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News

In brief: Happy hour, Master Charles, prof charged and more

Dead or alive

Virginia’s General Assembly has been hard at it for three weeks now, tackling the 2,000 or so bills legislators filed. While most bills will die quietly in subcommittee, here are a few survivors—and committee casualties.

Alive

A judge has already ruled Virginia’s law that suspends driver’s licenses for unpaid court fines is likely unconstitutional. The Senate got with the program January 25, and passed a bill that repeals the state “debtor’s prison” law 36-4.

Finding out about the best happy hour could get easier, thanks to legislation allowing the advertising of drink specials that has passed both the House and Senate. This, too, was preceded by a lawsuit in which a northern Virginia restaurant owner claimed ABC regs violated free speech.

A bill that would exempt menstrual products from sales tax cleared a Senate committee 14-1 January 25, but the “Dignity Act” still needs to make it out of a House subcommittee.

While all the gun safety bills championed by Governor Ralph Northam died in subcommittee, Republican Senator Dick Black’s packing heat in church bill cleared the Senate January 24 in a 21-19 vote on party lines.

Dead

A bill that would allow localities to set their own minimum wage was killed in a House subcommittee 5-1 January 22.

Undocumented immigrants are not allowed to have driver’s licenses in Virginia, and that won’t change with the January 23 demise on party lines of a Senate bill that would have allowed temporary driver privilege cards.

Delegate David Toscano’s measure to limit campaign contributions by utilities like Dominion to $500 died in a House subcommittee January 24.




Quote of the week

“It doesn’t help us as a community for our mayor to be out there in the public criticizing the people who live here.”Adam Healey, Charlottesville Albemarle Convention & Visitors Bureau interim executive director, on marketing guru Jerry Miller’s Facebook live, to which Mayor Nikuyah Walker replied, “[Y]ou are the type of citizen who allows the soul of Charlottesville to remain ugly.”


In brief

Experiment gone wrong

The mother of a Greer Elementary student said her 6-year-old was traumatized by a social experiment teacher Vicky Chen conducted. Chen, who has been placed on administrative leave, separated her students by eye color, and gave candy to only the ones with blue eyes for her MLK Day-themed lesson on equal opportunity and inclusiveness. Activists say Chen further marginalized students of color, who typically have brown eyes.

Another creative writing prof

UVA Professor Jeffery Allen has been placed on administrative leave with pay after being charged with felony strangulation and misdemeanor domestic battery in November. He follows English Department colleague John Casey, who was on leave for a year and then retired in December after a disciplinary panel found he violated policies on inappropriate sexual contact with a student.

Synchronicity swami

Master Charles developed high-tech meditation at Synchronicity. Photo courtesy Synchronicity

Master Charles Cannon, founder of the Faber spiritual community, died January 24 at age 73. In 2008, Cannon was in Mumbai at the Oberoi Hotel when it was attacked by terrorists and 162 people were killed, including father and daughter Alan and Naomi Scherr, who were with a group from Synchronicity. After the attack, Cannon and Kia Scherr, wife and mother of the two slain Nelson County residents, called for compassion and forgiveness of the murderers.

Juneteenth organizer

California-born Tamyra Turner, 73, a former Charlottesville School Board member who started the city’s Juneteenth celebration in 2000, died January 16. A professor of English literature who taught most recently at PVCC, she met her husband, former Charlottesville NAACP president Rick Turner, at Stanford. She served on a number of boards, including the Jefferson School African American Heritage Center, the Jefferson Madison Regional Library, and the Virginia Festival of the Book steering committee.

Bye, Buyaki

 

 

 

 

 

 

 

 

 

The man who wore a Confederate flag-patterned tie to a county school board discussion of  banning Confederate imagery will not seek another term. Jason Buyaki, who’s been on the board since 2011, also caught the ears of community parents and activists in October when he questioned climate change and the nature of fossil fuels.

National spotlight

Charlottesville native Natalie Hoffman was convicted January 18 after leaving water and food for migrants crossing the desert into Arizona. Hoffman, who was working with the group No More Deaths, was charged with entering and driving in Cabeza Prieta National Wildlife Refuge without a permit.

New clerk

City Council hired Lynchburg deputy council clerk Kyna Thomas to become its clerk and chief of staff for $105,000. City spokesman Brian Wheeler, who makes $116K, has filled in since former council clerk Paige Rice took the chief of staff job in July for $98,000 and left in September.

Child porn charges

Forrest Butler, ACPD

Albemarle police charged Avocado Capital co-founder Forrest Butler, 58, with two counts of child pornography distribution January 22. He was released from jail on bond and will appear in court April 8.

Wawa on the way?

The county’s Architectural Review Board has approved plans for a Wawa convenience store and gas station off Route 29 and Proffit Road. It could be built by the end of the year, as long as the Board of Supervisors gives it a thumbs up.

Free tax help

The local branch of the United Way is offering free tax preparation for most taxpayers with household incomes of $55,000 or less. Through its program called Cville Tax Aid, partners such as the UVA Community Credit Union have prepared nearly 20,000 returns since 2007, and organizers expect to help more than 2,700 community members this year. To schedule an appointment, call United Way at 434-972-1703 or visit www.CvilleTaxAid.org.

Categories
Arts

Reading from inspiration at New Dominion Bookshop

As a kid in grade school, Angie Hogan began writing poetry for the same reason her peers wrote in a diary or passed notes in class: She wanted privacy.

“I felt the need to express myself, but I didn’t want to express myself straightforwardly,” she says. “I was definitely writing things that were extreme metaphors. Not to go so far as to say coded and secret—but kind of.”

Now a multi-award-winning poet with an MFA from UVA’s creative writing program, Hogan pauses as she thinks back.

“They were bad,” she says with a laugh. “They were really bad mixed metaphors. Lots of stuff about the natural world, but also ships and rocks and things, and always protective in some way. You know, ‘I’m strong as a rock,’ or ‘The shipwreck can’t destroy me.’”

Perhaps that’s why, years later, she points to confidence and calculated risk-taking as some of her biggest lessons learned.

“Having Rita Dove as a mentor [at UVA] helped a lot with that, actually,” Hogan says. “One time she defended my work to a critical male, to a somewhat haphazard response to one of my poems that I put in the workshop, and that really taught me how to stand up for my own work.”

By the time she graduated, Hogan knew how an audience would respond to her work. “I could make my own decisions about whether I was going to revise the poem based on that or whether I’d just as soon take the risk and do what I wanted.”

While her first manuscript involved “a lot of autobiographical things” but “plenty of fiction too,” ranging on topics like identity, performance, role playing and multiple selves, she says her recent work is different.

“It’s more historically informed, layered in terms of other people’s thinking over the course of history,” says Hogan. “…The risk here is that I don’t really know what I’m doing. I’m writing from what I’m trying to understand, as opposed to just writing what I know.”

Sharing Hogan’s appetite for historical exploration is Jeffery Renard Allen, the celebrated author of two poetry collections, two works of fiction, one collection of short stories and countless essays, who spends his days teaching at the college level, most recently as a professor with UVA’s creative writing program.

The writers, both of whom will read from their newest work in this month’s Charlottesville Reading Series, share more than their interest in reference material.

Like Hogan, who grew up in Tennessee and learned to love words because her father constantly read children’s books out loud to her, Allen began to write because he loved to read as a child.

“When I was 8 or 9 I started trying to write stories that were based on the stories that I read,” he says. “From a young age I saw myself as a writer, something I would like to do as a career someday, even if I didn’t really know what that meant.”

Educated in Chicago public schools, and the first in his family to attend college, Allen says he feels fortunate to have teachers who supported him along the way.

“In the very first writing workshop I took, I wrote a terrible story, but the professor pointed out one word and one sentence, and he said something like, ‘That’s the way a writer uses language,’” says Allen. That single boost of confidence was so tremendous, that he began to take writing seriously.

He went on to receive his Ph.D. in English (creative writing) from the University of Illinois at Chicago, then he taught by invitation at writing programs around the globe and co-founded a writing conference in Ghana. He says he spends a lot of time talking about inspiration, how writers think and exist in the world.

“I don’t feel that a writer has to be a public figure, to be a political voice or a social voice,” he says. “Writing might be the only medium of art that allows this type of empathy, this ability to be in someone else’s shoes. As writers, we show something about our common humanity, despite whatever kinds of cultural, racial or gender differences and sexual differences might separate us or distinguish us.”

He finds himself concerned with questions of family and levels of reality. Though he often uses historical subject matter as source material, “I’m drawn to doing stories that somehow broaden our sense of reality, of possibility,” he says.

“There’s a lot that’s said about African-American boys or people in terms of their feelings of being limited, but truth to tell, as a kid, I always believed that I could do anything. I never saw race as a barrier, even though I lived in a segregated city like Chicago. I really feel that reading encouraged me to believe that I could go any place and that I could think about anything and that I could do anything. I think I still feel that way.”