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2024 in review

By Caite Hamilton, Tami Keaveny, Catie Ratliff, and Susan Sorensen

We don’t know about you, but we love a list. Quick to read, easy to digest—what’s not to like?—they’re the perfect way to wrap up a long, eventful year of news, arts, and food coverage. Behold, all the naughty and nice things about 2024.  

Ten headlines we were surprised to see

From January 1 onward, 2024 was a newsworthy year everywhere. And Charlottesville was no exception, making local and national news headlines. Here are 10 that surprised us this year.

March 20: Wildfire destroys multiple buildings at Twin Oaks

When a wildfire devastated two structures at Twin Oaks, including a processing and storage facility, the future of the intentional community was uncertain. Twin Oaks is still recovering nine months later, but it’s moving forward. The community closed its signature hammock business as a result of the fire, and is weighing what business it wants to pursue next.

April 29: Ukrop family sells Charlottesville Quirk Hotel

Four years after it opened, the Quirk Hotel Charlottesville was bought by Blue Suede Hospitality Group on April 29. The Ukrop family sold the four-story, West Main Street building for $24 million, $20 million more than they paid for the property in 2017. Renamed The Doyle Hotel, the spot retains many elements of the Quirk, including the popular rooftop bar.

May 4: UVA calls in state police to break up encampment, arrest students

Leaders at the University of Virginia called in Virginia State Police to break up a pro-Palestine encampment after days of peaceful demonstrations. More than two dozen people were arrested. Prosecutors and university officials eventually dropped all charges and no-trespass orders after months of public pressure.

May 28: Mel Walker dies at 71

Mel Walker, Charlottesville icon and owner of Mel’s Cafe, died on May 28 at the age of 71. Opened in 1989, the popular West Main Street eatery was not only a cherished soul-food restaurant, but a gathering place for Charlottesville’s Black community before it closed its doors permanently in July.

June 7: Local Food Hub announces imminent closure

Following the surprise announcement of its closure in early June, Local Food Hub ended its Fresh Farmacy program on July 15. The program offered clients a “prescription” for fresh produce and distributed more than 40,000 pounds of local produce in 2023. While fellow local nonprofit Cultivate Charlottesville offers fresh produce through community gardens, that organization is at risk of also closing if it does not raise enough funds by April 2025.

September 5: UVAHealth physicians and professors publish letter of no confidence

A group of physicians at the University of Virginia released an open letter on September 5 calling for the removal of UVA Health CEO Craig Kent and School of Medicine Dean Melina Kibbe. Allegations in the original letter included the creation of a toxic work environment and unsafe patient practices. In October, a group of surgeons also came forward, alleging that UVA has pressured providers to fraudulently raise bills.

September 21: Umma’s closes after two years

Korean- and Japanese-American fusion restaurant Umma’s closed its doors after hosting its last dinner service on September 21. A popular space for the local LGBTQ+ community, Umma’s shut down not due to a lack of support, but because its owners moved out of town.

October 17: Tony Bennett announces immediate retirement

Basketball legend Tony Bennett announced his retirement as head coach of the University of Virginia men’s team on October 17, just 20 days before the Hoos’ first game. Bennett’s exit, which came months after he signed a contract extension, shocked and saddened fans. Interim Head Coach Ron Sanchez, an associate head coach under Bennett, is off to a shaky start, with preseason polls predicting the team will finish fifth in the ACC. 

Photo via UVA Athletics Communications.

October 21: City Manager and Salvation Army announce low-barrier shelter plans

City Manager Sam Sanders presented Charlottesville City Council with plans and funding options for converting the Salvation Army’s thrift store on Cherry Avenue into a year-round, low-barrier shelter. The creation of such a shelter has been a longtime priority for local leaders, but became more urgent following the erection of tents in Market Street Park last fall. City Council is expected to allocate funding for the project at its last meeting of the year.

November 27: Blue Moon Diner closes its doors

Beloved diner/gathering place/music venue Blue Moon Diner served its last stenciled pancake in late November, after nearly 20 years under the stewardship of Laura Galgano and Rice Hall. The diner, which originally opened in 1979 and was previously owned by Mark Hahn of Harvest Moon Catering, was a Charlottesville institution but, as Galgano wrote on the restaurant’s Facebook page, “It’s time for new adventures!”—CR

Triomphe!

10 Hoos who made us proud in Paris

Kate Douglass won two gold and two silver medals at the 2024 Olympic Games.
Photo via UVA Athletics Communications.

There was a lot to like about the Paris Olympics and Paralympics. The games were the most ecologically sustainable of the modern era. Every medal contained a piece of metal from the Eiffel Tower. The logo for Paris 2024 featured a lowercase ‘i’ to symbolize inclusivity and individuality. For local fans, however, one of the best things was the success of former, current, and future University of Virginia athletes. 

When the Olympics and Paralympics concluded on September 8, UVA-affiliated athletes (and one Wahoo-to-be) had earned 16 medals—seven gold, seven silver, and two bronze. A dozen of those medals were won in the swimming pool, with Kate Douglass and Gretchen Walsh returning home with eight of them. (UVA Swimming & Diving Head Coach Todd DeSorbo was Team USA’s women’s swimming coach, and 25 percent of the female swimmers who competed for the United States were current or former Hoos.) In addition to Douglass and Walsh, Emma Weber seized gold at her first Olympics, while Paige Madden earned silver and bronze. Then there was the silver medal awarded to Western Albemarle High School’s Thomas Heilman, a future Hoo who, at 17 years old, was the youngest male swimmer to qualify for the Olympics since Michael Phelps in 2000.

On the soccer pitch, former Cavalier standout Emily Sonnett competed on the United States’ women’s team that defeated Brazil to capture a record fifth Olympic gold medal. And during the Paralympics, UVA rower Skylar Dahl was part of the U.S. PR3 mixed four with coxswain that claimed silver.

But not all UVA athletes were on Team USA. Rower Heidi Long was on Great Britain’s women’s eight team that won bronze, and Pien Dicke helped the Netherlands win gold in field hockey. 

It was later reported that if the University of Virginia had been its own country in the 2024 summer games, it would have finished with the 16th-most medals, just behind Spain. To that, we say: Wahoowa!—SS  

Turn, turn, turn 

Four times traffic held us up

1. The first of a few summer efforts to eliminate congestion in high-traffic areas, a roundabout at the intersection of Hydraulic Road and Hillsdale Drive wrapped up in August after a month under construction. At the peak of the work, the Virginia Department of Transportation reported that roughly 35,000 vehicles per day were being detoured from Hydraulic Road to avoid the construction.

2. Left turns are so 2023, said the Virginia Department of Transportation in August as it eliminated left-turn lanes from Hydraulic Road onto Route 29. Drivers were encouraged to take a circuitous route through nearby shopping center parking lots, all in the name of “improving traffic flow” (but to hell with your morning commute). 

3. Construction began on a pedestrian bridge in the—you guessed it—Hydraulic corridor, just north of Zan Road in September. Part of a $30 million project to improve traffic flow and pedestrian safety in that area, the project will continue until fall 2025. 

4. A two-decade-long process to rehab the Belmont Bridge ended in late June to mixed reviews, garnering criticism for its clunky medians, unfinished landscaping, and, as one commenter on Reddit put it, “I’m most disappointed that they created this graffiti paradise. Wish we could have an art competition to cover all that gray.”—CH

Photo by Stephen Barling.

The best words

We’re proud of every cover story we print on Wednesday, but some resonate with us more than others. Here’s a look at C-VILLE staffers’ favorite features of the year.

Editor in Chief Caite Hamilton

Her pick: Timeless treasure (June 12)

“As I wrote in my letter that week, this cover story read more like an excerpt from a memoir than the type of feature we normally run, but Michael Moriarty’s piece on finding his dad’s vintage Timex struck a chord with me. Loss is a universal experience, and I hoped Mike’s piece—which so deftly navigated the complexities of grief—would strike a chord with readers as well.”

Culture Editor Tami Keaveny

Her pick: Wild observations (January 10)

“In 2024 we found three ways to champion the eloquent work of writer and poet Erika Howsare. In a feature on her latest book, The Age of Deer, Howsare shared her research process, telling writer Sarah Lawson, ‘I felt the aching gladness of being alive and among other living things.’ A frequent contributor to C-VILLE Weekly, Howsare wrote our May 22 cover story about the thriving arts scene in the Shenandoah Valley, and her December 4 feature looked at environmental concerns around light pollution.”

News Reporter Catie Ratliff

Her pick: Educational opportunities (May 1)

“As a news reporter, my job often involves sorting through documents, attending local government meetings, and conducting phone interviews. Working on this cover story was both a breath of fresh air and enlightening, and it provided readers a look into Charlottesville’s alternative-education learning centers and the students enrolled in them. Lugo-McGinness Academy and Knight School both shine in their fostering of community, and they build environments where students feel safe and can learn effectively.”

Editorial Assistant CM Turner

His pick: Now playing (August 21) 

“Connecting artists and audiences is one of the most fulfilling aspects of what we do in the C-VILLE Weekly Culture section. When we focused our lens on a new generation of musicmakers shaping Charlottesville’s sonic scene earlier this year, we provided a picture of the varied and dynamic acts sharing their sounds on stages around town. From punk rock to hip-hop, Americana to mainstream, local listeners have a lot to choose from.”

Copy Editor Susan Sorensen

Her pick: Role call (October 30)

“I love fall. And I love movies. So come late October, when the leaves are changing and the Virginia Film Festival is rolling, Charlottesville is my happy place. Which is why my favorite 2024 cover story was our guide to the 37th film fest. This year, we focused on folks working behind the scenes, including directors, producers (thanks for stopping by, Matthew Modine!), writers, and production designers, to name a few. Not only was it illuminating reading, but the package of stories made me a wiser, more appreciative moviegoer.”

Sold out!

58 reasons why you should’ve bought your tickets early in 2024

1/13: Roy Wood Jr. and Jordan Klepper The Paramount Theater | 1/26: The Legwarmers The Jefferson Theater | 1/27: Hot in Herre: 2000s Dance Party The Jefferson Theater | 2/1: The Red Clay Strays The Jefferson Theater | 2/3 Daniel Donato’s Cosmic Country The Jefferson Theater | 2/17: The Stews The Jefferson Theater | 2/18: Tanner Usrey The Southern Café & Music Hall | 2/19: Chelsea Cutler (The Beauty Is Everywhere Tour) The Jefferson Theater | 2/20: Blackberry Smoke The Jefferson Theater | 3/3: St. Paul & the Broken Bones The Jefferson Theater | 3/4: GWAR The Jefferson Theater | 3/8: Dawes & Lucius The Jefferson Theater | 3/10: The Disco Biscuits The Jefferson Theater | 3/14: The Cancelled Podcast The Paramount Theater | 3/15: Mark Normand The Paramount Theater | 3/16: Mason Ramsey The Jefferson Theater | 3/19: Hermanos Gutiérrez The Jefferson Theater | 3/21: Jack Stepanian The Southern Café & Music Hall | 3/22: “The Moth Radio Hour” The Paramount Theater | 3/22: Haley Heynderickx The Southern Café & Music Hall | 4/3: Slaughter Beach, Dog The Southern Café & Music Hall | 4/5: Wait Wait Stand-Up Tour The Paramount Theater | 4/5: Sam Burchfield & The Scoundrels with Tophouse The Southern Café & Music Hall | 4/6: Ryan Caraveo The Southern Café & Music Hall | 4/28: Mandy Patinkin The Paramount Theater | 5/5: Benjamin Tod & Lost Dog Street Band The Jefferson Theater | 5/9: Dar Williams The Southern Café & Music Hall | 5/10: Pecos & the Rooftops The Jefferson Theater
5/11: Chamomile and Whiskey Rivanna Roots | 5/14 and 5/15 Thievery Corporation The Jefferson Theater | 5/21: Temple Grandin The Paramount Theater | 6/17: The Japanese House The Jefferson Theater | 6/26: Trousdale The Southern Café & Music Hall | 6/27: Pete Davidson: Prehab Tour The Paramount Theater | 6/30: Jason Isbell and the 400 Unit Ting Pavilion | 8/16: HASH with Pinkish The Southern Café & Music Hall | 8/24: Jack Stepanian The Southern Café & Music Hall | 9/6: Gogol Bordello The Jefferson Theater | 9/9: An Evening with Goose Ting Pavilion | 10/2: Vampire Weekend Ting Pavilion | 10/9: Ailey II The Paramount Theater | 10/9: Ray LaMontagne and Gregory Alan Isakov Ting Pavilion | 10/13 Neko Case The Jefferson Theater | 10/19: Kate Bollinger The Southern Café & Music Hall | 10/20: Sabrina Carpenter: Short N’ Sweet Tour John Paul Jones Arena | 10/22: Nick Shoulders and the Okay Crawdad The Southern Café & Music Hall | 10/22: 49 Winchester The Jefferson Theater | 10/25: Whiskey Myers Ting Pavilion | 10/26: Little Feat The Paramount Theater | 10/30: Jelly Roll: Beautifully Broken Tour John Paul Jones Arena | 11/9: Ronny Chieng The Paramount Theater | 11/9: Tycho The Jefferson Theater | 11/15: Molly Tuttle & Golden Highway The Jefferson Theater | 11/22: JP Harris Dürty Nelly’s | 11/23: Shane Smith & The Saints The Jefferson Theater | 12/6: Bored Teachers: The Struggle is Real Comedy Tour The Paramount Theater | 12/15: Indigo Girls The Paramount Theater | 12/18: Leslie Odom Jr. The Paramount Theater

Indigo Girls performed at The Paramount Theater on December 15. Supplied photo.

Looking good

Our Art Director Max March picks his favorite shots of the year

Being on the ground during major news events is so important, and for my money there isn’t anyone who does it like Eze Amos. He’s particularly good at finding quiet moments amidst the chaos, and this photo—taken right before Virginia State Police broke up the UVA encampment protesting the war in Gaza—resonated with me.

There’s something about great show photography that makes you feel like you’re there in the moment. Charlottesville really punches above its weight when it comes to the caliber of touring musicians who put on terrific shows here, but it’s particularly special when you get to feature a show from some local talent, like up-and-comers Palmyra, in this shot by Tristan Williams.

Ch-ch-ch-ch-changes 

Three additions to C-VILLE in 2024

C-VILLE celebrated its 35th birthday in September of 2024 and, with it, added some new merch, an arts newsletter, and a donor campaign. 

Merchandise: T-shirts! Tote bags! Bumper stickers! Our new line of merch, launched in September, celebrates C-VILLE past and present. Head to c-ville.com and click “Shop” to wear your love for your local paper on your sleeve (or your coffee mug).

To-do List: Also in September, we started sending out a weekly newsletter from the Culture section. Sign up for it (and our Friday morning one, too) at c-ville.com.

Save the Free Word: Thanks to more than 100 generous readers, our new donor campaign has amassed nearly $10k, a healthy sum that’s helped us add a News Editor to our staff (look for his byline in January).

Speaking of which, 

two more changes coming in 2025:

In January, you’ll notice C-VILLE has a new look—online and in print. We’ve been working hard to usher the weekly into the 21st century (better late than never?) and into our next 35 years.—CH

Categories
Arts Culture

“The Nutcracker”

It wouldn’t be Christmas without Clara dancing through her fantastical dream, accompanied by a dashing prince who conquers the dastardly Mouse King! Charlottesville Ballet presents The Nutcracker, with live music from the Charlottesville Symphony conducted by Benjamin Rous, and collaborations with Cantate Children’s and Youth Choir and Central Virginia Ballet. Audiences of all ages can revel in this seasonal classic, with memorable melodies and expertly choreographed scenes. You know the characters. You know the score.

Saturday 12/21–Sunday 12/22. Prices and times vary. Martin Luther King, Jr. Performing Arts Center, 1400 Melbourne Rd. charlottesvilleballet.org

Categories
Arts Culture

The best reasons to have left the couch in 2024

It’s all too easy to get disgruntled about some of the usual entertainment in a tight town like ours—that is, if you close your eyes and ears too tightly and just stay home all the time. Here are some of the events that made me glad I got my ass off of the couch.

Please Don’t Tell

March 9, The Southern Café & Music Hall

After years and years—first as a piano and cello duo, and since 2021 as a trio with violin—Please Don’t Tell finally committed its feminist tilt of Victorian parlor violence to record, and held this Spirit Ball to serve as an audio coming out party of sorts. Though the annunciated operatics of pianist and lead vocalist Christina Fleming were confined to an EP’s worth of tracks on vinyl and other platforms, they were given a much longer runway on which to soar at the Southern. The lengthy set’s highlights were elevated further by violinist/vocalist Anna Hennessy’s adroit musicianship, while cellist Nicole Rimel’s spooked-out presence stayed thematically on brand. PDT wrapped up the somberly festive evening by ghosting on to the stage hand-in-hand, gushing forth with an a capella number about leading a man to the woods to die. Good times!

Temple Grandin

May 21,The Paramount Theater

A talk with autism and animal behavior expert Dr. Temple Grandin is a lot to take in at one sitting. But to get a handle on how other brains operate by a living example and proponent of neurodiversity is perhaps the best way to recognize the value that different cognitive styles hold for education, employment, and society. As a visual thinker, Grandin explained that her cognition type represents one kind of thinking—in pictures—while patterns or words are the other overriding ways of understanding the world. Surprisingly, the Colorado State University College of Agricultural Sciences faculty member, who came into fame with her pioneering work redesigning slaughterhouses to lessen trauma and anxiety in livestock, drew a line between neurodivergence and inventors, from Michelangelo to Elon Musk. In doing so, she stressed the need for parents and schools to give autistic (and potentially autistic) children more hands-on ways to tinker and thrive through science projects, car repair, animal care, craft hobbies, playing and writing music, and building machines, among other ideas.

Ruby The Hatchet 

June 22, The Jefferson Theater

Baroness may have headlined the show, but Philadelphia-area doom-chugging Ruby The Hatchet brought an indomitable fire to the night. Jillian Taylor’s gritty vocals recalled the pantheon of classic hard rock’s most celebrated practitioners and paved the way for a churning and captivating demonstration of their uncompromisingly heavy and dramatic songwriting style. A charged-up track like “The Change” and the righteous fuzz of “Primitive Man” were rivaled only by the surprise cover of Quarterflash’s top-10 hit “Harden My Heart.” The overwhelmingly metal fan crowd, seemingly surprised at its own memory, sang along with the choruses. No doubt they were swayed by keyboardist Sean Hur’s busting out of a saxophone to nail the song’s signature horn line, born amidst the power ballad schmaltz of the early ’80s.

Pete Davidson

June 27, The Paramount Theater

Everyone’s favorite controversy-stirring vulgarian, Pete Davidson brought his Prehab Tour to town, furiously driven with all of the honest self-inflicted invectives that provide an unhealthy excuse to laugh along with, or directly at, him—and that’s what complicates the King of Staten Island star’s stand-up. You feel bad for the dude, but not that bad when all is said and done because, well, you’re laughing and he’s a celebrity. So here he was, claiming to have kicked ketamine and coke, but despite lessening the amount, still sticking with pot. And what happens? He goes on to cancel a chunk of his tour the following month in a too-accurate prediction or self-fulfilling prophecy, checking himself into a facility for mental health treatment. If anyone (or everyone?) saw that time-out coming, it didn’t make his stand-up any less funny, and therein lies the problem on the audience’s side and/or the source of the man’s talent: tragedy+cannabis+no values=comedy.

“Out of Context”

October 4–November 22, Second Street Gallery

A six-person group show exquisitely captured what curator and contributing artist Paul Brainard set out to do with “Out of Context”: Let the art do the talking for this complicated and engaging collection of works. That said, many titles were nothing less than intriguing, and, at times, hilarious. Amber Stanton’s striking protagonist females in various states of undress searched for answers across fantastic landscapes (“Soon, Oh Soon the Light”); Jean-Pierre Roy’s “Maybe we’re all just guessing, Margaret” offered a vivid alternative universe bug-out on the traditional Western historical portrait; Miriam Carothers’ five-canvas “SLO Excursion” series caught drunken neon robot rampages; Michael Ryan’s life-size mixed media “The Birthday Party” peered into family figures too close and just too weird; and Hyunjin Park’s eye for detail and intricate color use came to a dozen heads on “I AM Good Looking,” a horizontal panel depicting Brainard, making a rainbow of his expressions.

Categories
Arts Culture

The five worst films of 2024

When we asked our Screens columnist, Justin Humphreys to do a round-up of the year’s movies, he made his feelings clear: “I’m going to have to be very honest and say how precious few good movies there were this year.”  His top five losers are below.

Joker Folie a Deux

Nicknamed Joker Filet-o-Fish online, few movies of 2024 deserve being mocked more than Joker Folie a Deux or have so richly earned their immense commercial failure. The first Joker was a lame facsimile of Taxi Driver and The King of Comedy, minus the genius of those films. In this sequel that nobody wanted, even the creepy incels who flock to dreary, adolescent comic book fare like this stayed away in droves. With this sequel, and last year’s Napoleon, star Joaquin Phoenix gives every indication of having forgotten how to act.

Madame Web

A spinoff of the hit Spider-Man movies, Madame Web follows superheroine Madame Web, alias Cassandra Webb (Dakota Johnson), who desperately uses her precognitive powers to save three women. That this clairvoyant is named Cassandra Webb gives you an idea of the level of wit at work here. (To her eternal credit, Johnson was openly dismissive of the film.) This is another silly superhero battle royale with slick, overdone fights and wisecracks. If you want to see an outstanding movie about someone glimpsing future events, watch David Cronenberg’s The Dead Zone instead. Aside from being among the finest Stephen King book adaptations, it also cost a tiny fraction of what was squandered on Madame Web.

Borderlands

Director Eli Roth has shifted here from his usual ’80s throwback torture porn to torturing audiences instead. Over $100 million was spent on adapting the popular video game Borderlands, including casting Jamie Lee Curtis, Kevin Hart, Cate Blanchett, and Ariana Greenblatt, and reportedly set to lose over $80 million. This dumb, loud, unfunny science fiction mess makes you wonder why Roth didn’t adapt a more intellectually stimulating video game like, say, Ms. Pac-Man or Frogger instead. Borderlands is the kind of lowbrow movie that gives enjoyably lowbrow movies a bad name.

Red One

Watching Red One lurch toward its theatrical release this holiday season was like witnessing the Titanic sail toward its fatal iceberg: This movie had disaster written all over it from the start with widely reported budget overruns and other excesses. Red One’s concept of Santa Claus (J. K. Simmons) comically being linked to various secret organizations could have made for an enjoyable, innocuous 10- or 15-minute animated short, but filming it in live-action and stretching it to feature length was a dire error. For what this atrocity cost, a talented director like Kathryn Bigelow could have made six really good, intelligent films.

Ghostbusters: Frozen Empire

Ghostbusters: Frozen Empire represents the movie industry’s nearly complete lack of imagination at work. Cashing in on an established IP like Ghostbusters is standard practice now, but if creative folk were to pitch an idea today as fresh as the original Ghostbusters was in 1984, they’d likely be turned down immediately. Studios are terrified of risks, and it shows in the flatness and predictability of their products, as evidenced by retreads like Ghostbusters: Frozen Empire. Reusing the original film’s stars and many of its other key elements compounds the sense that it’s all just a cash-grab. It lacks the humor, imagination, and unpredictability of the original film, and aside from this essential staleness, Ghostbusters: Frozen Empire adds insult to injury by wasting the wonderful Annie Potts.

Categories
News Real Estate

UVA unveils preliminary design for new Center for the Arts

As the University of Virginia continues to expand onto Ivy Road, its new buildings are creating a new urban fabric for the public institution’s footprint in Charlottesville. On December 5, a committee of the Board of Visitors reviewed a preliminary design for the proposed Center for the Arts, and recommended a smaller building. 

“You’re dealing here with a welcoming site to the university,” said John Nau, chair of the Buildings and Grounds Committee. 

The Center for the Arts would be located in the northeast corner of the Emmet/Ivy Corridor. As presented, the building would house the 1,200-seat Richard and Tessa Ader Performing Arts Center and serve as the new home of The Fralin Museum of Art and the Kluge-Ruhe Aboriginal Art Collection. The Department of Music would also move to the site, freeing up space for other UVA uses at Old Cabell Hall. 

“The Center for the Arts will have an internal promenade on the ground floor that builds on the design guidelines of the previous buildings developed in the Emmet Ivy District,” said Gary McCluskie, an architect with the Toronto-based firm Diamond Schmitt, which has been hired to design the arts center. 

Those buildings are the School of Data Science, the Virginia Guesthouse hotel, and the Karsh Institute of Democracy. One rendering shown to the Buildings and Grounds Committee depicted the possibility of films being screened on media walls above the entrance to the theater. 

Nau expressed concern that those media screens might distract people at the busy intersection of Emmet Street, Ivy Road, and University Avenue. 

“I have seen traffic come to a halt around sporting venues around the country that use these screens,” Nau said. 

The project has an internal budget of $315 million. Nau and others questioned the scale and asked whether the center is something UVA really needs to build. Another committee member asked for updated financial projections to see if the center would provide revenue by attracting shows that currently don’t have an appropriate venue in the greater community. 

While part of the funding for the center comes from a $50 million donation by the Aders, the bulk of the project might depend on a $200 million capital funding request made to Virginia Gov. Glenn Youngkin and the General Assembly. UVA’s Senior Vice President for Operations and State Government Relations Colette Sheehy said Richmond has already authorized pre-planning work as well as given the green light to proceed with design. 

“That is normally a signal from them that they are going to support the construction,” Sheehy said.

UVA President Jim Ryan said the project has been in the works for a long time. The building’s large size is comparable to what’s being built nearby, he said, and the structure would hide the Lewis Mountain parking garage. Ryan also noted that moving The Fralin would allow that building to serve as a new entrance for the School of Architecture, which is currently tucked away from public sight.

“I don’t know if you’ve ever tried to get to the architecture school but if we wanted to create a secret spot for architecture, we succeeded,” Ryan said. 

Earlier in the meeting, the committee also approved amending UVA’s Major Capital Plan to add $160 million for the construction of three residential buildings at the western end of the Emmet Ivy District. BOV member Bert Ellis was the lone vote against doing so because he said UVA needs to cut spending.

Categories
Arts Culture

Christmas with Elvis

Break out your bedazzled jumpsuit, it’s time for Christmas with Elvis! Reigning King of Rock and Roll tribute artist Matt Lewis performs holiday hits and other classics from Elvis’ repertoire, including selections from his rockabilly era, the “’68 Comeback Special,” and the Viva Las Vegas years. Backed by the 12-piece Long Live the King Orchestra—aka Charlottesville’s own Big Ray and the Kool Kats—Lewis curls his lips and sways his hips, driving away any thought of a “Blue Christmas.”

Thursday 12/12. $24.75–34.75, 7pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

Categories
Arts Culture

“A Christmas Carol”

There are plenty of reasons why Charles Dickens’ A Christmas Carol has spawned so many adaptations. And whether you prefer the lead miser be played by Michael Caine surrounded by Muppets, Bill Murray learning lessons about 1980s corporate greed, or an animated Jim Carrey in Disneyfied 3D, the main plot point stays the same: Can Ebenezer Scrooge change his ways before his proverbial (and literal) goose is cooked? In a tale of supernatural transformation, the American Shakespeare Center mounts this holiday classic where Ghosts of Christmas Past, Present, and Future haunt the dreams of a mean old man and work to thaw his icy heart.

Thursday 12/5 Through Sunday 12/29. Ticket prices and showtimes vary. Blackfriars Playhouse, 10 S. Market St., Staunton. americanshakespearecenter.com

Categories
Arts Culture

“Coney Island Christmas”

Get into the holiday spirit early with Coney Island Christmas, a seasonal show that’s poised to become a classic. Pulitzer Prize-winner Donald Margulies has penned a story filled with memories and mirth that should appeal to folks of all ages and faiths. Centering on a young Jewish girl cast to play Jesus in her school’s Christmas pageant, at its core, this is a tale about what it means to be an American during the holidays.

Through 12/15. $12–20, times vary. Four County Players, 5256 Governor Barbour St., Barboursville. fourcp.org

Categories
Arts Culture

“The Wizard of Oz”

Leave the prairies of Kansas and head over the rainbow into a magical land with The Wizard of Oz. Featuring all your favorite songs from the classic 1939 film, the show follows Dorothy Gale as she navigates the yellow brick road and encounters fantastical friends and foes along the way. Train your brain, steel your heart, and summon your courage for encounters with winged primates, wicked witches, and the great and powerful wizard. The beloved classic is directed by John Gibson, who returns to town with his own uniquely personal take on the Royal Shakespeare Company’s stage adaptation. Recommended for ages 10+.

Friday 11/22 Through Sunday 12/15. Ticket prices and curtain times vary. Live Arts, 123 E. Water St. livearts.org

Categories
Arts Culture

Nurse Blake

They say laughter is the best medicine, and comedian Nurse Blake is on call with a heavy dose of hilarity. From Level 1 trauma centers to stages around the country, Blake Lynch has taken his unique experiences as a nurse to find the humor in humerus bones, the lighter side of liver disease, and the fun in hospital funding. Celebrating health care practitioners, this tour features live skits, videos, and interactive stories drawn from real life. And there’s likely to be plenty of care providers in the audience should you bust a gut, break a rib, or slap a knee too hard.

Monday 11/25. $45–59.50, 7pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net