Categories
News

Free market

Last fall, Megan Salgado stopped by Reid’s Super-Save Market on Preston Avenue and was gobsmacked. “The shelves were almost completely empty,” she recalls. “I’d seen on Instagram that the store was in trouble, but it was worse than I thought.” In January, she decided to galvanize support for the long-standing neighborhood grocery store and put up a GoFundMe page to raise $10,000 to help it survive.

Reid’s GoFundMe page—which, as of this writing, has raised more than $20,000, twice the original ask—generated local media interest, and stirred up debate: Is the purpose of public fundraising efforts to get a failing business out of trouble? Or is the purpose of a community funding effort to raise all boats in the community, whether they are an individual, a nonprofit, or a store that’s a neighborhood institution?

The market’s supporters and donors clearly feel Reid’s is a special case; many regard it as part of “the old Charlottesville.” The original store downtown, then called the Stop ‘n’ Shop, was bought by Malcolm Reid in 1961 and renamed. When the building burned down in 1982, Reid sold his satellite store on Preston Avenue to employee H. Kennan “Kenny” Brooks. Brooks died in 2016, and his daughters Kim Miller and Sue Clements took over. Sue, who works full-time for the University of Virginia, has gotten more involved in the grocery store’s operation in the last few years. Her husband, Billy, who handles day-to-day operations, has worked there for more than 35 years, while Kim is more involved in running the satellite Reid’s in Dillwyn, which opened in 2015.

The first thing Sue wants to make clear is her commitment to keeping the store open. “My father was the kind of guy who, if you came in and said you didn’t have the money for groceries that week, he’d let you shop and pay him back later—that’s just the kind of man he was. We still have customers who will call and ask us to put an order together for them. We try to help our customers out—we had a community day here the year before COVID hit, and it was a huge success.”

Reid’s still has a large community posting board outside its entrance, with everything from concert ads and lost pet fliers to business cards and event notices.

But times and the neighborhoods have changed. “It used to be that 60 to 70 percent of our customers were from the neighborhoods [Rose Hill/Birdwood, 10th and Page, and Starr Hill],” says Sue. “Now it’s under 50 percent.” As the neighborhood population has aged, customers pass away and families move out; large family homes get sold off. Real estate values have soared as the Preston Avenue corridor has developed, but the people moving into the new upscale homes and apartments have new habits. “People don’t do all their grocery shopping in one place anymore,” Billy Clements notes.

The Clements acknowledge a confluence of factors that they should have noticed earlier. Troubles began well before the pandemic—which actually boosted sales, as people were reluctant to go into large grocery stores and were buying in bulk for fear of shortages. But then, when the shutdown eased, people stopped hoarding. Post-pandemic issues hit the store hard; as sales dropped, they had trouble making the payments to distributors to keep products in stock. By last October, Reid’s had a sign on the door letting customers know that in spite of empty shelves, the store was still open. “We own this building, and it’s valuable real estate,” says Sue. “It would be easy to sell, but our customers were saying, ‘Please don’t leave us.’”

The crisis spurred the Clements to re-examine their operations, realizing that business as usual wouldn’t suffice. (Sue says proudly that although they have lost some employees to attrition, “all our people have continued to get paid, and there haven’t been any layoffs.”) This is when Megan Salgado walked in and mentioned the possibility of a GoFundMe page to one of the store managers. Other customers had brought up the idea, but Sue and Billy said they were reluctant to put up a page asking their own customers for help. They were, however, open to the idea of the community taking charge.

A few weeks later, Salgado decided to go ahead. She had grown up in Charlottesville, and spent her middle school years in the Rose Hill neighborhood. “I would always run into people I knew [at Reid’s],” she says. After moving away from Charlottesville, she recently returned to live in the Woolen Mills neighborhood and would shop at Reid’s a couple times a month. “It’s a really good location for a grocery store, I would stop by on my way to somewhere and pick up things I need. Once it was a bundle of firewood—you can’t get that at a convenience store.”

But her reactions to Reid’s troubles went deeper than convenience and nostalgia. “In Charlottesville, we talk about being a community and keeping things local, but sometimes there’s a disconnect between the talk and what’s happening. How can we be better about that?” To Salgado, Reid’s is even more than a beloved community institution—“it’s a grocery store in the middle of a food desert. If Reid’s shuts down, who are the people who will be hurt by that?”

When Salgado put up the page, she set a goal of $10,000, a figure she picked randomly, “and I thought that would be a reach.” She posted the link to Reid’s Facebook page, and shared it on NextDoor and her Instagram account. “I was surprised at how quickly [the GoFundMe page] caught on—it’s apparent the store has quite a following.”

Of more than 200 donations, the majority range from $10 and $100—but there are many for $200 to $500. Notably, there are two $1,000 donations from fellow businesses: Bodo’s and The Markets of Tiger Fuel, both of which have stores across Preston Avenue from Reid’s.

“I see Reid’s as a community resource, and the well-being of their business is important to the community,” says John Kokola, co-owner of Bodo’s. “And they’re our neighbor, I want to help when I can. They represent the spirit of the neighborhood, and have deep roots in Charlottesville’s history. And then, what would it look like if this business weren’t here any more? I hope that people will vote with their feet, and their pocketbook.”

Gordon Sutton, president of Tiger Fuel, says, “My brother [Taylor Sutton, Tiger Fuel’s COO] and I live downtown; we shop at Reid’s, we love the people there—they’re really service-oriented and friendly—and we want to see them survive.” The Preston Avenue Tiger Market staff have been known to send a tray of sandwiches over to the Reid’s staff for lunch.
Sutton acknowledges the objections that have been voiced about donating to a business when so many community efforts in Charlottesville need support. “I vetted the idea through our management and our marketing director, who oversees our efforts to support local nonprofits, and got their blessing. We all see Reid’s as a community institution.”
In the end, Sutton says, he and his colleagues decided that Reid’s was a special case, and a place worth supporting: “I’m cheering for an old institution that I like.”

So is long-time customer Norman Lamson, who has lived in the Rose Hill area and patronized Reid’s for 30 years. “I’ve always done all my shopping there,” he says. “It’s five minutes away, and they have the best meats in Charlottesville.” Seeing the empty shelves “was sad—I figured they were having difficulties, so I decided to keep going there to support the store. It’s important that it’s a family business.”

While the outpouring of support was welcome, the Clements know that Reid’s has to succeed as a business to survive. The first step, says Sue: “Address what we’re selling. In the past, the grocery business was all about options. But now, we’re going to be stocking fewer products while still offering a range of high-, low-, and midpoint cost items.”

Reid’s has always been known for its meat and produce. Fresh fruits and vegetables can be hard to find in a small mom-and-pop outlet, but Reid’s has an entire wall of produce at prices close to the large supermarkets. One online reviewer may have noted that you can’t find bok choy or papaya, but then there’s plenty of shelf labels noting what foods are eligible for SNAP benefits. “We are trying to serve all the genres of our neighborhood,” Sue says.

But it’s the meat department that gets customers raving—and coming back. Reid’s is one of the few stores around that has its own meat-cutter, a skill that is less and less available as more large outlets stock only pre-cut and pre-wrapped meat. The market carries a wide selection of beef, ready to sell or cut to order. Billy says proudly, “You want your steaks two inches thick, fine. You can even call ahead.” Reid’s selection of pork runs from head to feet—literally. “We sell everything but the squeal” is clearly one of Billy’s favorite lines, and you can always find Kite’s Virginia ham. The offerings of poultry and fish are more basic; fresh fish is delivered once a week.

One innovation that has brought in buyers is the new value aisle. When a distributor has an overage, or a good deal on products the Clements think will suit their customers, they advertise the weekly special on Reid’s Facebook page and website, and in local fliers. These rotating specials can include special-offer meats and produce, as well as staples from canned tomatoes, cereal, and soft drinks to mac-and-cheese, vegetable oil, and Oreos.

Sue is aware the store’s marketing efforts have to expand, and she hopes the attention to its plight will encourage more people to come in the door. “Grocery stores are a penny-making business. But we’re here to serve the community—the people and families that work here, our family, and the families that shop here.”

As for the GoFundMe page, Salgado always saw it as a temporary measure to get Reid’s back from the brink. “The key is to have people patronize the place,” she says. “I hope people know that they ought to be shopping there. I hope they capitalize on this interest.”


Local resources for small businesses

“The challenges facing small local businesses aren’t any different here in Charlottesville,” says Matt Johnson, assistant director of the City of Charlottesville’s Office of Economic Development. “Sourcing supplies, slim margins, the cost of real estate whether you own or rent, attracting the right staff—these are universal problems. But because small businesses usually run with much tighter profit margins, they often have less funding available to facilitate change.”

Long-standing small businesses, especially those that are locally owned, have a special character, says Johnson. “People have emotional connections to these places, where they might have gone as children or shopped in their early years. That’s the benefit of having these businesses—they help to shape the community.”

OED strives to be responsive to businesses of all sorts and sizes, says Johnson. “One of our main purposes is to serve as a point of contact. Whether your business has challenges or you want to position your business for future growth, we want to point you to the resources you need, within city government or outside sources and partners.” He notes that OED is adding a staff person who will be specifically focused on supporting entrepreneurs.

Johnson cited other resources in the area which, like OED, are available without fees—and most of them have programs specifically geared to small, women-owned, and minority businesses:

  • Central Virginia Small Business Development Center offers business counseling ranging from start-up advice to financial, marketing, and workforce development for established businesses; access to market and sector research; and a variety of events and training sessions.
  • Community Investment Collaborative supports development and growth of community businesses and entrepreneurs, focusing on early-stage business education and connection to resources including mentoring, microfinancing, education, and networking.
  • Virginia Small Business Financing Authority is the state’s business and economic development program, which provides access to financing programs specifically geared to small businesses.

Johnson also noted that Piedmont Virginia Community College runs a range of programs for business management and workforce development.

Categories
Arts Culture

Peter Bogdanovich: He was the cinema

Film writer Justin Humphreys remembers Peter Bogdanovich, who passed away on Thursday, January 6, at age 82. His tribute is followed by a re-posting of his 2018 interview with Bogdanovich in preview of that year’s Virginia Film Festival.


Peter Bogdanovich: He was the cinema

Peter Bogdanovich was the cinema—both a brilliant director, and a historian who peerlessly chronicled Hollywood’s golden age. And he was a dear fried.

I first interviewed Peter in 2010 at the Virginia Film Festival (and again in 2018, as posted below). I’d loved his books and films since my teens, and was jazzed to finally meet the grandmaster himself. We hit it off instantly. That afternoon, I kidded him that I sometimes called myself “a poor man’s Peter Bogdanovich.”

“Why ‘poor man’s?’” Peter replied. “You’re just younger.”

We stayed close. I visited him in North Carolina when he taught film there. We hung out in L.A. whenever possible. The last time I saw him was August 2021, at a dinner at director Sam Fuller’s home, which Peter had visited for decades. It was a lovely, convivial evening. We last emailed in December about meeting for lunch.

Peter’s influence on filmmakers and film historians was gigantic. He was our link to so many long-gone greats—I told him he had “The hand that shook the hands.” He profoundly shaped my own life and work.

There’s a stupid old cliché about how you shouldn’t meet your heroes. Peter was absolute proof that you should.


Decades ago, actor/writer/director/film historian Peter Bogdanovich promised his friend and colleague Orson Welles that, if Welles couldn’t finish his work-in-progress, The Other Side of the Wind, he would complete it for him. Now, Bogdanovich, at age 79, has beaten countless setbacks and fulfilled that promise.

Academy Award-winning editor Bob Murawski and co-producer Frank Marshall worked with a team to parse 100 hours of Welles’ unedited footage, shot decades ago by a mostly deceased crew. Marshall describes the process as, “a cross between a jigsaw puzzle and a scavenger hunt.” Together, they assembled a cohesive work respectful of its legendary creator’s vision.

The Other Side of the Wind stars John Huston as Jake Hannaford, a vile, macho director, trying to revive his faltering career with a counterculture movie. Bogdanovich co-stars as director Brooks Otterlake, Hannaford’s protégé. The highly anticipated film will be shown on Sunday at the Paramount Theater.

In addition, Bogdanovich’s new documentary The Great Buster, which chronicles comic genius Buster Keaton’s turbulent life and career, will screen on Saturday.

Ironically, Keaton was one of the few classic Hollywood giants Bogdanovich didn’t interview. “I missed him by about two months,” Bogdanovich says. “I was just trying to find him and he died.” Bogdanovich spoke with C-VILLE’s Justin Humphreys by phone from France.

C-VILLE: After so many failed attempts at finishing The Other Side of the Wind, how did the film finally coalesce?

Peter Bogdanovich: After [producer] Filip [Rymsza] got the two women, Beatrice Welles [Orson’s daughter] and Oja Kodar [co-author/star], to collaborate on the picture, everything else seemed to fall into place. Netflix stepped up to the plate and they’ve been just incredible, I mean extraordinary—better than any studio I’ve worked for. We went over budget and they didn’t even mention it.

You were heavily involved in the editing?

Oh, sure. [The film’s veterans] all were. We all had input. Bob did a very good job. It was a long process. …Everybody worked on it very hard, very diligently, very dedicated, with a lot of love there.

Many of the film’s participants are now gone. How did it feel being one of the last men standing and watching the finished product?

A little strange. I mean, here I am in my 70s, watching myself in my 30s. That was pretty odd. And I hadn’t seen much of the footage with me in it . . . So it was quite an experience, actually. I haven’t quite dealt with it fully.

What was it like being directed by Orson?

That’s interesting. Orson Welles created an atmosphere on the set—not for the crew, but for the actors—where you absolutely felt like you could do anything. You never felt like you shouldn’t do something, or shouldn’t try something, it was a very free atmosphere where you could do anything you wanted. He laughed a lot and made us laugh. He made it a fun set for the actors. [Meanwhile] the crew worked like dogs, like slaves.

They got along famously, [Huston] and Orson. It was great. You know the climactic scene between Huston and me, where I stick my head in the window? Huston wasn’t there for that scene. I played that scene with Orson. That’s why it’s so emotional. And Orson’s only direction to me in that scene was ‘It’s us.’

I sensed throughout the film that it was so much about you two. It was touching.

I haven’t let myself really go with it emotionally. I just watch it and say ‘It’s brilliant and Orson’s brilliant.’ And it’s the best performance I ever gave in a movie, or anywhere.

How did The Great Buster come about?

I had met Charles Cohen before, the producer, I don’t know where. And he asked me if I would like to do a documentary on Buster Keaton, and I said, ‘Yeah, sure.’ And that was it.

It’s wonderful that Keaton was revered at the end of his life, after several rough decades.

Happily, the Venice Film Festival gave him that tribute, which allowed me, in the plot, to come back to the features at the end, which I thought was the one really good idea I had—to make it a celebration and come back to the features at the end rather than the middle.

What do you think is Keaton’s lasting genius as a filmmaker?

He always knew where to put the camera. He was a brilliant actor of comedy—extraordinary. He knew instinctively what to do.

What’s next for you?

I’m not quite sure. Paramount, out of the blue, asked to option The Killing of the Unicorn, the book I wrote about Dorothy Stratten, and they want to make a 10-hour series out of it. As far as features are concerned, the one I’m planning to do but I don’t know if I’ll do it next, because it’s a bit elaborate, is a comedy-drama-fantasy called Wait For Me, that I’ve been working on for 30 years. I think it’s the best thing I ever wrote.

Categories
Culture Food & Drink

Consummate host

The Charlottesville food scene lost a bright and passionate figure when Justin Ross passed away unexpectedly on March 26, at the age of 40. Those who knew the talented restaurateur and wine connoisseur remember him for his beaming smile and commitment to hospitality.

Ross moved to Charlottesville in 2013 to launch modern Mediterranean restaurant Parallel 38 in The Shops at Stonefield, but it was love that brought him here. 

Jackie Bright worked with Ross at José Andrés’ Zaytinya in Washington, D.C., where Ross was the beverage director and general manager. 

“He was probably one of the most exceptional hospitality leaders I had met,” remembers Bright. “He just had this passion for creating an experience for guests, and also brought so much joy to the team.”

Bright left Zaytinya in 2008 to return to her hometown of Charlottesville. She and Ross kept in touch, and reconnected when Bright returned to visit her former restaurant crew. The pair had dinner and fell in love. While trying to decide where to live, one of the employees on Andrés’ team suggested that Ross lead a new concept in Charlottesville, making the couple’s decision easy.

Born in Maryland in 1980, Ross began working in kitchens as a teenager, and spent his whole career in hospitality. “He loved being with people, serving people wine, food—all of the energy around hospitality,” says Bright. He was adamant that his staff use the word guest instead of customer.

Warm, kind, and food savvy, Ross befriended guests and employees alike. They tell stories about his mischievousness—becoming a Red Sox fan in a Yankees family—and whimsy—leading a dinner party into a soaking summer rainstorm.

Former Parallel 38 manager Jesse Fellows met Ross a little less than a decade ago. 

“We became fast friends, and it very quickly felt like he had been in my life forever,” says Fellows. “There are too many stories to pick one, but a common theme among them was Justin’s brilliance, fierce loyalty, and very personal brand of kindness. He always remembered the smallest details and took time out of his busy schedule to make people feel special.”

A wine fanatic who held an Advanced Sommelier certification, Ross frequently delved into his own collection to further a guest’s experience. “When you wanted an excellent bottle of wine and conversation to match, you went to see Justin,” says Tavola’s Michael Keaveny. “And that pork belly dish in the early days of Parallel 38 set the bar for everyone else in town.”

Nothing was more important to Ross than sharing his passions with loved ones. In 2013, he told the Charlottesville 29 food blog: “I’m not sure what’s better about our regular C&O date night, a much-needed break with my lovely lady or the sweetbreads.”

“We had dinner together every single night,” says Bright. “Even when he was working in the restaurant I would wait for him to come home. We always waited for each other.”

He and Bright welcomed a son in 2018, and Ross was thrilled to have a new partner at his side to pursue life’s adventures. An outdoor enthusiast, he took his toddler on hikes at Monticello and Walnut Creek, and kept maps of the trails, marking their progress each time out. When cooking his much-loved Sunday gravy recipe, he’d hold Dash in his arms, teaching him the gifts of his Italian heritage.

“I’ve never seen someone so devoted to a child,” says Bright. “He would refer to Dash as his best friend.”

As Bright reflects on the span of culinary experiences she shared with Ross, sausage and peppers is the dish she will always remember, and she’s especially grateful for their trip to explore the Champagne houses of France, where Ross was playing with dogs, drinking Champagne, and the couple revelled in the extraordinary hospitality of their hosts. In that happy moment Ross was a guest.

At the time of his passing, Ross had recently been hired as the general manager for Jean-Georges Vongerichten’s new fine-dining restaurant at Keswick Hall. He was ready to pour his heart and soul into the high-profile project. “He wanted to create something really special for people,” says Bright.

A celebration of Justin Ross’ life will take place at King Family Vineyards on April 23, his 41st birthday. For information on how to contribute to a college fund for Dash Ross, contact Meredith Coe at coemeredith@gmail.com.

Categories
News

Legalize it right

Nationwide, Black and white people use marijuana at similar rates. In Virginia, Black people make up about 20 percent of the population—but 52 percent of citations for marijuana possession in the last year were given to Black people, says Chelsea Higgs Wise, executive director of Marijuana Justice, a Richmond-based group fighting for the enactment of equitable legalization policies. 

This month, both houses of the Virginia legislature passed bills that will allow legal, adult-only, recreational marijuana purchase and use beginning in 2024. In the next few days, a small conference of legislators from both houses will meet to reconcile the two bills. Governor Ralph Northam is expected to sign the final version into law, making Virginia the first Southern state to legalize the drug.

Decades of racial discrimination in enforcement means marijuana legalization is a consequential criminal justice issue. And for many supporters of legalization, Virginia’s proposed bills fail to provide adequate redress for the harms caused by the decades-long war on drugs, specifically within Black and brown communities.

“As of right now, I’m terrified,” says Higgs Wise. “The bills now are really bad. I would not want them to pass as they are right now.”

In response to the proposed legislation, Marijuana Justice—joined by RISE for Youth, ACLU of Virginia, and 21 other advocacy groups—sent a letter to Northam and the General Assembly, urging them to meet specific criteria that center on racial equity.

A central  point of contention is the legalization timeline. While the state Senate bill would permit simple possession of marijuana for adults as early as July 1, 2021, the House version would not do so until 2024, when the sale of marijuana is also legal.

Many activists also do not think it’s necessary to wait until 2024 to permit the sale or possession of the drug, pointing to the marijuana-friendly states Virginia could look to for guidance. 

“It’s going to take time to establish a new agency and go through a new licensing process, but does it need to take that long? Probably not,” says Jenn Michelle Pedini, executive director of Virginia NORML. “Such a delayed implementation really only serves the illicit market.”

Pedini suggests that legal access be quickly expanded through existing medical marijuana providers, as many other states have done.

Another key criminal justice component of legalization is the expungement of marijuana-related offenses from criminal records. Both bills would automatically expunge misdemeanors and allow those convicted of felonies to petition for expungement. Certain expungements may also require people to pay off court fees.

Automatic expungement of misdemeanors is crucial, but not a conclusive step. “Prior to 2020, anything over half an ounce was a felony,” explains Higgs Wise. “The people who have been most impacted by these unfair laws are the people with the felonies,” which impact career, housing, and education opportunities.

For those currently incarcerated, the new laws aren’t a get-out-of-jail-free card. People who are currently in jail or prison for marijuana-related offenses would be resentenced, but it remains unclear which offenses would be eligible for reevaluation, and when the resentencing process would begin.

The legislation would also make it illegal to have marijuana inside a vehicle, even if it’s not being used. Activists fear this will only worsen traffic stops—a huge driver of marijuana cases.

“Last year, we fought really hard and got the odor of marijuana to no longer be a reason to search or seize in your car,” says Higgs Wise. “In order to continue to criminalize us in the car, now all a cop has to do is say they see a green leafy substance in your car anywhere, and they have a reason to search.”

If a container of marijuana that’s been opened is found inside the car, the driver could be charged with driving under the influence.

Meanwhile, minors caught with marijuana would continue to face harsh penalties under the proposed laws, including fines, drug tests, probation, school expulsion, and the denial of a driver’s license. 

Such punitive measures have proven to have a disproportionate impact on Black youth. While Black and white youth are arrested at similar rates, Black youth are significantly more likely to be incarcerated instead of put into diversion programs.

“There’s actually data that shows us that there’s no increase in youth use because of marijuana legalization,” says Higgs Wise. “Why in the world create more penalties for young people, when we know which young people are going to be the most impacted?”

Categories
News

In brief

Sign of the times

After months of debate over Charlottesville’s honorary street name policies, City Council unanimously approved two requests last week recommended by the Historic Resources Committee: Black History Pathway and Byers-Snookie Way.

Black History Pathway, located on Fourth Street NW between West Main Street and Preston Avenue, pays homage to the city’s rich Black history. It will cut through a former Black neighborhood known as The Hill, which was razed—alongside Vinegar Hill—during urban renewal in the 1960s.

Meanwhile, Byers-Snookie Way, located on 10th Street NW between Preston and Henry avenues, will honor Black community leaders, William “Billy” Byers and Elizabeth “Mrs. Snookie” Harrison. After becoming Charlottesville’s first Black aquatics director in the 1980s, Byers helped create the school division’s swim program, teaching many low-income Black children how to swim. Harrison worked alongside Byers and managed the Washington Park pool for decades.

Out of the dozen proposals sent to the HRC last fall, the committee also recommended that council approve street names honoring Black activist Gregory Swanson, enslaved laborer Henry Martin, and Charlottes­ville’s sister city Via Poggio a Caiano, Italy. 

The committee turned down requests for Tony Bennett Way (and Drive), largely due to the UVA men’s basketball coach’s “previous substantial national and community recognition.”

However, council decided to hold off on approving additional proposals until March. The HRC is also still ironing out the details of the honorary street names policy.

The committee recommends waiving the application fee, substituting the application’s essay section with simple short questions, allowing applicants to choose between a temporary or permanent street marker, requiring two to three letters of support per nomination, and providing historical context on honorary street signs and a website. 

To better handle future honorary street name proposals, the committee advises City Council to create a special naming commission that includes members from related committees.

__________________

Quote of the week

“We’ve come to a strong compromise that reimagines our criminal justice system…to provide a clean slate for Virginians who have paid their debt to society.”

—Virginia House Majority Leader Charniele Herring (D-Alexandria) on the passing of legislation automatically sealing the criminal records of people convicted of certain misdemeanors

_________________

In brief

City offers rent relief 

The City of Charlottesville has distributed $181,000 in rent relief funds in recent weeks, according to City Councilor Michael Payne. The program, initiated to combat the effects of the pandemic, was put together in a short period of time and has already helped 467 local households. 

Credit where it’s due 

Charlottesville Commonwealth’s Attorney Joe Platania has confirmed that Mayor Nikuyah Walker is not under criminal investigation for her use of city credit cards. Speculation about a possible investigation arose in recent weeks after acting City Attorney Lisa Robertson sent a memo to City Council reminding the mayor that “Even a small unauthorized purchase can have serious legal consequences.” However, Platania wrote in a February 22 letter that he has long been “extremely concerned about the lack of consistency and clarity surrounding the city’s credit card policy,” and that he won’t prosecute any cases of potential violations until the policy is rewritten. The credit card policy is just another thing on the already long to-do list of new City Manager Chip Boyles.

Joe Platania PC: Supplied photo

Picture this

Earlier this month, the Virginia House of Delegates voted 99-0 to make the “dissemination of unsolicited obscene images of self to another” a misdemeanor—in other words, they made it illegal to send dick pics without consent. Seems like a no-brainer, right? Well, not to the Virginia Senate, where eight male senators in a 14-person subcommittee killed the legislation, citing constitutional and enforcement concerns. 

Categories
News

Deja vu: Local activists and leaders on how to move forward after chaos

Two weeks ago, the far-right riot at the U.S. Capitol—fueled by President Donald Trump’s false claims that he won the election—shocked people across the world. But for many, it was a familiar scene. As the country looks ahead to a new administration and beyond, Charlottesville’s leaders and activists have hard-won advice for President Joe Biden.

“[The January 6 siege] is the same horrific play we’ve seen over and over again in this country,” says community activist Don Gathers, who was at the infamous 2017 Unite the Right rally. “So much of the opening act of that play looked just like Charlottesville, where the police stood by and did nothing.”

For weeks, watchdog groups and activists repeatedly warned law enforcement that Trump supporters’ plans to violently storm the Capitol—and assault, kidnap, and even kill members of Congress—were posted across social media.

Despite these warnings, the Capitol Police anticipated a crowd in only the “low thousands,” and prepared for “small, disparate violent events,” according to Representative Jason Crow.

So, like in Charlottesville, police on the scene were massively unprepared for the thousands of people who showed up to Trump’s rally. Insurgents later overpowered the police and stormed the building, resulting in dozens of injuries and five deaths.

“It’s not like they were secretive…It was all over the internet,” says community activist Ang Conn, who was also at the Unite the Right rally.

Before August 11 and 12, 2017, members of the far-right also openly discussed their plans to incite violence and threatened local residents online, as well as held a few smaller “test” rallies in Charlottesville, says Conn. Local activists continuously alerted law enforcement and urged the city to stop the event from happening, but were not taken seriously.

“The people who were supposed to be keeping the peace had all of this information given to them and they ignored it,” says Tyler Magill, who was hit on the neck with a tiki torch during the Unite the Right rally, later causing him to have a stroke.

Video evidence also shows several Capitol officers moving barricades to allow rioters to get closer to the building, as well as one taking a selfie with a member of the far-right mob. Some rioters were members of law enforcement themselves, including two off-duty Virginia police officers.

The scene at the Capitol serves as a stark contrast to the nationwide Black Lives Matter protests last year, during which police deployed tear gas, pepper spray, rubber bullets, and other types of force against thousands of people, and made over 10,000 arrests.

“If Black and brown folks were to do that exact same thing [at the Capitol], we would be dead,” says Conn.

Now, those who were present for the Unite the Right rally say a key to moving forward is to hold the perpetrators accountable.

Since January 6, federal authorities have arrested around 100 people, and say they could arrest hundreds more.

“This cannot be seen as anything other than armed insurrection,” says City Councilor Sena Magill, speaking solely for herself. “It needs to be very clear that people who participated in this need to be prosecuted, and not lightly. …Representatives who instigated this also need to be held accountable.”

Tyler Magill says it’s crucial to expand our definition of white supremacy. “We as a society just don’t take far right extremists seriously,” he says. “We think of it as rednecks [and] trailer park people when it’s not—it’s everybody. The people at the Capitol riot tended to be middle class and above, and the same happened in Charlottesville.”

Other activists have warned that arrests or the threat of arrests will not be enough to deter far-right extremism on—and after—Inauguration Day, pointing to white supremacist calls for violence online.

“We know that they’re not finished,” says Gathers. “I’m fearful for what may happen on the 20th of January, not only in D.C. but really all across the county.”

And though Biden’s inauguration, and the end of Trump’s term, will be a cathartic moment for many, Conn emphasizes that it won’t solve our problems overnight. After the inauguration, she anticipates more white supremacist violence across the country, and says she doesn’t expect President Biden to handle the situation in the best possible manner. Instead, she fears the new administration will ramp up its counterterrorism programs, which are “typically anti-Muslim and anti-Black,” she says.

“The change of the administration doesn’t change the fact that the system of white supremacy is embedded in the fabric of what we call America,” she explains. “We cannot expect [anything from] an administration that condemns uprisings stemming from state violence against Black and brown folks but calls for unity without resolve.”

Gathers also does not agree with the calls for unity made after the riot. “You can’t and shouldn’t negotiate with terrorists, and that’s who we seem to be dealing with,” he says.

However, both activists hope that now more people will not only see white supremacy as a serious threat, but actively work to dismantle it.

“We’ve got to figure out how to change not only laws, but hearts and minds,” says Gathers. “If what we saw [at the Capitol]…and in Charlottesville in 2017 wasn’t enough to turn people around, I’m not sure what it’s going to take.”

Categories
News

UVA Football team falls to Louisville in first ACC loss

The University of Virginia football team suffered a tough loss to Louisville Saturday, on an otherwise perfect fall afternoon at Scott Stadium. The Cavs, whose October 12 defeat was their first in the ACC this season, had a couple of memorable special teams miscues and questionable play calls in the red zone that sank what were otherwise solid performances from many Hoos on both sides of the ball. 

The highs

Quarterback Anthony Colandrea was once again solid in the passing attack with 279 yards, one touchdown pass, and no interceptions on the day. But it was his legs that kept things moving for UVA. With a season high 15 carries for 89 yards he looked dynamic scrambling out of the pocket when necessary, and picked up multiple key first downs to extend drives. 

On offense, fourth-year wide receiver (and Monticello High School standout) Malachi Fields (nine receptions for 129 yards) and Harvard tight-end transfer Tyler Neville (seven receptions for 64 yards), have clearly become two of Colandrea’s preferred targets as the season has progressed. Expect to see more of Neville, especially in the offensive game plan from here on out. He has great rapport on the field with Colandrea and has been an invaluable asset in mid-range third-down situations. Just about the only thing neither Fields nor Neville managed to do Saturday was find the end zone, as UVA stalled out on multiple drives in Louisville territory.

On the defensive side, safety Jonas Sanker, a Covenant School grad, continued to impress. With 11 tackles, eight of which were unassisted, Sanker seemed to somehow be everywhere all at once. He brings an explosive energy to a UVA secondary that, to be fair, was overall pretty solid given its tall task on Saturday. It limited a strong Louisville receiving core (which includes former four-star recruit and recent Alabama transfer Ja’Corey Brooks) to just one TD and 231 receiving yards.

The lows

UVA’s control of the Louisville run game was abysmal. Louisville running back Isaac Brown ran wild all game long, picking up two TDs on 20 carries for 146 yards from scrimmage. This is something the coaching staff must address before the team’s next matchup, on October 19 at noon against No. 10 Clemson, whose fourth-year running back Phil Mafah has consistently shown he’s more than capable of doing similar damage against a porous defensive line.

Some of Saturday’s play-calling, particularly on short-yardage downs and in the red zone, was a bit suspect. I’m sure I wasn’t the only one scratching my head about a fourth-down passing attempt instead of kicking an easy field goal before the half. Perhaps the result of an aggressive coaching philosophy, or potentially a lack of conviction in the run game (or some other aspect of the offense), but there’s certainly something to be said for having the lead going into the locker room at halftime. Even if it’s only by three points instead of seven.

Categories
Abode Magazines

A Greenwood farmhouse holds the stories of yesterday and today

“We weren’t looking to move,” recalls Britt Davis. It was April 2019, the Davises had recently renovated the kitchen in their house in Ivy, and Davis had been away on a trip. “When my husband picked me up at the airport, he said he had something to show me and drove straight to this house. We came around the corner, I saw this place, and that was it.”

“This place” is a 19th-century farmhouse on 16 acres in Greenwood. “I’d always dreamed about living in an old white farmhouse,” says Davis, so the house—built in the 1840s, added to in several stages, and still full of rural character—was perfect. 

Well, almost. It did have five bedrooms, helpful since the Davises have four young children. It did have a pool and pool house, built in the 1990s. It did have a barn—Davis’ husband Jared, a pain management physician, has an avocation for farming (chickens, pigs, goats, and bees). The house and yard were large enough for entertaining (the Davises love to have friends over). 

Photo: Stephen Barling

But the layout of the first floor didn’t really work, and the interior “was really stuck in the ’90s,” Davis says. Luckily, she is also a painter and interior designer (her firm is called Art & Adorn), so the Davises began working with architect John Voight and builder Castillo Construction to update the house while keeping its historic character. 

In the farmhouse’s spacious foyer, creamy white walls show off the original beams that have been stripped and refinished, and the oak flooring is original. Along one wall is a 10′-long spindle bench that Davis found in a country antique store in Maine. In the center is a vintage round wood pedestal table, holding one of Davis’ own free-form flower arrangements and a 1935 book about local historic houses—including a page about their house having been a Presbyterian girls’ school and the first farm to grow Albemarle Pippin apples.

Photo: Stephen Barling

The dining room next to the foyer mixes old and new, with original beams and oak flooring, but modern lighting (including a lovely new-old Marigot chandelier from Visual Comfort) that still fits the house’s character. The walls and ceiling are papered with a William Morris tapestry-like design called The Brook, a pattern that is 160 years old, almost exactly the age of the farmhouse.

The next room, originally a bedroom that was then used as a living room, has been converted into the heart-of-the-home kitchen. The front wall features a seven-burner Lacanche stove, framed by two window seats. In the center is a large island made with wood from a walnut tree found on the property, topped with Arabescato Carrara marble (this stone, and the soapstone counters and backsplashes, are custom from Albemarle Stoneworks). The vintage-looking Heirloom Gasolier lights over the island are from Devol, as are other lights and fixtures.

Photo: Stephen Barling

Davis and Voight strove to make sure all this modern convenience and style wouldn’t outweigh the house’s historic character. The kitchen beams, of reclaimed wood, have been milled to match the originals; the reclaimed-wood flooring is from The HeartPine Company. The original coal-burning fireplace (the house has 12 of them) has been fitted with a modern wood stove, and behind the firewood niche some of the house’s original brickwork has been left exposed.

Running along the back side of the original farmhouse was a screened porch that was later enclosed as a kitchen, and renovating this into a working/storage space that Davis calls “the scullery” was her three-year pandemic project. The counters and cabinets are more walnut from their own tree, and the antique terracotta floor tiles are French. While this space is separated from the kitchen with a wall of interior windows, the two areas are unified with the same warm gray-green (Benjamin Moore Sandy Hook).

Built in at one end of the scullery is a floor-to-ceiling storage cabinet, built by Jeff Cherry of Creative Construction. At the other end, just off the back entry/mud room where Davis has her flower-arranging space, is a breakfast area; using another William Morris design called Blackthorn for both walls and ceiling helps create that cozy “nook” feeling. 

On the other side of the house, left of the foyer, is a room a 1970s resident had paneled in a warm dark wood. This room (“the parlor”) shows the eclectic taste that is Davis’ hallmark—a Federal eagle convex mirror over the fireplace, 19th century-style landscape paintings and some of her own abstract oils, a round marble-topped side table from Artful Lodger, and a huge wood-block coffee table from Green Front. 

Photo: Stephen Barling

Beyond is the study, a small room Davis has recently painted with walls and ceiling in terracotta. Past that is the 1990s addition, which houses a bedroom and a fieldstone-walled screened porch; upstairs is the primary bedroom suite. The main house’s second floor has the other three bedrooms and the kids’ bath/laundry room.

The result is a home that feels both of the past and of the present. The house still has its authentic touches: the beamed ceilings, the heart pine flooring upstairs, the cubbyhole spaces under the stairs and in the attic. But the home isn’t meant to be a period re-creation. The rugs on the wood floors are one-of-a-kind pieces from Holdingforth, a local supplier of quality imported textiles. Davis’ go-to décor stores are Eternal Attic and Patina in Charlottesville, Greenwood Antiques, and Revival in Richmond. The artwork comes from the family’s travels, as well as from local women artists and Davis herself. 

And then there are the pieces that tell the Davis family history. The teacups in the larder are from the couple’s respective grandparents; the breakfast table is maple from one of the farm’s trees, mounted on a trestle that has been in Davis’ family for generations; a dainty secretary in the parlor belonged to her great-grandmother. Davis has boxes of large framed black-and-white photos by Amy Nicole Photography documenting their children’s growth—she just needs to find the time to display them in the stairwell, in between painting and decorating and entertaining and school shuttles. But then, that’s part of family history, too.

Categories
Abode Magazines

Local real estate market (mostly) tracks national trends

Charlottesville area homes are selling at higher prices on average this year than they were in 2023, but they’re sitting on the market longer, and total sales are down. That roughly matches what’s happening nationwide, but there’s a key difference, according to local realtor Paul McArtor.

“Charlottesville is so tied to the university, government, and hospitals, so we have a natural churn of people that have to leave and come,” McArtor says. “Our market is just kind of going to follow that cycle.”

According to McArtor, that means both sellers and buyers should feel confident in making moves these days, even as the season comes to a close and many folks around the country look toward next spring to act on their housing plans.

Homeowners going to market today should expect a roughly 5 percent uptick in their selling price from this time last year, according to Zillow data, with current typical home values sitting at $490,890. The local median sales price, per Redfin numbers, is up quite a bit more, to $550,000, a nearly 20 percent increase from August 2023.

Buyers, meanwhile, can expect to see lower interest rates than they did last year (in September, the Federal Reserve lowered key interest rate by half a percentage point). McArtor notes that those rates won’t be anywhere near as low as they were at the start of COVID-19, but they are inching closer to pre-pandemic levels.

Will sellers see the effects of the slight uptick in time-on-market across the local landscape? Maybe, maybe not, McArtor says.

“That is a little bit of a flaw, especially because many buyers and sellers have only been paying attention since the pandemic,” he says. “If you compare us to a year ago or two years ago, homes are staying on the market longer. But if you compare us to five years ago, this is normal.”

McArtor advises sellers to act like they’ve seen it all before. Sure, some homes will sell on their first weekend, but a couple weeks or even months of waiting is no reason to panic.

Critically, inventory remains low locally, as it is nationally. Housing availability is slowly ticking up, but McArtor says we haven’t yet reached a balanced market. Part of the low supply is driven by limited space to build, but the 3-year-old interest rate nadir is also making some buyers hold onto their property when they might otherwise have sold.

One real estate trend McArtor suggests is not reflected in reality is the notion that housing prices are slumping toward the end of the selling season. Observers might see single-unit price drops, he says, but that actually points to higher-than-comp opening prices, rather than an actual market dip.

In McArtor’s experience, sellers do need to be more proactive now than they were when the market was red hot in 2022. “They need to prep their houses to be sold nowadays,” he says. “For that stretch of time, it really felt like a seller just didn’t have to do anything. It didn’t matter if it needed repairs, someone was going to buy it. Because there is a little bit more inventory, prices are still high, and interest rates are coming down, buyers aren’t necessarily willing to just take anything.”

For prospective homeowners waiting to see if interest rates drop further, McArtor says there’s no need. The market is showing signs of pent-up demand, and prices could continue to climb, so buy now and refinance if rates do decline. “If you go ahead and buy now, you could get today’s price with tomorrow’s interest rates,” he says.

Categories
Abode Magazines

Local couple makes their eco-dream home—literally

Daniel and Meghan Edwards dreamed of building their own home. As committed environmentalists, they wanted it to be both livable and sustainable. Their budget was minimal, their commitment unwavering, and after almost 10 years, they have settled outside Stanardsville on their own little patch of land—in a home built of earth.

“It’s is the first compressed earth block house in the state of Virginia,” says Meghan proudly.

“We wanted to build sustainably,” says Daniel, “to make an impact on the world. We looked at Earthship homes and cob houses, but CEB was the best solution.” Its advantages: Earth block is cost-effective and energy-efficient to construct; contains no toxic materials; reduces energy costs for heating and cooling; and resists rain, rot, and natural disasters. 

Compressed earth blocks are the size of bricks but made of sifted subsoil with a little binding agent, and they are shaped like LEGOs, only larger (the “interlocking” part removes the need for mortar). The Edwardses made all blocks they used out of the soil they excavated on site—so, no carbon emissions from transportation. 

The block walls are reinforced with steel rebar, while the structure’s front and side walls have what Daniel calls “buttresses” (external block columns for additional strength), and the rear of the house is built back into the hillside. The insulation on the exterior is sealed with earth-toned stucco that gives the house a Taos Pueblo look—or, with its grassy living roof and garden of plants and wildflowers, the house could just as easily be in Hobbiton. 

Photo: Stephen Barling

Building this home was not only an environmental statement, but also a four-year DIY project. Daniel, who has a background in project management and is also a personal trainer, did almost all the building himself—during which his training background really helped. He’s also quick to credit the support the couple got from family and friends: “Meghan’s father helped, my father did all of the electrical work, and our mothers watched the kids while we were working.”

Daniel learned how to run an excavator, and how to safely take down the trees that had to be removed. When he couldn’t find a local CEB supplier, he rented a compressing machine and operated it himself. “I absorbed as much from other people as I could,” he recalls, “but doing anything new takes four times longer—all these variables come up, and then of course you make mistakes.” (Early block efforts that didn’t quite make the grade have been used for landscaping.)

Daniel worked with an engineer to make sure the structure was strong enough, and with an architect to make sure the house met permitting requirements. Meanwhile Meghan was running her own eco-friendly swimwear business (she sold it in 2020); helping Daniel on site; and having two children (a great motivator, says Daniel. “It made me want to get the house finished.”) Their third child was born in 2022, two weeks after the family moved into their new home.

Inside, the Edwards’ house is one large central space with exposed earth-block walls, an open structural steel roof, modern appliances, a huge concrete kitchen island (“my command center,” says Meghan); and comfy sitting and dining areas. “Our friends tell us we look like a Starbucks,” she says.

The light tan of the unfinished block walls gives the interior a warm, cozy feeling, and the large windows facing southeast provide lots of light. The hand-rammed earthcrete floor, finished with a cement-based self-leveler, is smooth for bare feet. Decorating was Meghan’s project. Most of their furnishings—soft sofas, colorful rugs and hangings, wooden-slat doors, even the bathroom vanities—are secondhand or salvaged, as part of the couple’s environmental ethic. 

On each side of the main room are doorways to the bedrooms, office, and bathrooms. At 1,350 square feet, the house is not large, but with the open layout and the robust front yard, it has everything the young family needs. While Daniel laid the two patios, Meghan did all the landscaping; the flowers beds are rimmed with tan quartz stones removed in the excavation, and she’s working to fill out the garden with native and salvaged plants. Next year: a rooftop vegetable garden with a chicken coop.

Daniel and Meghan are delighted with their CEB home. One bedroom may eventually be a little small for three children, but “for now, the kids are always in the big room with me—or outside,” says Meghan. They may add another room later, or convert her office space. The couple even talks about what they would do if they were to build another CEB home: “Next time we’d put the HVAC into the walls … next time, we might make the roof a block dome instead of steel beams.” Clearly, they are up for the challenge.

Categories
Abode Magazines

UVA reopens its main library after a massive 3.5-year construction project

What’s 80 years to a library? The Rotunda itself served as the University of Virginia’s main volumes venue for more than 100 years, after all.

But by 2018, eight decades after a new library took the Rotunda’s place and shepherded in an era of research-driven scholarship, change was necessary. UVA administrators decided they would take on one of the most challenging renovations in school history: expanding, reorganizing, and overhauling Alderman Library.

“From a construction point of view, it had never had a major renovation,” construction project director Kit Meyer says. “There was some discussion of renovating in the ’70s, but the students complained about their main library being closed.”

The $141 million Edgar Shannon Library, as it’s known now, officially opened in January, more than three years after construction began. Led by UVA architect Brian Hogg and Chicago-based HBRA Architects, the project involved gutting the 100,000-square-foot structure, demolishing what were known as the Old and New Stacks, and building a 130,000 square-foot, five-story addition.

A university statement just before the library’s grand opening said the renovation was intended “to create light-filled, easily accessible study space for users” while maintaining the building’s historic interior features. The result is an aesthetically vintage structure with modern conveniences designed to both allow people and books to coexist and match the way we now use libraries.

According to Elyse Girard, executive director of communications and user experience, library-goers in the past entered and headed for the service desk. Now, assisted by online search and navigation tools, they browse on their own. All but one card catalog is gone from the new library, with digital kiosks helping guide bibliophiles. The study rooms have digital amenities as well, like monitors and ample connectivity.

The books, some of which are still finding their way to the library, haven’t been replaced by digitization, of course. “The books on the shelves bring life to the building, and you really notice that as we fill floor to floor,” Girard says.

Meyer says physical books were a driving force behind the renovation. Logistically, UVA needed more space for them, both on site and in climate-controlled, off-site storage. And environmentally, publications and people like different conditions. Modern technology allows the Edgar Shannon Library to balance the dry atmosphere books prefer with the fresh air humans like to breathe.

With an eye for preserving the library’s original design, some of the rooms in Shannon library seem unchanged at first glance. That’s a feature not a bug (book?), Girard says. It makes folks who remember the old library feel comfortable. Some design elements, like the prominent iron railings, are even taken from the university’s original Rotunda library. Other parts of the structure are new and surprising, giving the next generation of Hoos a chance to love the library in their own way.

“We are a public library and a community space,” Girard says. “People think of us as only supporting faculty and students, but anyone can come in and use the library, and we encourage that.”

Categories
Abode Magazines

Local homewood firm branches out, stays true to its roots

The HeartPine Company made its name crafting custom products from stuff a lot of people would throw away. It’s that commitment to finding beauty that has allowed the firm to thrive for 25 years.

“I think there are two or three things that make it different,” says Debra Kirschnick, who directs the company’s sales and marketing efforts. “One is that [the owners] really treat you like family. Two, they give you autonomy. They know their employees want to do what’s best for the company, understand what your strengths are, and let you make decisions.” The third thing, Kirschnick says, is how hands-on ownership remains even after a quarter decade. 

Richard Morgan Sr. launched the HeartPine Company in 1999, selling antique heart pine flooring to discerning builders, designers, and homeowners. Operating out of Nelson County, the firm’s one and only product when it launched was heart pine. Richard Morgan Jr. joined his father’s company after graduating from college and dabbling on his own in the wood biz for a few years.

“It just started when I was renovating an old farmhouse,” Morgan Sr. says. “The house was from the early 1800s, and I was trying to find material. I had been farming full-time, and it just mushroomed from there.”

From the beginning, HeartPine was a manufacturing-intensive business, with a focus on milling and kilning products to the high-level specs the Morgans and their customers demanded. The company grew quickly, hiring more people to operate its at-the-time small manufacturing facility. The Morgans hired another sales person and then another, Kirschnick. Today, HeartPine employs 35 people across its 35,000 square-foot manufacturing plant in Amherst and storefront showroom on Market Street in downtown Charlottesville.

HeartPine has received multiple local awards and was recently featured on “World’s Greatest Television,” a series highlighting successful family-owned businesses. In addition to serving clients in the local area, HeartPine ships product nationwide.

With natural wood more expensive than vinyl flooring and other competitive products, HeartPine serves primarily high-end builders and designers, but the company also sells some flooring directly to consumers. While Kirschnick says pine remains the firm’s “heart and soul,” HeartPine moved into reclaimed oaks and hickories early on, then into a line of newly sawn wood. Today, the it sells European and domestic oak in the form of not only flooring, but also custom beams, stair treads, and millwork. A line of French oak—distinct from European oak—is coming online next.

Everything is bespoke, and two products are rarely, if ever, the same. Sourcing is a constant challenge. Consumer preferences make things even trickier for wood-makers. While buyers for years were hooked on gray tones, they are now moving into more organic colors like browns and sandy tans, according to Kirschnick.

“We’re all still really drawn to the antique woods,” she says—the Morgans have it throughout their own homes. “The antique part of the business is complex. The buying is very difficult because people don’t always tell you the truth about what they have.”

That’s where the Morgans and their team excel, verifying every piece themselves with no regulatory authority providing much support, Kirschnick says. HeartPine’s book of business is still about 50 percent reclaimed wood, 35 percent European oak, and 15 percent newly sawn wood (mostly domestic oak). Kirschnick expects the new French oak line to take over about 10 percent of the sales mix. Reclaimed wood, which remained relatively price-stable through the COVID-19 pandemic and is actually less expensive now than it was five years ago due to sourcing efficiencies, shifts in pricing strategies, and competitive pressures, is about 30 percent pricier than newly sawn wood.

Where in the United States does heart pine fare best? In the areas of the country where it once dominated the forests, an expanse stretching millions of acres from the southern part of Virginia, down to Florida, and across the plains to Texas.

“Heart pine actually built this country,” Kirschnick says. “As soon as Jamestown was settled, the king put a mark on the pine trees and said, ‘These belong to me.’”

Categories
Abode Magazines

Father and son are reclaiming the craftsmanship of the past

When Peter Hunter was growing up in Cismont, his father would take him out driving along the back roads in the Southwest Mountains, where the young boy felt drawn to the old derelict houses scattered through those woods and fields. Years later, Peter took his son Blake along on his drives through the Blue Ridge and the Shenandoah, searching for the same abandoned treasures. Now Peter and Blake are the go-to team for reclaiming a taste of the past.

Peter’s love of reclaiming old materials began with salvaging run-down or derelict buildings; “I learned to build by unbuilding,” he says. As a young man, he lived in an abandoned house and fixed it up; over the next decade he worked for a cabinet-maker and a stonemason, and on new construction to gain those skills as well. He bought 20 acres in Batesville, using it to store the salvaged materials he was collecting all over central Virginia. After marrying his wife Debbie, Peter built a home on his land out of an old cabin from a friend’s property and materials he’d salvaged, including a homestead chimney and chestnut logs from a livestock pen on his property. “I was gathering these great materials—unbelievable craftsmanship, and the skills that were passed down. And I couldn’t afford to buy new materials, so …”

By the late 1980s, Peter was becoming well-known for his cabin restorations—and on the side, playing in a band called Cabin Fever. “Back then, there were no restoration stores,” he recalls. “But people had the money [to pay for restoration], and there was a sense … a love for old things.”

Soon Peter was tapping in to a community of people interested in reclaiming and reusing. “Yes, you need the materials,” he says, “but you also need the craftsmanship, and the environment in which you’re allowed to do it.” He could have built a company just doing restorations, but Peter wanted to keep his hands in the work, and train the next generation. “I want to share what I know,” he says, “and I can spot a young person who has the feel for it.”

“He’s constantly training, to pass the knowledge on,” says Blake—who knows first-hand. At age 11, Blake started helping his father out, going on salvage trips and gathering materials. “I remember we had these big piles of slate [shingles],” he says. “We were taking the slate off a UVA frat house roof, getting in before it was demolished.” Blake worked for his father every summer through high school, and during a gap year before college built his first stonework chimney. (“It’s still standing,” he says with a grin.)

But Blake had also inherited another of his father’s passions: “I was going to be a musician.” He went to music school in Boston, coming back every summer to make money working for his father. After graduation, Blake and his band, Trees on Fire, came to Charlottesville to live in a cabin and work for Peter—and stayed. Blake is still playing gigs around Charlottesville, now with a group called The Gatherers, but he’s also launched his own business, Feather Stoneworks. 

Father and son have found that doing what they love, creating something both old and new out of historic materials, requires a special kind of client—someone who loves craftsmanship, and has both the money and the time to have the job done right. One client who shares his passion is local software engineer Matt Lucas; he brought the Hunters in on the restoration of his family’s 19th-century house in Free Union a decade ago, and has had them working since on projects from a Revolutionary-era cabin in Crozet to a barn restoration. “It’s a really good marriage,” says Peter—after all, Lucas is a dedicated salvager, with his own barn full of historic building materials.

These days, Peter is consulting on design and construction, while Blake wants to incorporate what he’s learned about craftsmanship into his stoneworking and design firm. “I hope to continue moving towards building more creative outdoor living space designs with stone, while incorporating reclaimed material and a traditional design aesthetic,” he says. 

And there’s no question the old skills are still needed. A dry-laid stone wall Blake recently built along a section of creek in downtown Batesville, with steps up to a backyard patio, withstood the summer flooding after Tropical Storm Debby. Blake’s pretty proud of that work—it’s built to last a long time.

Categories
Arts Culture

JSAAHC adds highly detailed Black spaces exhibition to its permanent collection

“Toward a Lineage of Self” is the latest addition to the “Pride Overcomes Prejudice” permanent exhibition at the Jefferson School African American Heritage Center. Featuring an interactive digital map, the exhibition uses deed records, oral histories, documents, and photographs to show how Charlottesville’s historically Black neighborhoods came to be, the struggles they faced when confronted with racist civic policy, and the community’s response.

With photographs and descriptions, the map breathes life into the past, enlivening the facts it lays bare. The map has three categories: community, civil rights, and discrimination—and what emerges is a picture of a vibrant, well-organized, and prosperous community that supported its members, and when discriminatory practices were introduced, joined the fight for civil rights. 

“They structured their lives within this space of legalized apartheid. There’s no other way to describe it,” says JSAAHC Executive Director Dr. Andrea Douglas. “It says in the minutes of the City of Charlottesville … ‘This will accomplish racial segregation in our city.’ You can’t get past those documents and those are the things that are important as we start to think about what is equitable.”

“The minute that African American people leave enslavement, they begin to shape Charlottesville,” says Douglas. “They begin to purchase property, they begin to create their home places, and they begin to build around those places the ancillary needs—the grocery store, churches, and community aid societies … and they’re doing it in the built landscape and they’re doing it at a rapid rate, facilitating this ascendancy for each other—that is what ‘Toward a Lineage of Self’ really articulates.”

One example is John West, a successful barber and the first Black man elected to Charlottesville’s Town Council. He was responsible for more than 600 property transactions between 1870 and 1927. As a landlord, he offered reasonable rates and made home-buying possible for many African Americans. 

Similarly, the Piedmont Industrial Land Improvement Company was formed by nine residents, who pooled funds to buy more than 50 properties in its 26-year history, providing both affordable housing and economic returns to its investors. And the fact that Charlottesville’s Black community managed to build seven churches between 1864 and 1919 is a testament not just to its faith, but also to its prosperity.

“The whole of Charlottesville’s center was Black-owned,” says JSAAHC Director of Digital Humanities Jordy Yager. ”This had never been articulated before. We talked about all these different neighborhood pockets like Vinegar Hill, Fifeville, etc., but once you look at it in its entirety, you really start to see how large the center of Charlottesville is as a Black space.” The area totaled some 800 acres.

Yager, a journalist and Charlottesville native who’s written about Vinegar Hill and the gentrification of the 10th and Page neighborhood for this publication, has accumulated hours of taped recollections for C-VILLE Weekly stories, which he offered to JSAAHC for its oral histories archive. Out of this came an initiative, supported by a grant from the Virginia Foundation for the Humanities, to collect interviews about what it was like growing up Black in Charlottesville. 

An offshoot of this, Mapping Cville, began around the same time as the Unite the Right rally in August 2017. “After that we had a reckoning in Charlottesville in terms of [the city’s]  history,” says Yager. “It was then we realized, we really didn’t know that history. We knew that racist housing policies were enacted, but we didn’t know where and we didn’t know how.”

Armed with a Charlottesville Area Community Foundation grant and with the cooperation of city and county clerks, JSAAHC digitized an astounding 300,000 pages of property records. Then, using optical character recognition software, the racial covenants were extracted.

More than 2,000 community members helped log the information to create what Yager says is  “The first complete database of every single racially restricted property in Charlottesville that’s ever existed.” 

“Toward a Lineage of Self” spells out the retaliatory discriminatory practices—land seizures, racial covenants on deeds, intentional lack of city services, like water and sewage, that were instituted by local and state governments alarmed or offended by the progress—their affluence and their successful voter campaigns, which, among other things, helped elect James T.S. Taylor to the Constitutional Convention of 1868—made by Black residents.

The uncomfortable truths revealed by the research must be dealt with. These truths are not lodged in the distant remove of ancient history; you only have to look around Charlottesville to see the fallout of this civic-endorsed inequity. 

“Toward a Lineage of Self” operates on both a micro and macro level, providing a vivid road map for descendants of the people who formed Charlottesville’s Black community, while at the same time revealing the larger ramifications of systemic racism and inequality.

“We can give people their histories, but we can also engage in a conversation about repairs,” says Douglas. “We can also engage in a conversation about present-day housing practice. In this age when the truth is contestable, the forensics are not, the paper trail is not contested.”

Categories
Arts Culture

An otherwise brilliant version of The Scottish Play

“We do it with the lights on,” says The American Shakespeare Center’s Blackfriars Playhouse website about its use of “universal lighting.” So right up front you know that whatever you see in its elegant, woody environs will take place with the house lights aglow. 

Understandably, in its staunch attempt to maintain historical accuracy wherever possible, the ASC’s staging conditions reflect the decision to keep the joint looking like what we surmise The Bard of Avon may have presented himself. Admirable. 

Watching other Shakespeare and Elizabethan plays at ASC, that decision has never been an issue for me. With its engaging acting and uptempo pace, the company’s current production of Macbeth, directed by José Zayas, works on many fronts. Yet, I feel that it suffers at times because of that unwavering dedication to keep the room well-lit. 

And while the Blackfriars of old did it with the lights on, too, the pre-electric powered atmosphere would have been a much dimmer affair. I’m willing to concede that this may be my own hang-up. After all, I hold Macbeth close to my heart as a supernatural bloodbath of a play, more than a political thriller or a treatise on the dark nature of man.

Aside from my personal grievances, it’s a great production. And before we go into my gripes, here’s the gist of the story for anyone who’s forgotten: Three witches tell Macbeth that he’ll be king, and then he and Lady Macbeth murder a bunch of people they’re close with to make that prophecy happen faster. It doesn’t work out, and they both die too.

This production has many positives that have nothing to do with lighting. K.P. Powell does a thoroughly commendable job as the sometimes fierce, sometimes cowering Macbeth, interpreted with an irrepressible warmth. While just about every version of The Scottish Play unwinds a coldly reptilian, and at times weak-willed character, Powell, to my memory, may very well be the only likable Macbeth ever created. He’s almost too charming—and occasionally quite funny—but if we’re to believe that the role he’s assumed convinces those around him of his goodness as he slashes his way up the political ladder, the charismatic portrayal checks out.

Nervous laughter elicited from the crowd at odd times is surely the result of Powell’s continued eye contact with audience members under such illuminated conditions. No doubt they were often laughing a bit more than the script—or Powell for that matter—was pulling for.

Alongside Powell, Kenn Hopkins, Jr. as Macbeth’s ill-fated bestie Banquo, is a mountain of a man with a booming voice that positively fills every corner of the theater with a strength demanding attention. Also excellent, Angela Iannone embodies a commanding King Duncan, summarily slain offstage in Act Two. 

Though there’s clearly a challenge in tasking a troupe of eight with performing no less than 16 characters, it felt like the main looming hindrance—lights—threatened the overall success of this interpretation. For me, the three “weird sisters” have an appropriately otherworldly quality elevated by a trio of grotesque, mascot-like, oversized heads and gauzy flowing shrouds. When they emerge at the start of the play to predict Macbeth’s future, they could be frightful and monstrous. They should be. Yet they are too plainly out in the open, undermining the ability to persuade us we’ve settled into the hazy Scottish moors in the thick of a thunderstorm.

The lack of obscurity works against the action indicated in the text later on as well. Deep in the “thick night” and “blanket of the dark,” Lady Macbeth mentions when she and her husband carry out their regicide, it’s just more difficult to buy. An audience always requires a healthy suspension of disbelief, but it was asking too much of Leah Gabriel (Lady Macbeth); a proposition made even more difficult when she’s wandering about insanely whispering over her part in the king’s murder in the final act. 

During the play’s culminating scenes of war, the light strikes again. Tragic hero Macduff avenges his slaughtered family and rights the wrongs against the royals by killing and beheading Macbeth—yet spirited, compelling Aidan O’Reilly is undermined by the visual clarity of the action. The fight scenes would work well in a more strategic staging, but as O’Reilly and Powell grapple and stab at one another, the brightness of the room casts their struggle as mere pantomime unbefitting such fine acting.

One saving grace of staying historically accurate comes in the incorporation of persistent musical elements, albeit with a 21st-century vibe. The unexpected use of the bass line of TV on the Radio’s “Wolf Like Me” (incorrectly credited to a cover version by Lera Lynn) helps build tension. Same goes for other dramatic moments heightened with a cacophonous soundtrack made off-stage with a din of drums and crash of cymbals.

To be fair, I’m not suggesting that the ASC needs to install spotlights and dry ice machines at Blackfriars. Only that perhaps more serious consideration be given to uphold the darker interests of a sinister, spooky play. Yet if you always imagined Macbeth, at its core, as a backstabbing title tussle or a psychological thriller about the power of suggestion, you’ll love this even if you have to wear sunglasses.

Categories
News

24 spooktacular activities for your pre-Hallow’s Eve to-do list

What do we always say? If you’ve got it, haunt it—and Charlottesville’s got “it” in spades, as long as “it” is a frightening amount of Halloween (and pre-Halloween) fun. You’ve got just over three weeks to drink in all the boos you can handle, and we’ve scared up the best options in (and out of, if you’ve got your broom handy) town. Happy hauntings!

Let’s boo this!

File photo.

While we prefer to gorge on Laffy Taffy, bite-sized Snickers, and Dubble Bubble, we know some of you crave a little, shall we say, balance. Don your costume for the YMCA Gatorade Halloween Hustle—a family-friendly 10k run (or two-mile walk, which we hear includes treats and surprises) and sweat out the sugar. Proceeds from the event support YMCA financial assistance, so everyone has access to the facility. $40-75, 8:30-10:30am. October 26, Brooks Family YMCA. piedmontymca.org 

Poison pen

You don’t have to write the great American novel to gain notoriety around these parts. Instead, enter C-VILLE’s annual Two-
Sentence Horror Story Contest and hear your words read
aloud by actors from Live Arts theater (and published in the October 30 issue of C-VILLE). Remember: two sentences only, by the stroke of midnight on October 11. Visit bit.ly/2024cville horrorstorycontest to enter.

File photo.

Yappy Halloween!

File photo.

Three for the doggos

Strut Your Mutt Halloween Pageant

A benefit for Caring for Creatures, The Shops at Stonefield’s annual pageant includes a K-9 costume contest (with cash prizes!), trick-or-treat goodie bags, a raffle for handmade quilts by award-winning quilter Lolly Schiffman, live music, and vendors. $10-20, noon-4pm. October 19, The Shops at Stonefield. strutyourmutthalloweenpageant.org

Pups on parade

Here’s your chance to show off Fido in his Sherlock Holmes get-up and Fifi dressed as the cutest raccoon this side of the Ivy landfill. The annual Downtown Mall Doggie Howl-O-Ween pooch parade and costume contest has categories for the funniest, most creative, most Halloween-y, best group theme, and best in show. The evening also includes dog trick-or-treating, a photographer, a caricature artist, and $2,000 in raffles and prizes. Suggested donation of $15 benefits Hooves and Paws Animal Rescue, 5-8pm. October 25, Central Place. pawprintsboutique.com

Howl~O~Ween

Keswick Vineyards hosts its annual Howl-O-Ween event, where your furry friends come dressed in their cutest costumes and parade around (literally, there’s a puppy parade in the tasting room) for all to see. A costume contest follows, so tell your pals: Don’t be a haunt mess. Free, noon-4pm. October 27, Keswick Vineyards. keswickvineyards.com

Rock on

File photo.

Well these sure do sound like a ghould time.

Spooky Funk Halloween Party Music Pop~Up

Dance party alert! DJ Ryan (aka Kendall Street Company’s drummer) will spin the tunes all night—you come ready to party, drink, and dance your boo-ty (get it?) off. Free, 6-9pm. October 25, Flying Fox Winery & Vineyard. flyingfoxvineyard.com

Fifth Annual Samhuinn Fest at Thistlerock with House of Hamill & the Donnybrooks

For the uninitiated, Halloween began more than 2,000 years ago as an ancient Celtic fire festival, Samhuinn (“sow-in”). Thistlerock Mead Company pays homage to the holiday’s origins, carrying on the traditions. Participate in fairy house-building workshops, crown-making, pumpkin-carving, and more, plus live music and fire-cooked food. Free-$15, 2-10pm. October 26, Thistlerock Mead Company. thistlerockmead.com

Ghouls Night Out

IX Art Park hosts this Halloween-themed costume rave in its Looking Glass gallery. Be prepared for spooky and surreal to collide in this immersive environment with lights, installations, and cutting-edge DJ-led beats. $20-75, 8pm-2am. October 26, IX Art Park. ixartpark.org

The Pollocks Howl~o~ween

Local favorite The Pollocks take the stage for a “spine-tingling night of music and mayhem.” $15, 7-9:30pm. October 26, The Batesville Market. batesvillemarket.com

Hard Rock Halloween

Van Halen and Stone Temple Pilots tribute bands Bad Halen and Sex Type Things, respectively, take the stage at Rapture for a hard-rock show. Free, 10pm. October 31, Rapture. rapturerestaurant.com

Get your fill

File photo.

Nothing says Halloween like a stomach full of mini MilkyWays. Here’s where to grab a handful (and then some). 

Downtown Safe Halloween

Ting Pavilion hosts this Charlottesville Parks & Rec-sponsored free event, with live performances and a DJ, plus crafts, games, a costume contest—whew! (There’s also a quiet zone for those who are scared of crowds.) Trick-or-treating downtown follows the event from 4-4:30pm. 2-4pm, October 19. Ting Pavilion. tingpavilion.com

Trick~or~Treating on the Lawn

A tradition that started in the late 1980s, Trick-or-Treating on the Lawn is for costumed kids of all ages, who are invited to visit each of the 54 Lawn rooms (and the Range) to scavenge for sweets. Free parking is available from 3:30pm at the John Paul Jones Arena garage, South and West lots, and from 4pm in the Culbreth Road garage. Hourly parking is also available nearby. Free, 5-7pm. October 31, The Lawn and Range, UVA. studentaffairs.virginia.edu

Party like a rock star

Annual favorite the Mock Stars Ball returns for two evenings
of intentional camp paired with some serious rock chops. Local musicians combine forces to form supergroup cover bands and impersonate big-timers such as Billie Eilish, The Cranberries, Sublime, Backstreet Boys, Brooks & Dunn, Smashing Pumpkins, and many more in a benefit for The Shelter for Help in Emergency in honor of Whitney French. $20-25, 8pm. October 25 and 26, The Southern Café & Music Hall. thesoutherncville.com

Photo by Tristan Williams.

It’s craftacular

Ready to (cat) scratch your creative itch? These three spots have you covered this season. 

Halloween Mask~Making Workshop

Head over the mountain for this one, a mask-making class at Staunton’s Art Hive. Ideal for all ages and skill levels, the two-hour workshop will take you through the process of creating a personalized mask, starting with design and sketching and ending with final touches like glitter, feathers, or fabric. All materials are provided. 11am-1pm, $15. October 12, Art Hive Creative Reuse and Art Center, Staunton. arthivestudio.net

Halloween Macrame

The Scrappy Elephant invites you to make a Halloween-themed (a ghost! a jack ‘o lantern!) macrame craft. Says the creative reuse retailer: “This simple project is perfect for those who have never done macrame as well as those more experienced.” For ages 12 and up. $30, 2:30-4pm. October 20, The Scrappy Elephant. scrappyelephant.com

Paint + Sip Costume Party

Follow the instructor’s directions to create your own version of Batty Moonrise, a spooky skyline featuring (did you know?) the only mammal that can truly fly. Pro Re Nata hosts—and a free drink is included in the price of your $45 ticket. Oh, and come dressed up—it’s on Hallow’s Eve Eve! 6-8pm, October 30. Pro Re Nata. blueridgebrushes.com

Supplied photo.

Get lost

Supplied photo.

Make your way through one of the Blue Ridge Mountain Maze’s corn mazes (now located at Blue Toad Hard Cider, near Wintergreen). Equipped with just a crayon and a blank survival guide, you’ll scout an escape path through five acres while taking in a panoramic view of the mountains. Tickets include access to plenty of family-friendly attractions, like the country store, farm animals, movies in the meadow, and the Farmy Fun Zone. Up for a more chilling experience? Come back at night to navigate the maze by moonlight.

Child’s play

File photo.

For two evenings, Virginia Discovery Museum opens its doors for Boo Bash—carnival games, activities, and crafts. Plus, says the museum’s website, “Conduct eccentric experiments with UVA L.E.A.D. in the Mad Science Lab, concoct kooky potions in the Witch’s Cabin, dance the boogie-man boogie in the glow-in-the-dark Monster Mash room.” Proceeds support VADM’s programming. $18-65, 5:30-7:30pm. October 24 and 25, Virginia Discovery Museum. vadm.org

Witch you were here

Halloween’s not all plastic pumpkins and sticky children (blech!). For those of you with more sophisticated taste, try these. 

File photo.

Haunted Happy Hour

Before the October 18 showing of Live Arts’ What the Constitution Means to Me, enjoy spooky drinks and
$20 tarot readings by Jess Bronson of Sealed in the Stars on the theater’s rooftop terrace. Free, 5:30pm. October 18, Live Arts. livearts.org

Fall of the House of Usher screening

Enjoy live piano accompaniment from UVA film lecturer Matt Marshall while watching Jean Epstein’s 1928 surrealist adaptation of Edgar Allan Poe’s maddening novel. $5, 8pm. October 24, The Looking Glass at IX Art Park. ixartpark.org

Witches Tea Service

On West Main, Cakebloom hosts a proper tea service, with a “spoookkkyyy menu of tricks and treats.” Not hard to solve that mystery: We’re betting cake will be on the table. Come dressed in your favorite costume and be entered to win a free eight-slice sampler or, if you’re a runner-up, a free five-slice sampler. $45, noon. October 26 and 27, Cakebloom. cakebloom.com

Frights, Flights, & Bites: Halloween @ Ethos

Ethos Wine & Tea invites you for a trick-or-treat-style tasting (plus snacks!) of natural and local wines and organic teas. The event will take place on the sidewalk outside the Main Street café. $30-35, 6-9pm. October 31, Ethos Wine & Tea. ethoswineandtea.com

Halloween Organ Concert

Drink in a short concert of spooky organ music, followed by an up-close tour of the organ itself (we assume organ the instrument, but it’s Halloween, so who knows?). All ages are welcome to this free event. 4-4:30pm, October 31. Westminster Presbyterian Church. westminsterorganconcertseries.org