of first refusal on parking spaces Wells Fargo sold to CPC.

Brown was not at the June 2 meeting, nor was anyone from CPC. Before the meeting, brand new general manager and former mayor Dave Norris pooh-poohed the notion that Brown would jack up rates. “That doesn’t make business sense,” he says, especially when Brown’s share of parking downtown is 19 percent.

Norris pointed out that Violet Crown has a monopoly downtown and it didn’t jack up its rates, nor did Brown with Main Street Arena or Yellow Cab, companies he owns. “He’s a business guy,” says Norris.

Jones sent a letter on behalf of the city to DBAC president George Benford to reassure those at the meeting that work was going to address long-term parking needs. “It is important to emphasize that despite increased recent attention, we do not have a parking crisis in downtown,” said the letter.

Tin Whistle owner Jacie Dunkle wasn’t buying it. “For Maurice to send that, that’s bull,” she said. “Quite frankly, I don’t trust the City Council to make a wise choice,” she said, mentioning the recent increase in the meals tax despite restaurant owners’ objections. “They already know we don’t want meters,” a plan recommended by a city study and by Brown.

City councilors Bob Fenwick and Wes Bellamy were at the meeting. “These things are being discussed in executive session,” said Fenwick.

Councilors pay close attention to e-mails from constituents, said Bellamy, and the voices he’s hearing on the issue are fragmented. “Unity is what’s going to move things through,” he said.

“If another 1,000 spaces were parachuted downtown, I don’t care if Mark Brown owns Water Street,” said Laufer, who added that Brown is a friend. He urged the city to buy out Brown.

The city had multiple opportunities to buy the garage before Brown did, says Norris, and he questions whether it will be able to afford millions to upgrade the garage when it cut $50,000 for the municipal band from the budget. “There are 300 empty spaces on the third floor with a 200-plus person waiting list,” he says. “How does that make sense?”

Charlottesville is facing parking issues on multiple fronts. Albemarle is looking at whether to remove its general district court from Court Square because of parking. New businesses need parking, as do employees and the Landmark Hotel.

“My concern with the petition in general is it’s going to prolong and maintain the litigiousness going on now,” says Norris. “We have an opportunity to resolve it. Let’s resolve the long-term issues with parking.” That was before the City Council resolution. Norris was unavailable at press time, and Brown declined to comment on the city’s latest plan.

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News

Parking petition: Violet Crown hires PR firm

The Downtown Business Association of Charlottesville said in April it wasn’t taking sides in the parking wars fueled by litigation between the city and Mark Brown, owner of the Charlottesville Parking Center. That course changed when Violet Crown hired public relations firm Payne Ross, also a DBAC member, which circulated a petition calling for the city to maintain its ownership in the Water Street Parking Garage out of fear Brown will raise the rates.

“CPC wants to raise rates to market rates to as much as the market will bear,” says Robert Crane, an executive with Violet Crown Cinemas.

The Austin-based deluxe theater chain opened in November in the former Regal Cinema site and pays 35 cents an hour for the parking it validates, a rate Crane says the theater was given before it began construction. “We built our theater on reliance of that,” he says.

Brown bought CPC in 2014. By the time the theater was ready to open, says Crane, the rate had doubled.

Violet Crown went to the city, which pitched in 20 cents an hour for a rate of 55 cents an hour, says Chris Engel, director of economic development. “We thought it was important to keep the rate the same as Regal’s. They also bring a lot of people downtown.”

Merchants downtown can opt for different parking validation programs, all of which are subsidized to some extent, says Engel. “They don’t pay market rate. Validation is intended to make downtown more accessible to customers.”

George Benford is the new chair of the DBAC and he says the board voted on the April letter asking the two sides to settle the matter quickly because members didn’t want the Water Street Garage to close, something Brown at that time had not ruled out in his ongoing dispute with the city.

Brown filed suit against the city in March, claiming he’s being forced to keep the Water Street Garage rates below market rate—and below the rates charged in the city-owned Market Street Garage. The city sued Brown April 29, alleging it didn’t get right of first refusal on parking spaces Wells Fargo sold Brown.

Coming up with a petition on parking wasn’t on the agenda at the May 25 DBAC meeting, Benford says. “The gentleman from Violet Crown stood up and wanted to start a petition,” he says. “Emotions got a little high.”

When the question was asked whether parking should be like a public utility, Benford says he was one of two there who thought the garage should be private.

Susan Payne serves as chair of the DBAC marketing subcommittee. Photo Jackson Smith
Susan Payne serves as chair of the DBAC marketing subcommittee. Photo Jackson Smith

Payne Ross e-mailed a petition and a notice for a June 2 DBAC “open and impartial discussion on the future of parking garages” in downtown Charlottesville at Violet Crown. Payne Ross principal Susan Payne says DBAC hasn’t taken a position on the parking issue and she’s representing her client, Violet Crown. “This isn’t a DBAC petition,” she says.

“I think there’s been a lack of sunshine on this whole business,” says Payne. “People would like to know what going on. Misinformation or lack of information makes people uncomfortable.”

Citing litigation, Brown declines to comment on the petition. “The city and I are working toward a resolution,” he says.

Joan Fenton, owner of Quilts Unlimited and J. Fenton Too, says she pays $90 a month for parking validation. “I think the city should provide some of the parking downtown,” she says. “If you don’t have parking, you’ve killed the goose that laid the golden egg.”

Fenton doesn’t want the city to sell its share of the Water Street Garage because, she says, the city historically has sold properties they shouldn’t, such as the current McGuireWoods site on Court Square at a time when there was discussion about the courts needing to be enlarged.

“I think the city should be a partner in making neighborhoods thrive,” she says. “This neighborhood needs parking.”

Fenton has no problem with the city subsidizing Violet Crown. “That’s not unprecedented,” she says, pointing out that the city gave money to the Paramount and the Sprint Pavilion. “If that’s what helped get that theater here, great,” she says. “This is a huge draw.”

“We bring 1,000 people a night downtown,” says Crane. “That’s a good thing for downtown and that’s a good thing for CPC.”

The DBAC meeting at the Violet Crown will be held at 5:30pm tonight and is open to the public.

 

 

 

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News

Regal relents, shows Star Wars

A week ago, C-VILLE reported how Regal Stonefield Stadium 14 refused to show the highest grossing film ever, Star Wars, if it was shown at independent movie chain Violet Crown in downtown Charlottesville. In an abrupt change of heart, Regal lists Star Wars, The Revenant, Hail, Caesar! and Deadpool as screening February 19, even though they’re on the bill at Violet Crown as well.

What gives?

Apparently one longstanding policy at Regal—that of not returning media inquiries—has not changed, and Regal Entertainment Group did not respond to a call from C-VILLE.

The movie monolith is being sued in several cities across the country for demanding exclusivity of first-run movies, which jeopardizes smaller chains, according to the lawsuits. A judge in Texas granted a temporary injunction January 21, enjoining Regal from “engaging in anticompetitive and unlawful conduct, by directly or indirectly, demanding or requesting exclusive film licenses or the right to exhibit films from any studio to the exclusion of [plaintiff IPic’s] Houston theater.”

Violet Crown owner Bill Banowsky welcomes the change. “This is really a good day for people in Charlottesville,” he says. “They’re going to have a choice.” He says he never wanted to force people to come downtown if they wanted to see a movie at Stonefield, and he believes showing the same movies at both multiplexes will expand the market.

And good news for IMAX fans who had to travel out-of-town to see The Force Awakens: Deadpool, which broke box office records for the opening weekend of an R-rated movie, is showing in IMAX at Regal.

Says Banowsky, “We’re really pleased the market is going to have choices.”

 

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News

Movie monopoly? Regal faces lawsuits around the country

In 2000, Charlottesville had seven movie theaters. For most of 2015, it had one—Regal Stonefield Stadium 14 and IMAX—until the Violet Crown Cinema opened downtown late last year.

“That’s one theater too many for Regal,” says Adam Greenbaum, owner of the Visulite in Staunton and the beloved Vinegar Hill Theatre in Charlottesville, which closed in 2013, along with the six-screen Carmike Cinemas, leaving Regal Stonefield the sole first-run venue in town for two years.

Greenbaum directly lays the closing of the 37-year-old Vinegar Hill Theatre, which opened in 1976 and was Charlottesville’s art house favorite, at the hand of Regal Cinemas. For years the independent movie house staved off competition from the Regal Downtown, which opened in 1996. “When they turned the Downtown Mall theater into an art theater, they turned off the spigot,” says Greenbaum. “We couldn’t get any movies.”

That same complaint is the basis of lawsuits filed against Regal Entertainment Group in Queens, New York; in Houston, Texas; and on January 26, by the Landmark Theatres in Washington, D.C.

A judge in Texas granted a temporary injunction to IPic, a Florida-based small luxury theater chain that opened a theater in Houston’s high-end River Oaks district in November. The court enjoined Regal from “engaging in anticompetitive and unlawful conduct, by directly or indirectly, demanding or requesting exclusive film licenses or the right to exhibit films from any studio to the exclusion of plaintiffs’ Houston theater,” according to the January 21 injunction.

Nor may Regal tell a studio it will refuse to show a film if the studio licenses it to IPic, which sounds eerily familiar. That’s why Star Wars: The Force Awakens, the biggest-grossing box office release in history, was not shown at Charlottesville’s only IMAX theater at the Regal Stonefield.

Violet Crown owner Bill Banowsky says Disney, which produced Star Wars, came to Charlottesville, studied the market, visited the two theaters and concluded that Charlottesville should have two runs for wide-release movies, not just one, and offered Star Wars to both Violet Crown and Regal Stonefield. 

“Regal elected to not play the film,” says Banowsky in an e-mail. “We understand Regal has told the major film distributors that it will not play any film that plays at Violet Crown, putting pressure on film studios to deny films to Violet Crown. Disney did not buckle under this pressure, even though it risked losing money by not playing Star Wars at the Regal Stonefield, a very large theater with an IMAX screen and substantially more seats than Violet Crown. Disney took the long view. And, by the way, Violet Crown did exceedingly well with Star Wars.”

The practice of demanding exclusivity, or “clearance” in movie distribution lingo, is not illegal, says Banowsky. However, clearances are legal only between theaters deemed to be in “substantial competition” with one another, he says. Disney determined that Violet Crown in downtown Charlottesville and Regal Stonefield, located just outside the city limits, are not in “substantial competition” with one another and elected to offer Star Wars and its other wide-release movies to both theaters, he says.

Violet Crown also snagged holiday hits The Revenant, Joy and The Big Short, which did not screen at Regal Stonefield.

Banowsky competes against Regal in six markets: Raleigh, Charlotte and Asheville, North Carolina, with his Carolina Cinemas properties, and in Violet Crown cities Austin, Santa Fe and Charlottesville. “Regal has attempted to ‘clear’ us only in Charlottesville and Santa Fe,” he says.

The original idea of market clearance was to keep theaters from all showing the same movie and to give moviegoers some choice, back in the day when most theaters were one screen, says Greenbaum.

In the case of Star Wars, Regal is “still maintaining Charlottesville is a closed market and it’s not big enough for two theaters to be showing the same movie,” says Greenbaum. “It’s more than clearance. It’s using market clout to muzzle distributors from giving product to theaters.”

In June, CNN reported the Department of Justice was investigating antitrust practices by Regal, the nation’s largest movie chain with 7,334 screens, and AMC, which has 4,872 screens.

“Officially we don’t comment whether or not something is under investigation,” says Department of Justice antitrust spokesperson Mark Abueg.

“We’re not allowed to make any comment to media,” says a manager at Regal Stonefield, who referred a reporter to Regal’s corporate media relations. Richard Grover, Regal’s vice president of marketing and communications, did not return phone calls from C-VILLE, nor has the company responded to any media inquiries about its legal travails in the past year, according to news stories written about it.

Over in Staunton, Greenbaum says business at the Visulite Cinema is good. “We’re fortunate right now,” he says, “not to be in a market with Regal.”