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Culture Living

Local therapists and researchers take on psych’s buzziest topic

Renee Branson considered herself a resilient person. She suffered a sexual assault in her late teens but soldiered on. She earned a bachelor’s degree at Ohio State University and a master’s in counseling psychology at the University of Colorado Denver. She built an outwardly happy home life and went into business helping others overcome their own adversity.

But things began to slip. Branson’s first marriage failed. She was inwardly unhappy. Finally, decades after her initial trauma, she realized she was the wrong kind of resilient. She was practicing what she calls “Rocky resilience” in her new book, Resilience Renegade.

“I was operating from this place of constantly living with my boxing gloves on. It was self-sabotaging,” Branson says. “I realized there was a different way to operate.”

Branson, who grew up in Ohio but has lived and worked in Charlottesville for the past 14 years, discovered what she now calls “renegade resilience.” Unlike Rocky resilience, renegade resilience is the ability to pick your battles and avoid situations where you’re forced to repeatedly overcome trauma. It’s the ability to listen to your needs and stand up for them. It’s being proactive rather than reactive.

Branson isn’t the only therapist or researcher thinking about resilience. While the concept traditionally falls under the umbrella of psychological constructs like “emotional regulation” and “cognitive flexibility,” and has taken a backseat to buzzword attributes like “grit,” resilience is having its moment. Since the COVID-19 pandemic, more and more people are thinking about the ways we bounce back from trauma. And in November, the peer-reviewed journal American Psychologist published a special issue on the topic, “Rethinking Resilience and Posttraumatic Growth,” that “aims to provide a foundation for a new generation of resilience … research.”

Among other things, the journal’s special issue takes on the definition of the term resilience, examining it in the context of community support, systemic societal issues, and the way it’s been studied for decades.

“The general advice I would offer anyone who is thinking about resilience, self control, or other psychological processes is to try to avoid the fundamental attribution error,” says Benjamin Converse, an associate professor of public policy and psychology at the University of Virginia. “That is, we have a general tendency to try to explain people’s behavior by appealing to personality while neglecting the power of social situations.”

Understanding resilience

According to Stefanie Sequeira, an assistant professor of psychology at UVA, people tend to observe others who bounce back from tragedy and think of them as being intrinsically resilient. 

“Resilience is this process of adapting well when we are facing adversity—health problems, natural disasters, relationship problems,” Sequeira says. “Adapting requires flexibility, but that is a skill we can develop. Resilience is not a personality trait.”

Thinking of resilience as something we’re born with can actually do us harm, Sequeira says. The mindset might make people decide they are incapable of adapting to hardship and thriving, or that resilient folks don’t feel things deeply. Sequeira says being resilient doesn’t mean you don’t experience negative emotions. Indeed, experiencing sadness is critical for resilience.

In the introductory article to the recent special issue of American Psychologist, the editors likewise call resilience “the ability to adapt successfully to adverse events.” The guest editors go on to say that resilience springs from two sources: both the psychological and social resources within individuals and communities.

Bethany Teachman, the UVA psych department’s director of clinical training, says that part of the conversation today is recognizing that individual actors are often less important than the systems making things difficult for them. In other words, clinicians never put the onus on their patients to solve all their problems or be resilient on their own. “We want to say, ‘you are trying to navigate the system you are in,’ as opposed to saying, ‘this a weakness in you that you are struggling with,’” Teachman says.

According to Teachman, current events like the COVID pandemic, global wars, and the recent U.S. election make overcoming adversity as ubiquitous as ever in clinical psychology. At the end of the day, clinicians help people navigate the hard things in life, and resilience is key for overcoming challenging emotions, relationships, and situations.

Thinking of resilience as something we’re born with can actually do us harm, says Stefanie Sequeira, an assistant professor of psychology at UVA. Photo by Eze Amos.

Enhancing resilience

If resilience is a systemic phenomenon, anyone—from young people to adults—can grow their resilience. For parents, that might mean giving children the “right scaffolding to work through problems,” Teachman says. At the same time, an overprotective environment can hinder resilience development.

Adults who may have failed to develop the social systems necessary to enhance resilience aren’t stuck. Teachman offers several approaches, such as practicing mindfulness during hard times: gain control of your attention, be aware of what you are focusing on, and recognize that you can change your focus rather than being reactive. “That leads people to develop the acceptance they need,” Teachman says.

Clinicians often use motivational interviewing to overcome trauma. If patients feel unsure about whether or how to make a change, the clinician’s job is to help them recognize their desires, abilities, reasons, and needs. (Teachman suggests remembering the acronym DARN.) Through motivational interviewing, individuals facing adversity can find that they want to make a change and have the ability to make a change, why they should change, and the support they require to make it all happen. 

Resilience can also be built on what Teachman calls “behavioral activation,” or recognizing that you are overwhelmed, taking small steps to re-engage, and finding pleasure in small rewards. Cognitive reappraisal is another technique. Say you want to be resilient after being fired from your job. The resilient person focuses on taking action on the opportunity, rather than dwelling on why the hardship happened.

“You want to look at the ways you are withdrawing from a situation or avoiding it and re-engage, even if it is a small step,” Teachman says. “It could be as simple as calling a friend.”

Still, it’s difficult to tell yourself simply to change the way you feel, Sequeira says. Folks suffering from anxiety can’t just stop being anxious. Clinicians must therefore find ways to help their patients embrace change, notice “thinking traps,” and avoid catastrophizing. “It can be helpful to think about times you have felt like this before and how you bounced back” from adversity, Sequeira says.

Branson suggests considering what is physically happening to your body in times of stress. If you’re having a difficult interaction with a colleague or loved one, tell yourself that your cortisol levels are high and you can do things to lower them—practice a slow breathing technique, step away from the immediate conversation, or simply take a walk.

Community resilience 

Like individuals, communities can be resilient. So, how do you know if you live in a resilient community? Branson says she sees evidence of Charlottesville’s resilience, but she also sees room for improvement. “We could be more brave and more proactive versus reactive,” she says.

Branson has transitioned from a traditional therapy practice to working with law firms and other organizations, including nonprofits, in recent years. In her work, she’s found people throughout the C’ville community who provide the services needed to help people be resilient. 

But as it is for individuals, resilience is not a have-it-or-don’t-have-it phenomenon in communities, Branson says. It lies on a continuum.

“One of the things I say in my book is that resilience has several levers,” she says. “We might have times when one lever for resilience is low. For me, after the election, my ability to self-soothe was low. So I am trying to push up the lever on that while also building connections.”

Sequeira points out that research shows loneliness is detrimental to our health, and people are struggling with isolation now more than ever due to remote work and social media. To be more resilient, she says we have to “make social connections, develop relationships, find other people in the community that share the same values as you.” Community groups can not only be a source of support, but they can also give one a sense of purpose. 

Parents can help guide the social systems needed to build resilience in their children, Sequeira says. Resilience keys for young people include sticking to a routine, having a sense of control, and meeting small, achievable goals—not to mention sound nutrition, hydration, and sleep. 

“Teens want control, they want agency,” Sequeira says. “They are supposed to be departing from their parents and want to feel like they have some control over their environment. So for example, instead of telling teens, ‘you need sleep,’ you might ask them, ‘how are you sleeping and how is that making you feel?’” Taking a break from social media and avoiding behaviors that are “mood congruent,” like listening to sad songs when you’re sad, are also good ideas.

In soliciting articles about resilience, the American Psychologist special issue editors found several recurring themes in the research, including reimagining ways to conceptualize adversity, how we study resilience, and pathways for enhancing resilience. But what emerges most often is how we think about resilience for marginalized communities.

Teachman points out that there are some groups, such as people of color and the LGBTQ+ community, that are repeatedly put into situations where they face adversity and attack. Those people are more likely to develop psychological issues as a result of trauma, according to Teachman, but they are also among the most likely to develop resilience.

“I think it is a really important group to highlight,” she says. “There are costs to being resilient all the time. We can’t just teach people how to cope and think that will solve all their problems.”

Bethany Teachman, the UVA psych department’s director of clinical training, says clinicians never put the onus on their patients to solve all their problems or be resilient on their own. Photo by Eze Amos.

Rethinking resilience

Can a person have too much resilience? Like so many things in clinical psychology, the answer depends on term definition. “You cannot overdose on resilience, but there might be times when you see yourself as a highly resilient person, and that can get in the way,” Sequeira says.

Some of the clients Sequeira has worked with say they feel invalidated by the word resilience. It sounds like an individual-level skill, and they’re turned off by the idea that they just have to cope with all the bad things in their lives.

For her part, Branson doesn’t completely discount Rocky resilience, the ability to take punches and stagger back up. We need Rocky resilience. But for folks in marginalized communities, being resilient becomes too heavy a burden after so many knockdowns. 

Renegade resilience, on the other hand, is a long-term solution.

“We have to put ourselves first and nurture our own needs,” Branson says. “When it really started resonating with me, both in my own life as a survivor and working with other survivors, was when I realized resilience is what sustains us.”

So often, we feel like life is about getting past whatever is plaguing us. Maybe it is a severe trauma, or maybe it’s just that ever-present feeling that “as soon as I get through this week, things will slow down.” Branson says that’s no way to live.

Think about the way the heart works, she suggests. Your heart relies on valves to keep certain things in and other things out. In the world of renegade resilience, those valves are “boundaries and vulnerability.” Our boundaries tell the world what is and what is not okay. Our vulnerability allows us to stay open to social connections and be our authentic selves.

“Renegade resilience is something that we don’t have to wait for; it is something we can start to practice now,” Branson says. “We don’t jump out of a plane, then make sure our parachute is buckled up. Prioritizing ourselves is one of the most generous things we can do.”

Categories
Culture

Virginia Humanities 50th Birthday Bash

With the mission of connecting people and supporting ideas to explore the human experience, Virginia Humanities celebrates half a century with its 50th Birthday Bash, marking a golden anniversary as the commonwealth’s humanities council. Community members are invited to revel in the achievements of the council and enjoy conversations, food, drink, and entertainment with the many partners and friends who have helped Virginia Humanities during its decades of good work. The evening features the Commonwealth’s Humanities proclamation by Virginia State Senator Creigh Deeds, remarks by Virginia Humanities’ Executive Director Matthew Gibson, short poetry presentations from Empowered Players led by Jessica Harris, and more. Tickets are required for this free event.

Thursday 12/12. 6:30–8:30pm. Jefferson School African American Heritage Center, 233 Fourth St. NW. virginiahumanities.org

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Arts Culture

Christmas with Elvis

Break out your bedazzled jumpsuit, it’s time for Christmas with Elvis! Reigning King of Rock and Roll tribute artist Matt Lewis performs holiday hits and other classics from Elvis’ repertoire, including selections from his rockabilly era, the “’68 Comeback Special,” and the Viva Las Vegas years. Backed by the 12-piece Long Live the King Orchestra—aka Charlottesville’s own Big Ray and the Kool Kats—Lewis curls his lips and sways his hips, driving away any thought of a “Blue Christmas.”

Thursday 12/12. $24.75–34.75, 7pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

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Arts Culture

“Let There Be Light”

Let There Be Light,” the annual outdoor exhibition of light-centered artworks, returns as the days get shorter and the nights get longer. The show features glowing art installations, performances, and an appearance by the Virginia Museum of Fine Arts’ VMFA on the Road—an artmobile showcasing the exhibition “Love, Laughter, Tears: An Artist’s Guide to Emotions.” Visitors are encouraged to bring their own flashlights and enhance the evening by dressing as an enlightened being. In case of inclement weather, the event will be moved to Saturday, December 14.

Friday 12/13. Free, 6–9pm. Piedmont Virginia Community College, V. Earl Dickinson Building, 501 College Dr. pvcc.edu

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Arts Culture

Indigo Girls remain steadfast in melody and activism

By Alan Sculley

Most musicians found their activities curtailed during the pandemic. For the Indigo Girls, the COVID-19 years were a particularly creative time, resulting in a proliferation of current projects.

The duo—Emily Saliers and Amy Ray—recently released a concert film, Look Long: Together, they’re the subject of a new documentary It’s Only Life After All, and they’ve had their music reinvented for the movie Glitter & Doom. Saliers composed music for two stage musicals and Ray released a solo album, If It All Goes South. But it’s the Barbie-effect—from Greta Gerwig’s blockbuster movie featuring the Indigo Girls’ hit song “Closer to Fine”—that finds them playing their biggest venues in years.

It’s quite a schedule, even for an act like the Indigo Girls, who have been consistently active since releasing their first album Strange Fire in 1987. Most bands that debuted around that time—if they’re still together—make albums occasionally (if at all) and are considered heritage acts. That’s not the Indigo Girls.

“We still feel like we are a working band,” says Saliers by phone. “We tour and we make albums and we work, and that feels good.” 

This latest spate of activity came on the heels of Look Long, the Indigo Girls’ 16th studio album, recorded pre-pandemic, and released in May 2020. A stirring effort, the record not only features the highly melodic folk-pop that has been the Indigo Girls’ signature on songs like “When We Were Writers,” “Look Long,” and “Sorrow And Joy,” it branches out on rhythmically creative songs that touch on hip-hop (“Shit Kickin’”), Caribbean music (“Howl At The Moon”), and catchy upbeat rockers (“Change My Heart” and “K.C. Girl”).

By the time Look Long was released, the pandemic had scuttled plans for a tour to support the album. Saliers and Ray played some dates in 2022 with violinist Lyris Hung, and then in 2023 returned to performing with a full band. Saliers says in both formats she and Ray play a few songs from the latest album, along with a generous selection of back catalog material. 

“Some people like the band and some people like us acoustic or just stripped down,” Saliers said. “We just haven’t had the opportunity to tour with the band because of COVID and we really miss that. So it was good to put out the streaming concert, and it will be great to get back with the band.”

Look Long: Together is a unique concert special that features performances of a career-spanning set of songs (some of which include appearances by guests Becky Warren, Tomi Martin, Trina Meade, and Lucy Wainwright Roche), combined with commentary segments about the songs from Saliers and Ray. Because of the pandemic, the two had to weave together performances from several separate film shoots to create full-band live versions of songs, and extensive editing was needed to create the finished product.

“Amy and I spent hours and hours watching it come together, making suggestions, ‘Let’s do a split screen here,’ ‘The lighting needs to be fixed here,’ ‘This camera angle is no good, let’s use this shot,’ all these meticulous choices you have to make,” says Saliers. “In the end, we worked so hard on it, we were actually a little discouraged at the 11th hour. And then watched it and were really pleased with it.”

The year and a half of working on the livestream took up some of the pandemic-forced downtime. Saliers also spent considerable time working on stage musicals that have expanded her range as a songwriter.

One thing Saliers says she has not done recently is write for another Indigo Girls album. The inspiration is building for Saliers and Ray, who have long used their musical platform to support a variety of social causes, including LBGTQ+ issues, Native American rights, immigration reform, and climate change. What’s top of mind is the Supreme Court ruling overturning Roe v. Wade.

Like many pro-choice advocates, Saliers didn’t think Roe v. Wade would be overturned and was appalled at the demise of legal access to abortion, which had been established law for decades.

“But the truth is there has been a concerted effort [to overturn Roe],” says Saliers, noting that conservative politicians and activists and certain parts of the evangelical community are among those who have mounted a strategic plan to target Roe and other progressive issues. “It’s been going on a long time. So while the thought before was shocking, it’s easy to understand how we’ve come to this place.”

Following the recent election, Saliers and Ray plan to be active in efforts to restore abortion rights, preserve gay rights, and back politicians who support progressive causes. 

“As gay person who’s married, I’m like, ‘Is this my country?’ And that’s like a big question to ask,” says Saliers. “I understand the complexities of history and how things, the pendulum swings and reactions, I understand that. But when it affects people’s lives—and there’s this huge disconnect between this small group of zealots making decisions because they’re so removed from the reality of people’s lives—it’s a lot to take in and a lot to live with and a lot to manage.”

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Culture

How locals are fighting light pollution—and what’s at stake

We’re in a dark field—a few hundred of us. There’s no moon. Voices rise and fall in the darkness; the Milky Way sweeps overhead; the land is black and the sky is navy, a forest of stars. It’s 8:30 or so at night. I put my eye to a telescope. In the floating circle, a planetary nebula looks like a tuft of cotton, gliding slowly upwards with the motion of the earth.

I wander away, passing dim outlines of people, toward a different scope. The operator here is a bit of a showman. “I’m taking requests,” he says to the small queue of people gathered in the grass. “The request line is open!” He points a laser into the sky, outlining the Summer Triangle. His scope is trained on the Andromeda Galaxy—“the haze of a trillion stars!”

We’re looking at the enormous universe with our feet planted on the ground at James River State Park, in southern Nelson County. This is a star party featuring the expertise and equipment of the Charlottesville Astronomical Society, and it’s happening here because James River is an official International Dark Sky Place, as listed by the advocacy group DarkSky International: a site far enough from any town to offer clear views of what’s out there, beyond our atmosphere.

In other words, we’re all here to get away from light.

Yet we’ve brought light with us. There are flashlights, headlights, and a video presentation under the pavilion. Of course there are cell phones. There are even digital displays on the bases of some of the telescopes. Our eyes adjust to the darkness, catch a flash of brightness, and adjust again. The stars stay steady.

Wherever there are humans, it seems, there is artificial light, and the amount of light we pour into the world has grown incredibly fast. According to a study published last year in Science, global sky brightness has increased 9.6 percent every year between 2011 and 2022. That is, light pollution doubled in less than eight years.

Kevin Fitzpatrick, president of the Charlottesville Astro­nomical Society, says that newer technologies make it possible to get stunning photos of the universe even in light-polluted skies, but dark skies are still key “if you just like laying out in the chair in the fall looking up at the night sky.” Photo: Tristan Williams

Seeing is believing 

“I’ve only seen the Milky Way twice before,” I hear a man say at the star party. I feel lucky that I can see it from home, anytime the sky is clear—and I am lucky; 80 percent of the world’s population lives under sky glow, that pervasive, cumulative effect of house lights, store lights, billboards, tennis courts, streetlights. This is a loss for amateur astronomers and all humans—our species evolved under dark skies and has been enriched in countless ways by our view of the cosmos—but it’s more than an aesthetic problem.

Light pollution can disrupt bird migrations or lure birds to fly into tall, lit-up buildings. It can lead baby sea turtles astray and attract insects to lights, where predators gobble them up. The presence of nighttime lights fundamentally changes the rhythm of day and night that has given essential cues to animals and plants for millions of years: when to hunt, mate, sleep, and grow.

Artificial light affects human health, too. “When people are exposed to blue light in the evening, whether it’s a cell phone or a streetlight spilling into the bedroom, that’s a sleep disruptor,” says Christine Putnam with Piedmont Dark Skies.

Along with Peggy Cornett and Carol Carter, Putnam began the loosely affiliated group in 2022 after the three of them, already active in local environmental issues, realized they shared a concern about dark skies. They’ve been trying to raise public awareness and to urge local governments, especially the City of Charlottesville and Albemarle County, to make light pollution a priority.

“We’ve done a bunch of tabling events to see, does this have legs in the community?” says Carter. “There were a lot of people who responded yes. The more we learn, the more concerned we are about the subject.”

The group has encouraged local governments to sign proclamations in support of reducing light pollution, but they also want to see binding language in local municipal codes. Albemarle, for one, is currently updating its Comprehensive Plan, and Putnam, a member of Albemarle’s Natural Heritage Committee, has advocated for strong language in that plan to set the stage for an improved ordinance in the future.

“I think the political will is there and the planners want to see that language in there,” she says. “[When it’s time to write regulations], it’s going to be important for astronomers and dark sky advocates to be involved in those discussions, to get the best possible ordinance, one that is effective and enforceable.”

Something big has changed since the county’s last Comprehensive Plan update: the new prevalence of LED lights. “That’s been the biggest game changer,” says Putnam. While LEDs are a great way to meet climate action goals—they’re much more energy-efficient than traditional outdoor lights—the light they emit is also more blue. “This has big implications for our health and all living animals,” she warns. “A shorter wavelength impacts our hormonal systems. And it’s more powerful in terms of creating that dome of light we have over our cities. By 2035, practically all of our outdoor lighting will be LED. If we’re not careful about how we select it, we’re really going to be in trouble. We’ll have a dramatic increase in the brightness of the sky.”

Piedmont Dark Skies activists Peggy Cornett, Carol Carter, and Christine Putnam point to this lamp at Friendship Court as an example of good street lighting. Photo: Tristan Williams

The light side

The good news: As Putnam implies, not all LED lights are created equal. “There is still time to make choices,” she says.

In fact, the City of Charlottesville is currently navigating those very choices, as part of an initiative, just begun this fall, to replace all the streetlights in the city. The lights come in a range of color temperatures and brightness, and DarkSky International provides recommendations about which of those are least harmful. But surprisingly, the city is limited in its options by the inventory of energy giant Dominion.

“We lease all of our lights from Dominion,” explains Kirk Vizzier, the city’s energy management coordinator. “They are the ultimate owners of all of those lights. Their inventory is all we have to work with. We are trying to work with them to expand that, but they are being resistant.” Vizzier says that the city is specifying the lowest color-temperature lights Dominion offers. “If we can get them to go lower at some point we will start to go lower,” he says.

Pierce Harding, an urban planning grad student at UVA, has been documenting existing light pollution levels in Charlottesville. He echoes Vizzier’s comments about Dominion. “There’s not an extensive inventory of DarkSky-certified fixtures,” he says. “With more pressure from the public on Dominion, that could help.” Charlottesville is part of a group of Virginia municipalities, the Virginia Energy Purchasing Governmental Association, which negotiates collectively with Dominion and can also exert pressure on the company to make protecting dark skies easier for localities.

Dominion spokesman Craig Carper, in an email, says that Dominion offers “many dark-skies friendly options” and adds, “We have been in communication with a representative from the Virginia chapter of the Dark Sky organization and will continue to have discussions about light offerings.” 

The public lighting initiative is expected to take around three years and cost $600,000. “It’s a big investment,” Putnam says, pointing out that the new lights could last a quarter-century.

Meanwhile, she says, municipalities need to enforce lighting ordinances already on the books. Putnam and her PDS co-founders can rattle off a list of sites that seem over-lit, from planter islands on the Downtown Mall to fast-food joints to sports fields. (Notice a too-bright spot? Read Brodhead with the city’s zoning office says you can complain through the MyCville app, phone, or email, and his department will investigate.)

Cornett also points out that individual choices matter—turning outdoor lights off when not in active use, opting for fixtures that point downward instead of out or up, choosing warmer-color and dimmer bulbs. Carter adds, “People think uplighting the façade of a house makes it look really nice. They just aren’t aware of the negative effects that is having on wildlife and on themselves.”

Before the dawn

Back at the star party, the showman aims his scope at Saturn. Someone looks and emits a guttural “wow,” and then a woman looks and says, “The crazy thing is, it looks fake!” Another person: “That’s cool…” Pause. “That’s really cool.” The showman enthuses: “That’s a crisp view right now! Isn’t that awesome?”

There’s a term for sadness over the loss of night sky views: noctalgia, or “sky grief.” It’s the other side of that joy and awe we feel in the dark field, looking at planets and comets.

Beyond Earth’s atmosphere, the cosmic wonders continue. This December 7, Jupiter and its moons are at their most visible all year. A week later, the “king of the meteor showers”—the Geminids—takes place. The stars stay steady. Whether we can see them or not, it seems, is our choice.

Categories
Arts Culture

Gallery Rally

The scene is set for a sideshow spectacular at this year’s Gallery Rally. Showcasing an eclectic collection of local artists creating works live in the gallery, the event gives visitors an opportunity to meet creators, witness the artistic process, and purchase freshly made pieces on the spot. All artworks are priced at $100, and all proceeds support upcoming exhibitions and programming. This annual fundraiser also features raffle prizes, DJ sets, caricatures, an afterparty, and entertainment inspired by acts staged alongside the big top circus tents.

Saturday 12/7. Free, 5–9pm. Second Street Gallery, 115 Second St. SE. secondstreetgallery.org

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Arts Culture

Willie Watson

Willie Watson, Americana singer-songwriter and founding member of Old Crow Medicine Show, brings more than 30 years of musical experience to the stage with songs exploring torment and redemption. Through stories of heartbreak, hurt, hope, and growth, Watson channels old-time American folk, weaving in contemporary reflections on loss, love, addiction, and burdens in a complex world. Expect tunes that function as testimonials to life’s tough times and resilience, and effectively pull on your heartstrings as Watson strums his guitar and banjo.

Saturday 12/7. $25–30, 8pm. The Southern Café & Music Hall, 103 First St. S. thesoutherncville.com

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Arts Culture

“A Christmas Carol”

There are plenty of reasons why Charles Dickens’ A Christmas Carol has spawned so many adaptations. And whether you prefer the lead miser be played by Michael Caine surrounded by Muppets, Bill Murray learning lessons about 1980s corporate greed, or an animated Jim Carrey in Disneyfied 3D, the main plot point stays the same: Can Ebenezer Scrooge change his ways before his proverbial (and literal) goose is cooked? In a tale of supernatural transformation, the American Shakespeare Center mounts this holiday classic where Ghosts of Christmas Past, Present, and Future haunt the dreams of a mean old man and work to thaw his icy heart.

Thursday 12/5 Through Sunday 12/29. Ticket prices and showtimes vary. Blackfriars Playhouse, 10 S. Market St., Staunton. americanshakespearecenter.com

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Culture Food & Drink

Advice for dining at The Clifton’s 1799

Included in the 2024 Michelin Green Guide USA East, The Clifton was built in 1799 as a home for Thomas Jefferson’s daughter Martha and her husband. The property currently houses a boutique hotel and restaurant helmed by Executive Chef Matthew Bousquet. On a crisp November evening, I decided to see what all the excitement was about. The experience inspired me to put together a guide of my own—a few tips to make the most of your meal.

Do arrive early and get a drink at the bar.

Located in the heart of 1799, The Copper Bar—named for the copper piping supporting shelves of alluringly illuminated bottles—sets the tone for the evening.

Try one of bartender Chris Wellen’s handcrafted cocktails. Leaning into autumn flavors, I ordered the Maple Walnut Manhattan, scented with black walnut bitters, sweetened with maple syrup, and served old-fashioned style on a single, sizable ice cube. My husband opted for The Harvest, a blend of local Ragged Branch bourbon, cinnamon apple syrup, and rhubarb bitters.

Don’t fill up on the bread. 

This might seem obvious to anyone who’s ever arrived pleasantly hungry to a restaurant and been tempted by a basket of rolls. But here, there are no baskets, and these are no ordinary rolls. Instead, a Staub cast-iron cocotte appeared, filled with steaming, buttered rolls studded with mustard seeds. Hearty wheat crackers ribboned with red onion offered a crisp contrast. A pat of softened butter completed the offering.

You may wonder what you’re meant to dip the crackers into. The answer? Nothing. And you’ll like it. This first offering stands entirely on its own. 

Don’t order the bone marrow escargot.

Unless, of course, you’re ready for the rest of your meal to live in its shadow. This appetizer has officially joined my “last supper” list. From the moment the server set down the marrow spoon, I knew I was in for an experience.

This dish is a balancing act in every sense. Narrow slices of crisp toast teeter against halved bones, interiors shimmering with luscious marrow. The entire dish is drizzled with Pernod butter, greened with parsley, and dotted with a generous scattering of tender escargot. The dish invites a perfect bite: Tear off a piece of toast, spread on the creamy marrow, top with buttery escargot, and dip into one of the artful dollops of tangy lemon gel scattered across the plate.

For my husband, the star of the show was his entrée: the Kunz short rib. Naturally, I stole a forkful. Resting in a silky pool of celery root purée, the tender beef was unexpectedly paired with ginger and mango, alongside familiar accompaniments of spinach and horseradish-dijon cream.

Be prepared to learn. 

Not from books, though you’ll see many filling the floor-to-ceiling shelves of the library room where we were seated. Instead, learn from the dishes, your server, and maybe even from your phone (hello, Google). 

I don’t pretend to know every ingredient and cooking technique. That’s the beauty of dining out: It challenges you. It teaches you how to taste, layer by layer. There’s meant to be some mystery, some velvet curtain between us and the alchemy of the kitchen.

I couldn’t help but wonder: Who is Kunz, whose name graces the short rib dish? Not the 1799’s Michelin-starred Bousquet, but Gray Kunz, the celebrated chef behind Manhattan’s now-closed Lespinasse. The recipe lives on, skillfully adapted by Bousquet into a dish that feels very at home on 1799’s menu. 

Do choose Virginia wine.

I opted for a glass of Lovingston’s 2022 Rotunda Red, vibrant with ripe red fruit, soft tannins, and a hint of black pepper on the finish. If that doesn’t suit your taste, the wine cellar features an array of award-winning Virginia vineyards alongside global vintages. Highlights were a viognier from Pollak Vineyards, and Barboursville Vineyards’ sauvignon blanc, Vermentino Reserve, and Octagon.

Ask about the ingredients.

Tucked among the grounds of The Clifton is a chef’s garden. The burrata, a first course that evolves throughout the year, showcases the garden’s ingredients. This version spotlighted Badger Flame beets, a unique variety tasting of honeyed sweet carrots. Nestled alongside burrata on a bed of tender lettuces, the salad was dressed with fennel pollen butter, a granola vanilla vinaigrette infused with Espelette pepper, and a white chocolate crumble. If a salad could flirt with being dessert, this one came deliciously close.

Let’s revisit the number four. I researched Espelette so you didn’t have to. It’s a pepper cultivated in the French town of the same name, with a flavor somewhere between sumac and Aleppo pepper. Sumac I know—its tart, lemony brightness grows wild in my backyard. But Espelette? It’s new to me, and I love that.

Do order dessert. 

The rhum savarin looked like a simple puff pastry but delighted us with its moist, tres leches-like interior. The chocolate lava cake, served in yet another charming Staub cocotte, delivered ooey-gooey bitter chocolate goodness, balanced by poached pears and toasted almonds. It was decadent, warm, and the perfect note to end the evening.