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Together with Vault Virginia, Speak! is creating community—at home and abroad

Twenty years ago, Christina Ball was teaching evening Italian courses to adult continuing education students at the University of Virginia. She had come up in academic spaces, doing a Ph.D. at Yale and teaching for a while at Wake Forest before moving to Charlottesville. But as she watched the waitlists for those evening courses grow, she realized: Not everyone is a UVA student. There are countless people in this community who want to learn to speak a new language, and there’s nowhere for them to learn.

She had gotten to know Mark and Victoria Cave, who were starting their Italian coffee bar, Milano, in Main Street Market, and they generously offered her the space to spin off on her own. It was perfect: Ball was focused on helping people get ready to travel to Italy, and now they could practice over a proper caffè. Ecco Italy, as she called the new venture, quickly became something bigger than a place to learn to speak Italian. It was a celebration of Italian culture, with cooking classes, movie screenings, and travel partners. It was a bridge to Italy.

Five years later, Ecco Italy had become Speak! Language Center. “That’s when I had to really learn to run a business,” Ball says, “to find the partnerships, to make a profit, and not just do this as a hobby.” The list of languages got longer, the team got bigger, and the company’s scope got wider. In the years since, they have taught 22 languages: Swahili, Czech, Pashto, Korean, Hebrew, and many more. The team now includes teachers and staff members working remotely from Argentina, Portugal, Bangladesh, and Ukraine. The company’s B-Speak! program, which coaches international students in professional English online, started at UVA’s Darden School of Business and now serves business schools across the U.S. Two decades in, Speak! is becoming a national brand.

Yet it remains an essentially local business.

Language is fundamentally a mode of connection, and learning languages well requires real connections with real human beings. This basic observation about the nature of languages fits well with developments in the study of language acquisition over the last few decades. If your goal is to know a language the way a native speaker knows a language, learning formal grammar rules is surprisingly unimportant. (A native Spanish speaker probably can’t explain to you when to use the subjunctive in Spanish any better than you can explain when to use the pluperfect in English!) What is important is what language educators call comprehensible input. You need meaningful messages you can understand—as many of them as you can possibly get. It is even better if those messages come from a person with whom you have a real relationship rather than from a book of exercises or a chatbot.

Ball is generous but firm when someone mentions programs like Duolingo or Babbel (or Rosetta Stone, in the old days). “We love those apps because they are a cheap and quick way for people to experiment with different languages and sounds,” she says. They help people develop an interest in a language. But when they’re ready to get serious, they need to spend time with real human beings. Even better, they need to spend time with a human being who cares about what they have to say and who is willing to slow down and engage in a way that they can understand. This is what parents do for children as they are learning, and it is what a good teacher does for a student. Teachers connect with their students, and the connection itself is what drives the learning.

In the wake of the pandemic, a lot of us have been thinking again about the need for connection. The isolation of quarantine was hard. It pushed many of us more online, in hopes of maintaining our relationships from a distance. And that often worked! We were able to stay in touch with those we couldn’t touch. Some of us even found new connections, new communities, that we might never have found otherwise. Speak! has flourished by moving some of its work online, connecting with teachers and students in every part of the world.

But moving online is double-edged. It connects us with those at a distance while pulling us away, or at least threatening to pull us away, from those up close. We have seen it in our politics, where we hear more from influencers and talking heads than we do from neighbors; we have seen it in our cities, where it becomes easier to order something direct from a factory far away than to go to the Downtown Mall; we have seen it in our work, where even the occasional stolen minute of water cooler gossip has given way to the crisp efficiency of a Zoom meeting that begins precisely on time. We all know these tensions. These are the cliches of daily life now.

James Barton helped start Studio IX and Vault Virginia, two of the growing number of coworking spaces in Charlottesville. As a language lover himself (he played soccer in Mexico as a high schooler and studied for his MBA in China), Barton was a natural partner for a company like Speak!. But more importantly, he shares with Ball a deep concern for the difficulties of developing real connections between real human beings. His coworking spaces are not just meant to provide a desk and a wifi connection; they’re meant to provide community.

At the center of his work at Vault Virginia, housed in the Bradbury Building on the Downtown Mall, is The Guild. He calls The Guild a “culture club.” It’s an effort to create a better, more engaging water cooler for Charlottesville’s remote workers and entrepreneurs. The natural tendency in our society right now is toward isolation, Barton acknowledges, even after the pandemic. It’s easy just to go back home at night and withdraw into our devices. But “humans are social creatures,” he says. “The work each of us does is, ideally, an expression of who we are and the good we hope to bring into the world. I believe that we are much more capable of achieving that when we put ourselves in spaces where we can support and inspire one another.”

Vault Virginia and The Guild are attempts to create such a space. “I want people to have something of substance to do on weeknights,” Barton says. A concert, a film, a gallery talk.

Speak! moved into Vault Virginia last month in large part because Ball and Barton recognized each other as kindred spirits. Ball has already started to contribute to Vault’s weeknight offerings with a free event she calls Tea and Travel, where people can come to learn about a new place from someone who has spent time in the culture—Micronesia in May, Tuscany in June, Portugal in July. In August, more than 80 people came out to learn something about Sicily. This month, Ball is launching informal conversation hours at the Bradbury Café, where people can come and practice their Spanish, Italian, or French—also for free—with a Speak! teacher. So even as she develops her online programs, Ball is investing deeply in face-to-face relationships. Together with Barton, she is working to create the kinds of spaces that spark new connections between people who live here in Charlottesville, and also between Charlottesville and the rest of the world.

Language Café, informal weekly meetups for Speak! students to practice their speaking skills, launched this month. Photo by Eze Amos.

Ball grew up around Italian culture (her grandmother was from Gaeta, not far from Naples), but the first language she fell in love with was French. She found her way to Italian in college, while studying art history at Bowdoin. She came to the work of language teaching as a Europhile. But now, Speak!’s biggest languages are Spanish and, perhaps surprisingly, English. “I never thought I would teach English,” Ball admits. But Spanish and English are the languages that this community most needs.

Speak! now works extensively with the University of Virginia, for example, helping Spanish-speaking workers train for new jobs that require English and running language and culture courses for English-speakers who work with Spanish-speakers. Ball has also been nurturing relationships with a variety of local companies with multilingual teams. This fall, Speak! will start teaching Spanish to construction workers at Martin Horn and employees at the Farmington Country Club.

For those of us who live most of our lives in monolingual spaces, it can be easy to overlook how many of the relationships that make our communities work depend on the ability to speak across cultural lines. It can also be easy to overlook how connected we are to other parts of the globe. The students at Speak! are a window into the sheer variety of those connections: one has coworkers from the Caribbean, another is getting to know in-laws in Mexico, another is planning a research project in Portugal, another is heading to college in Japan, another has a daughter working in Lebanon.

Franco Perez is one of the Spanish teachers at Speak!. Perez grew up in Esperanza, Argentina—a city about the size of Charlottesville—and lives now in Buenos Aires. He’s worked with Ball for the last two years to develop their online Spanish course. He’s met a number of Speak! students who were traveling in South America. Now, for the first time, he’s in Charlottesville. He’s showcasing Argentinian films in the Vault Virginia screening room, hosting Spanish conversation hours, meeting some of his longtime online students in the flesh, and, of course, he says, “exploring the beautiful mountains and vineyards that Charlottesville is known for.”

For all the growth that Speak! has experienced over the last two decades, Ball is in some ways returning to her roots. All those years ago, from her space above Milano, she was helping people engage deeply in a new culture—its language, yes, but also its food, art, and customs. Now, from her new space above the Bradbury Café, she’s back at it. She has even re-focused on the needs of travelers, building out a new online course series for English-speakers preparing to go to Portugal or France. (“This is my passion project right now,” she says. “This is what I do on the nights and the weekends.”) But her bridges are much bigger now, and they bring as many people here as they send out into the world.

There is a lot of pressure on businesses to expand their reach by going online. Ball has done some of that—and quite successfully. But what makes Speak! unique among language centers is its rootedness in a particular place and its commitment to real human beings. Moving to the Downtown Mall, she says, means she can “go all in on Charlottesville.”

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Arts Culture

Laura Jane Grace on survival in a world gone mad

Laura Jane Grace found punk rock in junior high school and never looked back. Music became her life and her outlet for processing depression, drug use, trouble with the law, and gender dysphoria. In 1997, Grace formed Against Me!, dropped out of high school, and DIY’d the band’s popularity over the next decade, reaching mainstream success when its 2017 release New Wave was chosen by Spin magazine as the Album of the Year. 

Grace came out publicly as a transgender woman in 2012 in a Rolling Stone interview, and in 2016, she published Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout. The lead singer, songwriter, and activist spoke to us via email about her career ahead of her show at The Jefferson Theater on September 13.

C-VILLE: How do you approach creating music that is both politically active and making change?

LJG: Well, the personal is political right? I just write about whatever I’m living and try to dissect and observe the politics that are naturally present.

What current societal issues are you interested in exploring and highlighting in your music right now?

Absurdity and profanity and surrealism as an act of protest and means for survival in a world gone mad.

How does it feel to be performing in a new band with your wife, Paris Campbell Grace, as a vocalist?

It’s been a lot of fun and also challenging. It’s amazing being able to share the most important parts of your life with the person you love most, but also bands are always gonna be bands, and the semi-comical and cliché stresses of group collaboration that go along with being in a band with other people will always be there. Bands are bands are bands. 

How has your identity, and heightened visibility, as one of the first openly trans punk rock musicians impacted your artistry and experience in the music industry?

Well, being open has allowed me to be who I am. Being honest with yourself and being honest with your audience is integral to being an artist. I don’t think I’d even be alive if I hadn’t come out.

What’s the most exciting part of touring?

Every day is an adventure with a goal set to achieve, play the show—even if it’s a bad show, you get the show done, you did something, and you get another shot at it all again tomorrow. I like the team spirit, too—being a part of something, working together with other people face-to-face.

What’s the least exciting part of touring?

Answering emails.

What would fans be surprised to learn about you at this stage in your career?

I’m really into personal fitness. I love running and working out and feeling good in my body. I have a black card membership to Planet Fitness and go all the time. Hot Yoga classes, the whole nine. I take it seriously, though I do still tend to eat a bunch of garbage. Ha!

Categories
Culture Food & Drink

Women gather to set a new vision for Virginia’s wine industry

The journey to establish Virginia Women in Wine began five years ago with a series of informal get-togethers spearheaded by food and travel writer Nancy Bauer. The gatherings of women who shared a passion for Virginia’s wine industry but found themselves unfamiliar with, or disconnected from, one another grew, and Bauer remembers the moment when the potential for something greater became clear to her. It was during discussions about challenges facing the industry that it dawned on her that “all the answers were in the room.” 

The idea that their informal network should be formalized into a nonprofit entity soon emerged. “It became kind of a running joke,” Bauer says. “Shannon [Horton of Horton Vineyards] would always yell across the room, ‘Nancy, you really need to turn this into a 501(c)(3),’ and I’d yell back, ‘Shannon, you have fun with that.’”

On August 6, Virginia Women in Wine, led by Bauer as the organization’s first president, attracted more than 160 attendees for its launch at Eastwood Farm Winery. The event underscores the excitement and support for empowering women in Virginia’s growing wine industry through innovative media and marketing strategies, community-building, networking, leadership development, and promoting career advancement and equity.

Ultimately, a lunch meeting with Horton and Megan Hereford, co-owner of Stuart, Virginia-based Daring Wine & Cider Co., convinced Bauer to move forward. She drafted a grant proposal for the Virginia Wine Board. The proposal was not funded, but it did spark the formation of a dedicated group of women. 

“I invited all the women who had ever been to one of our dinners or showed any interest in the idea to put their names on the proposal—50 women signed,” Bauer recalls. This list became the foundation of the organization’s inaugural board, which includes 14 members supported by an additional nine committee members and volunteers.

Bauer estimates that 6,000 or more women are employed in the Virginia wine industry and recognizes that they face some unique challenges. As VWW interviewed individuals to develop an upcoming white paper, issues such as pay inequity, lack of respect, and equipment not designed for women emerged. Additionally, child-care challenges are significant, especially during back to school time, which coincides with the start of grape harvest.

Stephanie Pence, co-owner of Brix & Columns Vineyard in McGaheysville, highlights some of these unique challenges, noting that physical size and strength can sometimes require creative workarounds. She says there is often a reaction of surprise when she’s seen driving her tractor, sometimes in a dress, or arriving to unload pallets from a truck. “I’ve received comments like, ‘I thought you were getting your husband to unload this,’” she recalls. For Pence, such moments underscore the importance of community among women in the industry, for bonding and for problem-solving.

This sentiment is echoed by Seidah Armstrong, owner of Unionville’s Sweet Vines Farm Winery, who says, “I love the fact that VWW is essentially saying, ‘Hey, we see you and we support you!’” She notes that there are often isolated parts of the profession where collaboration is limited. VWW can reduce these workplace silos to foster more connection and resources. 

“As a former K-12 administrator, I see continuing education opportunities as a huge challenge for women in the industry,” says Armstrong. “VWW will work to make educational opportunities available for women as they navigate key Virginia-specific issues such as the impact of introducing new varietals or working on creative ways to grow tourism and clientele.”

Athena Eastwood, owner of Eastwood Farm and Winery, emphasizes the significance of representation at all levels, including leadership. “I think it’s important for people to be able to look out and see faces like theirs doing the things they dream of doing,” says Eastwood. “It makes it easier to imagine that you can do it too. When you are a woman just getting started, whether you are working in the cellar or serving on a board for the first time, having another woman in the room or at the table with you can be invaluable.”

Reflecting on the importance of formally organizing as a group, Bauer notes, “This board has reminded me how much more you can get done when you work together.” Admitting that she is “smitten” with the new challenge, she finds the prospect that Virginia Women in Wine might outlast her “pretty exciting.”

For more information or to become a member, visit virginiawomeninwine.com.

Categories
News Real Estate

UVA Board of Visitors to meet this week over two private development projects

The governing body of the area’s largest landowner will meet this week with five new members, at least one of whom has significant experience in real estate. Governor Glenn Youngkin’s latest appointees to the University of Virginia’s Board of Visitors begin their terms at a time when two private, recently approved student developments are moving toward construction and while UVA seeks to provide more housing for students.  

“UVA has committed to expanding its current first-year residency requirement to require all first- and second-year students to live on-Grounds while enrolled at UVA to better support students in their transition to University life, and as residents of the broader Charlottesville community,” reads a May 2024 solicitation for firms to partner to build the housing. 

At the same time, two large private developments near UVA continue to make their way through the finer details of the city’s permitting process. 

On Tuesday, the Charlottesville Planning Commission formally approved a site plan for the Verve, a 12-story student apartment building to be constructed in the heart of central Grounds. Several dozen apartments at the intersection of Jefferson Park Avenue and Emmet Street will soon be demolished to make way for the new building, which will have 442 units, according to the site plan.

City Council approved a rezoning in January for the Verve despite opposition from UVA officials, who argued the tall building would diminish UVA’s architectural character. The plans were submitted in time to qualify under the city’s old zoning rules, which required significantly fewer units to be designated as affordable. In this case, the developer will contribute $6.8 million to the city’s affordable housing fund rather than build units that are price-controlled. 

Earlier this month, the Charlottesville City Council granted approval of another technical step for a 10-story student apartment building at 2117 Ivy Rd. that was approved under the old rules. That project comes with a $3.25 million contribution to the city’s affordable housing fund and required council action to waive a requirement to build sidewalks on all road fronts.

“The waiver request is only for the easternmost portion of the property’s frontage on Copeley Road,” said Dannan O’Connell, a city planner. He added that they will build sidewalks on Ivy Road and a portion of Copeley Road. 

Meanwhile, UVA is planning to build up to 2,000 bedrooms for undergraduate students at both the former University Gardens as well as on Ivy Road. The Afghan Kabob restaurant will be demolished to make way for what UVA calls the Emmet North site. 

Because UVA owns those parcels of land, the city will not collect property tax revenue but they will for both the Verve and 2117 Ivy Rd. UVA officials want the first units to come online for the fall of 2027. 

One of the new members of the Board of Visitors is David F. Webb of Virginia Beach, whose day job is vice chair of development firm CBRE’s Capital Markets Group. Webb is now a member of the Buildings and Grounds Committee, which will meet on Thursday. One item on their agenda is a discussion of student housing. 

Categories
Arts Culture

Cedric Burnside

Pioneering bluesman R.L. Burnside liked to joke that Mississippi has four eyes and still can’t see. But as long as your hearing is good, you’ve likely heard some of the best American music come out of the Magnolia State. The Delta region is considered the birthplace of blues, and Grammy winner Cedric Burnside brings the rhythmic sounds of his birthright to his latest release Hill Country Love. The album title is a nod to the Hill Country Blues style played by greats like Junior Kimbrough and R.L. Burnside, Cedric’s grandfather. Get into the groove with a sound that the younger Burnside has occupied since he first went on tour playing drums for his grandfather at age 13.

Tuesday 9/17. $20, 8pm. The Southern Café and Music Hall, 103 S. First St. thesoutherncville.com

Categories
Arts Culture

Sharon Katz and The Peace Train

Bringing a blend of South African rhythms, Cuban influences, and soul jazz sounds, Sharon Katz and The Peace Train steam into C’ville carrying the message of love and unity. Growing up in apartheid South Africa, singer-songwriter and guitarist Katz witnessed the atrocities and divisiveness brought on by the country’s imposed racial barriers. She vowed to use her music to help break down her country’s unjust system of government and aid healing. That commitment to social justice has extended beyond the group’s musical efforts, with proceeds from its performances and music sales used to fund humanitarian work throughout the world.

Tuesday 9/17. $20–30, 7pm. Unity of Charlottesville, 2825 Hydraulic Rd. cvillejazz.org

Categories
Arts Culture

23rd Annual Youth Film Festival

Take a seat in front of the silver screen for Light House Studio’s 23rd Annual Youth Film Festival. Student films created over the last year through Light House’s workshops, community partnerships, and Summer Film Academy are highlighted at the YFF, giving attendees a chance to see the public debuts of projects before they screen in the national film festival circuit. With 23 acceptances and nine awards already conferred to Light House Studio productions for the 2023-24 festival season, this show should get two thumbs way up.

Friday 9/13. $17–127.50, 7:30pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

Categories
News

Charlottesville adopts ranked-choice voting on a trial basis

After moving the ordinance from the consent agenda, Charlottesville City Council voted on September 3 to adopt ranked-choice voting for its June 2025 primary elections.

Ahead of the vote, former delegate and founder of Ranked Choice Virginia Sally Hudson spoke in favor of the new polling method. During her time in the General Assembly, Hudson was instrumental in introducing and passing the state law allowing city councils to choose ranked-choice voting.

“To use the popular parlance of our time, ‘This ordinance did not just fall out of a coconut tree; we exist in the context of all that came before us,’” she said. “In Charlottesville, that context goes back centuries. I hope that you will join the three founding fathers emblazoned on this building in doing your part to build a more perfect union today.”

Every other public commenter, several of whom were there with Ranked Choice Virginia, spoke in favor of adopting ranked-choice voting for next year’s city council primaries.

Council members registered some reservations about the ordinance but ultimately approved the measure by a 4-1 vote.

“I think people who have concerns about it, I think it’s still in good faith, because any time you’re making a change to the way an election works, it’s a big deal,” said Councilor Michael Payne. “I think Arlington shows that it can be done as long as we’re really committed to doing the education and outreach.”

Councilor Natalie Oschrin, Vice Mayor Brian Pinkston, and Mayor Juandiego Wade also spoke in support of the measure, noting that while it is experimental, adoption has the potential for significant positive impacts and could set a meaningful precedent for other localities.

“This has been framed as an experiment,” said Pinkston, who noted ranked-choice voting has been a topic of discussion for the entirety of his time on city council. “I do feel that there is a strong coalition of folks who are aware enough about this, and this is a high information electorate here.”

Despite overwhelming public support for the ordinance at council meetings, Councilor Lloyd Snook ultimately opposed the measure—casting the sole dissenting vote.

“If this vote were only about ranked-choice voting I would have no qualms about voting yes. But it’s not. It’s about ranked-choice voting and single-transferable voting,” said Snook before the vote. “When I’ve tried to explain all of this to people over the past few weeks, I don’t know that I’ve found a single person who understands the practical effect of this—that you vote for the first person to get elected and [with] your second transferable vote, you only get one and a fraction vote. So you have relatively little influence on who the second choice is.”

While Snook’s understanding of single-transferable votes—the mechanism of ranked-choice voting for multiseat elections in Virginia—is mostly accurate, it slightly mischaracterizes the mechanics.

“Everybody has one whole vote. Nobody gets more power than anybody else,” says Hudson. “The suggestion that somebody gets more votes than anybody else is just flat false.”

To understand single transferable ranked-choice voting, Hudson provides the analogy that “your vote is $1 and you’re going to spend that dollar on your first choice. If your favorite winds up with more votes than they need, then you get change back, and that change goes to your second choice.

If your favorite only needs a third of the votes, but they get 40 percent, then they’ve got more than they need, and your support can go to your second choice as well,” she elaborates. “If everybody’s got $1 to spend, then everybody’s got equal power. If your [preferred candidate receives] exactly a third [of the votes], then your favorite is going to need all of your vote just to win.”

Councilor Snook joined the rest of Charlottesville City Council in appropriating $26,460 for voter education and any hardware or software purchases needed for ranked-choice tabulation.

City council will consider whether to more permanently proceed with ranked-choice voting after the 2025 primaries.

HOW IT WORKS

Proportional ranked-choice voting is fairly straightforward on the voter end, but understanding how votes are tallied can be a bit more complicated.

On the ballot, voters rank the candidates based on preference. Voters do not have to rank all candidates if they don’t want to; their ballot will still be counted. Each voter has one first-choice vote regardless of the number of open seats.

Candidates must reach a “threshold” or “quota” to be elected. For example, in an election with three open seats, a candidate needs to get 25 percent of the electorate plus one vote to be elected. (It is impossible for more than three candidates to meet the 25 percent plus one vote threshold.)

In the first round of tallying, only voters’ first-choice candidates are considered. Once a candidate reaches the threshold, they are elected. If all seats are filled in the first round, the process stops here.

If a candidate exceeds the threshold and there are remaining seats, surplus votes past the threshold are redistributed to voters’ next preference candidate. If there are still remaining seats after redistributing surplus votes, the candidate with the fewest first-choice votes is eliminated. Anyone who voted for the eliminated candidate has their vote redistributed to their second choice. The process then continues until all seats are filled.

Categories
Arts Culture

Teeny Tiny Trifecta 7

Art collectors big and small cheer Teeny Tiny Trifecta 7, an exhibition and fundraiser to launch the 51st season of Second Street Gallery. The show features more than 181 artists who contribute three works each that do not exceed 8 inches x 8 inches. With hundreds of choices, and each piece priced at $100, SSG broadens access by allowing more collectors to take home a bite-sized work of contemporary art. Outreach programming, a family studio day, and artist-led workshops accompany the annual celebration.

Friday 9/6-9/27. Free, 5:30pm. Second Street Gallery, 115 Second St. SE. secondstreetgallery.org

Categories
Arts Culture

Native Sun

New York-based Native Sun has a head-on initiative to champion social change, whether it’s activism around the climate crisis, national political unrest, or public health concerns. Colombian-American singer-songwriter Danny Gomez, along with Nico Espinosa (drums), Justin Barry (bass), and Jack Hiltabidle (lead guitar), play punk songs that explore the complexities of our time. The new single “Too Late” is a “rallying cry for the downtrodden who choose to persevere in spite of an uncertain future,” Gomez told Grand Jury Music.

Wednesday 9/4. $18, 8pm. The Southern Café & Music Hall, 103 S. First St. thesoutherncville.com