Virginia loses again on the road 74-62

Virginia (14-12, 5-8) lost their sixth game in a row Tuesday evening in Miami. The Wahoos played better than they had as of late, but did not have any way to contain Miami’s two best players. Miami (18-9, 4-10) had four players finish with double-figures led by Dwayne Collins who scored 18 points on 7-11 shooting. Collins also had a career high in assists. Miami’s Julian Gamble and James Dews both chipped in 13 points in the victory.

The Hoos were led (once again) by second-year Sylven Landesberg who scored 27 on 8-13 shooting. Sylven shot well from three-point-land as he made 6-8 for a career-high three-point shooting performance. Jerome Meyinsse actually played pretty well tonight as he threatened to finish with a double-double scoring 13 and grabbing 7 strong rebounds. Virginia continued to shoot the ball poorly as they only shot 35% for the game. The Hoos also got almost nothing out of the struggling Mike Scott, who looked lost out there tonight. He finished with 0 points on 0-7 shooting. Many of the attempts Scott shot tonight were outside shots that he really should have thought twice about hoisting up.

Mustapha Farrakhan did not play, and Virginia fans saw the return of Solomon Tat to action in the second-stanza. Sammy Zeglinski also struggled finishing with just 5 points on 2-10 shooting. The Hoos only committed 8 turnovers, their only bright spot of the game.

Virginia has almost a week to get ready for ACC leader Duke. The Blue Devils come to Charlottesville Sunday for a 7:45 p.m start. Times are tough here in Charlottesville for the once scrappy Hoos.

Categories
Arts

Checking in with Kevin Everson

 What are you working on right now?

I’ve got to finish up a film that I shot at Vassar College last March called A House in the North Country based on a play by a friend and co-writer Talaya Delaney. And then this spring break we’ll be shooting a feature up there in Poughkeepsie. Right now, I’m about to go to Rotterdam to screen a series of films about Africa that [the International Film Festival] commissioned me to produce.
 

Kevin Everson’s favorite artists outside his medium? “I’m not a comic, so I guess Richard Pryor. I’m not a beatmaker, so George Clinton or Pete Rock.”

What were you doing when we called?
I just got done talking to students about what they’re going to work on while I’m in Europe. We’re working on kind of a John Waters-esque, Paul McCarthy-esque, psychosexual mondo film, so they got together to write and plot it on Thursday, and built the set on Friday, and shot it on Sunday. They should get their footage back soon, and they’re going to get together in groups of two and cut their portion of it. It’s about a psycho family in a funeral home, and I gave them a list of things that have got to be in it, based on movement and technical ability. Some of the things are just funny, stupid shit. John Waters spoke to the class, and gave us some suggestions for things to put in the film when he came last November, during the Film Festival.
 
If you could have dinner with any person, living or dead, who?
Nat Turner. He’s the greatest American who ever lived. There should be a Nat Turner holiday. We write about Spartacus, but why not recognize one of our own?
 
Tell us about teaching at UVA.
It’s fun. The kids here want to make films, so it isn’t like I have to twist their arms or anything like that. I teach not in terms of big narrative film, but about the relationship between the artist and the medium, how artists express their content. So the kids make experimental films, documentaries, narratives, flicker films—I like for them to create their own world and have their own ideas, as opposed to them making a heist film or some shit like that.
 
What music are you listening to lately?
I’m listening to breakbeats and stuff like that, old school hip-hop from the ’90s and ’80s. ’82 and ’88 were the best years for hip-hop, so that kind of stuff. I like soul music.
 
What is your earliest artistic or creative memory from childhood?
I think my cousins and brothers and I worked on a comic book or something like that. But I wasn’t very good at it. Mostly it was stuff like Spider-Man, copying artists like Gil Kane. But I didn’t really do anything with art until I got to college. I was kind of a jock.
 
If you’re on a blind date, what’s the dealbreaker?
I haven’t been on a blind date since I was like 19. But I grew up in a culture that promoted respect for the working classes, so I like to see how people treat the help—you know, like the waiter or whomever, and if the person I’m with starts complaining about the help, that’s a dealbreaker for me.

Do you have a favorite building?
The Pantheon in Rome. But I’ve also got a favorite public sculpture. It’s a piece by Paul McCarthy, this world-famous artist. He made a huge sculpture of Santa Claus holding a butt plug in Rotterdam. I’ve got a ton of pictures of that. And in Cleveland, I remember this Claes Oldenburg sculpture in a park, a huge stamp with the word “FREE” on it. I love public art.
 
What would you do if you know that you couldn’t fail?
Well, you have to fail a little bit to make art. You learn from your mistakes. I wouldn’t want not to fail.
Categories
News

Stonehaus sells 16 Belvedere acres to Cathcart Properties

We’ve all heard that timing is everything; likewise, time equals money. So when Frank Stoner, vice president of business development for local real estate developer Stonehaus, said the time was right for a 16-acre sale within the company’s 207-acre Belvedere neighborhood, it also meant the price was right.

Cathcart Properties plans to construct a collection of one-, two- and three-bedroom luxury apartments, along with a few other amenities, on 16 acres of land in the Belvedere neighborhood (pictured).

Cathcart Properties agreed, and purchased the land from Stonehaus for $4.6 million to construct The Reserve at Belvedere, a multi-family luxury apartment building with 294 units. Those 16 acres are located near the planned site for the Belvedere neighborhood’s towncenter, and won’t go unused. A press release from Stonehaus lists amenities like a clubhouse with a movie theater and billiards parlor, and a “central park” with both a putting green and a bocce court.

Asked about reasons for the sale, Stoner tells C-VILLE that, while Stonehaus had developed multi-family housing in the past, “we have typically partnered with somebody else to do that, because that’s sort of not our core competency.”

“I guess we could’ve waited three or four or five years ’til we might’ve been able to do it ourselves, but that didn’t seem like the right thing to do,” adds Stoner. “So that’s why we decided to sell.”

Belvedere was part of the LEED Neighborhood Development Pilot Program, a collection of roughly 240 developments across the country that would help the U.S. Green Building Council gather information about its rating system. Stonehaus CEO Bob Hauser said in a press release that The Reserve “will reflect many of the values that are integral to the Belvedere vision: pedestrian friendly urban blocks, authentic architecture, quality public and recreational space and energy efficiency.” Rip Cathcart, chairman of Cathcart Properties, said the company’s architect is still investigating sustainable and LEED-certified materials.

“I will say that we always emphasize insulation,” says Cathcart, who added that residents of the company’s Lakeside and Carriage Hill apartments are “pretty pleased with their electric bill.”

As far as rentals are concerned, Cathcart says The Reserve is “pretty high-end.” Single-bedroom units will range from 800 to 981 square feet, with monthly rents from $1,025 to $1,175. Three-bedroom units will range from 1,303 to 1,445 square feet, with monthly rents from $1,400 to $1,550.

Cathcart says he was not particularly concerned about the market affecting construction or rentals. “The rental sector of the housing community—at least the high-end rentals—is actually pretty strong,” he says. “And we’d be in a position to know that better than anyone, since we own 650-some units in town here. And we’re filled up.” He mentions the high volume of employees at spots like the UVA Research Park and the National Ground Intelligence Center. “And yet currently there are no high-end apartments convenient to any of those areas.”

“Obviously, the market is challenging,” Stoner says. “I think that anything we can do to help expand the market in Belvedere is a good thing.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

UVA President John Casteen inhaled by Altria Group’s board of directors

The Associated Press reports today that UVA President John Casteen, who will retire at the end of July, joined the board of directors for Altria Group, the parent company of Philip Morris. The tobacco company has given money in the past to recipients like the UVA law school and the Darden School of Business, and also donated $25 million to UVA’s $3 billion capital campaign in February 2007. The gig adds one more board position to Casteen’s list, which includes the likes of Sallie Mae and Wachovia.

Categories
Living

Wineries toast planning commission revisions

All that was missing was the bottle of bubbly. Last Tuesday night, the Albemarle Planning Commission held a work session on proposed amendments to the zoning ordinance that would affect farm wineries. We covered this a couple of months ago, when county planning staff met with folks from the local wine industry, and we reported on the tension then on the rise. None of that was evident last week. Indeed, the state wine industry lobbyist, Matt Conrad, told C-VILLE before the session got underway, “I would cautiously go so far as to say this might become a model ordinance across the state.”

Lauded by C-VILLE as the third leading player in local food and wine in our power rankings last year, David King has stepped out of the spotlight. But he was back in town long enough last week to commend the Albemarle County Planning Commission for its rejiggered ordinance on farm wineries.

Some background:  County planners wanted to get the current zoning ordinance aligned with the State Code that regulates farm wineries. But on questions of operating hours, number of people that can attend events without a zoning variance, and even the matter of what defines a farm winery, they were alienating the wineries. The nub of their complaint? The county would put their livelihoods at risk by over-regulating them and overstepping the bounds set by the Commonwealth.

Led by Wayne Cilimberg, county planning staff amended their amendment, so to speak. In the new version, special use permits would only be required for events with attendance over 200. The list of “usual and customary” activities at a farm winery synch up with the state’s definition (this item entailed a mildly humorous distinction between balloon rides, which are usual and customary, and helicopter rides, which are not). And farm wineries will not be required to comprise contiguous acreage, meaning a winery can plant vines across the road or two parcels away without breaking the law. 

Color us cynical, but we were surprised to find government so responsive. Ever the diplomat, Conrad was not: “We’ve been in constant contact with Wayne Cilimberg, and he has been professional in wanting to work with us,” says the director of the Virginia Wine Council.

Conrad was not alone in his endorsements. Sitting through an hour’s discussion of cell tower siting before the farm wineries session began were winemakers and winery owners from Blenheim Vineyards, Keswick Vineyards, Pollak Vineyards and Albemarle Ciderworks. Jeff Sanders, whose 22 acres planted in Free Union four years ago are just starting to produce, was on hand, and so was David King from King Family Vineyards. 

 

King has been making himself relatively scarce these days, compared to the period not long ago when he headed the state’s wine distribution company and marketing board, among other industry titles. Towards the end of last year he shucked all that.

“I thought, and still think, that concentrating all that political activity in one person is a bad thing,” he said between sessions in Lane Auditorium. “I am a firm believer in term limits.”

Another reason King hasn’t been around much is that he and his wife Ellen are spending their time in Houston. The native Texans expect to stay there for another year, while David, a former attorney, “helps some individuals with water issues.” [We will here resist the inevitable joke about turning water into wine.]

Instead, King has turned over operations to sons Carrington and Stuart. Between the gold medal that King Family’s Meritage took home from the Governor’s Cup competition earlier this month, and the good news at the County Planning Commission, he’s probably not sweating that decision.

The Planning Commission unanimously approved the amended zoning ordinance, which will go to the Board of Supervisors for a vote on March 16.

 

Former GWAR member and Sarah White join forces

Feedback was a panelist at UVA’s Battle of the Bands this weekend, alongside The Corner’s Brad Savage, representatives from Nailgun and Red Light Management, as well as Michael Bishop, who was known as Beefcake the Mighty when he was in GWAR. Judges unanimously decided to pass the crown and scepter to Pompadour, who now get to open for an unannounced act at UVA’s Springfest. (A birdie told me that it might be the Dirty Projectors.)

If you’re wondering why this is editorial interest to the non-UVA crowd, past winners of the battle include Sons of Bill and Sparky’s Flaw, now Parachute, who take cruises on VH1’s dime.

I’ve heard for years about these Bigfoot-like rumors that former GWAR members live in town, where they probably buy groceries and drink coffee like the rest of us. I asked Bishop what he’s been up to, aside from teaching music history at UVA. He said he’s started playing bass for Sarah White and the Pearls. She’s apparently got a whole new lineup.

More on that to come. For now, enjoy this video of GWAR on the Joan Rivers show. For reasons that will become clear, I’m not positive that it’s Michael Bishop in the Beefcake the Mighty costume.

Joan Rivers asks GWAR who writes their music, and they respond: "After we destroyed the dinosaurs, we stretched their gizzards across the Grand Canyon and Beefcake composed the first song ever."

 

Categories
News

Ace on the hill

 Dear Ace: What kind of effect has all this snowfall had on Charlottesville-area snowsports? I’ve never tried any, at least without the vicarious aid of a Nintendo 64, but everywhere I look now I see these scintillating heaps of powder, and I would hate for it all to go to waste. What does it take to learn how to ski or snowboard around here? And how much time do I have to get up to speed before the slopes melt?—Roamin’-Pole-and-Ski

The 2010 Snowpocalypse appears to be inducing fits of quasi-religious ecstasy in regional ski enthusiasts. Just consult an all-caps February 15 snow report of “SUPERB CONDITIONS!” on Wintergreen Resort’s website, or the Massanutten Resort Twitter feed, which stated on February 8 that slope conditions in the Shenandoah Valley “couldn’t be better!”

Talk about a silver lining. Here Ace has been knocking on wood in hopes that these weather patterns will never repeat themselves in our time, only to realize that there’s probably some chapped-lipped punk swiveling down a mountain on a snowboard, crossing his fingers that exactly the opposite will occur. And you, too, can be that guy—with the benefit of a little schooling, that is.

Wintergreen Resort’s Snowsports School offers a variety of ski and snowboarding instruction options, suited to trainees of all ages and skill levels. Complete novices should take particular interest in the Guaranteed Learn to Ski & Ride program, a reduced-rate lesson package that allows first-time skiers and snowboarders to repeat their introductory class, free of charge, until they can turn, stop, and ride a lift. Other notable Wintergreen programs include a women’s ski seminar, an adaptive sports series for people with disabilities, and The Treehouse, which features classes and activities for children two-and-a-half to 12. 

Massanutten Resort, near Harrisonburg, also offers clinics and private lessons, a youth instructional program for ages 4 to 12, and adaptive sports instruction. Additionally, Massanutten hosts youth skiing and snowboarding teams, which compete in both racing and freestyle events. New this season, Massanutten has instituted a four-week program for Boy Scouts pursuing their snow sports merit badge.

So how much time do you have left? Both resorts conclude their winter sports seasons in the middle of March, so turn off the Nintendo and get shredding. 

You can ask Ace yourself. Intrepid investigative reporter Ace Atkins has been chasing readers’ leads for 21 years. If you have a question for Ace, e-mail it to ace@c-ville.com

Categories
Arts

Capsule Reviews

 

Alice in Wonderland (PG, 109 minutes) Johnny Depp, Helena Bonham Carter, Anne Hathaway, Crispin Glover and Alan Rickman  star in director Tim Burton’s take on Lewis Carroll’s fantasy classics. Opening Friday

 

Avatar (PG-13, 162 minutes) Read C-VILLE’s featured review here. James Cameron’s opus uses brand-new filmmaking technology to tell the story of a Marine (Sam Worthington) sent to the planet Pandora on an undercover mission that takes a few unexpected turns. Playing at Carmike Cinema 6

The Blind Side (PG-13, 126 minutes) A troubled black kid (Quinton Aaron) from a ruined family gets taken in by a wealthy white Tennessee couple (Sandra Bullock and Tim McGraw), whose nurturance helps propel him into the NFL. True story. Director John Lee Hancock adapts Michael Lewis’ book about Baltimore Raven Michael Oher’s life. Playing at Regal Downtown Mall 6

Brooklyn’s Finest (R, 125 minutes) Richard Gere, Ethan Hawke, Don Cheadle and Wesley Snipes star in a gritty police drama from director Anton Fuqua, who brought us the gritty police drama Training Day. Opening Friday
 
Cop Out (R, running time TBA) This action comedy from director Kevin Smith, starring Bruce Willis and Tracy Morgan as two NYPD veterans in search of a stolen baseball card, used to be called A Couple of Dicks. So there’s that. Kevin Pollak and Adam Brody co-star. Opening Friday
 
The Crazies (R, 101 minutes) Yep, another horror remake, this time of George Romero’s film from 1973. One night, in a nice town full of nice people, some people randomly start doing things that aren’t at all nice. Like killin’. Then more folks get in on the killin’, and things only get less nice. Timothy Olyphant plays the sheriff. Playing at Downtown Mall 6
 
It’s Complicated (R, 120 minutes) This is writer-director Nancy Meyers’ new romantic comedy, in which 2010 Oscars hosts Alec Baldwin and Steve Martin compete for the affections of Meryl Streep. Sounds simple enough. Playing at Regal Downtown Mall 6
 
Percy Jackson & The Olympians: The Lightning Thief (PG, 120 minutes) This is the film of book one of Rick Riordan’s fantasy novel series about a teenager (Logan Lerman) who discovers that a) the Greek gods do exist, b) they are quite unruly and c) one of them is his father. The director is Chris Columbus, who made a couple of the Harry Potter movies, among other less successful things, and the co-stars include Uma Thurman, Pierce Brosnan, Rosario Dawson, Catherine Keener and Steve Coogan. Opening Friday
 
Sherlock Holmes (PG-13, 140 minutes) Robert Downey, Jr. stars as the master sleuth, with Jude Law as his sidekick Dr. Watson, in director Guy Ritchie’s sooty, bare-knuckle action thriller. Rachel McAdams co-stars. Playing at Regal Seminole Square 4
 
Shutter Island (R, 138 minutes) Read C-VILLE’s full review here. Playing at Regal Seminole Square 4

The Spy Next Door (PG, 92 minutes) Jackie Chan plays a superspy stepdad who just wants to settle down with his ladyfriend (Amber Valletta) and her kids, but winds up involved in an international terrorist conspiracy. Billy Ray Cyrus and George Lopez co-star. Playing at Carmike Cinema 6

Tooth Fairy (PG, 102 minutes) Dwayne Johnson plays a hockey player nicknamed “the tooth fairy,” whose unsportsmanlike conduct somehow results in him doing a stint as the real tooth fairy. Julie Andrews and Ashley Judd co-star. Opening Friday

Up in the Air (R, 109 minutes) Read C-VILLE’s full review herePlaying at Regal Downtown Mall 6

 

The Wolfman (R, 125 minutes) A man (Benicio Del Toro) discovers that he is also a wolf. Hey, it happens. Anthony Hopkins, Emily Blunt and Hugo Weaving co-star. Opening Friday

 

Categories
News

Charlottesville archaeologists uncover local Black stories

Matt Reeves is a jovial Ph.D. who travels the grounds of Montpelier on a mountain bike, wearing a knapsack. When I met him at the presidential estate he was standing near a team of seven or eight workers. They milled about like a road crew, not 200 yards from where President Madison once penned the Constitution. Between the house and the steeplechase grounds was a small excavator. Its operator sunk the machine’s claw into earth near the edge of the road, and lifted a fat slab of blacktop. The concrete broke into a massive puzzle piece.

Reeves stepped forward from the crew, trowel in hand. He knelt and began to stab the blank slate of dirt before him. If I had seen Reeves doing this anywhere else, he would have looked nuts. But I had gone to Montpelier with a specific question in mind: What is the first step toward recreating history? Before he had the chance to say anything, he had already answered my question.

Reeves, who is the head  archaeologist at Montpelier, was initiating the process of restoring a wooden gate that, in Madison’s day, framed the estate against its mountain backdrop—Marion DuPont Scott, one of the estate’s later owners, had apparently run over the gate with her car in the 1960s. There had been some historical record, in the form of landscape plans and journal entries, but the only cold, hard evidence as to where the gate had been had registered in the soil.

It’s the same imperative—to understand history by looking first at its minutiae—that guides archaeology at places like Montpelier and Monticello; digging in the dirt is often the first step towards recreating history. But history lines the dirt at places that don’t have the luxury of being roped off—at places like parking lots and future sites of subdivisions. It’s there that the crucial physical link between past and present is often destroyed.

Archeologists at Montpelier spent a portion of the fall digging through the Madison family’s middens­­—trash, really—that had accumulated outside a landscaping wall. The Montpelier Foundation is in the process of restoring the estate to the conditions that James and Dolly Madison knew.

Efforts to preserve history continue nonetheless. “I think that now more than ever there’s a tremendous effort locally to certainly become aware of local African-American history to then, through things like educational programs and national register nominations, raise awareness locally,” says Eryn Brennan, a County Planner and director of Preservation Piedmont

Rio Road in particular, just off of Route 29, is one of many areas where the desire to grow our communities has faced off with the desire to preserve the past. Nowhere is this more clear than at Free State, a rural black community that by 1833 had a population of as many as 450. The settlement began in the late 18th century when Amy Farrow Bowles, a free African-American woman, bought more than 200 acres of land. The land there was unoccupied for years, until Stonehaus, the development company, bought and developed it into the Dunlora subdivision in the 1990s. 

Eight or nine years ago, Aaron Wunsch and his wife Jillian, a staff archaeologist, discovered the site while walking around the neighborhood, where they were house-sitting for a friend. 

“I played the role of trespasser, and my wife was the archaeologist,” said Wunsch. They explored the community’s remains and found houses, still standing near Dunlora, that had survived from the turn of the 20th century. That was about it. 

The two were aware of the site’s history and used their network—Jillian works at Monticello and Wunsch with Preservation Piedmont—to drum up support for the site. The support spelled extra pressure for Frank Stoner, the developer behind Dunlora who planned a new development called Belvedere there, to hire archaeologists to explore the site. Stoner then contacted Steve Thompson of Rivanna Archaeological Services to conduct further research. They found Free State community ran between the present day sites of Dunlora and Belvedere, which had not yet been built. They also found on the property the Bowles family cemetery, which holds between 60 and 70 bodies. The only legible gravestone that was uncovered on the property read, “Mary Bowles, Died Dec. 6, 1882.” 

But not all of the Free State’s artifacts emerged intact. Very little work was done before Dunlora was developed in the early to mid ’90s, says Thompson. “It’s clear that there were probably other archaeological sites within what’s now Belvedere, but chances are that with the building on that site, that very little of significance survives,” Thompson says.

Development continues within the Belvedere community. But after pressure came from the outside, Stoner recognized that the historic site he was building on was worthy of preservation. The community’s plans changed accordingly: According to Stoner, “It’s part of our objective to weave its history into the fabric of the community.” Roads in the development are all named after members of the Bowles family, or after people from the Free State Community. (One road is named after Sally Hemings’ sister Critta, who lived at Free State.) The Bowles family cemetery, which holds between 60 and 70 bodies, will be set aside as parkland.

Wunsch says that, although he wishes Stonehaus didn’t put houses “literally on top of bodies that are buried there,” the developers did the right thing. “I think people take it much more seriously when you have not just text on a sign, but an actual piece of the built environment. It has a much more profound impact—tells a much more significant story.” He points to Civil War battlefields as an example: “The mere fact that those fields are there makes you think, this is a place where something happened.”

 

“We work in a lot of different contexts,” says Thompson. The work that they did at Free State and the Venable Lane site, near the University of Virginia, is “very different.” Ben Ford, Thompson’s partner at RAS, says that the Free State community presents a historical counterpoint to the Venable Lane site just south of the University of Virginia. 

Montpelier’s head archaeologist Matt Reeves examines the wall of a study pit near the Madison estate. In the center of the pit is a brick wall that framed the property in the 19th century.

Like Bowles at Free State, Catherine “Kitty” Foster was a free African-American woman. She purchased the property in 1833 for $450. Over the next near century, the land nearby—which was first occuppied by those who built the University—was subdivided into lots owned mostly by freed African-Americans. Foster herself continued to work for the university as a seamstress and laundress. 

The story of the Venable Lane site’s rediscovery began in 1993, when bulldozers razed an empty stretch of land at the corner of Emmet Street and Jefferson Park Avenue to make way for a parking lot. The only structure demolished was a brick house built in the 20th century. When the house fell, construction workers didn’t notice much of anything—but later research revealed a discolored rectangle of dirt: it was a grave. The one grave quickly turned into 12. That they weren’t found likely means that they had been intentionally covered by one of the property’s later occupants.  

The university quickly convened a task force. They hired Drake Patten, a graduate archaeology student, to use field schools and to explore the site. Students and community members dug together and located the primary Foster residence and collected, cleaned and stored thousands of artifacts. Ford told C-VILLE at the time that the “cemetery represents a community cemetery that may have had individuals buried there from a postbellum community called Canada—and that’s a direct reference to our neighbor to the north.” 

“Even in oral history, we weren’t finding stories about a community called Canada.” Patten says. “I think unpacking it the way we did, through  archaeology, I think it was a huge opportunity for the community to look at historic race relations, to consider the written history about the university, to think—O.K., what community built the university?”

The Kitty Foster home and graveyard markers, which will be part of the South Lawn, is a “rare opportunity” to have an intact  archaeological site, UVA Landscape Architect Mary Hughes said last year. “And it’s just the tip of the iceberg. It tells us about African-American life in early Charlottesville.”

It also told us a few things about the history of the University. When the Rotunda was being rebuilt after a fire in 1896, for example, the University’s rector asked an architectural firm to close off the Lawn’s south end to block “the area immediately to the south of the University’s land and in full view … filled with unsightly houses.” 

How was a freed black woman able to buy an expensive property in the antebellum South, at a time when blacks weren’t even allowed to congregate? Genealogical research points to a simple answer: The larger Charlottesville community accepted Kitty Foster as white.

The site was instrumental locally in “starting the conversation, which is now quite common, about what people call ‘passing,’” says Patten, which even in the ’90s “wasn’t happening publicly in the way that it is today.”

“What began as an archaeology project has really influenced in a substantive way UVA’s thinking about that site,” Wunsch says. 

 

In 1860, more than 12,000 freed slaves lived in Albemarle County. That means Free State, with less than  500 inhabitants, and Canada, the even smaller community that surrounded the Foster site, are likely the tip of the iceberg. What’s the use in seeking out these artifacts? Even if archaeology alone will not be able to answer that question, it doesn’t help that the odds are against survival for many sites in the area.

Steve Currie, an archeologist at Montpelier, holds a portion of a porcelain plate from China. The piece was part of the family dinnerware set, and was found in a midden site that the family used near the turn of the 19th century. 

Some weeks after my visit to Montpelier I visited the basement office of Rivanna Archaeological Services. Ford has been working on the didactic signage for the Foster site’s memorial, a shadow catcher that will be built on an acre above the Foster family graveyard. He had in his office a variety of artifacts that had been sifted from the dirt, like 19th-century toothbrushes and combs, buttons, and bits of broken bottles with the labels still legible. Most surprising about each of the 150-year-old artifacts was how they had been restored to almost new. The objects that were broken looked as if they had been broken yesterday. 

I recalled there what Reeves, at Montpelier, had told me about how artifacts are processed: “What we’ll do with all the artifacts is that we’ll bring them to the lab, we’ll wash all the artifacts, we’ll catalog them and we label them, and then we cross-mend them and restore them back to vessels. And once we’ve restored them as vessels we analyze them as objects, as part of the [Madison’s] household possessions.” There were sacks of dirt that lined the walls at Montpelier’s lab, which was packed to the gills with artifacts like these. Piecing together a story, it seems, is an enormous amount of work. Nonetheless, efforts to discover Black history continue in the area. Reeves said that excavation will begin on slave quarters at Montpelier at the end of winter. The quarters fell where they stood, and were covered in sod. The result is that they’re like time capsules. “They’re remarkably well-preserved,” he said. At the Jefferson School on Fourth Street, Preservation Piedmont is involved in efforts to preserve oral history.

But there are failures. The Vinegar Hill neighborhood, which was destroyed in a wave of urban renewal, is regarded by preservationists as a grave failure. Historical evidence at the Foster site showed that property that was owned by antebellum African-Americans tended to be demolished once the property was sold to whites. Present day, the unwitting destruction of artifacts continues whenever an excavator sinks into the ground.

“The more you dig, a lot of the times it’s not that you have all your questions answered,” Reeves says. “It’s that your questions get more refined. And that gets you more towards the final product.” In the end, it seems, it’s how deep you’re willing to dig that determines how much you’ll find.

Categories
News

Legal Aid helps in big labor dispute win

“This is a huge win for the courageous workers who brought this lawsuit, really by any measure,” says Tim Freilich, Immigrant Advocacy Program director at Legal Aid Justice Center, visibly pleased.  

Thanks to local efforts from Legal Aid’s Tim Freilich (pictured) and many others, Arkansas’ Superior Forestry Service will pay a total of $2.75 million to settle a class action suit filed on behalf of more than 2,200 guestworkers.

Freilich, along with the Legal Aid Justice Center, the Southern Poverty Law Center (SPLC), Farmworker Justice and others, brought a class-action suit on behalf of more than 2,200 foreign guestworkers who say they were cheated out of their wages and exploited by a forestry company. 

Arkansas-based Superior Forestry Service, Inc. will pay a $2.75 million settlement over two years for the suit that was initially filed in 2006, making it one of the largest reached under the Migrant and Seasonal Agricultural Worker Protection Act. The settlement also guarantees that Superior will follow the Fair Labor Standards Act in the future.

“In the sense that’s against a labor contractor as opposed to some other large employer, is pretty significant,” says Jim Knoepp, who worked on the case with Freilich first at Legal Aid and then at SPLC. 

Guestworkers in the forestry industry are paid between two and three cents per tree that they plant, says Freilich. “A worker has to plant thousands of trees a day in order to make even a basic wage,” he says. 

An employer who wants to bring guestworkers from other countries has to certify to the Department of Labor that no workers in the U.S. are willing to do the job. Guestworkers travel around the southeastern United States working many hours a day, living in “dumpy hotels,” planting trees in all weather conditions for sometimes less than minimum wage.

“The guestworker program is severely troubled in the U.S. right now, and that results in, unfortunately, some employers bringing in guestworkers and then treating them as anything but guests,” says Freilich. 

In the Superior case, attorneys found that the workers were not paid for extra time spent loading trees and seedlings into vehicles, among other things. “It was clear that something else was going on,” he says. 

Guestworkers represented in the lawsuit entered the United States legally under the H-2B visa program and were recruited by Superior from Mexico and Central America.

The H-2B visa allows employers to add seasonal workers to their labor force and caps it at 66,000 per year. However, according to a SPLC 2007 report titled “Close to Slavery,” 120,000 workers were recruited in 2005.

Throughout the lawsuit, Superior was held in contempt of court three times for intimidating workers from joining in the suit—including a count Freilich witnessed first hand. During a meeting in Tlaxiaco, Mexico, geared toward sharing information about the suit with local workers, Freilich says Superior’s main recruiter was present.

“There was no justifiable explanation for his presence in the plaza that morning,” he says. “And it was clear from the location that he’d chosen…that he was there to monitor the meeting and I think to intimidate folks from participating in the meeting.” 

Although this suit was a successful one, Freilich says it’s not always the case. “We have another [case] ongoing right now that we are working on that’s really going well, except that the company doesn’t have the money anymore to pay what’s owed,” he says. “It’s a pretty hollow victory.” 

Yet, Freilich says the Superior victory is meaningful.

“One of the most satisfying parts of my job is seeing a group of workers who know that they have been mistreated come together, defend their rights and find at least a little piece of justice,” he says. 

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.