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Zoned out: How neighborhood associations and zoning regulations have shaped our city

In the early 1970s, City Council adopted a plan to turn Grady Avenue into a four-lane road running all the way from downtown to the bypass, with the goal of providing quick and easy access to I-64. Venable residents worried that the move would ruin their quiet neighborhood, and banded together to form what was later reported to be the city’s first neighborhood association.

They succeeded in defeating the plan (its remnant can be seen in the two turning lanes off Preston Avenue onto Grady), and association members were lauded in the press as “vigilant homeowners.” The experience showed residents how, through advocacy with city officials, they could use their neighborhood associations to shape the kind of city they wanted to have.

Today, there are 32 neighborhood associations, representing communities across Charlottesville. Like the Venable association, they often arose out of a desire to protect and preserve a neighborhood’s character.

But because race and housing have always been connected in Charlottesville, as elsewhere, neighborhood advocacy came with racial implications. When city officials neglected black desires and prioritized white ones, white neighborhoods ultimately were preserved as quiet enclaves of single-family homes, where property values increased over time, while black neighborhoods were left vulnerable to disruption.

Now, Charlottesville’s challenge is to address this legacy of inequality. A post-August 12 soul-searching has focused renewed attention on housing issues, just as the city’s government is undertaking a plan that could guide its future development patterns for decades. In December, as part of the years-long process to develop the city’s new Comprehensive Plan, the city Planning Commission unveiled a new land-use map that calls for zoning laws to permit higher-density housing across Charlottesville.

“The city is 10.4 square miles and has no authority to annex,” says Alex Ikefuna, director of Neighborhood Development Services. “The city cannot grow horizontally, and the community has to come to terms on how to manage its growth and accommodate its growing population.”

In the past, Charlottesville’s growth has been warped, with development directed toward a handful of neighborhoods while others remained untouchable. This continued even as late as 2003, says Planning Commission member Rory Stolzenberg, when the city moved to promote higher-density development in the West Main Street corridor.

“We took this very large, pent-up demand that wanted really to grow everywhere, and we forced it to spill out in a very specific, directed way, directly at the heart of two historically African American neighborhoods,” he says, referring to the 10th and Page and Fifeville neighborhoods.

Through decades of mistreatment, he says, those neighborhoods “really haven’t been subjected to the same sort of zoning protections as many historically white and wealthy neighborhoods have been.”

In discussions over the new plan, Planning Commission and City Council members have clashed over how much density is too much. The debate is a modern iteration of past zoning discussions, and it inevitably will hinge on the question that has long animated Charlottesville’s neighborhood associations: How, and how much, should neighborhoods be preserved in their current forms?

Alex Ikefuna, director of Neighborhood Development Services, says the city needs to find a way to accommodate its growing population. Photo: Amy Jackson Smith

The “good” neighborhood

In the 1970s, the North Downtown Neighborhood Association was formed to stop the construction of a large office and apartment complex that residents considered to be “not in keeping with the character of the neighborhood.” The association took the case all the way to the Virginia Supreme Court; it lost, but by then the delays had caused the developer to drop the project.

Neighborhood associations soon proliferated throughout the city, monitoring home values, encouraging housing upkeep, organizing leaf pickups, and throwing seasonal parties. They advocated for reduced traffic, and focused on security and reducing noise. Associations also developed neighborhood watch programs, complete with block captains to monitor and report suspicious activities, even going so far as to hire off-duty city cops as private security. They closely followed issues at City Hall that would affect their way of life, and considered themselves both watchdogs and advisers of city government.

The organizations didn’t spontaneously become important: Their influence was possible because they didn’t take themselves lightly. They were undergirded by constitutions, boards of directors, and annual dues. In 1975, the individual associations came together under a larger organization known as the Charlottesville Federation of Neighborhood Associations, with a stated purpose of working “for a better quality of life in the neighborhoods and in the entire city.”

But better quality of life for whom?

In 1913, an ad ran in the Daily Progress encouraging people to move to the new neighborhood of Fry’s Spring, which the ad said had all the modern conveniences: sewer, water, electricity, and, “the proper restrictions to make it the most desirable suburb in the entire South.”

As in most Southern cities, Charlottesville’s neighborhoods in the early 1900s were highly segregated. In 1912, City Council overrode a mayor’s veto and unanimously passed an ordinance prohibiting racial mixing in residential areas. Many neighborhoods also used racial covenants when selling houses to prevent black (and sometimes also Jewish) residents from moving in, as journalist Jordy Yager has reported.

Fry’s Spring’s developers created it as an exciting, exclusive enclave, with a ‘Wonderland’ building that had bowling alleys and billiard parlors, a bandstand, room for dancing, and the only swimming pool in the area. All of these amenities were meant for white people. The founder of Fry’s Spring Beach Club, the city’s Department of Neighborhood Development Services said in a 2010 historical survey, “was an avowed white supremacist.” It wasn’t until the 1970s that black people were allowed to use the pool.

Despite its history of explicit racism, Fry’s Spring has often been held up as an ideal neighborhood. In the 2010 NDS survey, historian Margaret Peters said residents of the neighborhood “historically have represented the backbone of the Charlottesville community,” while the name Fry’s Spring “conjures images of what most would like to think are the essence of traditional American communities.”

Fry’s Spring was not alone, of course. In the Daily Progress’ 1985 report on Charlottesville’s neighborhoods, the paper described the expensive Lewis Mountain neighborhood as a “quiet oasis” in the midst of the university community, “virtually isolated” from the development going on around it. Ninety percent of residents were white. The same report praised the Barracks-Rugby neighborhood as housing “some of the most successful and affluent” people in the area, with 1940s-era housing giving the area a “grandeur” of a “bygone era.” At the time, the neighborhood was 94 percent white.

A history of neglect

Black neighborhoods, meanwhile, have historically been ignored, displaced, and overruled. In a 1995 oral history of the Ridge Street neighborhood, longtime black residents Joan and Theresa Woodfolk recounted a pattern of neglect by the city, and described feeling as if they had to beg for basic services. When wealthy white people moved out of the neighborhood, they said, city government stopped caring about the concerns of its residents.

In the book Urban Renewal and the End of Black Culture in Charlottesville, authors James Saunders and Renae Shackelford describe this practice as “municipal neglect.” In looking at requests by black neighborhoods over the years, it appears to be a pattern.

In 1976, representatives of the predominantly black Ridge Street and Rose Hill neighborhoods wrote to City Council describing their need for public works. Ridge Street Neighborhood Association President Mary Page said her neighborhood had been fighting for improvements for 15 years without success, and that many residents were still not receiving garbage service or home mail delivery.

Rose Hill residents attached pages of signatures and noted that “no significant repairs have been accomplished in over a decade.” They asked for sidewalks, repaved roads, lighting, and drainage, and described contacting various city officials and being brushed aside because their area was not considered a priority. Listing eight streets requiring public investment, they closed their letter by saying, “We are aware that our community is not in the exclusive category, yet this does not diminish our pride of ownership and desire for equal consideration as citizens and taxpayers.”

In response, Nancy O’Brien, the city’s first woman mayor, said she didn’t think all of the repairs were necessary. Indifferent responses from city officials were not new: Saunders and Shackelford found that in the 1950s and ’60s, “there was little that blacks could do to influence public policies even if the policies impacted primarily upon them.”

Preston Avenue (pictured at left in 1916), was once lined with homes where African Americans lived. Many of those houses were razed after the city decided to turn Preston into a commercial corridor. Later, Preston was widened from two lanes to four, further isolating the black neighborhoods on either side. Photos: Rufus W. Holsinger, Albert & Shirley Small Special Collections Library; Skyclad Aerial

Zoning disparities

Ultimately, disparities between which neighborhoods were protected and which were neglected became codified in zoning laws.

Zoning dictates how land can be used, and is one of the main ways to control how a city grows. Traditionally, districts have been divided between residential, business, and industrial, but as cities have become more complex, so have the zoning districts. The results can often feel permanent, if not altogether natural.

Inequities in zoning go back to the beginning. The city created its first zoning map in 1929. According to the 2016 Blue Ribbon Commission report on race, early zoning restricted businesses from encroaching on white residential areas but not on black ones. As a result, within a few years, industries like Monticello Dairy, City Laundry, and the Triangle Service Station appeared along Preston Avenue, disrupting the predominantly black neighborhoods of Kellytown and Tinsleytown, in the area known today as Rose Hill.

It was only one of many incidences of displacement and removal for black Charlottesville residents. In 1919, the majority-black area known as McKee Row had been demolished to make way for the whites-only Jackson Park. Black neighborhoods were later razed at the future sites of Lane High School (now the Albemarle County Office Building) and the present-day City Hall, in addition to Vinegar Hill. As longtime community activist Theresa Jackson-Price said in Urban Renewal and the End of Black Culture in Charlottesville, “We just stay on the fringe of the redevelopment all the time.”

As the city’s neighborhood associations developed, they seized on zoning to create the neighborhood character they wanted. But city leaders’ treatment of zoning requests varied by neighborhood. In the summer of 1978, a group of black residents from 10th and Page came before the Planning Commission with a petition of 230 signatures opposing a rezoning of a piece of land between Preston and West avenues from residential to intensive commercial use. The commission overrode their concerns.

Less than three months later, white residents on North First Street asked for 20 properties to be downzoned from high- to moderate-density residential, so the houses couldn’t be used as multifamily rentals. Planning Commission Vice Chairman Lucius Bracey Jr., who had voted to override the 10th and Page residents’ concerns, told the North First Street residents that they should be “congratulated and saluted” for their work in saving their neighborhood.

McKee Row was a majority-black community just west of the Albemarle County Courthouse downtown. After complaints that the houses were “ramshackle,” and boys from the area were “hanging around the Levy Opera House,” the county sold the property to the city in 1914, on the condition that a public school for white children be built there. The homes were demolished in 1919, after Paul Goodloe McIntire bought the property to erect a statue and whites-only park in honor of Stonewall Jackson (today’s Court Square Park). Photo courtesy Edward Lay, from The Architecture of Jefferson Country

Charlottesville today

Today, Rose Hill residents say a lack of zoning protections over the years have left the area vulnerable to continued demolitions, with developers buying homes that have been in families for a century and tearing them down for new construction. (Residents are currently in the process of trying to get a historical designation to protect the neighborhood).

Meanwhile, city neighborhoods that started out white and relatively wealthy, such as Fry’s Spring, Johnson Village, Lewis Mountain, Venable, Barracks-Rugby, and Greenbrier, have remained that way, in part because of a fateful decision by the City Council, formalized in 1991, to discourage construction of any types of housing there besides single-family homes.

In a zoning map released that year, the city created a new R-1A single-family zone, which affected around 4,500 parcels of land. This zoning designation allowed lots that had previously been too small for an R-1 single-family designation to now be included. This was known as downzoning, and it had to be done carefully. In early discussions, then-Deputy City Attorney Craig Brown cautioned council members that any such change in zoning would need to be justified and legally defensible.

The change had the stated goal of protecting neighborhood stability and encouraging homeownership, but even at the time there were opponents. William Harris, a Planning Commission member and the first dean of African American Affairs at the University of Virginia, called the single-family zoning exclusionary and argued it would make housing less affordable.

In prohibiting construction of new multifamily apartment buildings in much of the city, Harris said, the change also advanced the assumption that renting, and renters, were less valuable.

Today, housing activists and Planning Commission members say that strategy has contributed to one of the city’s most pressing problems, the lack of affordable housing.

It has also helped keep neighborhoods racially segregated. Many white neighborhoods that were restricted to single-family use with R-1A zoning originally developed when black people were not allowed to live in them. But even once explicitly segregationist policies faded away, few black Charlottesville residents could afford to move to those areas—in part because of severe income disparities and wealth lost through school segregation and the loss of black neighborhoods like Vinegar Hill. The problem only grew worse as home values increased throughout the years, especially since the single-family zone restricted the city’s housing stock. 

Planning Commission member Rory Stolzenberg says the higher levels of density the commission is proposing will help address the affordable housing crisis, increase economic diversity throughout the city, and allow for better infrastructure. Photo: Amy Jackson Smith

Challenge and opportunity

While zoning is influential, it is also malleable, and the way that a city develops is not absolute. Policies can be changed, and inequities can be addressed.

“We could be gently densifying all over the place in a way that spreads out the impacts evenly,” Stolzenberg says. “But instead we’ve decided to funnel this disruption and flow directly into black neighborhoods; places we see as undesirable or not worthy of protection, and so we treat them differently and force them to bear the brunt of everything we deem inconvenient.”

In the current discussions over the city’s new Comprehensive Plan and land-use map, some council members expressed skepticism over the increased density the Planning Commission is proposing, and the initial map was rejected in a January 5 meeting. Council members are likely not the only ones with doubts.

Brian Becker, president of the Fry’s Spring Neighborhood Association, says current association members care about affordable housing and welcome diversity (he points out that the neighborhood is zoned for Jackson-Via and Johnson elementary schools, both of which are majority black). But the association previously sought to downzone part of the neighborhood, out of concern about “rent-seeking property owners who don’t maintain their property.”

“I don’t think the NA is against density per se,” Becker said in an email. “What we are concerned with is the impacts of density (i.e. traffic, parking, noise, and litter.)”

And as Ned Michie, president of the Greenbrier Neighborhood Association, told Charlottesville Tomorrow: “I, and probably most people, very much like the idea of being able to walk or bike to a coffee shop, a barber shop, or a little grocery store. Yet, no doubt most people will be less happy when the reality comes in the form of a specific proposal that is deemed ‘too near’ one’s own house.”

Stolzenberg argues, though, that density isn’t inherently bad.

“When you have a higher density in a given area it means you can support better infrastructure like bus lines and bike lanes,” he says. “It means that you can support commercial businesses like a corner store or a neighborhood barber shop, all types of things we’ve heard from residents of Charlottesville across all lines that they’d like to see.”

Permitting higher density and moving on from Charlottesville’s rural past, Stolzenberg argues, also means “embracing the fact we are an urban area and a city, and then accepting that we are going to grow, that we’re willing to accept new neighbors, and that new neighbors aren’t necessarily a bad thing.”

For nearly 50 years, neighborhood associations have been active in shaping city policy, often through the zoning and land-use processes. They are a tool that residents use to bend political will to their desires. But when desires clash, who do city leaders listen to?

Historically, all across the United States, it has been white people who have decided how land is used and who is allowed to live where. Charlottesville has the chance to change this narrative. This is the challenge, and the opportunity for our town. It is up to us to shape the kind of city we want to be.

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Arts

Found family: Shoplifters turns tradition upside down

In Shoplifters, director Hirokazu Kore-eda explores the beauty and morality that forms within societal fractures. The characters live as any family ought: They are supportive, caring, loving, and do what they must to help each other survive. They uphold the epitome of family values, except they are criminals and none of them are related. Every member is better off in this household than in their previous situation, whether they left by choice or by necessity. The freedom that they find with each other creates a stronger bond than with their own blood relations.

The group survives through a series of petty cons—best left unspoiled—and shoplifting, a routine developed between “father” Osamu (Lily Franky) and “son” Shota (Jyo Kairi). One cold day, on the way home from a good haul, they find a young girl, Yuri (Miyu Sasaki), shivering and hungry, forgotten on her family’s porch. They take her in for a warm meal and a place to sleep, and she quickly finds a home with the group, under the care of “mother” Nobuyo (Sakura Ando). Whatever their reason for being there, everyone in this “family” settles in to their roles: caring grandmother Hatsue (Kirin Kiki), young woman asserting her independence Aki (Mayu Matsuoka), adolescent boy in search of a role model Shota, and parents Osamu and Nobuyo. Even though no one is who they seem on first impression, it’s more stability than the young girl has known with her own family.

Despite the positive outlook and lack of judgment in Kore-eda’s direction, this is not a sanitized view of poverty, or entertainment at the expense of the underprivileged. As you learn more about the characters, you wonder about their stories. Did they escape their situation willingly, or are they on the run? They can never be too public with their arrangement for fear of legal repercussions. And the philosophy of shoplifting that Osamu passes on to Shota begins to lose its charm as he learns more about ownership and responsibility.

This is the magic of Shoplifters, when chosen identity becomes more real than the one we were given, and when a group of unrelated strangers who live off the grid provides more stability than the traditional family. Aki’s sex work is presented without judgment; she is not tragic, she doesn’t need saving, and neither she nor her clients are shamed. The “grandmother” is treated with more dignity than if she’d been given a pension and shoved aside. The film asserts the humanity of those we might label too quickly as pariahs.

You may have seen movies with themes similar to Shoplifters, but you have not seen a movie quite like it. Anchored by masterful directing, and invigorated by terrific performances, Shoplifters is sweet, funny, insightful, intelligent, and a joy to watch. It is not to be missed.


Shoplifters

R, 121 minutes, Violet Crown Cinema


See it again: The Wizard of Oz

PG, 110 minutes; Regal Stonefield 14 and IMAX, January 27


Local theater listings

Alamo Drafthouse Cinema 377 Merchant Walk Sq., 326-5056. 

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213.

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000.

Categories
Arts

ARTS Pick: Phil Vassar

With wistful country vocals propelling his chart-smashing hits, snatching hearts is Phil Vassar’s game. Before signing his own recording contract and landing 10 original songs at No. 1, Vassar penned hits for Tim McGraw, Alan Jackson, and Jo Dee Messina, among others. His recent induction into the Virginia Music Hall of Fame is another step on the Lynchburg native’s path to becoming a country music legend.

Saturday, January 26. $35-40, 8pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
News

Short-staffed: Emergency Communications Center faces its own emergency

The center that handles all of the city, county, and university’s 911 calls is severely understaffed, and now it’s calling for help.

“At this point, it’s basically an emergency,” says Taylor Ashley, a supervisor at the Emergency Communications Center. “It’s difficult because we have almost no time off work…If you’re not on call, then you’re probably working overtime.”

Last year, Ashley says he racked up 922 hours of overtime, and more recently he’s worked approximately 15 days straight. Some of his colleagues have put in more than 20.

On the call center floor, the lights are low, and the six people on duty are illuminated only by multi-colored string lights and the five computer screens at each of their work stations. The sounds pouring from their radios range from voices to sirens.

The staff wants to have a minimum of seven people answering 911 calls during each shift, so today, another person working overtime will soon come in to meet that goal. There’s also one new employee training on this day, part of the ECC’s campaign to hire at least nine more employees.

But that’s also part of the problem, explains Ashley. Because he or other staff members are asked to train the new hires, they either have to abandon their work stations or come in on their day off.

In response, Executive Director Barry Neulen plans to hire an independent contractor, Homeland Security Solutions, Inc., to train new workers—at a cost of $180,000. The move raised questions at a January 8 board meeting, in which other board members, including Charlottesville Police Chief RaShall Brackney, questioned Neulen’s decision to hire people he knew from his time in the Marine Corps without investigating other groups that could potentially do it for less. She also questioned why they wouldn’t keep the training in-house.

Neulen says he did get specs on a few other contracts, but that his experience with Homeland Security Solutions meant he could trust them to do a good job.

“I didn’t have the time or the inclination to cast a wide net because I knew what this company was capable of doing,” he says. “They came in and met my folks, and my folks were impressed by what they were saying.”

Emphasizing the need to hire someone quickly, he adds, “I spent my entire year’s budget in six months for overtime. That’s how bad it is.”

The majority of board members eventually agreed to the hire. And Ashley says employees are “excited” for the contractors to come in and take some of the weight off their shoulders. Especially because low morale is one reason they’re in that situation, he adds.

“We were going to keep losing more good people if something didn’t happen, and bringing in new people that we’ve hired will help fix that,” says Ashley.

The ECC is accepting applications, and recent advertising efforts have led about 100 people to apply.

“We really want people to know that this is a good place to work, but also know that this isn’t a job for everybody,” says Ashley, who’s seen multiple people throw in the towel during their training. The ideal candidate will be able to “change gears” and “go with the flow,” he adds. One call may be a complaint about a barking dog, “and the very next phone call you take is a mother who found her child not breathing,” he says. But it’s a great job for people who want to serve their community.

“We like to consider ourselves the first first responder,” he says. “We are that lifeline between the person having the emergency and the responder. Without us, I don’t know how else you’d get help.”

Corrected January 29 at 1:22pm. The original version said Charlottesville Police Chief RaShall Brackney eventually agreed to the hiring of Homeland Security Solutions, which she did not.

Categories
Arts

ARTS Pick: Charlie Ballantine Trio

Charlottesville Jazz Society kicks off its concert season with guitarist Charlie Ballantine and his trio. Ballantine’s music pays homage to his childhood in the Midwest through a unique melding of folk and jazz. Among his influences are some of the greatest jazz, rock, and pop musicians of the ’60s and ’70s, and his latest release, Life Is Brief: The Music of Bob Dylan, showcases his devotion to American music.

Sunday, January 27. $10-20, 7pm. Brooks Hall, UVA. 249-6191.

Categories
Arts

ARTS Pick: Gold Connections

Gold Connections’ upcoming EP, Like A Shadow (due in March), benefits from the camaraderie that Will Marsh found with his touring bandmates while on the road last year. Going into the studio with familiar players allowed Marsh to move past his former indie-rock associations and forge a path of his own musical volition on songs “about the struggle to move forward into a world that seems both infinitely precarious and abundant.”

Thursday, January 24. $10, 8:30pm. The Southern Café & Music Hall, 103 S. First St. 977-5590.

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News

In brief: Killed bills, uneasy homage, big checks and more

Dead or alive

The General Assembly has been in session two weeks, and it is whittling down the more than 2,000 bills legislators filed. Here are some bills that have survived so far—and others that were DOA.

Alive

  • An in-state tuition bill for undocumented students made it out of the Senate Education Committee January 8 on an 8-7 vote, with one Republican senator joining the ayes.
  • The General Assembly doesn’t often consider freedom of the press, and this year it will look at two bills. Delegate Chris Hurst, a former reporter and anchor for WDBJ in Roanoke, carries a bill that protects student journalists from censorship and their faculty advisers from punishment. Former print journalist Delegate Danica Roem’s bill shields reporters from revealing sources in most cases.
  • A bipartisan group in both houses of the General Assembly want to raise the minimum age to buy cigarettes and vapes from 18 to 21.

Dead

  • The Save Niko bill, which allows dogs found dangerous to be transferred to another owner or shipped to a state that doesn’t border Virginia, made it out of an agriculture subcommittee last week, only to have members change their minds this week. The bill could have freed cat-killer Niko, who has been on doggie death row at the SPCA for about four years.
  • The ’70s-era Equal Rights Amendment passed the Senate 26-14 January 15 and headed to the House of Delegates, where it traditionally dies in committee. This year was no exception—the amendment was tabled by a Republican-led Privileges and Elections subcommittee January 22.
  • More than a dozen gun safety bills, including universal background checks, temporary removal of firearms from the home of someone deemed a risk to himself or others, and Delegate David Toscano’s bill restricting open carry at permitted events like the Unite the Right rally, were swiftly dispatched January 17 in the rural Republican-controlled subcommittee of the House Committee on Militia, Police, and Public Safety, chaired by southern Albemarle’s Delegate Matt Fariss.
  • Several bills that would decriminalize or even legalize pot died January 16 in a Courts of Justice subcommittee, with Delegate Rob Bell voting to prevent Virginia from going soft on personal marijuana use.
  • A bill that would raise the state’s minimum wage from $7.25 an hour to $15 made a rare appearance on the Senate floor January 21, where it died on party lines 19 to 21.

Quote of the week

“I believe there are certain people in history we should honor that way in the Senate . . . and I don’t believe that [Robert E. Lee] is one of them.”—Lieutenant Governor Justin Fairfax, a descendant of slaves, tells the Washington Post after ceding the dais and gavel during a tribute to Lee January 18


In brief

Shutdown scams

Attorney General Mark Herring warned about scams that target furloughed employees. Don’t accept an employment offer for a job you didn’t apply for, he says, and be cautious of predatory lending, including payday, auto title, open-end, and online loans. And those seeking to help should be cautious too—Herring says to avoid cash donations and only give if you can confirm the charity or fundraiser is legit.

Sally Hudson announces run. Eze Amos

Biggest donations in local races

Local philanthropist Sonjia Smith wrote a $100,000 check to UVA prof Sally Hudson, who wants the seat now held by Delegate David Toscano, according to the Virginia Public Access Project. Smith also gave $10,000 to Sena Magill for City Council, $5,000 to Albemarle sheriff candidate Chan Bryant, and $20,000 to an Andrew Sneathern for Albemarle commonwealth’s attorney committee, which donated $9,635 to Jim Hingeley, who will announce his run January 23.

Government heavy

The Charlottesville Albemarle Convention & Visitors Bureau came closer to being stacked with elected and government officials when county supes voted 5-1 for a 15-member tourism board in which industry experts would be outnumbered 9 to 6 by government people. City Council had its first reading of the changes January 22.

$2.3 million roof

Carr’s Hill’s $7.9 million renovation went up another couple of mil when workers discovered the 14,000-square-foot manse’s roof needed to be replaced, not repaired. It’s the first major overhaul of the 1909 Stanford White-designed home of UVA presidents, and Jim Ryan is temporarily housed in Pavilion VIII on the Lawn while the work goes on.

Categories
Arts

ARTS Pick: Panic! at the Disco

From the old-time fan favorite “I Write Sins Not Tragedies” to the latest platinum single “High Hopes,” Panic! at the Disco serves up another album full of soaring vocals and punk-tinged brass orchestrations. Pray for the Wicked is the sixth record by the emo pop forefathers whose tumultuous membership finds frontman Brendon Urie as the band’s sole remaining original member—yet the dancing days are far from over as Panic! continues to fill arenas around the world.

Wednesday, January 23. $28 and up, 7pm. John Paul Jones Arena, 295 Massie Rd. 243-4960.

Categories
Arts

Test of time: Natalie Prass merges old soul with a modern, political beat

Singer-songwriter Natalie Prass is camped out at a friend’s warehouse space in Richmond, Virginia, enjoying some down time before she embarks on the next leg of her tour, and she’s going through her morning routine, which includes making coffee and throwing on Janet Jackson’s “Pleasure Principle” from the 1986 album, Control.

“Janet [Jackson] has always been an artist that I’ve looked up to,” says Prass. “The whole Jackson family was played a lot in my household growing up, which I’m very thankful for.”

Music has been a creative channel throughout Prass’ life. In 2016, she had her second album written and ready to go. And then came the presidential election. The collection of songs she had compiled no longer felt relevant, so she scrapped them and started anew, writing what would become The Future and the Past.

“It was my mission to try to make the most compelling music I can about what’s happening right now—something I feel so many emotions about,” she explains. “I’m sure that if I’m feeling this way, there has to be a ton of other people that feel the same and they probably need music, you know, and I needed it.”

Gospel music was another source of inspiration for The Future and the Past, as was the ever-present Jackson, whose revolutionary Rhythm Nation 1814 turns 30 this year.

“She balances the political message with femininity with danceability so effortlessly, and it’s very sexy and modern and it’s all her own,” Prass says. “She’s always been very political and outspoken about human rights and our country, but then doing it in this package where it’s like, ‘Oh, yeah, I’m gonna still be positive and I want to dance.’ It’s music that’s for everybody. It’s music that stands the test of time.”

Prass successfully struck the same balance, with songs like the feminist anthem “Sisters,” which reframes the phrase “nasty women.” It’s an album that oozes soul, groove, and even love (look no further than the catchy lead single, “Short Court Style”). To harness that signature sound, Prass once again teamed up with Spacebomb Studios founder Matthew E. White.

Prass and White both grew up in Virginia Beach, and initially crossed paths in high school at a Battle of the Bands competition, where Prass’ band covered—you guessed it—Michael Jackson’s “Beat It.”

“I was in ninth grade and I was wearing fake leather orange-red pants and a Sid Vicious T-shirt and neon green shoes,” Prass recalls. “And I don’t even know if I really talked to [Matt] but I distinctly remember…being like, ‘Look at that hippie.’ I’m pretty sure he was wearing either a ratty T-shirt or a polo shirt and khaki pants and Birkenstocks…a puka shell necklace or a hemp necklace but he says he wasn’t.”

Years later, when Prass was trying to make it as a musician in Nashville, a friend suggested she reach out to White about recording an album. In founding Spacebomb, White’s influences were Stax, Motown, and The Wrecking Crew. Prass, meanwhile, was looking to make an “old-school, Dionne Warwick-style record.” Collaboration seemed like a no-brainer.

The result was Prass’ 2015 self-titled debut, on which she plays guitars, drums, and keys. But she has largely shedded those instruments on this tour.

“I wanted to experiment with being a frontwoman. Sometimes I feel constricted on stage by playing instruments—I feel like I can’t connect as much to the audience,” she explains. “I’ve been really enjoying playing with these monster jazz musicians that are in Richmond. They’re incredible and it’s just a fun ride getting to build the sound with so many skilled people at my side.”

It’s a musical ride that captures the present, owns the past, and will endure in the future.

Natalie Prass aimed to cut through the chaos with 2018’s The Past and The Future. “It’s a challenge writing catchy, danceable [tracks] about these deep, heavy subjects that are so nuanced, so multilayered,” she says.


Natalie Prass plays The Southern Café & Music Hall Wednesday, January 23.

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Jerrod Smith announces Board of Supervisors run

“We all begin with a dream,” said Albemarle native Jerrod Smith at the start of his January 18 campaign announcement. He’s hoping to snag the Rivanna District seat on the Board of Supervisors with a campaign called the “dream infrastructure.”

And it starts with finding new solutions to an age-old issue in Albemarle: lack of high-speed internet access across its rural areas, he said.

“If we’re not connected to the world, we won’t be able to succeed,” Smith told a crowd of about 30 people who came out to support him.

The PRA Health Services employee and former Albemarle Democratic Committee co-chair, who also serves on the Places29 Advisory Committee, said he also wants to make Albemarle more friendly to businesses.

And when it comes to education, this candidate, who grew up in the Albemarle public school system, said he wants to increase focus on technology in the classroom, and destigmatize trade schools such as CATEC, which often aren’t thought of as an economic pathway to success, he said.

“I know this because it is my personal experience,” said Smith. “These people are the backbone of our society.”

Upon graduating from Albemarle High, Smith attended Bucknell University, and then received a master’s degree in public policy at UVA’s Frank Batten School of Leadership and Public Policy in 2013. He became a mayoral fellow the following year in Chicago, where he said the major issues regarding inequality, public housing, and infrastructure are very similar to those in Albemarle.

Among those who attended Smith’s announcement was Supervisor Norman Dill, who currently holds the Rivanna chair and is not seeking re-election. Several family members also filled the room.

“We’ve been supportive of Jerrod since he was yay high,” said his aunt, Tawuan Smith, while extending one hand below her knee. She said her nephew has always been very knowledgeable about the issues in the community.

Added his aunt, “He knows how to make things happen.”