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News

‘They were waiting for July to come’

Shortly after the pandemic hit, Mable Christian’s daughter’s work hours were drastically cut. Christian, who has lived with her daughter at Mallside Forest Apartments—a low-income housing complex in Albemarle County—since 2015, has been unable to work for years due to workplace injury, and currently lives on Social Security benefits. The mother and daughter eventually fell behind on their rent, and applied to the Virginia Rent Relief Program in February 2022.

“We provided everything—pay stubs, employment history, the first rent of the first lease…[But] everything just kept saying ‘pending,’” explains Christian. “We kept calling the [VRRP] to see what we needed, so we made sure that we did everything they required of us, [but] they said the rest was on the landlord.”

Mallside Forest, which is managed by Security Properties, never completed the landlord’s part of the rent relief application, Christian claims. The VRRP contacted the complex’s management multiple times, “but they just didn’t follow through,” she says. Still, Christian had hopes that their application would be processed soon, and they would receive enough money to pay off their past-due rent—until they woke up to a five-day pay-or-quit notice on their door on July 19. 

“We thought we were fine,” says Christian. “I thought everything would be going through.”

Christian’s situation is not unique—nearly half of Mallside Forest’s 160 units possibly received pay-or-quit notices on July 19, according to Legal Aid Justice Center. Residents—who must earn 60 percent or less of the area median income to live at the complex—have told LAJC lawyers that they applied for rent relief, but Mallside Forest refused to fill out its part of the application, preventing them from receiving any financial assistance. 

A Mallside Forest leasing office employee declined to comment for this story.

After lawyers from Legal Aid Justice Center visited Mallside Forest to inform tenants of their legal rights last month, Christian reached out to the nonprofit to take on her case. LAJC believes the complex refused to comply with the VRRP process because it was waiting until Virginia’s eviction protections expired on July 1 to proceed with evicting Christian and her daughter, along with other residents who were behind on rent.

Until June 30, landlords were required under state law to give tenants a written 14-day notice to pay what they owe before proceeding with an eviction, and were prohibited from evicting those who applied to the VRRP, unless they were not approved to receive relief within 45 days. Landlords who owned at least four units also had to offer a payment plan for past-due rent. But as of July 1, landlords only have to give tenants a five-day pay-or-quit notice before filing an unlawful detainer, and do not need to offer a repayment plan or wait for rent relief to arrive.

“We just didn’t know why they were just putting us on hold, and we were waiting, and everything was pending,” says Christian. “And now I know why—they were waiting for July to come.”

As local residents continue to struggle to find affordable housing, Mallside Forest could become one less option—the apartment complex is for sale. In a confidential offering memorandum provided to C-VILLE by LAJC, seller CBRE, a commercial real estate services and investment firm, touts the “opportunity for conversion to market [rate] upon expiration of [Low-Income Housing Tax Credit] restrictions in 2028” as an investment highlight. Without these restrictions, rent for a one-bedroom apartment could go from the current price of $1,016 to $1,783 per month in 2028, while a two bedroom could go from $1,217 to $2,152 per month. Most, if not all, Mallside residents would be unable to afford such a large rent spike, and be forced to leave their homes—nearly 60 percent of the units are occupied by residents using Section 8 vouchers, according to the memorandum.

CBRE did not respond to C-VILLE’s requests for comment. 

Christian is currently working with LAJC to receive VRRP funding, and fight her eviction. For months, she and her daughter have been charged “excessive” late fees at Mallside Forest, trapping them in a cycle of debt, she claims. And every year since they’ve moved in, she says their rent has increased by more than $100, a hefty burden for people who live on a fixed income.

“It just seems like the only thing that I’m paying for is the fees, and it’s just putting me more and more in default as far as rent,” says Christian.

From 2012 to 2016, Mallside Forest filed around 120 unlawful detainers against its residents in Albemarle General District Court, according to online records. While a judge ruled in favor of Mallside Forest in about half of these cases, the other half were either dismissed, or resulted in a non-suit, which means the complex dismissed or withdrew the case.

As of August 2, the apartment complex has not filed an unlawful detainer since 2016. However, it has filed four garnishment cases against residents since 2015, including one in June 2022. 

Since last week, LAJC has knocked on doors at Mallside Forest, and taken on several more clients. It has also “received optimistic-sounding news from the property manager’s office to the effect that they are (now, at least) actively working with gov2go to get people’s balances paid. From the court website, it does not appear that anyone who received a notice on 7/19 is being sued as of yet … but we are prepared to defend these evictions in court if need be,” said LAJC attorney Carrie Klosko in an email to C-VILLE on Friday.

LAJC encourages all tenants facing eviction at Mallside Forest—or any other property in the Charlottesville area—to contact them, and know their rights. Despite the five-day deadline for a pay-or-quit notice, tenants do not have to leave their home until the entire eviction process is completed, which could take two to three months, or even longer.

“The five-day notice kind of scares a lot of people. A lot of people see it and say, ‘Oh my god, I have to leave after five days,’ [and] do what we call ‘self-evicting,’” says Klosko. “But really it’s just a legal formality that the landlord has to send before they can file an eviction case in court.”

After a landlord files an unlawful detainer, a judge must hear the case and award the landlord possession of the property in order to evict a tenant. The tenant then has 10 days to appeal the judge’s decision before the sheriff serves a writ of eviction.

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News

Dog, gone

A week after Albemarle County claimed it had no documents in response to a FOIA request for receipts from the veterinarian that euthanized a dog named Niko, it released a report hand delivered to Albemarle County Circuit Court on July 18 attesting to the euthanization, but providing no additional information.

“In accordance with the court’s June 10, 2022 Order, requiring Albemarle County to dispose of the dog Niko, Albemarle County Animal Control delivered the dog to a licensed veterinarian who euthanized it on July 14, 2022,” reads the entirety of the report from Albemarle County Police Chief Sean Reeves.

A cover letter accompanying the report from Albemarle County Senior Assistant County Attorney Richard DeLoria says the report came at the request of Judge Cheryl Higgins, who issued the order for Niko’s disposal. 

“We’re still working on getting answers as to how Niko was disposed of and why,” says Elliott Harding, the attorney who has represented Niko’s owner during a lengthy court battle to save the dog’s life. “When it comes to public use of private services, whether it be veterinarian or any other service, it’s a matter of public record. It’s disappointing that it’s taking this long to get the answers that will eventually come out.”

Niko arrived at the Charlottesville Albemarle SPCA in December 2014 after Higgins ruled he had killed a neighbor’s cat and labeled him a dangerous dog. In a statement defending Niko’s euthanization as a public safety matter, Albemarle County cited three other incidents in which Niko injured another dog as the basis for the decision. One occurred at the SPCA in 2016 when Niko escaped a handler.

Harding has pointed out that there are many other dangerous dogs in Albemarle County. The designation “dangerous dog” is not as serious as “vicious dog,” and Harding says the law actually encourages alternatives to euthanization for dangerous dogs. He says he and Niko’s owners found numerous safe placements for Niko at sanctuaries or homes in- or out-of-state, but the county did not respond to his repeated inquiries about what conditions it would require to release the dog rather than euthanize it.

Euthanasia guidelines from the American Veterinary Medical Association encourage vets to suggest alternatives to euthanasia when they are presented with a request to put down a healthy animal. A chart aimed at helping vets to determine when euthanasia is appropriate asks them to consider, “If my actions became public, would I feel shame?” 

The Charlottesville Albemarle SPCA refused to participate in Niko’s euthanization and said it opposed the county’s decision in a statement released after the dog’s death.

Harding says he has learned that Niko’s remains were picked up from a Charlottes­ville vet by a Verona-based animal cremation company called Paws and Remember on July 21 and subsequently delivered to the SPCA. C-VILLE’s call to the veterinary practice cited by Paws and Remember to confirm the method and location of the euthanization was unsuccessful.

“She’ll call you back if she wants to,” a receptionist said of the practice manager. C-VILLE received no return call, and Harding was asked to leave that office when he stopped by to inquire. 

C-VILLE’s initial FOIA request sent July 15 also sought information about how the county arrived at the decision to euthanize Niko and what alternatives were considered. Documents the county provided in response to those queries were heavily redacted, making it impossible to gain additional information.

Categories
Culture Food & Drink

Second helping

By Matt Dhillon

Fans of the Basan food truck may be experiencing an empty feeling in Charlottesville’s parking lots and on its blacktops. One of the city’s most beloved dining experiences, marked by a fire-breathing rooster logo, is no more.

But every night resolves into morning, and for Basan proprietors and chefs Kelsey Naylor and Anna Gardner, tomorrow has come. Now, they wake up to a new and challenging project—running Umma’s, their brick-and-mortar Japanese and Korean restaurant.

The two chefs prepare everything from scratch. “We’re too stubborn to cut any corners,” Naylor says. So there are things to pickle, things to chop, things to order. Sunday, Monday, and Tuesday are for prep, the rest of the week is service. There’s a menu to build, workflows to develop, ingredients to source—primarily from Kelsey’s mom Jen’s Sussex Farm and a few other local growers. In between, they might have time for sleep.

For the food truck, “from scratch” meant making noodles, fermenting miso, and preparing the sauces as needed; now it means several days of cooking, fermenting, and gathering ingredients in order to bring that same homemade quality to every dish at Umma’s. “If we can’t make something the right way, we’re just not going to make it,” says Naylor. 

Umma’s K.F.C. (Korean Fried Chicken). Photo: John Robinson.

That work ethic reflects the influence of Jen, “Mamabird,” Naylor, and is just one of the ways she is honored at the restaurant. The name Umma’s, which means “mom’s” in Korean, is in recognition of her, the mothers before her, and their collective influence on the food being made there.

“She’s the most stubborn woman I’ve ever met in my life,” says Naylor of Jen. “Everything from how she treats her chickens and all of her livestock, to her plants and her farming—everything is an unwillingness to be lazy, and that taking a corner is seen as laziness and that’s absolutely not acceptable.”

And then there’s Sussex Farm. All of the kimchi is made there, and the 22-acre farm has hundreds of birds (chickens, quail, ducks, turkeys, and guineas), a multitude of fruit trees, and an abundance of produce. In that way, the food is essentially Virginian at the same time that it is Korean or Japanese. 

Such high-quality source ingredients allow dazzling combinations on Umma’s menu. Traditional cuisine like banchan, bulgogi, and yaki udon are tantalizing, and some of the less familiar plates—like barbecue eel next to a hot dog, beef tongue wrapped in sesame leaves, fried wood ear, or fried bone marrow—excite curiosity. The Big Mac Bokkeum-bap combines an icon of American pop culture with the traditional rice stir-fry in a hot stone bowl.

Naylor and Gardner have been cooking professionally for about a decade each, including a period in Japan at a local izakaya (an informal, Japanese bar), where they learned to develop their own approach to traditional ways of cooking.

“Perfect authenticity is not possible,” Naylor says. “You can be authentic in the way that you’re trying to share and show a culture, but if you’re trying to say that the food tastes exactly the way that it would taste in Japan or Korea, it’s not going to and it never will.”

Naylor and Gardner instead set out to make food that is authentic to themselves, their own experience, and their taste. The important thing, they say, is to work with what is local and make something connected to where you are.

And this works in reverse too. The Umma’s founders say they became fascinated with how Japanese and Korean cooks repurpose American ingredients, and reimagine dishes toward their own palate. “It was a new way to look at these things that, at times, we’ve been forced to cook to the point of boredom and see as new again,” says Gardner.

Naylor and Gardner’s experience and understanding of the elements of traditional cooking—why ingredients work the way they do in those dishes—gives them the insight and confidence to play in the kitchen. 

The creativity behind Umma’s frequent menu changes is largely dependent on the agricultural season. It’s a motivator for the two chefs who say they are excited to work in some ramps from West Virginia, pickled squash flowers from Sussex Farm, and a new, whole sardine banchan. 

“I think that there are two types of cooks in the world, if I’m generalizing,” Gardner says. “One type wants to make something that has been made for thousands of years and draws almost a meditative enjoyment out of fine tuning and finding the most perfect version of that thing, and then the second type is more interested in making something new.” 

Amid all of this preparation, production, and culinary innovation, when Umma’s founders need to eat their own dinner, the two chefs, who spend their day crafting new ideas on the plate, find sustenance in a quick bowl of rice with butter and soy sauce.

Nightcaps & highballs

They say every great bulgogi sandwich needs a Matcha Mule—well, Jessica Catalano does. As Umma’s bar and front-of-house manager, Catalano has created a rotating cocktail program that pairs with the restaurant’s inventive dishes to elevate the dining experience. Here are three of her recommendations.

Yuzu Chuhai

Chuhai is the slang name for a “shoCHU HIGHball,” considered Japan’s national drink. They are made from shochu—a clear, Japanese distilled spirit (ours is distilled from barley, but shochu can be distilled from rice, sweet potatoes, buckwheat, and more)—club soda, and a splash of whatever you want to flavor it. We always have an ume (salty pickled plum), lime, and yuzu (tart citrus that tastes like a grapefruit and orange cross) chuhai on the menu, as well as sometimes a rotating special that uses fresh fruit from Mamabird’s farm. The yuzu chuhai is my favorite, paired with an order of karaage or KFC wings.

Yuzu Chuhai. Photo: Stephanie Vogtman.

Lychee Spritz

Made with Giffard Lichi-Li liqueur and sparkling umeshu (Japanese plum liqueur), as well as a drop or two of house yuzu bitters. I had sitting on the patio and drinking with friends in mind when I designed this drink, and that’s exactly how I would recommend consuming it—in the sun, with good conversation, and a handful of our shared dishes. Try a set of banchan or one of our chilled salad options. 

Matcha Mule

Soju, a slightly sweet Korean distilled liquor made from grains and rice, is infused with ceremonial-grade matcha, and mixed with fresh-squeezed lime, simple syrup, and topped with Gosling’s ginger beer. This delicious, easy-drinker is a popular late-night hit, so I would say roll in after 10pm and have one or two as your nightcap, paired with an order of our nori fries and bulgogi sandwich. And if you’re drinking one and your friend beats you at Mario Kart while you’re here, it’s the perfect excuse for losing. You would’ve won if you weren’t drinking.

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Arts Culture

Pick: Willie Nelson & Family

We love you, Willie: With a career spanning seven distinguished decades, 89-year-old Willie Nelson is still at the top of his game—writing, singing, and playing with the signature wit and wisdom that comes from a lifetime on the road. In recent years, Nelson’s released four albums, received his 5th-degree black belt in GongKwon Yusul, and published two books, including a memoir with his sister Bobbie Nelson, who was a longtime member of his touring and recording group until her passing earlier this year. Willie Nelson & Family returns (Willie’s sixth time at the Pav!) to perform with Aaron Raitiere.

Tuesday 8/9. $49-125, 7pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com

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Arts Culture

Pick: Albemarle County Fair

Step right up: Get your pies and pickles ready, it’s Albemarle County Fair time. The three-day pastoral affair features a food truck lineup and live music from Baby Jo’s, Black Hollow Band, and The Virginia Ramblers. Virginia makers compete for blue ribbons in agricultural categories that include fruit and vegetable recipes, homebrews, wine, honey, and other home arts. Fairgoers are treated to historic demonstrations, craft exhibits, and a livestock showcase from Albemarle and surrounding counties that flaunts well-raised cows, bunnies, goats, and more.

Thursday 8/4–Saturday 8/6 . $5, all day, James Monroe’s Highland, 2050 James Monroe Pkwy. albemarlecountyfair.com

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Arts Culture

Pick: Theese Folks Crazy

When you get the giggles: Laugh along with Theese Folks Crazy, a comedy special from Kerwin Claiborne. The Mississippi-raised comedian studied his heroes Martin Lawrence, Jamie Foxx, and Tyler Perry to create the personalities of Ms. Mary, Uncle Leroy, and Miss Keisha. Claiborne’s characters went viral by exaggerating everyday situations in skits such as “When Your Friend Asks To Use Your Car,” “When They Start Fightin’ At The Nail Shop,” and “When Kids Come To Your Door For Halloween.” Rapper and  “Love & Hip Hop Miami” star Katrina Taylor, aka Trina, will perform live, and local comedian Pedro “BigDro’’ Martinez hosts the uproarious evening.

Thursday 8/4. $37.50-72.50, 8pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

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Arts Culture

Bringing a legend to life

Half an hour before taking the stage in No Fear and Blues Long Gone: Nina Simone, actress and lawyer Yolanda Rabun sits in her dressing room listening to Bach.

The room is filled with the music Nina Simone’s grandfather played for her as a young girl, which later inspired the compositions on Rabun’s desk.

Even though she’s preparing to be the only person on stage at the Culbreth Theatre, Rabun is surrounded by her idol.

“I don’t think I feel tremendously the pressure of being by myself, because I’m not really by myself,” she says. “I have her with me. I have her memory. I have her energy. I have her spirit. I have all of my rehearsal. I have all of my learnings—what went wrong, what went right. I have all that with me, so I never feel alone on stage.”

Rabun portrays Simone in No Fear and Blues Long Gone: Nina Simone, an interactive one-woman production exploring the life of one of the most prolific artists and civil rights activists in American history.

The show is part of the Virginia Theatre Festival, formerly the Heritage Theatre Festival, which is returning to the University of Virginia for the first time since 2019.

No Fear is the culmination of Rabun’s lifelong connection with Simone, an activist who wanted freedom—which she defined as “no fear, I mean really, no fear”—for Black people and women in America.

Rabun first heard Simone’s voice at 8 years old, when her mother played a recording of “Four Women.”

To an inexorable beat, Simone used her powerful voice to paint a vivid portrait of four Black women suffering from the lingering impact of slavery and segregation: “My skin is black / My arms are long / My hair is woolly / My back is strong / Strong enough to take the pain / Inflicted again and again.”

When the song ended, the child was left stunned.

“It freaked me out, because she started talking about these four women, and I could see them,” Rabun says. “And I was like, ‘Who is that? Who can sing like that? … We can sing that low?’ And so I started building my contralto. The bottom of my voice is from that, listening to Nina Simone.”

In 2008, Rabun used her contralto to bring to life a vignette crafted by writer Howard Craft and director Kathryn Hunter- Williams for a Nina Simone exhibit at UNC Chapel Hill.

Craft used his script to connect real events in Simone’s life—from her relationship with New York neighbor Malcolm X to her mournful tribute to Martin Luther King, Jr.—with how she might have reacted to current events like the election of President Barack Obama.

“A lot of it, arguably, is speculation of what she would say,” Rabun says. “But I don’t think he got it wrong.”

Since 2008, the world has changed, and so has the play. Based on extensive study of Simone’s writing, career, and life, Craft expanded No Fear to connect Simone’s timeless songs with issues relevant to 2022 audiences.

“It’s a reflection on her experience, where she’s also giving us some tools on how to carry on,” Hunter-Williams says. “Howard has given us an imagining of what she might say to encourage us and strengthen our spines to fight the fights we are fighting.”

Simone’s music emboldens this message, just as it did during her lifetime. “Mississippi Goddam” was written in 1964 in response to the brutal murders of Black children like Emmett Till, but Rabun’s performance draws a visceral response from listeners today.

After performances, audience members share with Hunter-Williams how Simone’s fiery lyrics (“You told me to wash and clean my ears / and talk real fine just like a lady / and you’d stop calling me Sister Sadie / oh but this whole country is full of lies”) resonated with them.

“It’s the only reason we do this crazy art,” says Hunter-Williams. “Every play, every moment, everything I do, is finding a way to connect with the audience, to let them know how powerful theater is, and how it really can be a vehicle for change, and for reflection, and for inspiration. It is why we do what we do.”

Performing these politically powerful songs, which Simone later said damaged her career, is when Rabun feels closest to the artist she is embodying.

“That’s when I think Nina Simone started becoming more of the artist she wanted to be,” Rabun says. “She went into civil rights music because that’s a part of who she was. That was a part of her entire struggle, of facing the fact that her color was the barrier to the success that she wanted to achieve and was denied.”

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Arts Culture

Trip itinerary

Michael Pollan’s 2018 bestseller How to Change Your Mind expounded on psychedelic drugs’ medical benefits and, in Pollan’s view, their unfair stigmatization. Now, Netflix has adapted his book into a four-part docuseries, hosted by Pollan, that is at times gripping and wholly convincing, and, at others, plays like a lame infomercial.

Each episode focuses on a separate psychedelic, beginning with LSD. Aside from discussing the drug’s possible medicinal uses, the first episode delves into the lives of key figures in the popularization of psychedelics, including LSD’s inventor Albert Hoffman, Aldous Huxley, and Timothy Leary, among others. There’s a lot of common knowledge here, with some notable exceptions—for instance: Bill Wilson, the founder of Alcoholics Anonymous, had his miraculous epiphany to start AA while experiencing a primitive deliriant treatment, the belladonna cure.

The series gets progressively better with each episode, but the first is arguably the weakest. Pollan and his interviewees have a slightly creepy fanaticism about LSD and the perceived benefits of microdosing it. It’s a potent, unregulated, and illegal drug that has different effects on those who take it, but Pollan elides over its potential drawbacks in the same way a sunny, upbeat TV commercial for psychoactive medication will end with a speed-read laundry list of intense, harmful side effects. There’s a certain naiveté at points throughout the series, like when proselytizing for psychedelics turns into envisioning them as the solution to all of the world’s problems.

The second episode, about the hallucinogen psilocybin, is much more successful, not least of all because psilocybin is a relatively benign drug compared to LSD. Pollan speaks with experts on the subject, and people who have experienced relief from various disorders by ingesting psilocybin under clinical supervision. Pollan cogently explores points about its judicious use, and it seems to be enormously beneficial in the right circumstances with the right people. This episode lags when an interviewee describes his drug-induced trip at length, dragging on exhaustively. Further undercutting it is a sloppy, indifferent animated version of this trip. (For truly imaginative psychedelic animation, look to something like Yellow Submarine.)

Of the first three episodes, the third, about the medical benefits of MDMA (ecstasy), is the strongest. Pollan and his interviewees make a case for using MDMA in controlled, clinical settings to help defuse extreme cases of PTSD. Once the favored drug of ’90s ravers, MDMA appears to have life-changing potential. Wholly unlike the previous episode’s rambling digression, listening to trauma victims describe their experiences here is riveting, and testimonials about how the closely observed use of MDMA helped relieve their pain is touching and fascinating.

“How to Change Your Mind” makes many thought-provoking and intriguing points; the series is only middling because Pollan and his cadre of zealous experts oversell their case. They avoid discussing how wildly different individuals’ body chemistries are and how negatively many people react to even mild substances, let alone something as strong as LSD. Psychedelics are not one-size-fits-all, chemically speaking, and if Pollan had taken a more even-handed approach, “How to Change Your Mind” might have changed far more minds on these issues.

“How to Change Your Mind”

TV-MA, four episodes
Netflix
Categories
Arts Culture

August Galleries

August Exhibitions

Albert and Shirley Small Special Collections Library 170 McCormick Rd., UVA Grounds. “No Unity Without Justice” centers around the work of UVA students and Charlottesville community racial justice activists who organized demonstrations and events that resulted in significant anti-fascist victories in response to Charlottesville’s 2017 Summer of Hate. Curated by Kendall King, Jalane Schmidt, Natalie Romero, and Hannah Russell-Hunter. Through October 29. 

Chroma Projects Inside Vault Virginia, Third St. SE. “Suppression,” an artist response to the Roe v. Wade decision, is a multi-site exhibition featuring visual and performing artists. Proceeds from art sales benefit Planned Parenthood affiliates and the Blue Ridge Abortion Fund. First Friday opening August 5 at 5pm. Through August 26. 

Crozet Artisan Depot 5791 Three Notch’d Rd. “Creation Emulation,” wheel-thrown stoneware by Carrie Althouse. “The Blue Ridge Collection,” colorful oil paintings by Courtney Sievers. Meet the artist event with Sievers on August 6 at 1pm. Through August 31.

Crozet Library 2020 Library Ave. Watercolors by John Russell.

C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. “Stopping by Woods…” showcases fused glass works by Mary Ellen Larkins. First Friday event August 5 at 5pm. 

Eastwood Farm and Winery 2531 Scottsville Rd. “Into the Blue Ridge,” silkscreens and photos by Frederick Nichols. First Friday opening August 5 at 5pm. 

Jefferson School African American Heritage Center 233 Fourth St. NW. “Witnessing Resistance,” images taken by photojournalist Eze Amos between 2016 and 2017. Images represent activist resistance to the alt-right. Through September 16.

Les Yeux du Monde 841 Wolf Trap Rd. “Convergence,” new paintings by Isabelle Abbot. Through August 27.

Loving Cup Vineyard & Winery 3340 Sutherland Rd., North Garden. “Out of the Darkness,” large-format moth paintings by Deborah Davis. Artist reception August 7 at 2pm. Through September 25.

McGuffey Art Center 201 Second St. NW. In the Smith Gallery, “silent dialogues,” drawings, monotypes, and paintings by Polly Rebecca Breckenridge. (A celebration of life will take place on August 14 from noon-2pm.) In the first floor galleries, works from residency artists. In the Second Floor Gallery and Associate Hallway, the annual Summer Group Show. Through August 14.

Mudhouse Coffee 213 W. Main St., Downtown Mall. “Original Works, From 2020-2022” showcases oil paintings by Kris Bowmaster. First Friday opening August 5 at 6pm. 

New City Arts 114 Third St. NE. “Friction: an exploration of impediments to interdependence,” an exhibition of large-scale, soft sculpture and carpeted, furry surfaces by Lily Erb. Through August 26.  First Friday event 5pm. 

Northside Library 705 Rio Rd. W. “Art With Clarity,” featuring Bozartists Ellen M. Osborne, Betty Brubach, and Frank Feigert. Through August 31.

Piedmont Place 2025 Library Ave. A multimedia show from Bozartists Cassidy Girvin, Brita Lineburger, Juliette Swenson, Craig Lineburger, and Julia Kindred. Through August 31.

PVCC Gallery V. Earl Dickinson Building, 501 College Dr. The Annual Student Exhibition features a curated selection of works by student artists from the latest academic year. Artistic media include painting, drawing, ceramics, graphic design, digital media, sculpture, and more. Through September 9.

Quirk Gallery 499 W. Main St. “State of Bliss,” works by Hillary Waters Fayle. Through August 7. 

Sentara Martha Jefferson Hospital 500 Martha Jefferson Dr. On the second floor, “Serenity and Life,” oil paintings by Terry M. Coffey. Through August 8.

Shenandoah Valley Art Center 126 S. Wayne Ave., Waynesboro. In the Cabell/Arehart Invitational Gallery, the annual exhibition by the Virginia Watercolor Society. Through August 27.

Studio Ix 969 Second St. SE. “Fleeting Moments Forever,” paintings by Dave Moore. Artist talk and happy hour August 25 at 5pm. Through August 28. On the outdoor piazza, live performance art as part of “Suppression,” an artist response to the Roe v. Wade decision. August 5 at 5:30pm.

Top Knot Studio 103 Fifth St. SE. “Whereabouts,” works by Andrew Sherogan. Through September. 

Unitarian Universalist Congregation of Charlottesville 717 Rugby Rd. “The Secret Garden,” melted crayon and acrylic on canvas by Sarah Gondwe. Through August.

Vault Virginia 300 E. Main St. In the Guild Gallery, “The Future And Beyond: A group exhibition of Gen Z” featuring works by Hannah England, Feixue Mei, Raneem Tarfa, and Sha Li. In the micro gallery, “Suppression,” an artist response to the Roe v. Wade decision (see Chroma Projects). August 26. First Friday openings August 5 at 5pm.

Visible Records 1740 Broadway St. “Points of Departure,” an exhibition by The Photo­grapher’s Green Book featuring works from four core members—Jay Simple, Sydney Ellison, Ally Caple, and Zora J. Murff. Through August 27.

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News

In brief: JMRL name change updates, two sisters missing, and more

No new names 

Since the Reclaimed Roots Descendants Alliance called on the Jefferson Madison Regional Library to change its name to one that does not honor enslavers, the possibility of a name change has stirred up controversy among local residents. During a lengthy library board of trustees meeting last week, more than a dozen community members spoke on both sides of the issue.

Opponents of the name change, all of whom were white, railed against “identity politics,” “cancel culture,” and “wokeness.” Some claimed Jefferson was not a white supremacist or rapist—despite the historical and genealogical evidence supporting it—and both presidents’ contributions to the country outweighed their faults.

Thomas Jefferson impersonator James Renwick Manship argued the third president was a Christian and tried to end slavery, switching between speaking as Jefferson and himself. Albemarle County resident Jane Williamson accused those behind the name change effort of fueling “hatred of white people.”

Some speakers did not live in areas served by the library system. Richmond-area resident Charlotte Whitmore shared that driving down Monument Avenue, where Confederate statues were recently removed, makes her “sick.” UVA Board of Visitors appointee and Jefferson Council president Bert Ellis, who lives in South Carolina, called Jefferson “one the greatest persons that ever walked on the planet.”

Multiple attendees were in favor of the name change, criticizing Jefferson’s owner­ship of over 600 enslaved people, white supremacist writings, and at least six children with enslaved teenager Sally Hemings. 

“Jefferson did not just support the project of white supremacy, but was indeed one of its main architects,” said Charlottesville resident Laura Sirgany. “The descendants of those enslaved at Monticello have asked for this change—they are the living history.”

“It is deeply inappropriate at this point in time with all that we know about Jefferson to expect Black and brown children to walk into a place named after a man who never would have allowed them to read,” added Ericka Williams-Rodriguez. 

The decision, however, is not up to the trustees—all five localities served by the library system must agree to change the name. Louisa and Greene counties have already passed resolutions opposing any name changes. Instead, the board voted to create a working group with trustees, library staff, and community members on both sides of the issue to gather more public input, and come up with a recommendation to provide to the member jurisdictions. The library’s regional agreement is up for review this fall.

Missing sisters

As of August 2, the Albemarle County Police Department is still searching for 11-year-old Beautiful Christmas and 13-year-old Zayla Christmas. The sisters were last seen leaving their home in the county on the morning of July 21.

Both sisters are Black females with brown eyes. Zayla is 4-foot-11, 115 pounds, and was last seen with a long brown ponytail extending down to her ankles. Beautiful is 4-foot-4, 140 pounds, and was last seen with black and pink braids. 

Anyone with information regarding the missing juveniles should contact Detective Lavin at 296-5807, or Crime Stoppers at 977-4000 or crimestoppers@albemarle.org. 

Zayla Christmas (left) and Beautiful Christmas (right).

In brief

Bag tax

Charlottesville City Council unanimously passed a 5-cent tax per bag on disposable plastic grocery bags at grocery stores, convenience stores, and pharmacies during its Monday meeting. The city will provide reusable bags to people who receive Supplemental Nutrition Assistance Program benefits. Councilor Sena Magill urged the city to set up a phone line for residents in need of free bags, as well as work with community groups to distribute them. The tax will take effect on January 1.

File photo.

Speak up 

Community members can now share what they would like to see in Charlottesville’s next police chief in a survey, available on the city’s website in both English and Spanish. POLIHIRE—a firm the city hired last month to lead its police chief search—will use the survey input to develop a recruitment profile. The survey closes on August 15. 

Chan jury

The case of infamous internet celebrity Christine Weston Chandler, aka Chris-chan, will head to a grand jury August 8, according to Greene County Circuit Court case records. Chandler was first arrested August 1, 2021, on a felony charge of incest. The Daily Progress reported at the time of her arrest that Chandler had allegedly posted descriptions of “sexual assaults against an elderly, cognitively disabled” family member. Chandler has been the subject of targeted online harassment for over a decade.

Mall cops

Albemarle County will be turning the former JCPenney at the practically empty Fashion Square Mall into a public safety operations center. The space will be used for storage, parking, maintenance, and evidence processing, among other functions, reports NBC29. Renovating the old store will cost the county roughly $3.1 million.

Resign now

The University of Virginia’s Student Council has called on recent Board of Visitors appointee Bert Ellis Jr. to resign, citing his past controversial behavior. In 2020, he confronted Lawn resident Hira Azher in front of her room about a sign she had put on her door criticizing the university, and brought a razor blade to cut it down. The Cavalier Daily Editorial Board has called Ellis’ appointment a “blatant disregard for the University’s core values.” 

Racist fliers

The Loyal White Knights—one of the largest and most active Ku Klux Klan groups in the country, according to the Anti-Defamation League—put up racist fliers in the Cascadia community on Pantops in Albemarle County last week, reports CBS19. The Albemarle County Police Department is currently investigating the incident. The white supremacist group distributed similar fliers in Augusta County and Northern Virginia last year.