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News

Trapped: Birdwood threatens lawsuit over dangerous exit

The Birdwood neighborhood off the Route 250 Bypass bore the brunt of inconvenience during McIntire interchange construction, with backed-up traffic making it difficult to exit and no easy way to head west. Now the residents say traffic engineers’ refusal to reopen Birdwood Road has had them sliding down a steep and icy Hillcrest Road into the McIntire Road ramp, and they’re threatening legal action if someone gets hurt.

“It’s negligent behavior at this point,” said Birdwood Court Homeowners Association president Laura Rydin. She went before City Council March 2 and said the poorly plowed Hillcrest Road and black ice sent three of her neighbors shooting down a hill into oncoming traffic after the February 21 snow.

“It’s inexcusable to put our lives at risk,” said Rydin, who accused the city of “utterly ignoring our request” and forcing residents to use an unsafe exit while permanently closing down Birdwood Road, which has been there for decades. She presented a petition signed by 41 people to city councilors to reopen Birdwood Road.

The neighborhood of around 50 homes, which surrounds Covenant Lower School, has been unable to convince city and VDOT engineers that its residents can safely make a right turn onto the new U.S. 250 exit ramp from Birdwood Road.

When parents are dropping off children at Covenant, it can take about 20 minutes to get out of the neighborhood, said Rydin. And when a moving van couldn’t negotiate a left turn onto narrow Hillcrest last fall, the whole neighborhood was trapped because Birdwood Road remained resolutely closed, with four signs warning residents “do not enter” onto the U.S. 250 exit ramp.

“Overkill,” said Rydin of the excess signage.

Jeanette Janiczek, urban construction initiative programs manager with Charlottes-ville, insists Birdwood Road must remain closed for the residents’ own good. “This decision was made and reviewed by engineers from the city, VDOT, the Federal Highway Safety Administration and the project engineers,” she wrote in an e-mail. Those professionals agree that this is the safest configuration for all drivers and that no physical improvements can be made to open Birdwood Road, she said.

“This is essentially the city saying that no one knows how to use basic Driving 101 skills when it comes to arriving at a stop sign, looking all around for other cars and then executing a safe right turn,” responds Rydin.

Councilor Kathy Galvin said it was a “very terrifying thought to me we’d have people sliding off into 250.” She’s requested a meeting with City Manager Maurice Jones, Rydin and other concerned parties now that the interchange is built and “we’ve seen what happens with ice and snow.”

Galvin said she’s hearing a frustrated neighborhood. “I was shocked to learn that with the McIntire interchange there was no Birdwood neighborhood steering committee,” she said.

According to Janiczek, the city and engineers met with the neighborhood four times, starting in 2008, although those meetings did not satisfy some residents.

“You’ve got to have a more comprehensive approach than just saying, ‘No, you can’t.’” Galvin, an architect, said community engagement is a major change in how the city does business, and that it has to be done “in a very authentic way.”

She said, “We’ve got to get the right people in the room and work the puzzle pieces to get the right approach. We need to demonstrate we’re serious listening to people and proceeding to do something about it.”

“Just reopen Birdwood,” said resident Rydin. “It was there since 1912 or 1914. Do you want someone to die to prove our point?”

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News

Alumnae fight back over planned closure of Sweet Briar College

A week after Sweet Briar’s board of directors announced plans to close the 114-year-old women’s college in Amherst, shock and grief among students, faculty and alumnae has given way to anger, defiance and questions about the basis for the decision.

“I just think it was handled so badly,” said Sweet Briar biology professor Lincoln Brower, one of the world’s leading experts on the monarch butterfly. Brower, whose wife is also a professor at the school, said that while he and his colleagues were aware that the school was struggling financially, no one knew they were at the edge of a precipice.

“If the faculty had known it was as serious as it has turned out to be, there would have been a major effort from faculty, students and alumnae to come up with funding,” he said. “There was no opportunity to respond to this catastrophic statement by the board of trustees.”

The school has placed the blame for the decision on shrinking enrollment and fewer applicants interested in an all-women’s school in a rural setting, noting in statements to media that only $20 million of the more than $80 million endowment is in unrestricted funds, and that the college had projected an operational deficit of $2 million for the year. The administration had not responded to C-VILLE’s request for comment at press time.

Sweet Briar alum Tyesha West, who attended Charlottesville High School and graduated from the college in 2014, said she was stunned when she heard the news.

“I’ve been involved with the alumnae association since freshman year,” she said, describing sitting in on board meetings and coordinating meetings between alums and current and prospective students. “I never once heard anyone say to the board or anyone else that if you don’t give your best gift now, then the college will close,” she said.

Alumnae response has been swift since the Tuesday, March 3, announcement, with the formation of the nonprofit Saving Sweet Briar, which has set a goal of raising $20 million and, according to a statement on the site, is “mounting a multi-pronged effort to stop the closure of Sweet Briar College.” At press time, the group had raised close to $2.5 million and had also retained the international law firm of Troutman Sanders with the intention of overturning the decision.

The outpouring of support, which includes a social media campaign using the hashtag #SaveSweetBriar, is encouraging to current students, several of whom described being blindsided by the suddenly called assembly in the school’s Babcock Auditorium, where Interim President James Jones, who took the post in August, told the gathered students that the spring 2015 semester would be the school’s last.

“The entire auditorium gasped and broke into horrible sobs. It was awful,” said Sweet Briar freshman Jules Sudol, who graduated from Monticello High School last year and chose the women’s college because of its proximity to home, its bucolic 3,250-acre campus, tight-knit community and nationally recognized equestrian program. “It was like I was told I could never go home again. It’s a horrible, heartbreaking feeling.”

Both Sudol and Kat Perry, an Albemarle High School grad who is now a freshman at Sweet Briar, say they are inspired by the Save Sweet Briar movement and believe there’s a chance it can succeed, even as they acknowledge they must be practical and consider where they’ll be next fall if the effort fails.

“We’re hopeful and ready to continue fighting until we get what we need,” said Perry.

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Arts

Mystics and movie stars: Vanya and Sonia and Masha and Spike strikes the right undertones

In the sunroom of a manor home in Bucks County Pennsylvania, brother Vanya and adopted sister Sonia are sighing back and forth. The interior of the home is lovely and laden with books, the house is flanked by trees on either side, and the idyllic indoor porch offers two wicker chairs and a chaise lounge, ideal for contemplating the imaginary lake.

You get the impression Vanya and Sonia have been contemplating for a few decades too long. They wear matching shuffle-worthy house slippers and unfit-for-company lounge clothes, and each looks exhausted from the weight of so much relaxation.

This is the dead-end of boredom and middle age, folks, where a cup of coffee becomes a hair trigger for breakdowns.

As if to justify the ennui that comes with being an unmarried, permanently unemployed 52-year-old, Sonia casts around for problems. “I can pine [for you] if I want to,” she tells Vanya, after he reminds her he’s gay and, you know, her brother. She pitches a couple of teacups and blames it on her manic depression.

Vanya, for his part, keeps level and steady, a quiet observer who lobs the occasional tease but quickly soothes his frazzled sister’s nerves. (When Sonia reminds him their lives are over, he agrees with patient resignation.)

Sonia laments the years they lost caring for their dying parents until Cassandra, their cleaning lady, appears to warn them about the future. Wearing acrylic nails and audacious colors, she recites wide-eyed prophesies of doom that blend pop culture references with prose from The Fall of Troy. The siblings, of course, ignore her.

The real flurry of activity starts when their movie star sister, Masha, appears, bringing with her a boy toy named Spike and the perfect excuse to revive childhood rivalry.

Christopher Durang’s 2013 Tony winner for Best Play, Vanya and Sonia and Masha and Spike taps a lot of themes without laying hard claim on any. It’s about navigating family dynamics when two sisters still grapple for the spotlight. It’s about the fear of aging and nostalgia for a lifestyle that felt so perfect compared to reality. It’s about misremembering the past as a place of limitless potential and relearning that the chance to start over—and survive—is always closer than we think.

But more than anything, this show is a comedy in which nothing very dramatic happens, and what I loved about Live Arts’ production was its ability to keep it real.

It’s funny and well-paced, with just enough tension to string you along, and each character becomes increasingly human (and delightfully ridiculous).

As Vanya, the show’s straight man and presumable Durang doppelgänger, Bill LeSueur observes with the sort of the unruffled tolerance reserved for patient parents. This is the guy who agrees to meet well-heeled neighbors dressed as Doc, the dwarf from Snow White, and LeSueur (who off-stage is C-VILLE’s creative director) gives his character surprising tenderness beneath the layers of dry humor.

Linda Zuby manages to give self-conscious Sonia confidence blended with younger sibling neediness, not to mention a hysterically spot-on impression of Maggie Smith. And Geri Schirmer infuses Cassandra with scene-stealing flair, sort of like a gum-snapping, mall-loving Jersey-based clerical assistant cum soothsayer.

Jen Downey makes Masha the perfect target for double-edged humor when she swoops on stage full of leading lady swagger and Hollywood pretension. “Sexy Killer really changed my life,” she says to her siblings, with award ceremony-worthy dramatic presence. “It took me from being a respected actress to being a global celebrity. And there is a difference.” She veers from narcissism to insecurity seamlessly and manages to raise all the competitive hackles inherited as a child.

Born to Chekhov-worshipping intellectual parents—professors who loved to perform Greek tragedy in community theater (which Sonia calls “a bad idea,” ha ha ha)—these three adult children are a tangle of thwarted dreams for which they can’t blame anyone but themselves. The play runs its course through a sort of growing-up story, inspired in part by the contrast of their self-focused mindset with the appearance of two youthful bystanders. Spike, played by T.J. Ferguson, loves to strip to his skivvies and lunge around with theatrical flourishes befitting a young man “who almost got cast in ‘Entourage 2.’” Ferguson’s version is perfectly self-contented, preening and beautiful and ready to throw his clothes (repeatedly) at poor dumbstruck Vanya.

Vanya is encouraged, however, by Spike’s foil, a neighbor and aspiring stage actress named Nina, who brings the brother (accused of Pollyannaism by Sonia) a breath of youthful optimism. Played by Lauren Lukow, Nina is all that’s right with the younger generation, at least insofar as Spike is all that’s bad, so it’s no surprise that Masha finds her hideously lovely and demands that she wear a dwarf costume, too.

But that’s the heart of what makes this show special: The ingénue must tone down her loveliness, not suffer some tragic end. Though Durang’s script pulls various elements from a number of Chekhov plays, Vanya and Sonia and Masha and Spike doesn’t lurch into depression. Regrets? Sure, these characters have had a few, and not too few to mention, but the drama isn’t needlessly high.

Instead, it’s a delicious diversion, an amusing look at how time may (or may not) change things. The show’s climax revolves around the ping of a text message. Not the words of the text, mind you, but the insufferable rudeness of texting in particular instances (like, say, a theater). That’s a relief in a world of too much much-ness, when climate change and reality TV herald doomsday. Vanya and Sonia and Masha and Spike looks at it all through the lens of the absurd, lancing anguish with dry humor and the common turns of hope.

Maybe community theater shouldn’t do Greek tragedy. It’s awfully nice to see something that looks so familiar up there.

Vanya and Sonia and Masha and Spike is onstage at Live Arts through March 28.

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News

Proposed 13-cent tax on downtown properties is a no-go—for now

Plans for a downtown business district funded by a 13-cent tax on properties on and near the Downtown Mall have been put on hold after numerous property owners objected. But proponents of a Community Improvement District (CID), researched and proposed by a committee of Downtown Business Association (DBA) members, hope there’s still a future for their plan to tax themselves.

Main Street Arena and Charlottesville Parking Center owner Mark Brown, who didn’t serve on the committee but has become the CID’s most vocal supporter, detailed the proposal in a presentation to City Council on March 2 before announcing the DBA was holding off on asking for the tax hike. A $428,000 draft budget outlines how the money raised by the tax hike would have been spent: on marketing, extra street cleaning, two additional police hires and a full-time administrator, all overseen by a nonprofit board of property and business owners and residents.

Brown said the four-part approach would be a boon to businesses in the district, which would include properties with Water, Main and Market Street addresses, as well as those on connecting side streets. There’s currently very little regional marketing to promote the Downtown Mall, he pointed out. An administrator could streamline communication between the city and taxpayers.

“Right now, if you want to get a brick repaired on the mall, you have to go through four different agencies to get it done,” said Brown.

The additional money for street cleaning would give mall side streets some much-needed attention, Brown said, and the extra cops are something downtown businesses and property owners almost unanimously support.

“It’s a low-crime area, but it suffers from a high-crime perception,” he said.

Similar improvement districts have been around for decades, and the committee that explored the idea of one here pointed to studies by NYU and the University of Toronto that indicated a 16 to 19 percent rise in property values in such districts in New York and Los Angeles. But the same studies show that the response from those paying the taxes wasn’t universally positive; one showed that more than a quarter of taxpayers were opposed to the districts, even after they saw a 20 percent jump in property values.

And opposition is much more widespread here. Brown said he thinks property owners are divided 50-50, but one vocal opponent, developer Bill Nitchman, said many were unaware of the proposal until recently.

“I’m not in favor of having a group of citizens go in front of City Council and entertain the fact of increasing a select few taxpayers’ taxes,” he said. “If you’d done that across the city, there’d be an uproar.”

Nitchman and many others—among them, said Mark Brown, influential developer Hunter Craig, who did not return calls for comment—think existing resources should be spent more wisely. Nitchman blasted the city’s Downtown Mall Ambassadors program in particular. Why should he have to fork over more money to fund police, he asked, “when our city government spends $90,000 on people driving around in little carts, waiting for people to ask them where Chaps Ice Cream is?” He wants money for more cops and cleaners, but “we’re already paying for that with our taxes,” he said.

Brown called that view shortsighted and unrealistic. “That’s the same strategy that’s been pursued since the mall came into existence in 1976,” he said. “Everyone who’s against this wants to see this stuff, they just want a free ride on this process.”

But Brown and the other CID proponents have backed off all the same—for now. If property owners can secure additional resources from the city without a special tax, Brown said that’s fine by him. He’s not holding his breath, and if they come up short, “there are really no supermen left,” he said. “At that point, it’s time for people to get realistic.”

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News

What makes tech take off?

In our first-ever Tech Issue, we’re taking a look at four relatively young startups whose founders chose to root them here. Their reasons for doing so are varied, and so are their ventures. But whether they’re in app development or designing cancer cures, they share an outlook we see again and again among local technology entrepreneurs. They know there are roadblocks on the road to making Charlottesville a tech hub, and they don’t shy away from pointing them out—it’s hard to recruit talent, and raising capital can be tough if your city’s not on the startup scene short list. But they’re relentlessly optimistic about being able to grow here—and they want to pull others up with them.

We’ve also fired off some questions to a handful of locals whose perspectives on the tech industry we think are worth a long look—because they’re tapped into the idea well that is UVA, because they’ve been around the block a couple of times, because they’re working for change from the inside out.

Are they famous titans of tech? Nope. But they’re helping lead and shape an industry that is changing Charlottesville’s identity. Here’s what they have to say.

Categories
Living

Charlottesville’s juice scene continues to spill all over town and other restaurant news

Liquid lunching

Rainbows of cold-pressed fruit and vegetable juice have been popping up on grocery store shelves left and right, and by the end of summer, Charlottesville will be home to at least two new juice bars.

When he wasn’t pressing leafy green vegetables and pineapples into bottled concoctions in the Carpe Donut kitchen at McIntire Plaza, Juice Laundry owner Mike Keenan let his creative juices flow. For the past several months he’s been coming up with menu items and design ideas for the café-style juice bar he plans to open in the historic Coca Cola bottling plant building this summer. In addition to the sturdy glass bottles full of the juices and nut milks Juice Laundry has been churning out for two years, the new spot will feature a full vegan menu, including salads, power bars, made-to-order smoothies and a juice of the day.

“Really what we’re hoping to do is kind of show people the wide variety of plant-based options that are out there,” Keenan said. “You can have a filling lunch without the chicken or steak on your salad.”

The menu will also feature non-alcoholic cocktail-type drinks, like juices blended with local kombucha or iced green tea. Customers can have a sit-down meal or snack at a table, but the shop will also include a lounge area, which Keenan hopes will give the space a casual, comfortable, coffee shop feel that’s appealing to everybody—not just the granola-crunching yogis who already drink juice blends for breakfast every morning.

“Obviously we hope to appeal to people who are vegetarian and vegan,” Keenan said. “But we also want to bring in people who are just curious about it, or maybe even a little bit skeptical about what the possibilities and range of options are.”

We’ve also heard rumblings about a juice bar coming to the Belmont area—more on that next week.

Magnum pi(e)

March 14 has forever been celebrated by math nerds as Pi Day, and this year, the masterminds behind The Pie Guy are getting a slice of the action.

Owner Justin Bagley and chef Joel Myers are rolling out a never-before-seen (or tasted) variety of pie that will only be available on this year’s Pi Day—which just happens to fall on the same day as Starr Hill Brewery’s St. Patrick’s Day celebration. On Saturday, March 14, The Pie Guy cart (which offers lunch from 11am to 2pm at UVA’s amphitheater Monday-Friday) will be stationed at Starr Hill from 11am to 7pm, serving up the regular menu, some St. Patty’s Day-themed sides and a very limited number of a specialty pie that won’t be available again until 2016.

“You know how some breweries have a beer that is released just one day out of the year, something they really worked hard on and made special for that one day?” Bagley said. “That’s kind of what we’re trying to do with pie.”

As for what exactly that pie is going to be, that’s up to you guys. Bagley and Myers came up with five different varieties, and they want you to vote for the one that sounds the best.

The contestants are:

Beer-braised short ribs with three-cheese polenta

Carne asada with chipotle crema drizzle, with a side of avocado salad

Braised pork belly with sweet soy glaze, with a side of pickled vegetables

Creamy shrimp and grits, Tasso ham and charred tomatoes

Authentic Chinese chicken and mixed vegetables with carrot curry sauce drizzle, topped with crispy shallots

Check out The Pie Guy’s Facebook page for full descriptions and cast your vote; you’ve got until mid-morning on Friday. And choose carefully—whichever one wins will become the official Pi Day pie for the foreseeable future.

Seeing green

You’re not Irish. And no one’s going to kiss you. Hell you probably don’t even know why you’re celebrating St. Patrick’s Day in the first place. But C’ville’s got its share o’ places that’ll serve you good grub and beer on March 17, so all’s not lost.

To fill your belly before your big night of inebriation, hit the newest Irish pub in C’ville, The Tin Whistle. The public house will feature a sing-along with Irish Matthew, Blue Ridge Irish Music School dancers, the Albemarle Pipe Corps and The Moody Brews to entertain you while you enjoy your traditional Irish fare. The Tin Whistle’s owners will facilitate easy migration to their other establishment, Fellini’s #9, with a regularly departing Paddy Wagon.

For the old standard of local green day galas, try McGrady’s Irish Pub any time between March 12 and March 17. The Irish-themed bar will have festive eats and tunes throughout the week, with the big throwdowns—a full slate of traditional Irish music, face painting for the kiddos and Guinness by the pot-full—coming on Saturday and Tuesday.

Categories
Arts

Perfectly bound: Amanda Wagstaff sews up the past at The Haven

used to go to my mom’s office, which smelled like wool and fabric, and the copy machine, like hot ink and hot toner,” said Amanda Wagstaff.  “She would give me grid paper, the kind designers would use to mark out different patterns, to draw on and play on to keep me occupied. I can’t get away from the grid now.”

A Virginia native and New City Arts Initiative’s current artist-in-residence, Wagstaff found that her memories of life as the daughter of a textile designer and a carpenter came back as she worked on her latest project “Complete Thought,” which will be on display this week at The Haven.

The work is a 14′ “quilt” made of 90 pieces of loose-leaf paper sewn together by hand with dozens of white, pink and blue threads that echo the colors of the paper itself. In it, Wagstaff sees her childhood—and the declaration of her own unique voice.

“I took a poetry class over the summer at WriterHouse, so I was making drawings and visual poems out of loose-leaf paper,” she said. “At some point, I had one of those revelations where you’ve been looking at something for so long you see it in an entirely new way. I realized the paper was a loom.”

Wagstaff gave herself a few loose rules, including following all the pink lines, top and bottom blue lines, and filling each hole with a crystal bead. But her lines also curve and wander, since the pieces of paper don’t always line up properly and the five-month “meditative process” naturally included human error.

In its exhibition, the quilt will be draped along a 10′-long table (a collaborative design between the artist and a family friend), with each end touching a chair. “It’s not just the quilt and connecting all these pieces of paper, it’s also the chairs and the table. It’s the idea of a conversation, completing a thought.”

The work is semi-autobiographical, the latest of many subtle connective breakthroughs for Wagstaff. During her years as an undergrad at The College of William & Mary, she became an art major only when she realized she’d maxed out her course credits. She believed she couldn’t make a career of art for several years after graduation, a perception that changed after she spent a summer working in a private studio in Ireland. When she decided to get her MFA in fine art at the University of North Carolina at Greensboro, she was still a painter.

“I was really struggling with painting, but I felt like that was all I knew how to do,” Wagstaff said. “A lot of professors tried to help me overcome those self-imposed limits. Eventually I abandoned painting and focused on the core of my work being drawing, the extended possibilities of what drawing could be. I have a natural urge to hold things in my hands, so I started working with the materials and the process.”

Grad school, she said, was the final step in breaking apart the internal dialogue that dictated what she could and could not do, but it didn’t hand her a road map of next steps.

“Any doubts that I had about what I wanted to do I have no more,” she said. “In grad school, you don’t really come to any conclusions. You get torn apart, you get advice, you hear conflicting things, and you become more sure of yourself. The work that I’m making now I think is the work that I’m meant to make.”

Amanda Wagstaff’s “Complete Thought” will be on view in a pop-up exhibit on March 11 from 5-7 p.m. at The Haven Sanctuary.

Categories
Arts

Eschew superstition: Local musicians worth a listen on Friday the 13th

For some, this weekend is a chance to get an early start on St. Patrick’s Day festivities, er, drinking. For others, it’s a trauma trigger for paraskevidekatriaphobia–the fear of Friday the 13th. But for those looking to eschew shamrocks and other nightmares, there’s a different option. On Friday, March 13, local musicians take the stage at the Southern for a night of melodies, away from the mayhem.

Headlining the show, The Honey Dewdrops–comprised of Laura Wortman and Kagey Parrish–is a band with a loyal local following, in part because Parrish grew up in Richmond and Wortman is originally from Charlottesville. “The Virginia landscape and rich music culture are in our blood and each find their way into our songs a lot,” said Parrish.

Together, they craft and perform songs that are simple and unadorned. Both are skilled musicians with great respect for their instruments, including the clawhammer banjo, mandolin and guitar, as well as Wortman’s voice.

Like the landscape of home, travel also inspires the band, as evidenced on the Dewdrops pending release, titled Tangled Country. According to Parrish, the new music “describes psychological landscapes that roll along and unfold in their mysterious ways, and the album is about how we make our way across that territory.” Wortman agrees. “We travel a lot and get inspiration from the towns we visit and from the people we meet there,” she said.

The band’s songs certainly share this sense of road-weary wisdom and dust-speckled charm. Yet, the majority of the new album was actually written, recorded and produced in the band’s new home of Baltimore, making the upcoming show at the Southern a momentary homecoming for the duo. While in town, Wortman and Parrish said they hope to find time to hike the Saunders-Monticello Trail, peruse records at Sidetracks Music and get their Bodo’s fix of Caesar salads and everything bagels.

In addition to revisiting hometown haunts, the Dewdrops are excited about another Charlottesville institution, Erik the Red, who will open the show. “We’ve shared the stage a number of times with Red,” said Parrish. “He’s one of our favorite songwriters.”

Clearly, the feeling is mutual. “I have always enjoyed Kagey and Laura, and last June, they sang at my own wedding,” said Red.

You might know Erik the Red as the solo version of Red & the Romantics, or you might just know him as Erik “Red” Knierim. Here, I’ll just call him Red, foregoing the usual formalities.

Red is welcoming and earnest, and his music follows suit with a casual, thoughtful intimacy. Indeed, he lives simply and exudes sincere joyousness, creating songs that match. “Being a songwriter/performer has been my main occupation for the last few years and it pairs well with the off the grid, homesteading lifestyle I have chosen,” he said. “Though it isn’t always easy, it’s so rewarding. I love to perform solo like this for a listening audience because I feel like it’s my chance to share my songs in the rawest form. It allows for the words to stand alone.”

A listening audience is an important detail here, since Red performs weekly gigs at both The Whiskey Jar (Mondays) and Dürty Nelly’s (Tuesdays), where there are always plenty of distractions in the crowded bars. At Dürty Nelly’s, regulars pack the small bar for their weekly dose of Red’s crooning by the fireplace. Sometimes somber, but often rollicking, Red and his music have a devoted following, full of tapping toes and dancing feet.

His soft-spoken nature belies the depth of his singing voice, which warbles and mushrooms with richness. Occasionally, Red punctuates the billowing, roundness of his vocals with a chirping whistle. When playing with his band, ripples of someone strumming a washboard, the plucking of an upright bass, and swirling accordion melodies are a given.

Woven together, these performances, like his solo sets, evoke another era, a different way of life. And though Red’s songs range in influence from gospel to bluegrass and old-time music, they provide a respite from the tiresome pace of the now, an escape from the churning charts of pop music. This weekend, they also provide a haven from green beer and superstitions.

The Honey Dewdrops perform with Erik The Red on Friday at 8pm at The Southern Café & Music Hall with a special pre-show acoustic set by the Dewdrops in the dining area beginning at 6:45pm. Tangled Country will be available for sale at the show, in advance of its official release on May 8.

What local acts comprise your favorite lineup? Tell us in the comments.

Categories
News

Jesse Matthew trial postponed, Fairfax court documents reveal details of 2005 attack

DNA taken from beneath the fingernail of the victim in a 2005 sexual assault in Fairfax is the only evidence tying Hannah Graham’s accused killer, Jesse Matthew, to the Northern Virginia attack, according to court documents filed in Fairfax County and reported by NBC29. The documents allege that Matthew choked the woman and penetrated her with his hand during the attack. Matthew has been charged with attempted capital murder, abduction with intent to defile and object penetration in the Fairfax case, and his trial is scheduled to begin on June 8. Police say DNA evidence also connects Matthew to Hannah Graham’s murder and the murder of Morgan Harrington, who disappeared from Charlottesville in 2009.

According to NBC29, the Fairfax court awarded Matthew’s defense team $2,000 to retain their own DNA expert. They have hired Wright State University biology professor Dr. Dan Krane to review the evidence.

The unsealing of documents in the Fairfax case happened Friday, March 6, two days after Matthew appeared in Albemarle Circuit Court, where his defense team—attorney Jim Camblos and public defender Jim Hingeley—successfully moved to have the trial postponed and to obtain funding for their own DNA expert. A new trial date in the Hannah Graham case will be set on May 5.

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News

Business entities sue VDOT over Rio interchange

The owners of Albemarle Square and a local Wendy’s have hired state Senator and former attorney general candidate Mark Obenshain to file a federal lawsuit against VDOT and Federal Highway Administration officials over the planned grade-separated interchange at Rio Road and Route 29.

The suit, filed March 6, alleges that VDOT failed to get a required environmental impact study and split Route 29 improvements into separate projects to skirt the study and go forward with the $84 million interchange, which is bitterly opposed by a number of businesses in that area.

Opponents of the Meadow Creek Parkway unsuccessfully sued on a similar basis, claiming the project was improperly split into segments to avoid an environmental impact study.

Albemarle Square is owned by Rio Associates LP. Its agent, Bob Hodous, declined to reveal who the owners of the LP are. Wendy’s is owned by Mimosa LLC, and its contact, Frank Birckhead, did not return phone calls from C-VILLE.

The suit says VDOT plans to use eminent domain to take some of the plaintiff’s properties, which they claim is a violation of their constitutional rights. They’re seeking an injunction until the environmental studies are done.