Categories
Culture

That local sound

Long before he was a successful businessman, pilot, and entrepreneur, it was evident that Bill Crutchfield’s fate was to be the main character of his story, whatever that may be. In 1950, at 8 years old, he built his first radio. At 13, he built what was, to the best of his knowledge, “the first stereo system in Virginia.”

“It was very crude by today’s standards,” he says. “I combined two sets of speakers connected to two separate mono hi-fi amplifiers in my bedroom. They were connected to a two-channel tape head mounted to an old office reel-to-reel tape recorder.”

Crutchfield’s father was the head of neurology at the University of Virginia, and a man his son describes as “an early adopter of technology.” That forward-thinking, open-mindedness wouldn’t simply be passed down to his son—it would be amplified by his talent, augmented by his experience, and harnessed as one of Bill Crutchfield’s greatest assets as an entrepreneur. 

This aptitude for detecting trends, and Crutchfield’s ability to detect problems and solve them before they exist, were what helped him turn his modest car stereo business into an electronics empire that became one of Charlottesville’s flagship businesses. 

“I wanted to restore old Porsches,” Crutchfield says. “And that’s when I noticed that there was a real lack of car stereo retailers. I thought it was a market that was really underserved at that time. That’s how I found my niche.” 

Prior to the 1970s, car audio systems were something that came stock from the factory, and their availability from third-party retailers was extremely limited. Until the advent of the 8-track tape, the sound system in a vehicle was thought of as a luxury by many—an afterthought. By the late 1970s and early 1980s, as cassette tapes became the popular album format, car audio exploded into a million-dollar industry. By that time, Crutchfield had already established itself as one of the premier names in the business, not through the promulgation of retail stores like most of their main competitors, but through their mail-order business and the Crutchfield “magalog.”

“Our first catalog was a disaster,” Crutchfield says. “A lot of it was wiring diagrams we drew ourselves, and it just didn’t work very well. Our second one wasn’t much better. I thought it would be a good idea to start including articles about installing these devices in our catalog, but it went against everything people knew about advertising and marketing back then to use space for anything other than sales copy. But that was when we really started seeing some success, was with our ‘magalog.’”


While Bill Crutchfield was building his business, he says he worked 100 hours or more almost every week. He credits this work ethic, along with finding the right niche and even his name, as possible reasons for the success of his 50-year-old company. Photo by Eze Amos.

As the company was making its name in the mail-order business, Crutchfield’s retail store was becoming more popular in Charlottesville, and its advertising on radio and television in the area became inescapable. The company outgrew building after building, eventually constructing its headquarters and fulfillment center beside the Charlottesville Albemarle Airport.

Arriving at 1 Crutchfield Circle for the first time, I notice that the building is earth-sheltered, with the ground built up around it for temperature regulation. Forty years before “going green” was a thing, Crutchfield designed his company headquarters to be one of the most energy efficient commercial buildings in the world at that time. I walk through the door and, after a firm, old-school handshake, Crutchfield invites me to tour the facility with him. 

We hop in his electric Mercedes-Benz, and silently glide through the rain between the three different properties that make up the Crutchfield complex. The first stop on the tour is the call center, a soft-white cubicle matrix dotted with personalized workspaces, comfy chairs, and baby gates used to keep people’s dogs confined in their own workspaces.

“We’re a dog-friendly company,” Crutchfield says, a bit of an understatement, given that every third person seems to have a furry friend with them.

Everywhere we walk, inspirational messages adorn the walls. At first glance, they seem like the pseudo-spiritual posters created to motivate employees stuck in the daily office grind. What I don’t realize is that what hangs on the walls at Crutchfield isn’t the trite clichés so commonly used as filler for blank office spaces. I am reading Bill Crutchfield’s core values, something everyone takes seriously, and with good reason: They saved his company.

It was the 1980s, and Crutchfield was struggling. 

“Our 1982 sales grew significantly while our profits nosedived,” Crutchfield says. “In 1983, our financial situation worsened. Sales fell by 10 percent, and earnings turned negative. Our cash reserves dwindled rapidly because of these losses. By spring, I had to take out more short-term bank loans to help cover these losses.”

He sought help, and one vice president was vocal about his belief that Crutchfield needed to spend less on the quality of his magazine and customer support, and focus on matching his competitor’s prices. Crutchfield even got input from the University of Virginia undergraduate business school (for which he chaired the advisory committee). A professor wrote a case study that concluded, “Crutchfield Corporation has gotten bigger than Bill Crutchfield can handle.”

Crutchfield spent several weeks and months contemplating the problem, and the conclusion he came to was that the issue with his company was one of culture and not of capital. 

“During this lonely intellectual probing, I read a statement which was so appropriate to our situation that it was almost uncanny,” Crutchfield wrote on the company website in a retrospective post. “It was made by Thomas Watson, Jr. during a lecture at Columbia University in 1962. The IBM chair said, ‘I firmly believe that any organization, in order to survive and achieve success, must have a sound set of beliefs on which it premises all its policies and actions. Next … I believe that if an organization is to meet the challenges of a changing world, it must be prepared to change everything about itself except those beliefs as it moves through corporate life.’  

“Now I understood exactly what the problem was,” Crutchfield continued. “My company once had a set of common beliefs—my beliefs. When the company was much smaller, I was instinctively able to ensure that everyone adhered to my beliefs. As it grew, I had to delegate decision-making to others. As a result, my beliefs and the company’s beliefs gradually started to diverge. By 1983, they were vastly different. Since this change had occurred so slowly, I never fully recognized the problem until I read Mr. Watson’s comments.”

Crutchfield’s campaign to reinstill his values into the company he built began with the obvious task of defining those values. First, the total satisfaction of the customer is paramount. Second, respect for dedication to your fellow employees. Third, maintaining a commitment to excellence. Paramount above all three things, though, is a very simple, ancient maxim: Treat others as you want to be treated.  

Through training, innovation, incentives, and discipline, he began to regain control of his company’s culture and morale. It was a crucial time, and it’s why many people, including Chief Human Resources Officer Chris Lilley and Chief Content Officer Amy Lenert, say the culture and camaraderie within the company is what makes Crutchfield such an amazing place to work.

“Working in creative [departments], there can be a certain amount of egos involved,” Lenert says. “That really just … doesn’t exist here. Honestly. Everyone’s really on the same team.”

“I came on in ’94,” Lilley says. “I thought I would be here maybe a couple years.”

Lilley says it was during the COVID-19 pandemic that the true commitment toward each other and the business really shined. 

“We were open because the governor kept a lot of businesses with shipping capacity open in case they needed the distribution access for PPE,” he says. “So we were dealing with that, plus all the people working remotely, and in the middle of all that, sales went through the roof. It was up, like, 30 percent. I mean, it was crazy. And in the middle of all that, Bill came and we were talking and he said something I’ll never forget. He said, ‘You need to understand: You and I are responsible for 400 families.’ I think it’s even more than that now. But I think that’s what really makes me love my job, is having someone who shares my values and really wants to take care of people.”

When Lilley talks about Crutchfield—both the company and the man—“taking care of people,” it isn’t euphemistic. Crutchfield was the driving force behind smoking cessation programs in his company in the ’80s, back when you could still smoke on some airplanes. He was concerned about the environment when he built his primary corporate headquarters building in 1977. When Crutchfield recognized the negative environmental impact of styrofoam packing peanuts, he came up with a biodegradable, starch-based replacement that is manufactured in-house.

“Sometimes, I tell people from Charlottesville I work for Crutchfield,” Lenert says. “And sometimes they’re like, ‘the stereo store?’” in reference to the company’s retail space on 29 North near Rio Hill. “We’re a multi-million dollar company, with four huge buildings, hundreds of employees. … All I tell them is, ‘it’s so much more than a store.’”

Categories
Culture Food & Drink

Vino valor

The Monticello American Viticultural Area won Wine Enthusiast’s Wine Region of the Year award at the end of 2023, and according to Brantley Ussery, it was not only for the area’s juice, but also for the squeeze.

“The things that Wine Enthusiast really liked about our region is the approach, our inclusivity,” says Ussery, director of marketing and public relations for the Charlottesville Albemarle Convention & Visitors Bureau. “We’re trying to dispel the myth that wine needs to be enjoyed in a certain way. There are no right or wrong ways.”

Making high-quality wine is a prerequisite for the prestigious magazine award, according to Wine Enthusiast’s published criteria. And the local AVA, which includes about 40 wineries in and around Charlottesville, impressed the publication’s judges with its range of award-winning bottles, including classic Bordeaux varieties, carbonic chenin blancs, and more obscure petite mansengs. The judges also praised the region’s “place in American wine history” and the collaborative nature of local winemakers. “We’re not as cutthroat as some other regions,” Ussery says. “They all share tips and tricks.”

To be clear, Ussery and his organization actively pursued the award, establishing a relationship with Wine Enthusiast over several years, including as a paying advertiser. But lest folks think Charlottesville had an inside track to the honors, consider the competition. Two of the five finalists, announced last December along with our area’s AVA, were Provence, France, and Lambrusco, Italy. The other two were up-and-coming South African and Australian regions.

The Monticello AVA, which encompasses Charlottesville and Albemarle County and is referred to simply as Charlottesville in Wine Enthusiast’s promotional materials, was the only North American finalist for the 2023 award. The magazine has bestowed top wine region honors since 2003, with winners in Abruzzo, Italy, Sonoma County, California, and Champagne, France.

According to Tracy Love of Blenheim Vineyards and the Monticello Wine Trail, Ussery and the CACVB deserve significant credit for elevating the Charlottesville wine region into the conversation with the other finalists. Now, the region is looking to capitalize on the award during its annual Monticello Wine Week, which runs from April 26 to May 3, and includes two rosé-focused events, one banquet each for red and white wines, a sparkling brunch, a golf tournament, and a celebration of the Wine Enthusiast award.

“It is pretty shocking that of all wine regions in the world, they chose us,” Love says. “But we believe we have the opportunity to be the most diverse wine region in the world. We don’t have a lot of laws or traditions or standards telling us what we have to do, and I think that’s really appealing to people … just being able to experiment and figure out what works.”

According to Love, Monticello wines made a splash at this year’s Virginia Governor’s Cup, where the best wines in the state compete for the podium. With Wine Enthusiast’s national recognition, it’s like the region has been “pushed off the diving board,” and Love reckons it’s an opportunity for local wineries to jump to the next level. 

For one thing, they can continue to focus on adapting to climate change, another reason Wine Enthusiast named the local AVA the best in the world. 

“It’s forced the wineries to adapt. Some are going to hybrids, and everyone is kind of reevaluating the vinifera,” Love says. “It’s an emerging wine region, and the wines get better year after year.”

For more information about Monticello Wine Week go to monticellowinetrail.com.

Categories
Arts Culture

Rockets’ red glare

Alex Garland’s newest film Civil War presents a vision of a war-torn, near-future United States that taps into many Americans’ fears of the worst-case endgame of ever-growing political divisiveness. It’s a promising idea, but this uneven movie is loaded with ridiculous plot holes, and despite delivering several impressive scenes, the film doesn’t maintain its level of quality.

A few years from now, America is splintered into various warring factions that are never fully spelled out. Some of these groups are semi-realistic, Portland Maoists are mentioned, while others strain believability, and talk of a Texas-California alliance seems like pure fantasy. Within this hellish landscape, seasoned combat photographer Lee (Kirsten Dunst) and journalist Joel (Wagner Moura) set out for Washington, D.C., to land an interview with the president (Nick Offerman) before he’s captured and executed.

Following these two characters would make for a solid film, but, inexplicably, they bring along two companions on the dangerous mission: veteran journalist Sammy (Stephen McKinley Henderson), and aspiring photojournalist Jessie (Cailee Spaeny). Sammy is physically incapable of keeping up on the arduous journey, and Jessie is inexperienced, and they just seem shoehorned in to liven up the plot.

Civil War really shines when it depicts a war-ravaged nation devouring itself, including a key stop in Charlottesville. The film excels when it focuses on this nightmare intruding into the mundane: distant fires and tracer bullets flying over ordinary American buildings, a carwash turned into a torture chamber, or a wrecked helicopter in a JCPenney parking lot. Another strength is its little details, like how Lee buys gas with Canadian dollars, American money having become devalued like Confederate bills after the real Civil War.

Other high points are the tense, very bloody action sequences, including an encounter with two sarcastic snipers and the final assault on Washington, D.C. With only a few exceptions, the visual effects throughout are hellishly convincing.

Alex Garland is a frustrating filmmaker who never fully delivers on the promise of his films’ concepts. His movies are marked by intermittent scenes of real wit and talent, and long stretches where their plots completely disintegrate, as in the horribly muddled Men. Civil War is no exception. Seeing the vast American warzone through the photojournalists’ dispassionate—even cold-blooded—coverage was a sound basic concept, but injecting the two supporting characters was simply bad plotting. There are other significant flaws in the story, but revealing them would involve spoilers.

The cast is mostly fine, even when saddled with clunky dialogue. All the below-the-line talent on the film is first-rate across the board, including costume design, production design, makeup, and particularly visual effects. Garland and his team get bonus points for making unusual musical choices and not going for ironically traditional patriotic music.

Civil War deliberately avoids political partisanship, which will relieve some viewers and annoy others. This opaque approach doesn’t detract much from its quality, but it does point to an overall concept that’s too vague for its own good. There is so much about the film that better writers could have cleared up. But since this particular Civil War is so hotly divided between its virtues and its flaws, in the end, there’s no victory—just a draw.

Categories
News

Price of prevention

Controversy arose last week when local violence interruption group the B.U.C.K. Squad announced that City Council reduced its funding for 2025. While councilors argue the $200,000 allocation from the Vibrant Community Fund shows strong support for the group, the B.U.C.K. Squad’s leadership is disappointed and confused by the decrease from the proposed $456,000.

“The BUCK Squad is grateful for the $200,000 budget allocation from the City via the Vibrant Community Fund,” the group posted on Facebook April 8. “However, we are disappointed that Council chose to reduce the original recommendation from the City Manager and the hard working VCF from $456,000 when gun violence continues to be an escalating problem in Charlottesville.”

According to Assistant Executive Director Bryan Page, the group was planning to use the extra money to increase its staff, provide improved coverage and services to the sites it monitors, and expand the program to include more hotspots. The cut to the proposed allocation has dashed its original plans, due to roughly 95 percent of funding going to payroll, per leadership estimates, with employees paid $18 to $19 an hour.

B.U.C.K. Squad members are often out in the middle of the night investigating and de-escalating tips called in to its hotline, which Page says “rings all night.” Call data shared by Page shows the group received 4,061 calls between 2021 and the end of 2023, investigated 595 tips, and interrupted 234 incidents.

C-VILLE can not independently verify the data because of the anonymous nature of the B.U.C.K. Squad’s call records.

Page acknowledges the city’s statements of support for the B.U.C.K. Squad, but says the rationale provided for reallocating funds was disappointing. “The budget was $250 million,” he says. “You give us $200,000 out of $250 million to fight gun violence?”

“These people are not in these neighborhoods, seeing how people are living. We do. And it’s always those closest to the problem close to the solution” says Page. “I’m effective in what I do because of my reputation … [it’s] all based on reputation and relationships.”

In its Facebook post, the B.U.C.K. Squad also suggested that Councilor Michael Payne’s position on the Charlottesville Redevelopment and Housing Authority board is a conflict of interest, and he should not have participated in the reallocation process.

Payne is the City Council representative on the CRHA board, and denies any conflict of interest.

“There has always been a City Council representative on the CRHA board, the same as how Councilors serve on numerous boards and commissions,” Payne told C-VILLE in an email. “I receive no income or financial benefits—in any way—from CRHA.”

While Payne has not spoken directly with the group since the Facebook post, he told C-VILLE in a follow-up interview that he doesn’t “take it personally” and said “there [are] dedicated people in the B.U.C.K. Squad doing important work.”

“Adjustments have always been part of our process,” says Payne. “The VCF makes initial recommendations to council at the beginning of the budget season, and then council with the city manager works through adjustments. The conversation was pretty standard, this year was like every other, where the requests we had far out matched the amount of money in the Vibrant Community Fund.”

Council members opted to redistribute allocations within the VCF to provide money to two groups previously not receiving any funding—the CRHA and the Uhuru Foundation. Both organizations address systemic causes of gun violence, but received a “weak” funding request designation from the VCF.

“We had programs that we wanted to fund, and we just didn’t have the money to do it,” says Mayor Juandiego Wade. “[The B.U.C.K. Squad] was a program that we saw that had gotten a lot more than they had in the past.”
Despite the decrease from the original allocation proposal, the B.U.C.K. Squad will receive about $40,000 more this year from the city’s Vibrant Community Fund. It is also receiving the largest allocation of any organization this year.

“We also wanted to acknowledge that there are other players in the field too, and so that’s where some of the funding went,” says Wade. “We realized that we can’t [address gun violence] alone as a city, that’s why … we support the many nonprofits that we do.”

The B.U.C.K. Squad is “out there doing great work. I mean, I know that they were on the ground with this first homicide that we had of this year,” says Wade. “Unfortunately, they couldn’t stop that. But what they’re doing now is preventing the retaliations and so they’re on the ground … doing important, incredibly important work. And we as councilors, we as a city, we appreciate their work.”

Categories
News

Crowd pleasers

April is here and so is Charlottesville’s annual Tom Tom Festival, flooding the downtown area with events, music, and people. The festival has grown substantially in its 12 years, and is slated to span five days, from April 17-21, with a medley of different showcases including panels on technology, entrepreneurship, social justice, and consciousness.

With such a broad docket, visitors may wonder, is it a music festival or a conference? Is it a conference or a block party? Is it a block party or a showcase of projects happening in Charlottesville?

“How about, yes and?” says Tom Tom founder Paul Beyer. “It’s both, and. I think people tend to think of things in binary terms, like this is music or this art or this is a conference. But I’m hoping people see Tom Tom as a both, and.”

Beyer welcomes the macroscopic view. He says when people come together from different areas and interests, they start having conversations and building together.

2022 grand-prize winner Cynthia Kankeu of Dr. Kanks. Photo by Anna Kariel.

“One of the core insights to me, when the festival was started, was just that there were a lot of areas of the city where people were in silos, they just weren’t talking to each other. In a city like Charlottesville, it’s just crazy, we’re not that big of a town.”

The festival has ballooned with all those conversations, inviting in over 250 speakers this year. And one word this year’s festival-goers will hear repeated frequently is, “future.” With panels discussing the future of AI, the future of financial freedom, the future of DEI, and the future of community, Tom Tom’s conversations are sure to focus on looking forward.

“The core ideas, I think, are future and community. Those are the two beating hearts of the festival,” Beyer says. “What does a shared future look like for the community?”

With a heavy emphasis on business development and investing, Tom Tom’s answer to that seems to be rooted in entrepreneurship, innovation, investment, and startup businesses in Charlottesville.

Over half of the festival’s panel discussions address startups, innovators, and investing, while over half of the festival’s steering committee comes from investment backgrounds.

Kate Byrne, a Tom Tom board member and staff member, has decades of experience in impact investing, the practice of investing in businesses for their social and environmental effects. She says business can be a catalyst for social change.

2022 crowdfunded winner Sarah Sweet of The Scrappy Elephant. Photo by Anna Kariel.

“I think what we’re trying to do is see how we can make business be a force for good and help entrepreneurs through creating jobs,” Byrne says. “So, we’re helping the workforce, we’re helping, not just a company, but the entire ecosystem that supports a company.”

Some of the major sectors Tom Tom plans to highlight include digital technology, biotechnology, medicine, and education, but smaller, solo entrepreneurs will have some of the spotlight as well.

A highlight of the Tom Tom Festival, and a chance to hear about and directly invest in some of those innovative ideas, is the annual Crowdfunded Pitch Night. Considered one of the fest’s signature events, the evening exemplifies some of Tom Tom’s goals of bringing together community and ideas to generate shared support.

The event is held in the Code Building, where 11 contestants pitch their idea for the support of the crowd.

“The pitch nights are a packed, energetic room filled with really vocal supporters,” Beyer says. “It feels almost like an athletic event because people are so engaged with what’s happening onstage, and so supportive.”

There’s a bar and a DJ, and competitors have a chance to mingle with the crowd before and after taking the stage. When their turn comes, participants are ushered on stage by a song of their choosing and have three minutes to deliver their message to the audience. Audience members then vote for the idea they want to support with tickets, each worth $5, that can be bought online or in the back of the room.

“The pitch night is like a highly engaging way for the entrepreneur to share with the community what their business is,” Beyer says. “They get to distill down their vision and why it matters to that one sentence. That is one of the most essential things that any entrepreneur needs to do is to really understand how to share a vision with their community.”

The evening is sponsored and hosted by the Community Investment Collaborative, a nonprofit that helps under-resourced entrepreneurs start and grow businesses. Many of the participants are previous graduates of CIC’s 16-week entrepreneurship workshop.

“Our program is focused more on the kind of local mom-and-pop businesses as opposed to kind of high tech, high growth businesses that are also a big part of entrepreneurship,” says CIC President Stephen Davis. “We’re focused on the folks who might start as a catering company, become a food truck, become a restaurant. Or we’re focused on the hair salon.”

Some recognizable CIC grads include Mochiko, FARMacy, Wich Lab, Alakazam Toys, High Tor Gear Exchange, Rivanna River Company, Gryphon Gymnastics, and Althea Bread.

“In our 12 years, we’ve had over 560 graduates of our workshop,” Davis says. “About 150 to 160 new businesses have launched through that and a lot of existing businesses have grown.”

In addition to the crowd’s votes, CIC offers a $5,000 grand prize to a winner selected by a panel of three judges.

“I think all in all last year there was probably about, I think, close to 1,000 votes overall,” says Davis. “It was probably around $5,000 to $6,000 in prizes from the crowdfunding part, besides CIC’s grand prize, so all in all it was over $10,000.”

Each participant gets to take home the money from the votes they earned, but there are other rewards, like exposure.

According to Davis, “the people who win aren’t always the ones who get the most out of the competition. Just about every year there have been folks who, as a part of the competition, met people who became investors or big supporters that helped the launch or grow their business. It might not be all they need to start but it might help them with the next step or one part of it.”

Davis says the strength of small businesses is integral to the strength of the community.

“Not only because those businesses are all the collective livelihoods of its owners and employees,” he says, “but in general, small businesses entrepreneurship is creating value in a community. You’re selling that value but you’re creating value whether it’s fun, food, services that are needed, anything that’s quality of life.”


Past Pitches

Mahogany and Friends

Janasha Bradford won the grand prize in 2023 for her financial literacy brand, Mahogany and Friends, which produces fun, imaginative children’s books geared toward educating kids on the topic.

“I was very nervous,” Bradford admits. “This was my first pitch ever. My business, at the time, I don’t think it was even a year and a half old.”

Bradford, a financial advisor, says that “in my career, there are not a lot of women advisors and definitely not a lot of minority financial advisors. I wasn’t introduced to that information early on. And studying, I noticed a lot of my counterparts didn’t have to really break down what some of the terminology meant, so there was an extra layer to my studying.”

Bradford started her pitch with her story. “I just said, ‘How many of you wish you’d learned about money growing up as a child? And if you did, do you think you would have made some different choices?’ Then I kind of told them why, for me, that’s a yes to both.”

With the grand prize and some working of the crowd, Bradford estimates that she raised about $10,000.

“Oh it had a major impact,” she says. Anything helps a small business, but the money from that pitch allowed her to apply to and attend Essence Fest, a cultural festival where she was able to introduce Mahogany and Friends to a crowd of over 50,000 people.

Dr. Kanks

Cynthia Kankeu is a biomedical scientist, and even when she was pursuing her Ph.D., she was working on producing her line of natural, plant-based skin and hair care products.

“I was actually struggling with dry hair myself. Whenever I wanted to define my curls, I was using products that would just leave my hair very dry,” Kankeu says. “I was wondering why I couldn’t find a product for my hair and because I couldn’t find that product, I started wondering, how could I actually make one.”

Kankeu won the grand prize in 2022. The money allowed her to take the leap, quit teaching, and move her operation to a warehouse in Richmond. Now her business is her full-time job. Dr. Kanks products can be found at the Ix Farmer’s Market, Integral Yoga, and in the Charlottesville Wegmans.

The Scrappy Elephant

That same year, in 2022, Sarah Sweet was the crowdfunded winner, taking home the most votes for her business idea. The Scrappy Elephant is a creative reuse center designed to divert art and craft materials from the landfill. Located in McIntire Plaza, the shop offers art classes, studio space to come and craft, and bulk, recycled art material of every variety.

When Sweet came to the crowdfunded pitch night, her business was located in Palmyra and she needed to expand. She heard about the event through CIC.

“It was terrifying because I hate public speaking. But it was wonderful. I just rehearsed a lot and didn’t really talk to anybody because I was so nervous,” Sweet says.

Sweet managed to raise about $2,500 from the crowd’s votes. It was just enough to afford a deposit on her new space in McIntire Plaza. But that was enough to make a tremendous difference. Sweet says her business has tripled since opening the new location. She’s expanding the store and was able to go in full-time on her passion.

“I wouldn’t be here, I don’t think, if I hadn’t won that. Or I would be in a lot of debt and owing money. So it was wonderful, it was amazing,” Sweet says.


On April 17 at 7pm, 11 contestants will have the opportunity this year to sweet talk the crowd and the judges. The ideas range from the digital sphere to social activism, and sustainability to wellness. Like past contestants, some of these ideas could become treasured features of the Charlottesville landscape in the years to come.

Categories
News

Change of plans?

The developer of a planned nine-story apartment building at 218 W. Market St. is considering building a hotel there instead.

“It’s a great opportunity to further expose the Downtown Mall to visitors coming into Charlottesville, and increase the vitality of our downtown,” says Jeffrey Levien of Heirloom Development.

In September 2020, City Council granted Levien’s company a special use permit for additional height and residential density for up to 134 apartments. On Tuesday, April 9, the Board of Architectural Review had a preliminary discussion on new plans that would instead see a six-story building with 160 rooms.

The BAR approved a demolition permit for the existing site in November 2021, but that authority runs out next March.

An official application has not yet been filed, and any new proposal will be reviewed under the city’s new zoning code. The Timmons Group developed a preliminary concept plan for a six-story building in which guests would be dropped off on Market Street. There would be 160 rooms in a 139,315 square-foot building. The new zoning does not require any parking spaces, but the structure’s plans include 116 spots in an internal garage.

The property is currently the home of a shopping center that still houses Artful Lodger and The Livery Stable. Last August, the Fluvanna County Board of Supervisors approved a rezoning for a new home for Artful Lodger at 2428 Richmond Rd.

Heirloom Development also created the 57-unit Six Hundred West Main apartment building that’s located behind the Blue Moon Diner. In addition, the company has plans to construct a similar residential structure next door, on the site of a former automotive repair shop.

Levien says that project is on hold while his company evaluates whether
it may be better to proceed under the new zoning.

“It will take a considerable amount of design and costing and underwriting to figure that out,” he says.

If 218 W. Market St. does become a hotel, it would be next door to the Omni, which recently completed a $15 million renovation project.
Elsewhere in Charlottesville, the 198-room Forum Hotel at the Darden School of Business opened last April, and the University of Virginia is constructing the 217-room Virginia Guesthouse as part of the Emmet-Ivy Corridor.

Last April, the burned-down husk of the Excel Inn was demolished to make way for a replacement seven-story, 72-room hotel. City Council approved a special use permit for that in October 2018, but the project has not moved forward.

There are currently no plans for anything to happen with the abandoned Downtown Mall shell, which is owned by Atlanta-based developer John Dewberry. It has now been more than 15 years since construction halted, and nearly 12 since Dewberry bought the property at auction for $6.25 million, and promised a luxury hotel.

Categories
Culture

Follow your ears

With three stages, over 50 artists, and friends everywhere you turn, the Tom Tom Festival’s Downtown Mall Block Party is the gateway to the annual event’s creative side. From the wild focus of Bad Hat Fire and fluid moves of Capoeira Resistência C’ville, to the blasts of the No BS! Brass Band and expansive jams of Kendall Street Company, the weekend’s roaming bash gives way to the laid-back picking at Porchella along the streets of Belmont on Sunday.

Price and times vary. tomtomfoundation.org

Categories
Culture

Give it a spin

Record Store Day was initiated in 2007 to strengthen the independent record store scene and celebrate collecting, communing, and listening to music on vinyl. “Independent record shops are a pillar of cultural exchange and music discovery,” says Lindsay Fitzgerald, co-owner of Hello Goodbye Records, which will feature special releases, crates of vintage vinyl, and additional vendors hawking merch and talking music. The event also includes a broadcast by WTJU, followed by an evening show at JBIRD Warehouse with The Falsies, 7th Grade Girl Fight, Saint Cervid, and Front Porch Revival.

Free, 10am. Hello Goodbye Records, 1110 E. Market St. #16E. hellogoodbyemusic.com

Check out these retailers for more events:

Melody Supreme, 115 Fourth St. SE. cvillemelodysupreme.com

Plan 9 Music, 339 Hillsdale Dr. plan9music.com

Sidetracks Music, 310 Second St. SE. sidetracksmusic.net

Categories
Culture

A little hanky pysanky egg action

Confession time: I have a closet stuffed to the ceiling with art and craft supplies. There may be some paper- and candle-making accoutrement in the garage, too. Oh, and the 50-gallon bin overflowing with yarn in the attic also bears mentioning. My name is Kristie, and I’m a craft addict.

I’ve known that it’s time to thin the supply collection out for a while—since I last moved, honestly. Nothing promotes minimalism like packing all of one’s worldly possessions. The idea of usable materials going to the landfill has kept me from purging sooner, so I rejoiced when a friend told me about The Scrappy Elephant.

The Scrappy Elephant accepts donated art and craft materials and sells them at affordable prices. Now that box of popsicle sticks that I’ve had for eight years will have a viable path to become someone else’s reproduction of the Jamestown settlement. The Scrappy Elephant also has a studio space, and the shop offers classes. That’s how I ended up stepping out on my own overflowing craft closet to use a Ukrainian art technique to make my very own pysanky egg.—Kristie Smeltzer

What

A pysanky egg decorating class.

Why

Because learning about new arts and crafts can be enriching (and lots of fun).

How it went

A good time was had by all, and we left with our own unique, beautiful eggs.

From the moment I walked into The Scrappy Elephant, it felt like my kind of place. The warm, inviting spaces were filled with all kinds of materials to inspire the flow of creative juices. My inner middle-schooler quickly did the math on how much further my babysitting money would have gone at The Scrappy Elephant than it did at the mall art store of my youth.

In a small classroom, our intrepid instructor had set up a dye bath area with vibrant Ukrainian egg dyes and workstations for each participant. We selected our eggs as we entered, with options ranging from plain white and brown duck eggs to those already dyed interesting colors. At our stations, we had a tealight candle, a kistka (traditional implement for drawing with wax), some spaghetti wax (aka long, thin strips of beeswax), and a tool to unclog our kistka should the need arise. Said tool was a piece of wire attached to a folded-over masking tape handle, but it sure got the job done. The kistky had wooden handles with small funnels affixed to them by metal wire; think of them as kind of like fountain pens for wax. That analogy is apt, because the name pysanky is derived from the Ukrainian verb that means “to write.” Pysanky eggs get their ornate designs by using layers of wax and dye to create intricate patterns.

What I appreciated most about the class was the instructor’s ability to meet us all where we were. She began by providing us an overview of the Ukrainian tradition and the essential steps, but she didn’t overwhelm us with a firehose blast of information. As we began to play and decorate our eggs, she nudged us along by answering questions and providing additional insights as they became relevant. Another high point for me was getting to use an egg lathe, which helps to make straight lines on the eggs—or at least it would in more practiced hands. We all went in very different directions with our eggs, and they all turned out beautifully and distinctly our own.

Based on this experience, I’ll definitely return to The Scrappy Elephant for more classes. The store offers a wide array of subjects, from mosaicking to sewing, and has opportunities for children and adults to participate. What’s more fun than trying a new art without having to set up or clean up? For many of the classes, all the materials are included, too, which also makes trying something new a low-risk endeavor.

Categories
Arts Culture

Keep on shining

It adds up that flipturn—a group of Florida teens who formed an indie rock band in their senior year of high school—plays sundrenched, cinematic music. Nearly 10 years since its inception, the group emerges from a DIY journey resulting in over 100 million streams on Spotify, and slots at 2022’s Bonnaroo and Lollapalooza, with Shadowglow, a recent full-length debut on Dualtone Records. With Richy Mitch & The Coal Miners. 

$30-35, 7pm. Ting Pavilion, 700 E. Market St., Downtown Mall. tingpavilion.com